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#it’s about the shoulder triangle
neon-danger · 9 months
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I’m high key in love with my cartoony art style
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14dayswithyou · 4 months
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I gotta know how did got those chiseled abs does he go to the gym
✦゜ANSWERED: Ren? He occasionally works out at home!! Gotta be stronk to protect his Angel from potential threats (Elanor holding scissors) 💪
But!! He mainly focusses on his biceps, though his defined abs were a happy accident lmao
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kismetmoon · 2 months
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Obsession
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[Image ID: a digital painting of an original stylised Flatland character named R. Line.
R. Line is a humanoid character with dark grey skin, an eye for a head with a sharp point on top, and a black eyebrow. She is wearing a long beige dress with long sleeves and grey on the shoulders. She is also wearing some grey cloth wrapped around her waist and a yellow necklace with a sun pendant.
R. Line is posed as if floating and turned slightly, with her back turned mostly towards the viewer. Her head is turned around to look behind her and she is staring at bottom right with a furious expression and a furrowed brow. Her waist is leaned over to the left, while the bottom of her dress flares out towards the right. Her arms are held bent at her sides, with her clawed hands balled into loose fists.
The background is grey and there is a noticeable red tint laid over the entire image. There is also a yellow and orange sun behind R. Line’s head, positioned like a halo, with yellow lines radiating outwards from it.
End ID].
the worst woman in existence of course belongs to @presidentcircles-assistant. also alternately coloured version (that i don’t like as much but i spent way too much time on it to just throw it away) and the revised sketch (that i do quite like) under the cut
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[Image ID: two images showing the same drawing of R. Line as above, but the one on the left doesn’t have a red tint or lines coming out from the sun, and is painted in a different, more traditional manner with grimier colours. The image on the right is a rough monochromatic sketch of the above image. End ID].
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VINDICATION
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FINALLY A LOVE TRIANGLE THAT HAS THE GODDAMN GUMPTION TO CHOOSE BOTH AND THEN BOTH TO CHOOSE EACH OTHER
Never forget this is a book about aliens destroying the world and the world responding by making big ass robots (in this case made out of alien husks) and needing paired pilots to drive them to kill the aliens.
These paired pilots just determined a third is what they needed to make them a balanced match.
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chirpsythismorning · 6 months
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☎️🎲 🤼‍♂️ ✈️🚪 ➡️ 🫀🎮⌛️
If You Leave by Orchestral Manoeuvres In The Dark
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previous ⏪︎ now playing ⏩ next back to playlist
Special Features (coming soon)
Byler over the seasons with the lyrics of If You Leave
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sundaemuddysucks · 5 months
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got my best friend to watch td do you think he will hate me
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munamania · 11 months
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also. this trip has been making me fully realize how much my hypermobility affects my life lmao and like. i guess just how connected my issues are it’s almost like my body is a whole interconnected unit
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leafyloveslaughing · 1 year
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bro. i'll appreciate pretty much any content that's consistent but damn, historical manhwa's where the fashion is consistent? pop off.
#i dont read them that much but when they put in the thought you def notice T.T#the most notable ones are ill be the matriarch in this life and a stepmothers marchen like omg#even if there's the few off artistic choices IT IS LARGELY CONSISTENT they stick to an era and they nail it !!!#of course this isnt to drag on other historical manhwa. i love any pretty outfit when i see them. but it just hits different ok 😭#im just saying this as someone who never studied a piece of fashion history in their life but watched a lot of videos leave me alone-#in illbethematriarchinthislife. the womens wear consist of long dresses that sinch HIGH. just below the breasts. jane austen era i think#AND THE MENS WEAR IS ALSO CONSISTENT !! GOOD LORD !! long shirts. FLAT. not a synched waist to be seen here. no sir.#unless your wearing a uniform jacket then like. maybe a little sinch. just a little.#in astepmothersmarchen. womens wear are BEAUTIFUL. floofy VERY FLOOFY SKIRTS. i swear they gigantic#again i didnt study fashion history so idk the exact era but the SILHOUTTE. chefs kiss. distinction is so important#really frilly tops too. i dont think ive seen a hard lined triangle sinched waist yet. with like a visible corset i mean? thats another era#OOOH- GOING BACK TO illbethematriarchinthislife. the womens wears sleeves?!?! lovely. mostly puffed shoulders with slim long sleeves.#so going by that im now no longer sure if its jane austen era? since that era was puffed shoulder sleeves with really long gloves instead-#i mean they couldve also gone straight up sleeveless but what do i know T.T#their skirts also. unlike jane austen era. very big !! with a part split in the middle like a triangle to reveal only more skirt#i dont have the vocabulary for this...#back to astepmothermarchen skirts. floofy at the sides. lots of frills. they appear round but i wouldnt be surprised if like-#similarities with historical france dresses show up? with the really long sides you know#idk much about the mens wear in this one-#the men wear uniform esque style. casual wears are long poofy sleeves with them white loose fabric#really sinched at the waist tho but im not sure if its the fashion or just the artstyle?#a stepmother's marchen#i'll be the matriarch in this life#if anyone has any recs pls share them !! or any added detail because again. not a braincell in sight with this one XD#hearing people who study about fashion history is such a blast !! theyre all so passionate T.T#most of the historical manhwa ive read are european centirc but the asia centric ones? slay
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magpiemending · 7 months
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Today's pirate shirt update: I ironed the neck gussets and mostly stitched on one of the shoulder strips (about 1 inch of sewing to go there, which I'll probably finish before bed).
This is the first step so far that I think would be better done by machine. The shoulder strip is long enough that it's a pain to sew both sides by hand, and it's a straight piece without any gathered fabric being attached to it, so it's not very fiddly.
Also, I wish I'd cut the shoulder strips about 1cm longer, maybe more if it was convenient. They're just barely long enough to use, and it would be easy to trim them if they were too long instead.
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mejomonster · 2 years
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also on the subject of zhang qiling’s characterization. i really want to get through more of the novels. i’ve only gotten through books 1 and 2 so far, and only the english translations (which im assuming up in quality a bit once you move to merebear translates in the later books), and i did not even get to the xiaoge parts in book one in the chinese versions yet.
so like, my opinion of him in the books is very specifically book 1 and 2 translated. and im very curious how he evolves and how he’s presented and how he acts to the iron triangle group. 
book 1 and book 2 i actually think overall the drama adaptations did a good job of showing xiaoge’s personality in them, although a bit ‘sped up’ (just like pangzi’s mostly himself but ‘sped up’ to be closer and warmer and kinder to wu xie quicker than he is in the book, im assuming so the shows could get the iron triangle dynamic sooner).
in book 1, like The Lost Tomb drama, xiaoge is mostly a detached mystery man who’s intensely competent, dangerous, and aloof. in the book he doesn’t particularly give notice to wu xie as far as we can tell (from what i remember anyway), and wu xie mostly only notices him for how Talented he is (his cool fingers... ok wu xie calm Down lol), and because wu xie at that point is trying to pretend to be a tough cutthroat tomb raider like San Shu, but he’s naive and at heart always been just unable to ignore others suffering If he thinks he can help. So we get little bits of wu xie wondering if xiaoge’s okay, wondering where he is, checking on him (like wu xie is ultimately doing with pretty much everyone on the expedition he thinks he’s even got a .001% of being helpful to). Wu Xie is less charitable and goody-two-shoes than the shows, and just thinks in his pov selfishly, but even thinking himself ‘trying to keep myself alive fuck others’ he ends up going ‘oh fuck i should go try and grab that guy and help huh?’. So wu xie is thinking that way about xiaoge too, as is to be expected. What’s unique about it is that no one else is thinking of xiaoge as someone who needs to be cared about - who’s weak enough to need help, or an ally enough to deserve their time, etc. 
And that dynamic is also true in the show - in the drama the rest of the team is quick to assume xiaoge is against them, could kill them (quite possible), is using them, can handle things without them sticking any limbs out for him, and a lot of them don’t necessarily assume xiaoge would even help them If he was around and it was convienient for him. The drama blows it out of proportion, with wu xie being damsel-in-distress saved by xiaoge nonstop, and xiaoge visibly to the audience taking notice of wu xie SPECIFICALLY asking if xiaoge’s okay and trying to help him (as early as the scene in the Inn when wu xie carries him to a bed, and gets him food to eat). In the novel xiaoge does help wu xie at times, but at least from wu xie’s pov (the only one we get) it seems he just Happens to be helping. One can say xiaoge maybe already took a special interest in wu xie, simply because he DECIDES to help him (which he likely does because he notes wu xie is actually treating him like a Person unlike pretty much everyone else on the team, and wu xie’s also the only civilian on the team and therefore not necessarily as much of a potential enemy/threat to xiaoge and his goals). But from wu xie’s perspective xiaoge just seems like an enigma in book 1, who’s VERY competent and VERY cool and very mysterious, who wu xie treats like a Person who deserves to be concerned for like himself (unlike how others treat xiaoge), who happens to help wu xie out a bit (but multiple people help wu xie he’s a naive first timer he needs it lol).
So from book 1, you really don’t see a clear perspective on how Xiaoge views wu xie. Only that its apparent wu xie himself treats tomb raiders, all people generally, as People as worthwhile as himself to help (if he thinks - foolishly- he could survive helping them). So wu xie’s behavior is a contrast to literally everyone, and for someone like xiaoge its a treatment he generally doesn’t get. (I’d argue for Pangzi too, a reason they gradually gravitate toward each other too). The drama follows a similar arc, but xiaoge’s interest and the fact he’s been Affected by someone caring for him and what that makes him feel like is WAY more obvious and likely sped up (cause the early dramas speed up iron triangle dynamics a bit). In the drama, its CLEAR xiaoge’s repeatedly saving wu xie in part because wu xie in particular is trying to help xiaoge, treating xiaoge like a normal person like wu xie is, and assuming xiaoge has good intentions by default/is an ally by default. Wu Xie is being trustworthy, and safe, and attempting to be helpful, all things xiaoge never gets. And drama xiaoge tests that, even trying to show himself as scary and brutal AND a dangerous ‘traitor’ to the group without arguing with San Shu when san shu starts painting him that way. Killing an immortal in front of the group and wu xie after wu xie assumes he isn’t a killer, xiaoge and pangzi ready to murder each other, xiaoge and san shu clearly on opposing sides (meaning wu xie assuming the best of xiaoge means even MORE if he’s assuming xiaoge is worth trusting even as a stranger against the person wu xie loves/knows/trusts most in that group). So in the drama its more clear xiaoge is very affected by wu xie’s treatment of him, and that’s likely why he has an interest in checking in on him/keeping him safe later at the auction scene they add in, and the implication is that in The Lost Tomb 2 xiaoge’s still so eager on wu xie because wu xie truly WAS the person to treat him like a trusted person back. The drama is clearly more sped up/obvious than book 1. But the core intention of xiaoge mysterious, wu xie’s normal personality happening to touch xiaoge are in both. 
Onto book 2. I watched the drama The Lost Tomb 2 first, and so i expected that xiaoge suddenly being a lot WARMER and friendlier and open to smiling and joking and trying to be close to wu xie was “the drama speeding pingxie/iron triangle up in closeness” just like the first drama. However, mostly, that wasn’t the case. In both the show and book, Xiaoge first is introduced as Old Man Zhang who is a “professor” who shakes wu xie’s hand and smiles and is EAGER to talk to and touch him. Then wu xie finds out, once attacks happen, that old man Zhang is actually Zhang Qiling as he removes the face-mask disguise and helps wu xie out. In the show, I thought that was already SUCH a change of pace - for xiaoge to show up covertly, and then go gush to wu xie in disguise (just xiaoge gushing/socializing in general is out of place for him normally!). But then I read book 2, and in it old man Zhang gets more dialogue of trying to compliment wu xie (and wu xie taking it as veiled-insults implying wu xie is inexperienced, when its actually xiaoge having RESEARCHED wu xie’s background and gushing in an attempt to say he finds wu xie cool too and wants to be friends). 
So Old Man Zhang itself is so interesting, because this disguise and warmth to wu xie implies at some point in book 1 xiaoge DID decide he’s interested in knowing wu xie, and decided when book 2 came and wu xie was scouted for an expedition, that he xiaoge would show up too and attempt to socialize with wu xie again. which is all HUGE for xiaoge, a guy who 1. does not socialize or care to, 2. does not generally have any attachment to the world so just having an interest in getting to know someone is big for him 3. is purposefully making efforts to be warm and interact which are things from book 1 he seemed to not care to do at all. So in book 2 he is suddenly acting a LOT more like pangzi (a tomb raider but sociable and aware of how to be at least casually friendly and make JOKES, compliment people, vocalize team work and strategy). xiaoge is doing a LOT in book 2 to try and reach an olive branch out to wu xie in the hopes wu xie will take it. I also think the disguise portion as old man Zhang indicates on some level Xiaoge wanted to try socializing/connecting to wu xie without it being tied to himself, in case things went badly and he needed to not leave such an impression on wu xie. He clearly cared a LOT about how their next interaction went and wanting it to go WELL post book 1, which i find fascinating. In retrospect then, what WAS xiaoge thinking of wu xie in book 1. I wonder. 
And then this final bit, is perhaps me reading too deep into it, but Old Man Zhang specifically being old - to me that reads like Xiaoge hinting he’s maybe not this young cool enigma wu xie met him as, and seeing how wu xie will receive an older version of him (since he is in fact over 100). Its Xiaoge testing out the idea of if wu xie will socialize, still treat him the way he likes wu xie treating him, if wu xie finds out he’s not exactly the man wu xie expects. (and Xiaoge is not going to be what wu xie expects in MANY ways - he’s not as good intentioned as wu xie thinks sometimes, he isn’t human as far as he himself views things, he’s older than wu xie thinks, he’s not cool like wu xie thinks but more just very very out of touch and isolated. And to a degree i personally read, that Old Man Zhang was xiaoge testing the waters to see if wu xie would still amicably treat him decent if he didn’t meet Wu Xie’s expectations. 
Then the rest of xiaoge later? As he acts uncharacteristically warm and friendly compared to book 1? Rather than testing if wu xie will like his more particular niche traits, hes testing if He can interact in a way compatible with wu xie, and if that will get him the friendship and closeness he wants - like when u act more charming to win over a person’s attention. And it largely works, wu xie overall gets quite friendly and teamwork’s in response and trusts xiaoge. In the show The Lost Tomb 2 this is almost JARRING compared to xiaoge’s mysterious closed off personality in The Lost Tomb. In TLT2 he smiles warmly, he stares directly at wu xie a lot, he jokes, he touches wu xie in camradiere and not just to ‘save’ or help him. He discusses what he’s doing and his plans for getting through a given area to a degree (aka he communicates/attempts to). He is trying to joke and be team-player around as much as pangzi (who is a much more sociable tomb raider with a lot of charisma), and regardless of how intense xiaoge is acting his main goal just seems to be to develop a connection to wu xie. This is xiaoge, and he could have showed up, said little, offered a bit of help (since wu xie Trying to be helpful to others tends to sometimes inspire it in the people he’s with), done his own mysterious agenda, then disappeared. He didn’t need to smile, or discuss any plans at all with wu xie, or compliment wu xie on his background and credentials, or even research and look into him. I expected the drama version of xiaoge to be ramped-up for pingxie shipping potential that the drama wanted to utilize. But then i read book 2. And in book 2 yeah, there’s not exactly a bunch of soul staring gazes, so as usual drama ramped up things a little. But the core element, xiaoge changing so Drastically in an attempt to connect to wu xie and build a relationship to him, is still there. He’s wildly more like a ‘usual tomb raider’ like pangzi or panzi in book 2 - talking to wu xie, working as a team, actually helping wu xie clearly on PURPOSE and not just ‘oh it happened to be convienient to help him.’ 
Book or drama version, im guessing to some degree its book 2 with pangzi and xiaoge teamed up with wu xie, where wu xie starts gradually making an impression on them. In the long term, wu xie’s connection to them tends to temper them both to be kinder people... where they might have shot someone to death or stabbed them, when wu xie’s around they tend to slow those instincts, when wu xie remains their team member as the stories go on, they tend to want to do these things a bit less even when wu xie isn’t around because ‘what would he think.’ At least that’s true in the shows. So pangzi is also going through a transformation as early as perhaps book 2 from “casually sociable but will kill anyone if they turn out to not be allied to him” into someone more like “well wu xie’s naive but i may not wanna leave him to die” or “well if i don’t Have to shoot xiaoge maybe i won’t since he’s technically being neutral right now and we’re both with wu xie.’ I’m curious how that transition happens in the books for pangzi. In the shows? The shows 1 and 2 speed the transition up to make pangzi a loyal trusted friend FAIRLY quickly, then show 3 Ultimate Note tempers it a little to a more reasonable pace of ‘shady tomb raider who’ll kill most people’ to ‘well maybe he’s got a soft spot for wu xie.’ TLT2 in particular speeds things up intensely, but still showcases exactly how brutal pangzi (and xiaoge) are when wu xie is not around - how they only don’t kill each other cause they’re allies, how they’ll kill a-ning and her men or other randoms if its needed without a concern, how neither of them particularly care if an immortal gets murdered by xiaoge, how they don’t personally look out for one another and think ‘you’re a tomb raider too take care of yourself and i’ll handle me cause i don’t expect u to help if im screwed.’ 
Pangzi is an interesting case because like... as shown in TLT2, he can charismatically act inept then fight someone and win, he can charismatically act friendly then betray someone (he often uses looking incompetent, or seeming friendly, to get himself out of traps or save wu xie or get the chance to attack someone). So pangzi’s transition from closed-off tomb raider fine with killing, to emotionally attached to wu xie and wanting to align with wu xie’s morals a bit, is more subtle. Because he acts friendly to wu xie before its actually genuine friendship, and he’ll use the same ‘warmth’ to harm others that he uses without any intention but kindness toward wu xie. Pangzi’s evolution is more about getting a soft spot for wu xie, where he starts to feel he can be Himself without it always being an act, where he feels he Can risk being kind and helpful without getting screwed (because wu xie won’t screw him over generally), where he starts to feel bad about being brutal toward a novice like wu xie. I imagine once we get to Ultimate Note and the coinciding book, Pangzi’s characterization starts matching up more (but i haven’t read the books that far yet). 
I’m very interested on if book Xiaoge’s development matches when it coincides with Ultimate Note’s timeline. Because book 1 xiaoge is so much of a mystery/closed off its hard to pin down exactly what he thinks about the new person he meets wu xie. Then book 2 implies he thought quite a Lot but he also seems to be putting on a different kind of act in it. If in book 1 (and drama The Lost Tomb) xiaoge is trying to come off as an unknown stranger to keep people out and at a distance, then book 2 (drama The Lost Tomb 2 sea-tomb part) Xiaoge is trying to give off the impression he’s a sociable tomb raider like San Shu or Pangzi (even though he’s not) because he’s trying to get wu xie to engage with him more. And because it’s all wu xie’s pov in the books, we don’t really know why xiaoge took a particular notice to wu xie for sure, and why he decided it was worthwhile enough to attempt to engage and emulate tomb raiders who are Good at interacting with wu xie in order to get wu xie’s friendship too. I’m wondering if in later books we ever get a perspective on why xiaoge wanted wu xie’s notice/connection, and i am very excited to see xiaoge in general unfolding into more of his many facets as the books go on. Because as mentioned, book 1 he keeps people at a distance as strangers, and book 2 he’s putting on an act (and also potentially revealing how big his capacity for chatty friendliness is given the right incentive lol). 
I found Ultimate Note drama xiaoge to be interesting because he is clearly back to closed-off this-is-my-problem-to-handle but Wu Xie keeps extending olive branches to try and meet him halfway, and xiaoge tries at times to extend it back in an Honest way. Staring to try and say things to wu xie, letting wu xie feed him, letting wu xie ‘help’ him, letting wu xie start convos and HOLD him in those convos when he could easily just leave or overpower wu xie - and doing all these things while admitting he thinks its his problem, that he’s a monster, that he doesn’t want wu xie hurt, that he thinks wu xie is stepping out of line pushing this of him etc. whereas in TLT2 he was extending an olive branch just to get wu xie to be warm to him... by Ultimate Note he’d rather abandon wu xie if it means wu xie is out of THIS mess (he’s also like that in the later TLT2 portion after the water tomb). By UN he also realizes leaving wu xie won’t get what he wants, that wu xie will jump into xiaoge’s mess anyway, and they both try to meet each other halfway a bit more honestly. (and unfortunately the dramas are missing the time between water-tomb to Ultimate Note’s plot and all the development happening off screen/in the books there). From a book perspective, i’m wondering how things develop to UN’s point, and im wondering how close (or Overdone) UN’s depiction of the characterizations are compared to the corresponding book. (Because again... the shows tend to overdo the iron triangle closeness/development i personally think just in case they’re the first/only dmbj drama seen, so the audience gets iron triangle and pingxie dynamics no matter which drama they watch). 
#xiaoge#pangzi#zhang qiling#wu xie#iron triangle#pingxie#meta#dmbj#did anyone ask for dmbj meta? no? lol well im dropping#dmbj novels#and show comparison meta on xiaoge's character anyway#and pangzi's#i would LOVE to read a fic where like Reboot or Ultimate Note era xiaoge acts like Old Man Zhang. acts like water-tomb tlt2 xiaoge#because we KNOW thats an aspect of his personality#we know xiaoges got a fucking degree? or at least a fake one. we know he's got a professor alias with Old Man Zhang.#we know he IS capable of physical affection starting like holding hands grabbing shoulders and desiring to cuddle#and that he can RANT compliments if given the chance and motivation#so like. has there ever been a date where xiaoge just brings wu xie's research highlighted#and they're at some dinner. and xiaoge's just smiling gushing about X and Y that wu xie wrote and asdking questions???#and wu xie's blushing cause hes a BABY compared to xiaoge and its NOT truly impressive to xiaoge who#Lived thru this stuff. right? but xiaoge insists NO IT IS IMPRESSIVE IT IS#and wu xie cracking a big smile he cant supress and blushing more and trying to talk#and xiaoge staring at him with a smile listening raptly#and then like pangzi crashes the date#and xiaoge goes silent as the grave cold eyes. as if he was not gushing 2 minutes prior#but pangzi saw him smiling like a SAP as he walked in. so he still KNOWS#like. as far as im aware? that could all canonically happen. it falls in line with Xiaoge's behavior as old man zhang#and we know wu xie's fond pov in the books is not gonna mention it. not gonna out xiaoge as a mushy dork when he's 'suave and cool' in the#pov journals lol.#but if xiaoge ever dresses in a pretty dress for wu xie? well wu xie Wont mention the particulars but he'll journal oh how HOT it would be.
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autism-corner · 9 days
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diy is awesome you just cut off a sleeve from a short-sleeved tshirt and youve got a bandana =w=bb
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cherrypikkins · 10 months
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@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!
I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.
If you are able to draw a circle and a couple of lines, you can easily put together a stick person.
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Congratulations! You have started to draw. :)
A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.
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But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!
By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.
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These simple additions can allow us to explore the wide range of human emotion and individuality.
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This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.
For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.
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We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.
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The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!
Now we can use our stick person to show us an even wider range of human movement, action, and expression.
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Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.
By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.
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By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!
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These basic ideas are the building blocks that will enable us to create more complex shapes.
The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.
For example. Two ovals and a rectangle can be combined to create a cylinder.
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Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.
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Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.
A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.
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Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.
Lets see how these solid shapes can be used to compose the human body.
By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.
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An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.
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We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!
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In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.
You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.
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The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.
Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.
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For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.
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With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.
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Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.
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Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!
I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.
Cheers :3
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autism-crime · 11 months
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Every time Vash is drawn as a tiny skinny twink something in me dies.
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peachesofteal · 10 days
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Cool girl
ghoap x female reader / 18+ warning: the boys are foul - could be considered dub con / part one / part two
Two (three) can play at that game.
"When you're done being a brat, call us."
You decide within a week, that you're very much not done being a brat.
And you're very much done with them.
Fuck them, you coach yourself in the mirror as you fix your makeup. Fuck them both. And her, whoever she is, though you know she doesn't deserve your wrath. She probably has no idea the tangled web she's walked into, she's the one stuck in the trap, now.
The doorbell rings, and you check your reflection one more time, satisfied with your dress, the way it gathers across your breasts, how it flatters your shape. It's a tad short, there's a bit of cleavage, little pieces that make it more than perfect. Something about this style, the way it fits, always drove the boys nuts, so it should be more than good enough for your date.
Fuck them.
You bring him to the dive. It's a safe choice, the bartender knows you, pays attention. You feel safe here, familiar. It's a great option for a first date.
And because you're a cool girl, you don't know how to play pool.
Of course, he's happy to teach you.
You start with a tequila. It scalds on the way down and settles like fire, but it takes the edge off. One turns to two, and it's enough to get you closer, allowing him to rest his hand on your knee at the bar, allowing him to keep a hand at the small of your back as he guides you to the finally empty pool table.
He's handsy, and normally, you'd be a little put off.
But not tonight.
"Okay, it's simple. You use the white ball to break." He lines up your shot for you, folding you into place, bending forward, hand brushing against your thigh as he leans beside you.
You intentionally short the shot, barely breaking the triangle of balls free. He chuckles. "Not bad for a first go."
"What do I get if I win?" Your smile is shy, and it's only half forced. You do like this guy, he's very nice, very attractive. Tall with a strong jawline, kind eyes. His fingers find yours, and his touch is gentle, patient.
"A kiss?" He ventures, testing the waters. You nod.
"Sure thing."
You're halfway through the game when the energy in the bar shifts. It's like everyone freezes, a collective whoosh of air washing through the bodies hunched over at the bar, loitering on the walls, perched on the wrought iron chairs out back.
The regulars look at one another and then return to studying the TV, or each other, their half empty drinks.
You don't need to look, to know.
You can feel them.
Apparently, so can your date.
"Don't look, but there are two guys staring at you, across the bar." You bat your eyelashes.
"Who?" It's innocent, this kind of play. Playing dumb. It's pure, until your chin turns over your shoulder and find them, white knuckled and focused, Johnny alight with anger, Simon stoic as ever. Sadness, and rage, roar inside your head, and you force yourself to look them in their eyes. Force yourself to be brave.
After a second, you turn away and into your date. He pulls you closer, palm resting on your lower back, mouth dangerously close above your ear. "Are they bothering you?" What a nice guy.
"No." You assuage immediately. You know what would happen, if he tried to be your knight in shining armor. You know how it would end.
With blood. Broken bones. And tears.
"Let's keep playing." You suggest. "Will you show me how to hold the stick?" Your teeth hold onto the last syllable, hand wrapping around the polished length of the wood, slowly moving it up and down. Your heart pounds, but a thrill rushes through you at the same time. Fuck them. Your date raises an eyebrow, mouth cocking into a sly smile, and nods.
After your third drink, you can't delay using the bathroom anymore. Skin tingling from all the places his hands have traversed, you're dizzy with the pulse of power, the high of your performance. It's wrong, and twisted but...
they deserve it. They deserve worse.
"I'll be right back." You promise, tracing a fingernail down his arm. "Get another round?" He trots off, eager to please.
The chairs scrape as soon as you turn into the dingy hallway, and their shadows fill the air, sucking it dry. You resist the urge to turn, palm flat against the swinging door of the toilets.
"What are ye doin'?" Johnny rages, and you turn to mouth off, only to jerk backwards at the realization of how close he is. You can count the flecks of gold around his irises, see the shimmer of cerulean blue. Simon stands at his back, a wall blocking out the rest of the hall, hiding you from view.
"I'm on a date." Simon laughs.
"You call this little show a date, sweetheart? Is that what you think that is?"
"Not sure you'd know what I'm like on a date since you never took me on one." You spit, and Johnny goes rigid, muscles hardening.
"Not sure that little boy would know the first thing about handlin' ye."
"Handling me?" The squeak your voice makes is embarrassing and incredulous at the same time. "Handle me? You think I need handling? I'm a full grown woman. I don't need-" He presses closer, close enough you can smell him, and your mouth drops open when he pushes you against the wall, cock hard under his jeans. "J-johnny."
"Aye, we think ye need handlin'. Ye're only supposed to be handled by us. Not by some sad wank who cannae stop droolin' like a dog."
"Stop." The resolve in your voice wavers, your resistance cracking and crumbling as Simon appears beside him, mouth pressing to your ear.
"You think that boy has a fat cock to feed you, sweet girl? Think he knows how-" One of them cups you between your legs over the fabric of your dress, palm grinding against your clit, and you grit your teeth against the friction, the moan it tries to pull from your throat. "to take care of this pussy?"
"She's high maintenance, ye know." Johnny snickers, lips dotting your cheek, down to your neck. He cups a fistful of your breast, thumb stroking where your nipple strains beneath your bra. "Ye think he'll be able to make ye gush for him? Make ye cum on his cock?" You're boiling, anger and desire feeding twin flames, trying to sputter out a response.
"What's going on here?" Your date practically shouts from the edge of the hallway, and Simon's grin turns feral. Predatory.
Fear strikes, and turns you cold.
"D-don't." You try to implore.
"Are you okay?" Your poor date catches your gaze, and you try to will him away with your eyes.
"Leave him alone." You plead.
"Fuck off mate. This is between us and our girl. Ye're done here."
"Excuse me?" He steps closer, and Simon pushes off the wall. Desperate, you latch onto his forearm.
"Simon, please. He's not-"
"He said you're done here." Simon snarls. "Run along like a good boy."
"Fuck you." He postures, and you shake your head frantically, trying to step out between them. Johnny doesn't budge, keeping you half pinned against the wall.
"You'd like that, wouldn't you? Maybe you'd like to watch us fuck her, after we make you beg for it. After we stretched out your neglected little hole." Johnny laughs, a cackle full of crow, smart and mischievous, and you nearly faint. Your date looks sick.
He takes one look at you, another look at the boys... and then flees. Johnny whistles. "Coward."
When they both turn back...
you burst into tears.
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keplerbyte · 11 months
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Fuck love triangles I will never stop thinking about poly Miles, Gwen and Hobie. ❗️❗️❗️
SPIDERBAND.
Gwen and Miles clearly like each other, no question. I was hesitant after ITSV because I just kinda liked their friendship but after watching ATSV they have my blessing. They're just so AHDOWNDK 😭😭😭😭
Gwen and Hobie give me chill besties vibes, but it could easily be more, they seem to give that impression to other people anyways. Gwen stealing Hobies shoes and leaving her stuff at his place is cute 😭 he let's her crash with him because she can't go home and I think thats sweet. ALSO HOBIE SAYING HES PART OF THE SPIDER ORGANIZATION JUST BC HES "LOOKING OUT FOR HIS DRUMMER" AAAQUUDHWI
HOBIE AND MILESSS, I love their dynamic so much, Hobie being Miles' hype man and Miles thinking Hobie is soooo cool. I love the idea of Miles not knowing he's bi before he meets Hobie and suddenly he's all kinds of confused, meanwhile "I dont like labels" Hobie is so confident and chill
BRAINWORMS BELOW
Miles KNOWING he likes Gwen but he meets Hobie and suddenly he's acting the same way he acts around Gwen? He's tripping over his words and trying to impress him, and at first he brushes it off as wanting a cool friend, but Hobie keeps TOUCHING him.
Slinging his arm over his shoulders and leaning in close to tell him something, hugs when he hasn't seen him for awhile (not quite to the level of the big open hugs he gives Pav of course) and hell even high fives and fist bumps make him freeze up and try to remember how to use his limbs like a normal person.
The "Cool Friend" excuse shatters once he catches Gwen and Hobie hanging out and realizes he feels left out and jealous... but he can't figure out who he's jealous OF.
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(I love this picture)
Also omg if Miles' parents think GWEN is a bad influence then IMAGINE THEIR REACTION TO HOBIE. I can vividly imagine Miles' dad saying "That kid is a PUNK." Meanwhile his mom is just ranting because "How do you even find these people Miles??"
"He's in a band with Gwe- Gwanda. They want me to join..."
"ABSOLUTELY not-"
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feyascorner · 5 months
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wish you would look at me
summary. convinced that you’re in love with another, when you approach him with a serious expression, he readies himself for the inevitable—rejection. but is it ever that simple?
pairing. astarion x GN!reader
warnings. light angst, fluff
a/n. this is inspired by the ppl who have love triangles w gale and astarion in act 2 and what he says if you pick him bec when I saw that I almost cried pls let him be happy
If you asked him a few weeks ago, he’d laugh at the mere suggestion that he could ever be jealous of someone like Gale. That blasted wizard couldn't go four steps before begging for a magical shoe or pathetically limping his way behind the rest of the group while you frantically searched for the said shoe. And when he found out the wizard was a few errors away from exploding, somehow Astarion felt even more pity (not really) for the lad.
Yet here he was.
He’s not sure when the hell you and Gale had gotten so chummy, but it rubbed him the wrong way. Even if his expression would never show it. He sips at his wine while Karlach and Wyll continue to chat about God knows what, too busy peering from the corner of his eyes as you lean into Gale’s shoulders to look closer at the book he was holding.
Perhaps the tadpole had finally made you lose your mind. He'd almost dropped his goblet when you denied his invitation to his tent tonight, spouting the excuse that you'd asked Gale to help you with something, and now this?
God knows why you ever found the wizard charming. If Gale could do something, he could too—much better, in fact. He was sure of it.
His grip tightens around the goblet when he hears you laugh.
Sure, his original intentions for approaching you had been less than noble…and he might have seduced you for more selfish reasons than you originally knew, but as much as he hated himself for it, he'd grown rather fond of you. In his own way, of course.
He’d only realized that the anxious squirming in his stomach was not of fear but of affection when you'd defended him from that vile drow at Moonrise Towers. He'd half expected you to ask him to throw himself at her, yet you stood your ground, showing nothing but respect to his own boundaries while you failed to realize that he'd deceived your own.
He truly had no reason to feel this way. He was selfish, he knew, for feeling so possessive because not once had the two of you established being exclusive. Though you'd respected him, you saw him for just that. A friend to respect, and nothing more. Sure, you'd spent a few nights together, but it was a mindless night of passion and he knew he'd continue to be your fling until you found another to truly love. He had just hoped it wouldn't be someone like Gale, of all people…or Wyll…or Shadowheart…or anyone for that matter.
He shakes his head. The wine must be getting to him. Serious relationships aren't a luxury he can afford, he reminds himself, relaxing his shoulders. He’s perfectly okay with being your ally—nothing more or nothing less. Ecstatic, even.
But when Gale flips a page of the book and both of you lean closer again—this time dangerously close—he feels a sharp pain shoot up his hand.
“Uh, Fangs, you alright there?” Karlach stares at the cracked glass in his hand and even he blinks at it in disbelief.
Apparently not.
He sighs irritably, dumping the glass elsewhere. “I’m quite alright. Seems I just need a nice comfortable mattress than a thin bedroll on the ground, but it’ll do for now.”
“Need help patching that up? You're bleeding.”
He almost laughs, if it weren't for the giggle coming from your direction. “Blood’s my specialty, darling, remember?” Without another word, he paces into his tent, closing the flap behind him for the universe signal that screams ‘don’t bother me.’
So when half an hour later, when he no longer hears the crackle of the campfire, he sees your shadow emerge from the other side of his tent flap, he squints.
“Can I come in?” He fails to respond, and hears you shuffle. “Ah, are you asleep?”
At this, he can't help but snort. You instinctively peek inside, and he runs a hand through his hair, sighing in defeat. “If I'd been asleep just how would I answer that question?”
He motions you closer and you take it as a sign to step inside, careful to avoid stepping on any of his belongings before situating yourself in front of him. “It was rhetorical, obviously!”
“Of course,” he doesn't seem convinced, lips curling into a teasing grin. “Now tell me, what brings you to my palace this late at night? Surely not for a cuddle. I'd thought you declined my offer earlier?”
Usually, you'd smile, but instead you only look down at your clasped hands, seemingly in thought. “I needed to talk to you—without everyone else watching.”
The usual brightness to your tone is missing.
Oh, he thinks. You've come to end things with him.
“Ah,” is all he says. He can tell his smile hasn't dropped, but it doesn't feel that way. “I hear you've found a new lover. Perhaps you want to keep yourself for this one, true love? How romantic, darling.”
You frown at this, and he wonders if he’s done something wrong. But it does little to stop his defense mechanisms from springing into action, because he’s immediately slipping into his usual mask, grin stretching wider but never reaching his eyes.
He hates the words coming out of his own mouth as if they taste of poison. Still, his voice is steady, almost teasing. Perks of the 200 years spent shamelessly lying, he supposes. “So, is this the end of our late night trysts? Even though they were an awful lot of fun?”
He doesn’t think he could stand watching you with that damned wizard. He doesn't even want to think about it quite frankly, because all he feels is his chest tighten when he imagines someone else holding you the way he does. And gods, if had to watch Gale’s poor attempt at flirting one more time…
But then again, you'd be with someone who doesn't manipulate you. Someone who doesn't toy with your feelings, or someone who doesn't seduce you for protection.
His smile twitches, and he just braces himself for your response.
“I’d rather be with you.”
He stares at you, eyes wider than its ever been since he'd gotten this damn worm in his brain.
“What? Why?” he blurts, embarrassingly so, before he composes himself again and clears his throat. “I mean, well, I know why—but I thought you'd had something more…with Gale.”
As much as he despises the idea, he'd seen the way you'd laughed with him. And while it was a new experience for him to be fond of another person, he'd found that these feelings had led him to rather you be happy than dragging you down with him. If it meant you wouldn't regret your choice, he’d been willing to deal with it.
So why?
“I want something real with you, Astarion,” you say softly, eyes meeting his. “I don't know if you feel the same way, but Gale and I are better off as friends, and I told him before I came here. And besides, it’d be cruel of me to lead him on while my heart is with another.”
He thinks he might have died again just now. For the first time in decades, he’s actually at a loss for words. “I—if that's what you truly want—we can try. Be lovers, I mean.”
You finally smile at his words, and Gods above if that doesn't lift the excruciating weight of the past few weeks off his shoulders. He feels the warmth of your lips when you lean forward to give him a peck on the cheek, everything happening so fast that his mind is spinning. He snaps back into focus when you pull back.
“I’ve wanted to do that for a while.”
You could have—should have, done it earlier. With a smile of his own, he leads you back to him, this time planting a soft kiss on your lips. It’s short, and not nearly enough, but it’ll do for tonight.
“Well then, consider yourself wholeheartedly taken then, my dear.”
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