thinking about the last few lines of father and son by cat stevens/yusuf in the context of the ted lasso finale:

“If they were right, I'd agree

But it's them they know not me

Now there's a way and I know

That I have to go away

I know I have to go”

The song is emblematic to ted and henry’s relationship, but i like to think these last few lines are really ted talking to afc richmond.

In a way, ted’s saying that even though it’s a smart choice to stay in richmond, it’s not the one he WANTS. yes, everyone knows the ted that coached the team into the premier and champions league; yes, they know the ted that brought rebecca biscuits and told puns; yes, they know the ted that made sure everyone knew they were important. but at his core, ted wants to be a good father for his son. to make sure he gets to connect with henry in a way he didn’t get to with his own father.

Ted’s character arc has been as much about henry as it’s been about his own healing. The show has always been about ted being a father. To do that, he had to “go away” and learn what kind of father he wants to be. Now, he had to go away again and BE that father to henry.

drawings of @gutztism's idea 😼 get horsed

this image was always painful but now that we have more context on it, it's straight up just driving me insane

the fact that dongbaek and yi sang are at the front, but dongbaek is hiding her hands.... the fact that gubo is off to the side and looks anxious almost.... the fact that dongrang stands at the back (fully at the back, to me it looks like he's standing behind even the guy he's shoulder-to-shoulder to) and is the only one not looking at the camera, his heart not truly in it...

like thinking abt it my favorite type of game protag for games where you can make your own guy is the one that already has some hooks built into the characterization... like either you have a backstory vaguely outlined (like kotor2 exile always blowing up malacor V, durge always being durge, bhaalspawn always coming from candlekeep and being bhaalspawn) or some recent event having a deeply personal effect on the pc (watcher getting their powers, courier 6 getting shot in the head, the pc accidentally fits the nerevarine prophecy, Areelu kidnaps the pc). Like having that little extra something elevates the story and allows for more coherence bc the writers have those hooks to draw together whatever the game is trying to say and what story it can tell. imo

kinda wild to me that one of the most compelling aspects of both Chuuya and Kunikida's characters to me, that I never really see talked about, is how they're heavily set on a doomed crash course towards complete and utter destruction, and how I am so, so worried for them both.....

watched the musical demon show (don't wanna name it so this post isn't in the tags) at the behest of an IRL friend and i can already tell this is going to be a piece of media where i absolutely cannot stop thinking about it, not because i really love the show as-is, but because it has so many individual components i really like and find incredibly fun or compelling, and i'm so frustrated that it doesn't come together for me

i think the main thing i can say about it as a show, setting aside some of the insensitive choices that were made that i really don't feel qualified to tackle or talk about, is that the entire thing sort of gives off this vibe of someone really excited to show you every single oc they made in high school and college and i very genuinely mean that in both the best and worst ways possible

there are some good hooks for season two though so i will absolutely give them that

actually speaking of here's a link to read melusine on internet archive and here's another link to read it on another site where it looks like you can also download a pdf. the books were out of print for a while but when i just googled it looks like the whole four book series got rereleased as ebooks this past summer under sarah monette's new writing name katherine addison, which you may recognize if you read the goblin emperor which i would also recommend. actually you know what here's the goblin emperor on the internet archive too that's also really good

in light of re: Dog Training (tm) posts heres some shitty dog training while i work on heel work head position & positions in motion and a perfect example of how most training sessions aren’t picture perfect where the dog & handler do everything right all the time

Hi! I just wanted to say I love your fics and your bleach analysis so much!! I hope this okay for me to ask, but like. Do you know what happened (by happened I mean the narrative significance) of that bleach bonus chapter arc??? Imo it just feels rly weird and out of place to go like… oh btw every soul reaper who died is in hell xoxo -kubo, but maybe I’m missing smth? Anyway I hope you have a great day!!!

thank you! 💖

well, 'no breaths from hell' was a "one-shot" meant to celebrate bleach's 20th anniversary, but it's unclear whether it'll stay a one-shot or if it'll go on to be a full-fledged arc centered around hell – the one realm kubo has hinted about in the past but hasn't really explored in depth yet. based on some of kubo's vague answers on klub outside, it seems like he's still withholding some details (<- i.e some fans think he might be saving it because he's writing again and doesnt want to spoil anything, because what other reason would he have to withhold information, right?). maybe it's because of this and the cliff-hangery nature of the one-shot, but a lot of people are naturally very excited about what this means and i've seen a lot of interpretations and speculation about what little we learned in those 75-ish pages (i don't remember if this was the exact count).

for me, personally (and narratively), bleach has always talked a lot about how power has a consequence. think about characters like ichigo, whose vasto lorde transformation granted him the power to beat ulquiorra but cost him his humanity. or even his mugetsu form, which zangetsu warned would cost him his powers forever (even though we know he gets them back later anyway). you can also look at grimmjow's transformation as an example – he had to eat his own fracciones to evolve. aizen's experiments with the visoreds gave them hollowfication, but they could only maintain it for a few minutes at a time (and cost them their bodily autonomy, since they didn't exactly consent to that). the captains and lieutenants all aspire to attain bankai, but the technique requires years of discipline and practice (and self-actualization).

additionally, bleach's power system actually rests on the balance of power – soul society absorbs reishi back, mayuri kills a bunch of rukongai citizens to ensure stability within all the three worlds, and of course, reincarnation, which is ultimately the recycling of souls, only adds to that.

the hell lore we've received so far seems to be in line with that. most soul reapers will probably die and be reabsorbed by soul society (before ultimately entering the life cycle again), but captains and lieutenants are more powerful. their reabsorption will probably cause instability.

the fish metaphor, which had a lot of people scratching their heads when it first dropped, seems to hint vaguely at this. the bigger fish had to die, if only to ensure the world would be stable enough for all the little ones. "die" here seems to mean "go to hell." it's all pretty straightforward, actually. the soul reapers had no idea they'd been casting their captains into hell, and however good the reason, they all seem horrified by this fact.

i personally really liked this one-shot because it turns the "everyone lived happily after" around on its head and asks: but what about the people who died? which is more interesting. the events of tybw caused a MASSIVE shake-up to the fabrics of existence, stretching them, pulling them thin. there were so many deaths, so many imbalances, that the happy ending we got in 686 seems to be the calm before the storm, while something murky hid within the depths, unsuspecting. it's spooky, it's horrifying, it's full of intrigue, and knowing what we know about the former captains (like, FORMER former captains, the prehistoric ones), it opens up the possibility that the main characters will be meeting some really messed up guys (should we ever see the inside of hell). the arc seems to be asking the main characters, mainly soul society: did you really think you'd get your power and your victory without having to pay something in return?

and THIS, of course, ties into ukitake, whose entire thing with mimihagi was a loan he borrowed from and paid for with his life. it's no surprise that, from the looks of it, ukitake seems to be ruling hell (or at the very least was singled out while all this was going on).

this is how soul society gets dragged into it. meanwhile, if you've noticed the patterns in bleach so far, then you'll know that every arc begins with some personal stakes for ichigo to get involved. ichigo, by the end of bleach, has mostly made peace with his past, embraced the true nature of his powers (and his soul), overcome the despair and grief from his mother's death, and finally started a family of his own. he has a son now, a son who has been involved with hell to some capacity, though it's a little early to say what this will mean for ichigo – that you can't protect your kids from everything no matter how hard you try? that kazui's mixed bloodline will have consequences, just like it did for ichigo? who knows? we'll just have to let time pass and see if kubo will ever drop the whole thing! :D

[p.s i've actually talked about the cycle/balance of souls and what this means for captain-class shinigami and nobles before in this post, if you want to read more of my thoughts on a topic that's pretty similar to this one]

my fc: i think i'll be done with ffxiv come 7.0

my fc: yeah it's no fun without a friend group

me: gah!

sometimes reading a bl it’s just so painfully obvious that the love interest needs to be raked through the coals and be groveling for forgiveness and the writer will definitely not write that. and it’s going to be utterly unsatisfying. like what’s the point if the li isn’t laying out all the ways he’s wronged the mc (intentionally or unintentionally) and utterly miserable about it. he needs to be wretched. he needs to be pathetic. and he needs to be rejected. on a side note I miss siyeol

I actually think it’s hilarious how I approach ordering food. I can’t remember the names of anything so once I spend 30 minutes finding something that sounds good and I end up liking, I try to remember that until on the dozenth try I finally know something safe to order and then I don’t order anything else ever for at least a month

What about scourge my friend scourge the green hog❤️

YES SCOURGE OUR FREND SCOURGE THE GREEN HOG

"horrible person" is half-colored in because i can see the argument against the opinions im abt to post. but im right

i definitely intend to be active here but i am reliving why i left the star wars rpc to begin with so do bear with me, and if you're interested in writing feel free to reach out or send asks if i don't get there first!

cellbit stuck on a costumer service job post prison and having not great therapy and being like ugh. ugh. trying to 'make it up to people' and get better while not disclosing he's done actual murders because he would not be free if he did. He roomed with Felps for a bit but then he found this very cheap place to live in and he just got that job and he knew Felps is not taking him changing seriously and was probably still doing bad shit that could get him in trouble. And he does want to keep having the somehow friendly relationship he has with Pac and Mike now, so.

He goes to check it out, and it's cheap it's very small but he's lived in worse places. If he feels there's something off about the residents and if the meat they cook tastes just like human flesh that's surely his own imagination right? if his hot new neighbour Roier sometimes has an odd look on his face or says strange things that's probably Cellbit projecting that he somehow knows about his past and is seeing right through him, RIGHT?