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lord-shitbox · 5 months

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part 2 of this ask

📝Process for hurt mezu drawing

here are the steps i dug out of an art server's wips channel lol

1. initial sketch

2. refine sketch. thats lines now babey. (omitted "the sleeves are KILLING ME WAHHH" stage that led to this)

3. grayscale, to use with gradient map (this is a more polished grayscale than I started with, i dug the working file out to get better images)

4. find nice gradient map (ended up being the same one I'd used for the piece i made right before. the goal is to make what's essentially an underpainting, not to color the whole thing with one map)

5. tweak and add colors that arent in the map with hard light layers & also sneak in a layer for special effect and atmospheric/ scenic perspective while you're at it

6. shading & more finishing effects. pretty much all of the shading was done with hard light layers! the only non-hard light layers I used for the shading were the particle effect layers & like one faint glow layer to fix some values. blood was done with linear burn

✨Inspiration for hurt mezu drawing

the coloring method (grayscale -> saturated gradient map underpainting -> additive color adjustments) is something I tried out with the piece i'd made right before (the one where gozu is holding mezu from behind) & turned out really well, so I wanted to keep going with it

I also wanted to draw them angstily again because it'd been a very long time. like half a year at least. angsting them is very enriching for my soul so I try to do it regularly, this one was overdue

subconsciously referenced the poses in the initial sketch from this old thing (feb 2021). i love doing this. all my for-fun works recycle old elements in some way. my favorite game is "what old art reminds me of what im doing rn" im so good at digging stuff out of my archives for it. everyone loves when i do this

the gangi-kozou panel also

i went through a "shade in bold red-orange & dark blue with hard light layers" phase in like..april/may of 2021. i still like that stuff a lot so I wanted to revisit it

💚Things you like about hurt mezu drawing

repasting the link there but the sixth image in the process is essentially the final so you can just look at that

the colors are nice!! I'm real happy with using more saturated colors n I think the warm vs cool balance works really well

the sleeves (man being dramatic on the sand meme)

no like fr look at the 2021 piece's kimono sleeves vs the one I just did 2.5 years later. so satisfying

Gozu's expression came out nice

i think the claws and flash lines successfully added Emphasis to Gozu's expression & the piece overall

the poses … the drama …. the brush textures are also good

⏳Things you’d do differently with hurt mezu drawing

add in a liiitle more contrast...aka use a wider range of values. Some lighter lights and darker darks. I miss my 2021 hard neon lighting

a bit more distinction between the characters and the background also

the composition isn't bad but it could be better. Should've thought more about the way the eye would flow around the image in the drafting stage (solid b&w color block thumbnails are good for this)

Moar Sparkles. (I put a solid amount of large & low opacity light bubbles in there & some finer brighter dots especially around the claw stems, but I think more clusters of tiny bright lights on the characters themselves would've gone hard)

💌Some favourite feedback on art

as the wise man Austin Kleon once said: keep a "praise file" of all the positive feedback you get (if you've never read "Steal Like an Artist," you must). so. i am prepared for this question hold on

tastes like sugar glass

multiple people have told me my art is soft & dreamlike

jayce you reblogged my touchstarved art with nice tags on april 10th ive got that saved love uou

umm theres a lot...anytime someone keysmashes or feels emotional because of my art i get happy ,,, lys messaged me about the hurt mezu piece that made me happy also,,,,,there is so much joy in the world

#shitboxposting #asks #shitbox drawn #JM SORRY I FEEL LIKE THE FORMATTING ISNT EASY TO READ NO MATTER WHAT I DO....AUGH #all my class work with actual conecptual meaning is monochrome what am i doing...man.......#i need to post more art and i also need to make more art. aghhh. boots up ultrakill and magical drop again #im actually Not sure how im going to afford the next few years of my life 😭😭 a bitch gotta have time to do fuck all but i need money..!!!!#whatever its fine. i have time to do fuck all right Now and thats what matters

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leviathiane · 4 years

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SHOW US YOUR WROR RAW UNPROCESSED WHOLE GRAIN ORGANIC NOTES

this is going to be a long-ass post i am so sorry to Everyone! i take a lot of notes.

So, as You specifically know (as well as all of my lovely Soggers) I take a LOT of notes. Obsessively. I write fucking everything bc i have very little memory and very much paranoia. This results in literal Piles of notes. Raw planning, on paper, on my phone– doodles of scenes im brainstorming, bulletpoints, entire SCRIPTS– it’s all there but scattered (I’ve got scenes planned in the margins of my goddamn anthropology notes and deciphering it was a NIGHTMARE)

I won’t even upload all the photos of my writing notebook, because itd be like 50 pages of illegible nonesense. but heres a couple of planning phase pages. (may be hard to read, I dropped this notebook both into some tidepools, into a creek on campus, and accidentally leaked my waterbottle onto it in my backpack :/)

if you can’t tell already, yes they all look exactly like this. Some are even more illegible, because I wrote them with the notebook half under my actual class notes. Because i wrote most of them in class. During lectures. And pretending very badly that i was not doing exactly that. (pay attention in class please i got away with this bc i was filling up elective units)

I’m also flat out MISSING a large portion of my notes bc some of it? isnt even in the damn notebook. its on a sheet of binder paper, or on the empty back of an assignment. I’ve now lost most of those notes, but the ones i do still have are just as (even more, actually) indecipherable chicken scratch:

Wow, how clean and tidy and easy to follow! i am in hell.

and this doesnt mention the PAGES and PAGES of outlines that are on my laptop, and the pages of outlined scenes that are on the notes app of my phone. if i put them all, you would have entire chapter spoilers up to the very end of the story so i cant post a lot of them– and also theres just a goddamn lot of them. currently i have 16 pages of outlining. There are no spacing breaks. It is a solid 16 page block of text. Looking at it gives me a migraine.

some assorted notes which i have dredged up from the deleted parts of the main draft google doc go all the way back to when i started Wror in June and they are Barely more readable than my handwriting on sheer account of: articulation is not my strength. These include:

“Ch 8 plan: sabo gets trained specially, awakens his armament haki, beats ace in a bunch of spars and proves himself to be anything but vulnerable. The boys are like “we fucking recognize that technique ryu taught you before us!!” and goad ryu into finally starting them both on basic haki training, just to awaken it, since sabo already has. Also this is the chapter that ace finally confronts ryu for his devil fruit after ryu confirms that some devil fruit users can’t be hurt without haki and ace immediately catches onto that and tries to slam his pipe through ryus head. It doesn’t work, ryu catches the weapon with a haki covered hand, to avoid turning to flame with hit and ace just gets frustrated and accuses ryu of hiding his devil fruit, because he remembers what he saw in grey terminal and that now that he has seen haki he can distinguish it from what he saw and he’s sure no one could do what ryu did. He calls ryu a hypocrite for coddling them even after telling them to stop coddling sabo and ryu has to sit them down and explain that yes he does have powers and he has been hdiing it and explains his reasoning. However instead of understanding th eboys just get fired up and say they don’t wnt to be scared of fire, especially not when it means ryu isn’t taking them seriously in a spar. Ryu finally agrees to start them on desensitization training for fire trauma. Fire desensitization training happens on the beach, so that they have water nearby in case things get out of hand. At some point ace gives ryu a considering look and is just like “if you have a devil fruit that means you can’t swim either right?” and ryu is basically just like “lmao yeah” and then ace immediately attempts to drown him. Lots of murder attempts in ace’s department toget his older brother to be less of an idiot with little success lol(extra: ace tried to attack ryu earlier both to confirm that ryu has a devil fruit that would force him to use haki to hide it, and because he now knows that he CAN’T hurt ryu without haki and as thus can’t beat him and make him admit he’s awake without being good at haki.)” [chapter 8]

“Small sabo lost his hat and goggles in the incident and while he doesn’t remember having them future sabo notices he looks uncomfortable and keeps touching his hair and head. Ace yells at him for it thinking he bandaging are bothering him and that he can’t touch them but little sabo just comments that something about it feels wrong. Luffy blurts our that he had a hat, like luffy does, But he doesn’t now ace begrudgingly mentions that they can’t get a new one in town. Future sabo doesn’t even hesitate and just plops his own hat onto his younger selves head. It clearly too big for him, and almost falls over his eyes but he grins up at future sabo and is like “wow!! Thank you! I’ll take care of it till I have one of my own” and creates a paradox like Luffys own hat. The footsteps younger sabo has yet to fill. This HAS to happen AFTER the talk where they explain that future and past sabo are both the same person, to give little sabo that pressure.” [chapter 9]

“(Right after this older sabo takes them down to the ocean so that they can play a little and desensitize themselves and immediately fucks himself over when he goes weak in the water bc he somehow fucking forgot his own devil fruit again and now even younger sabo is on his case about not letting him near the fucking ocean that little goddamn HYPOCRITE—) )” [for chapter 9]

“Ch 9 plan: they finally leave dawn island. Starts with the boys getting a haircut after training and luffy mentions how long it’s been since they’ve last needed a haircut, giving sabo and ace time to point out that it’s been 2 months now since ryu joined them, and that sabo was completely healed by now. The boys are now aware of the basics of haki, and while luffy hasnt awakened either yet ace and sabo both have a little bit of weak armament haki. (sabo won’t awaken observational haki until he gets his memories back) ryu tries to sneak off into the city to steal a boat but his brothers refuse to leave him behind and keep sneaking out after him, not wanting him to go alone and saying that since he’s been training them they’re clearly stronger and he needs to let them do this. Ryu eventually just lets it go because why the fuck not it’s a dream and they make him feel better. They get the boat out on open ocean and finally fucking sail out, cheering loudly, ryu struggling to make them all calm down but also not really trying. He’s happy as shit, and they’re all so excited and happy and sabo dips a hand into the waves and then smiles so fucking wide and tackles ryu so violently they both nearly tip into the water and it’s just very very good. “ [also for ch 9]

** I flat out dont Have any outlining from before chapter 6, because i only started actually outling chapters after that. i tend to just sit down and Write up until i hit a plot point or writers block and then am forced to actually think it through and plan rather than letting it come naturally. thats also why the quality and editing is better in later chapters despite everything being written within the same time frame.

besides entire chapter outlines, there are the scene specific phone notes like:

“(ADDED) Right after they leave dawn, when sabo is sure they’ve gotten enough of a head start, he calls Garp. He doesn’t say who he is, but that all of the boys are safe and happy with him and has them all talk into the phone to assure him that they’re fine. Garp is honestly just pissed off he doesn’t know who’s calling and when he asks sabo just laughs and says a disobedient brat before hanging up. “

“(ADDED) TO EXPAND ON CH 3: sabo gets offered the chance to go with dragon, and he hesitates on the offer to go through with his previous life with the family he’s made in the revolutionary again. He almost agrees, because the bought of losing them in this lifetime is near excruciating but reminds himself swiftly that it’s no place for his brothers and not what they’d really want, and he wants selfishly to be with them as long as he Can until he “inevitably” wakes up. The boys are visibly relieved by this, especially ace. (Sabo gets asked who he is by dragon, who wants to know more about the stranger with his son, but dragon has always been quicker to make connections no one guessed and he just smiled knowingly at sabo and tells him he’s sure the other will have no trouble finding them if he’s in need. Sabo in turn warns him to keep Kuma close, and to look for a slave girl named koala.)”

I have…. many of these. I have Many of Everything.

finally, i have scene doodles. if i hit a bad writers block it usually helps me to sketch scenes or the character designs to regain my grip on what the hell is happening in the plot– Breach of Intention has character design sketches, pakcbond has MANY scene sketches, even some of my nsfw has some sketches. my wror skecthes arent Good of course, I am an art teacher for children and that means i am more often explaining the color wheel and brush techniques over drawing perfect human replicas– and i just dont really make a lot of fanart? ive never drawn sabo before but i sure have a bunch now. i wont include close ups because they genuinely suck but heres an example pic

So… yeah thats about everything. this is a VERY long post and yet i only included like maybe ¼ or 1/5 of all the notes i have dbskhjgfkjadns lmk if anyone wants more (or notes for my Other stories, which contain NO WHERE the same absurd amount of shit that wror does.)

#depths' ask #response #idk what to even tag this honestly?? this post is such a mess abhdsjfgdkjn #thanks mido love u dear 💕🎉 im gonna want some damn notes on second chances heads up #wror #wror stockpile #touchmycoat #i started this response at goddamn 3:52am and its now 4:40am #it took me. almost an HOUR #oh my god

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psrj · 5 years

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your art is awesome, just makes me so happy on the inside! it's so unique and blocky and pretty! if you don't mind me asking, what is your process for drawing in digital? i just started to digitize art and i'm on the struggle bus for sure

thank you so much!!

my artstyle varies a lot imo, but the process has essentially always been the same and can roughly be broken down into the following three phases

1. gesture, movement, composition

i always get gesture, movement and composition down first in big, rough brushstrokes, and then add important elements on top of that. this results in WILDLY varying levels of detail lol

2. light source and color

i really just go with my gut when it comes to color and lighting, sometimes i have reference pics and/or an idea of where i’m going, sometimes not. the only recommendation i have is doing light and color studies. so many of them.

i usually start with adding color under the sketch, and then overpaint the sketch to make it blend in. i usually play around with the color blocking a lot in this stage (see the lighting on zuko’s tunic).

3. rendering

then i just keep overpainting, trying to keep the brush big, adding all and any details. during this stage im likely to play around A LOT with blending layers, aka overlay and hard light, color correction and contrast.

rn i spend a lot of time in the second stage, almost solely thinking in terms of blocks of colors and light. i dont care about neat lines in the first, and i dont care about rendering too much in the last.

(oh and i work in photoshop btw)

but really, just experiment and do as many studies as possible. struggling with it really is part of the process, and the point (imo) is to be stubborn enough to keep at it.

good luck, and thanks again!

(some older and slightly outdated process gifs because why not: (x) (x))

#ask #hope this gave you something new to try #never hesitate to use refs for literally everything #one day i'll actually make a speedpaint #maybe #art process #advice

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brinytrolls · 7 years

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Hey there! I need some help! I really want to be an animator in the future. I just rurned 18. But i havent improved on my drawings. Ive stopped drawing for 2 years. And just recently started getting back at it. And its hard to get back at it. i feel like i have creative block! I only draw faces! Do you have anything or resources or ANYTHING to help me??

i mean im not a pro but buckle in im gonna compile a list of tips to try and help you the best i can-this could get lengthy!

this is so cliche i can hear u groaning already but-practice! practice every day if u can. even the smallest thing is good! draw as much as you can every day.

the biggest thing thats helped me in the past couple of years: make an inspiration folder. save everything. anything that inspires you in any way. like the colours of one? the way another artist draws hands? eyes? save it.

separate the folder into sub-folders. make a folder for tutorials you see around tumblr that look useful. a folder for interesting poses-mine has a lot of stock photos in it. if theres a particular type of art that inspires you a lot [mine is concept art + character designs] make a folder for that.

this is long enough that it needs its own tip-but i have a folder called “interesting expressions” that has helped me a lot. ill have huge sai files full of screenshots from episodes of cartoons with expressions that are interesting to me-take an episode of a cartoon you like and screenshot it when something interesting comes up. save it. it might be useful one day. i do a lot of sketch sheets just drawing expressions in my own style.

don’t subscribe to the weird internet attitude that refs are bad. theyre the best friend u will ever have. use them! if u rly cant find a ref for smth-try taking a photo. i take shitty webcam photos of my hands when i cant get a pose right

take inspiration from other artists. this isn’t by any means telling you to steal an artists entire art style-but if you like the way a certain artist draws eyelids or how they ink fur or how they colour eyes or how they....put a weird amount of detail into their characters teeth?? try it! most art styles are just a mangled mishmash of inspiration from other art sources.

it doesn’t matter if you have a “consistent art style” or not. i know it can be frustrating for things to look different every time, but tbh its ok!! drawing in different styles is super fun. try different styles!

try different things in general. different colouring styles, brushes, anything. i went through a phase of shading everything in eyeburningly neon colours. it was fun!

draw things you’re scared to draw. yes, even hands. don’t try and hide them in the drawing. you’ll feel so much more accomplished if you draw them.

draw new things! something im awfully rusty at is animals. i find the easiest way to learn new things is separating them into shapes. i trace over photos of the subject from different angles, then use the shapes as my construction for when i draw them without tracing. the shapes help if you want to exaggerate features later on.

speaking of construction drawing! heres a tutorial that explains it better than i could: http://lackadaisy.foxprints.com/exhibit.php?exhibitid=356 it helps keep characters consistent.

watch youtube videos-art tips & speedpaints i find to be v useful. watching videos about basics geared to animators will help a lot-gesture sketching is very useful topic to learn.

heres a site for online figure drawing. they have a class mode which can help a lot!

just fuckin indulge urself. do it. make characters solely based around things u enjoy drawing. draw that thing u like. draw what makes u happy.art is fun dont make it a chore-and if it feels like a chore to learn new things, try something new and then reward yourself with drawing something you enjoy.

im sorry these are all kinda generic sounding but i hope they can help at least a bit?? i can be more specific if theres a particular topic you want tips for!! im by no means any kind of professional but if u want advice on smth specific like character design or anything just send me another ask! hope these help at least a bit

#HOPE IT HELPS #fredspeak #long post #mbabez #ask

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