Sakamakis Defend Their S/O From Bullying.
Whatever may have happened, they're here for you. Kind of.
[Português]
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“Oi, chichinashi, where ya think you're going?”
He’s probably the one who started it, being someone who likes to make fun of others. But he realizes it went too far when others joined and you left the room without saying anything. He'd try to go after you and say sorry.
“Y’know, if it bothers you that much I won't do it again. Only if you're asking for it. I'll take care of whoever tries to go too far with you...”
"I'll take care" translates to "nose punching".
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“Nfu, you make such a kawaii face when you're upset.”
He's taking advantage of the fact you're vulnerable to slide his arms around you, mess with your hair and tease, most likely trying to distract and make you pay attention to >him<. The only difference from Laito’s usual behavior is that, actually, he takes this more seriously than he's letting on.
Out of nowhere, it appears that one of the people who made fun of you all of a sudden had a super dirty secret released to the public!
“Eh? I wonder who did that… ♪”
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“…”
Oh. These people don't know who they're messing with. They can feel Kanato’s stare piercing through their souls, but most likely will only whisper something about him being weird. Once given the chance, he'll pull you closer and suck your blood pretty aggressively – he’s incredibly upset.
“How dare they talk like this?! You're my doll. Can't they see it?”
He'll need a lot to calm down. If something like that happens again, you can expect him throwing around your bully’s stuff and screaming a lot.
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“Haa… have you all ran out of better things to do?”
He's usually so quiet, so when he suddenly opens his eyes and starts defending you, it isn't a surprise to find out everyone goes silent. He wouldn't bring up the subject again, but if you did talk to him about it, he’d smile a bit teasingly.
“What? I simply decided to respond since you weren't doing anything. Don't mistake it for kindness. I'm a vampire after all. If you want to pay me back, maybe give me a sip of your blood.”
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“... Shut up!”
A straight punch to their face and Subaru is now in detention and/or receiving a scolding from Reiji. He didn't think nor hesitate as soon as everyone started laughing and you were left keeping your head down. Of course, he'll still blatantly deny that he cares about you, but it’s getting clearer.
“Don’t get the wrong idea! They were asking for a punch on their face anyway. I-it’s not about you, so don’t be so damn selfish!”
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“I believe some students are in need of serious reprimand.”
Normally, he wouldn't care much about bullying, but he will intervene if it's getting more common and out of hand. Reiji has a lot of influence in Ryoutei Academy. He builds his image around being proactive and serious, so if he tells something should stop, it will stop. A lot of people respect or fear him by his attitude alone.
“Don't worry, it won't happen again. But I suppose that if such a pattern repeats itself, we might have some students expelled very soon.”
(shameless redesign from my Instagram not_so_diabolik_lovers)
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A Ramble about Phase 19 of the Fifteen Manga Ft. Storm Bringer spoilers
Just absolutely cannot get over the 15 manga. I love the light novel so much, but this manga adaptation is so ridiculously amazing. Dazai and Chuuya’s proximity/touching has been amazing of course. I adore the way Hoshikawa draws Dazai and Chuuya as well (my baby boys, especially Chuuya). But these last two chapters with Rimbaud and Verlaine. Like, fuck. The whole “At least, one of them felt that way,” part just hits so much harder in the manga for me, with the art and page placement. And this whole most recent chapter. Like firstly, you don’t have to end every chapter with like Chuuya getting stabbed okay, help me out here.
Comparing the last page of phase 18 with Verlaine and the first page of phase 19 with Chuuya makes it so obvious that Rimbaud is seeing the similarities between them with just that parallel, which is confirmed later with Rimbaud quite literally seeing Verlaine standing behind Chuuya.
Not to mention in phase 18 the “That’s right Paul, I remember you,” in conjunction with him seeing Verlaine in Chuuya.
Then that flashback with Verlaine carrying Chuuya and Chuuya’s just so small I could cry.
Like, I knew he was small, but he's just so young, I can't. People were experimenting on him. Like, how??
The way Rimbaud wants to ask Chuuya something and Chuuya crouches down to him. Which leads to Rimbaud putting a hand around Chuuya as he tells him to live. How close and personal they are when Rimbaud says all of this just make it feel so much more impactful for Chuuya. Kinda love too that Chuuya isn't just standing over Rimbaud. He's making it obvious he's open to listening.
Rimbaud says a lot of shitty things to Chuuya up to this point, even complaining that he has to kill a kid while only referring to Dazai, completely not acknowledging Chuuya as anything more than Arahabaki. But once he fully remembers what happened with Verlaine, I feel like that’s when Rimbaud remembers what he truly believed about Verlaine and his humanity and how that extends to Chuuya’s humanity. Because Rimbaud’s whole final speech is most definitely things he’d also thought of or told Verlaine before (as I think is confirmed in SB). I think those are Rimbaud’s true thoughts and beliefs on the matter, it just took that long for him to remember the full story and how he felt about it all. Rimbaud saw Verlaine’s struggles with humanity, and now he also remembers why Verlaine betrayed him. And so he tells Chuuya to live, just as Verlaine wanted him to back then, live without the burden of worrying about your humanity or where you came from, because “you are you.” It doesn’t matter if Chuuya (and Verlaine) “are but a pattern etched on the surface of raw power.” In Rimbaud’s mind, and honestly where we eventually end up at the end of SB, is that it really doesn’t matter what your origins are, whether someone is an artificial personality (aka pattern) etched onto raw power, because really everything is some version of a pattern upon the world. And in a word with abilities, a lot of people are a pattern connected to a power. Just as in SB Chuuya decides that even though Adam isn’t human and he knows it, it doesn’t take away from Adam’s actions, his sacrifices, or his dreams. Same goes for Chuuya and Verlaine. Their origins don't affect how human they truly are. Their humanity is significant no matter what. It just took a bit more convincing for Chuuya to get there, a little more than what Rimbaud could offer on his (almost) deathbed.
Anyway, Chuuya holding Rimbaud’s hand as he dies just does things to me. Like, the book described that “Both Chuuya and Dazai quietly listened as if there was something in what Randou (Rimbaud) was saying that they couldn’t allow themselves to miss… Some things, however, would not return to normal: the body of a man who no longer felt the cold, and the hearts of two boys who stood rooted to the spot, staring at him. A gust of wind peered through their souls as it passed them by.”
This page just so well depicts that last line. It truly feels these boys have heard something so monumental, that they won’t ever forget. Standing in the aftermath of their first fight together, hearing these words about humanity that both mean so much to both of them. Dazai’s expressions really convey this to me in the manga, and convey it just so beautifully. And Chuuya being so close to Rimbaud when he speak those words just makes it feel like those words truly are so monumental for him. And also this means that Chuuya fought to kill a man, that to be entirely fair and clear was trying to kill him first, and then held to his hand as he dies, and there’s just something about this added detail that’s so significant to me in portraying the weight of it on Chuuya. Chuuya's connection to Rimbaud is a complicated but important one. But really these words are important for both boys, because let’s not forget that Dazai also struggles with his humanity. Even if he doesn’t have a physical reason to doubt his humanity, like Chuuya, there are many other reasons that he does doubt it. So hearing that all people and all of humanity are really just patterns within the physical world, human or not that’s true of everyone and everything, and that’s important for Dazai to hear too. I think both boys think back to Rimbaud’s final speech quite a bit, if I’m being honest or did for a while.
I am NOT getting over the detail that someone (Chuuya??) put Rimbaud’s scarf on his grave. I just… it does something to me and I love that detail so much. And cutting back to that “You are you” line while Chuuya’s talking to the grave is just so perfect in my opinion, and again just shows the significance of it so, so well. It’s like, he's talking to Rimbaud, complaining about his actions really, and then it cuts to that “you are you” and it just shows almost the contrast I guess between Chuuya feeling unrest at not finding stuff about his past that Rimbaud could’ve given him, but maybe wouldn’t have anyway, and Rimbaud’s statement that those things don’t matter because Chuuya is who he is beyond all that. Also the little dandelion blowing into the wind, to me also signifying a wish being spread.
Anyway, entirely unnecessary to end the chapter with a big knife in Chuuya’s back, thanks. Especially after Chuuya mentions how he’s still exhausted from everything. Like let’s just, stop, please.
He's just a boy, leave him alone for the sake of all things good.
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-Flood me like Atlantic-
Chapter 11
Full series
Word count: 2.2k
Warnings: TRAUMA. Processing grief. De@th and loss of loved ones. Descriptions of g0re. This one was a bit difficult to write but it’s an important addition, and something you’ve all been waiting for MIGHT just be at the end! enjoy :)
He remembers that moment.
The way the beach got suddenly so quiet.
How when he looked up from his notebook, he couldn’t see a little head playing in the shallow waves.
He remembers how he ran. The way the wet sand churned under his feet as he called her name, running down the shore.
How the dark waves felt enveloping him, fighting his body off, like it wasn’t welcome in the water; trying to break his bones as his voice got hoarse from screaming.
He couldn’t believe it, he couldn’t believe it…
“I don’t believe it.” II Whispers, eyes dilated and hollow. He sits on the end of his bed, not even looking up at Vessel in the doorway.
“I don’t believe it…”
“II? Can I come in?” Vessel speaks softly, though his lanky frame is a bit stiff. His hands fidget in the front of his hoodie.
II’s wet eyes flick up at him, red lips parting in a tragic shape. He nods.
Vessel steps quietly inside, closing the door till it’s open just a sliver like he found it.
II’s room is plain. Mainly a grey palette, with a few posters and cassette tapes littered around. Clothes are piled up on top of the dresser and the bed is unmade.
He’s been locked up in here, since last night when he saw the news. III and IV had both initially followed him in, trying to console him behind the closed door as Vessel stood outside, helpless.
II was crying.
And he knew he wasn’t supposed to help.
Now, Vessel settles down on the bed next to him, not saying a word. His head is bowed, eyes staring into space for a few beats before nervously flitting over at the drummer.
“…How you holding up?”
II sniffles, wiping his face. He sighs. “I dunno, Vess. I’m fine. I just can’t…” he looks up at him now, those big red eyes almost pleading. “Did you see what he looked like?”
Vessel did.
How could he forget? The image is now burned into his head as permanently as the symbol behind his bangs. Matt’s body, stretched out on the rotten floor of the house. The candles surrounding him, melted into puddles that seeped up around his blue skin and mingled with the blood dripping from the marks on his chest.
Patterns that lace Vessel’s own body.
Venus is dead.
He had to tell himself that over and over again, all night and all morning. She’s dead.
…isn’t she?
Vessel’s hand slips out of his pocket, tentatively moving to II’s knee.
“I know what you’re going through.” He says. “…grief is the toughest pill there is, I think. I wish I could fix it, II.” There’s a desperation in his voice, a little crack that he tries to hide. “…You don’t deserve it.”
“Who could’ve done that to him?” II’s voice is choked again. “Fuckin carved him like an animal.” His eyes meet Vessel’s, and go hollow. “…Did someone try to do that to you?”
Vessel swallows.
He still hasn’t told any of them the story. About Venus, about what happened that night. But he knows they’ve all been thinking about it since the photograph flashed on the tv.
It’s about time he told someone.
“…I dunno if it’s connected.” His voice is low, threatening to get bumpy. “But… you remember that girl who walked up at the bar? At the Blacklit room?”
II nods, confusion in his face. But he lets him continue. “Well, she texted me, about a week after the accident. Had me meet her at the sight. And she… well, she drugged me.”
II’s eyes go wide. “You telling me she did all that to you?” II looks horrified.
“…when I woke up she and her friends had me tied down.” Vessel’s lashes flutter, blinking away a bit of dew that’s gathering. “And then she… got on me. Told me I was some kind of offering, then got her knife out.”
II is silent. They both are for some time.
“…I think she’s dead, II.” Vessel says. “I dunno all that happened, I blacked out again. But she was gone and I… could just feel it.”
He wasn’t about to launch into the whole story. To be honest, he’d kick him out of the house too if he brought up Sleep. Though maybe one day they’ll be able to understand.
“I could be wrong.” He says. “She might still be out there. But no matter what, we’ll get justice for Matthew… I promise.”
Vessel almost thinks he hears the floorboards creak outside the door. He turns his head only for a moment, but II stays still. The drummer bows his head.
“…I loved him, I think.” He whispers. So quiet that it’s barely heard. So soft that Vessel knows it’s only halfway meant to be said; a confession for himself.
“Did you?”
“…maybe. I don’t know. I’ve known him since we were kids, on and off… never was able to shake the feeling that maybe I wanted him more than I had him. But it doesn’t matter now, does it? He’s fuckin dead.”
The words drill straight into Vessel’s chest like a knife. Oh, II…
The water choked him, salt burning his eyes as he swam out into the deep. He couldn’t see anything. Couldn’t hear anything but the water. It dragged on his clothes, trying to swallow him just so it could spit him out.
Vessel’s eyes glaze over, wondering off to a different plane. “…I had a sister, once.”
II looks up at him, blinking. “…not anymore?”
The words come out of his mouth like breathing. Like breathing with lungs full of water and a head full of so many memories it’s about to overflow.
“…I was sixteen.” He continues. “Wasn't supposed to happen, you know?” His voice breaks on the last word, and his throat ties in a knot. He hasn’t talked about it in years. “Just one day and… I lost her. I was supposed to watch her, to make sure she stayed close. I looked away for only a minute.”
II’s face is even paler as he listens, hands knotted in his lap. His eyes are wide as saucers and more intense than Vessel has ever seen them, though he barely dares to take his own off the opposite wall.
He clears his throat, swiping his cheek with a sigh. “…the point is, she gave me a keyboard for my birthday. That same day. She got to hear me play it, said she loved it… she always loved to listen. I was just teaching her how to play the piano that month… She was a natural.” His eyes are full now, lips quivering. But there’s a point to all of this, and he’s gotta see it through.
“Matt was a drummer, yeah?”
II nods, scrunching his hands in his jeans.
“Means he’s not all gone. He’ll be with you now, when you play. In the music and the sound. Just like she’s in the keyboard, and in every the piano. We keep playing for them.”
His hand climbs to II’s shoulder, squeezing softly. “To keep their sound alive.”
II sniffles, nodding. “…thank you.” he says, hunching into Vessel. He wraps his arms around his waist, disappearing into his side like a little shadow. Vessel isn’t sure what to do at first, wet eyes blinking away the fog now that he’s being held. His arms wrap slowly around his friend, hugging him like he hasn’t hugged anyone in awhile.
They sit like that for a few minutes. Neither of them say a word, and neither of them cry anymore. It’s a sacred moment suspended in time and memory that Vessel makes sure to lock away and not forget.
After awhile they part, and Vessel leaves for the door.
“Vess?” II’s voice follows after him. He turns, raising his brows.
“What ever happened to your keyboard?”
The drummer asks. “You still got it somewhere, right?”
Vessel shuffles his feet, fingers gripping the brass doorknob.
“…It was in the motel I was staying in before everything.” He says, swallowing hard. “Probably confiscated, by now. But it’s alright. Maybe it’ll turn up in a pawnshop one of these days, huh?” He tries to smile, for II’s sake. But they both know it’s forced.
II nods, knotting his hand in the bedspread. “Yeah, probably, mate.”
As Vessel walks out, his head turns down the hallway just in time to see III’s door close softly shut.
He hadn’t even heard him.
•••
The house is quiet.
More quiet than usual.
Vessel stands in the kitchen, hand splayed on the counter as he downs a glass of water. His eyes are unfocused, flitting lazily out the window at the pitch darkness and the kitchen reflected in it, trying to gather his thoughts.
Where had he gone?
IV and II are both in their rooms still, having gone to bed hours ago. The sun will be up in an hour or two. But Vessel only managed to grab a bit of sleep before getting up to pace the night away, mind turning sluggishly over the events of the past few days and how they might correlate to III’s sudden disappearance.
“Does he do this often?” He had asked IV as the sun was setting and the bassist was still nowhere to be seen. He hadn’t said he was going anywhere, or even that he had something he needed to do. IV shrugged. “Sometimes… not a lot. But don’t sweat it, I’m sure he’s fine. If he’s not here for breakfast I’ll try calling him again.”
Vessel rubs his eyes, blinking hard. His head still hurts from that bit of an emotional display with II earlier since, honestly, he hasn’t cried in a good long while. And even then, it was hardly a sob fest.
But it certainly could have been.
”If you’ve gotta be sad, why don’t you write about it?” He can hear her say. “Make a song about being sad. That way, when people hear it, maybe it’ll make them happy they’re not alone!”
He closes his eyes, dropping his head back as his fingers tap slowly over the edge of the cold counter. Back and forth… Hands arched… If he listens carefully, he can hear the notes.
A tear slides down his cheek.
Suddenly he hears something down the hall. His eyes flick open, turning around as his fingers go still.
He sets his glass down.
“II?” He whispers, passing by the drummer's door and going straight to the sliver of light pouring out of III’s. He doesn’t remember it being open.
Reaching for the knob, he pushes it quietly and peers inside.
III’s not here.
Nothing is out of the ordinary, the stained glass lamp casting a soft glow over the aesthetically pleasing mess. And yet his heart drops to the floor the second his eyes land on the middle of the bed.
There’s no fucking way. That’s not possible, is it?
An unmanageable frown starts growing on his mouth as he steps inside, hands reaching shakily for the familiar row of pearly white keys. They’re a little scratched, the black surface aged and feeling oddly bare of a white bow.
But it’s perfect.
He presses down a single note, the delicate sound settling into his bones.
“-it’s tuned.”
He turns around, eyes blinking hazily at III in the doorway.
“What?” His voice is half stolen. “How did you- where did you…”
III steps inside, doc martins and a long suit jacket not detracting from the bags under his eyes. He looks exhausted. He wanders closer to Vessel, looking down into his eyes and not stopping, finally. Those long lashes flutter as he looks over him, casting shadows down his cheeks.
His lips part. “…It’s tuned.”
Vessel’s arms are around him before he can stop himself, and III returns the gesture like it’s the simplest thing in the world. Like holding him was something he was always meant to do, and that all he needed was the proper time.
“Thank you.” Vessel chokes into his shoulder, hands clawing up the back of the jacket. “T-thank you.”
III’s hands spreads in the back of the singer's hair, holding him tight enough to suffocate him and not showing any sign of letting go.
“I’m sorry.” He breathes.
And that’s it.
…And that’s more than Vessel ever needed to hear from him.
He was spat out. Left on the shore, rejected by the sea and all that it contained. He was desperate. Alone. Made to wander and wonder why he wasn't fit for the same tomb as her, after all.
He waited on the beach, praying to the water. Spreading his hands in the foam and asking it, simply, why.
But it had no answer, and neither did anything else. Not his mother, not one of the flyers in the waiting room a month later. Not a god.
Though he had this insatiable desire; To claw down his mothers heaven, and make sure that the girl was in there. If there was ever a reason for heaven to be real, it was so that she’d be put in it and sheltered forever. Whether or not it was best. Whether or not he’d ever be able to reach her, in the end.
“Let the tide carry you…” his hands draw the sounds out of the freshly tuned keyboard, nodding his head slowly to the music. It’s alive again.
“…back to me.”
Tags: @thevenomousseprent @moonlit-valkyrie @mmendez0124 @yourviscera @rain-down-on-me @xzero01
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