my love for you,like hades loving persephone, will forever grow until i am so filled with love that my bones begin to rot.
but despire the pain, i will still love you
we can dance through the halls of death,and if god does not accept our love, i will love you as the fires of hell burns us to ash. i will not be afraid, because what would heaven be without your voice, your gentle touch and your sea green eyes.
the angels' chorus can never compare to your honey-sweet laugh, god's light could never be brighter than your own.
i will love you so much that even the devil on his throne will see us and wonder how god managed to condemn such broken souls for something so beautiful.
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Bleach’s Issue with Queer characters (3/3)
So then there’s Giselle (and to a less canon extent Shutara) who I think Kubo erroneously categorizes as similar to both eachother and to the above gay men stereotypes. And I think understanding Kubo’s approach to Giselle hinges on what he set up (but didn’t follow through on) with Shutara.
I’ve mentioned before, but I’m pretty certain think Shutara Senjumaru is meant to be a kabuki onnagata*. Not in-world, mind you; I don’t think she is somehow employed as an actor in a literal kabuki theater. (i would hope that was obvious, but one can never be too sure...) Just like Tier Harribel isn’t literally a light skinned, dark haired person doing gyaru/ganguro fashion, her presumably naturally tan skin and blonde hair is based on the general aesthetic. Shutara likewise is channeling distinct look and feel that draws from a mix of oiran, geisha, and kabuki aesthetics. (granted all three are closely related in influencing one another’s aesthetics in the first place)
But while the look and even the demeanor tend to play all three ways, I think the particular fixation on clothes, costuming, and the somewhat adjacent theme of “disguise” that Kubo has shown to put emphasis on in this kinds of situations, as well as the fact that he gave her a distinctly masculine name, Senjuumaru, point to her being some form of queer, albeit something Kubo seems to pretty clearly lack the understanding to better articulate himself. Is she a trans woman? Gender fluid? A male identifying transvestite? There’s not enough real material for us to draw that particular line, but I don’t think it’s a stretch to conclude that she’s not a cis woman.
*Kabuki is traditionally an all-male theater form, and “onnagata” refers to actors who specialize in playing women roles. Generally all actors train in the delineated masculine and feminine styles, but an actor’s career sticks to just one or the other...
...There is a whole big thing about how cultural institutions like kabuki and takarazuka theaters’ creation of socially acceptable and even celebrated, public and professional genderqueer spaces creates a myriad of gender dynamics that just don’t exist in the West, and it’s something that has made the attempt to adopt a globalized understanding of queer identity a little trickier in Japan:
In the West the gender binary was rigidly enforced such that to explore alternatives was basically uncharted territory (that’s an oversimplification, but you know what I mean; There’s a lack of contiguity with those who came before) but with japan there were already nonbinary spaces in place, and the lines around those don’t neatly line up with the ethnocentric western ideas some people try to pigeonhole those into. In general, it gets dangerously close to just flat up colonizer rhetoric.
(forgive the outdated reference image, but honestly I don’t know what even counts as a recognizable example of a “““trap”” character these days. And I use that term with GREAT reluctance, but I want to differentiate the exploitative cliche usage of a trans caricature from any actual representational trans character.)
Anyway... That all just leaves Giselle. And let’s be real, there’s no excuse for this one. Maybe that seems like a weird anticlimactic place to take this series of posts... like, after all this, maybe it feels like I should’ve had some equally obtuse logic to explain this one away as a matter of escalation or as a Rule of Threes. But no, not really. I just think it’s a little unreasonable to treat the massive screwup that was Giselle’s portrayal as part of some sort of bigger ongoing trend, when it’s really more of an unrelated outlier in a bigger umbrella subject.
She is in fact a bad case of the long standing anime/manga fetishization of transwomen as a concept, as a spectacle to be gawked at and made the butt of jokes or to be included specifically as an anomaly. And in Giselle’s case her specific depiction as a depraved, physically/sexually abusive villain on top of that is an explicitly toxic combination.
In spite of that, I still don’t think Kubo actually meant for it to reflect poorly (not that that matters or diminishes its harmfulness) I think he genuinely just has no real grasp of what that kind of characterization means. I say that largely because of the way he treats a lot of her role in the plot. Not that she’s integral to moving it forward, but that she occupies space and survives in the plot as long as she does, even when she could've been conveniently (and frankly more neatly) written out;
He seems to like drawing her and gives her a range of expressions and gestures (something he doesn't afford all his characters, even some of his major ones)
He likes to expand on her powers and gimmicks beyond what was necessary if he'd been aiming for minimum effort
He even paired her off against his personal favorite character, Mayuri.
Point being, Kubo seems to personally like Giselle as a character, but he took a horrible insensitive and ignorant path in writing her character.
But an undeniable fact is, she’s not alone as this kind of villain, she’s just the only one that happens to be trans.* Mayuri himself, Aaroniero, Szayelaporro, Zomarri (just a little bit), Tousen (at the very end), Tsukishima, As Nodt, Gremmy (a little), and Askin all to some degree dip into this shtick Kubo does where his villains aren’t just sadistic but ecstatically so, to the point of intoxicated, gleeful derangement. Yet in spite of that, those characters are all usually meant to be “cool,” not detestable.
Remember, Mayuri was initially written as, hands down, the most despicable characters in Bleach —he was abusive and sadistic, misogynistic, actually physically grotesque, predatory, dishonorable sneaky & underhanded, complicit in a genocide, just in general a clearly communicated mad scientist villain, and he was all of this in direct and deliberate contrast to Uryuu’s chivalrous personality type(already established in his defending Orihime from Jiroubou) as well as Nemu’s noble stoic subservient victimhood— and yet he’s also Kubo’s favorite character in the series. Kubo doesn’t actually write Giselle any particularly worse than the others, BUT he also doesn’t disassociate her being trans from her being villainous, and again, even incidentally, that manages to perpetuate a harmful narrative in the overall.
*(Actually, I’ve kinda touched on it before but I sort of suspect Mayuri could be trans, in which case; OOPS, that makes two, and that doesn’t make it better....)
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Do you have any Spiderman fic recs? (Preferably not MCU but. I'm not picky)
YES ofc. Let me dig through my bookmarks for some. Warning- most of them will be Team Red fics because that’s where I interacted most with the Marvel fandom back in the day. Also, coming back after making this, unfortunately most are at least a little bit MCU influenced but I tried to stay away from the tropier/irondad/ooc fics
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Inimitable by deniigiq
“Peter, is it supposed to be doing that?” One of his students asked him. He looked up to see the industrial-strength magnets he’d collected for this lab trying to crack through the glass between them to be reunited. The glass splintered.
“Yeah, no. That’s totally fine,” he lied. Then he inconspicuously chased everyone to the corner of the lab, donned a glove, and smashed the glass so that it wouldn’t splinter and stab someone in the eye in its explosion.
His students cheered.
He needed a drink.
(Peter gets called back to the city at the age of 25 to help mitigate the rapidly increasing crime rate. He's in way over his head, so he sets out to re-establish Team Red.)
(Classic Team Red fic, this author got me into the fandom years ago and I’ve been stuck since)
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Say You Will, Say You Won’t by Traincat
Johnny Storm found him on a Friday afternoon, wearing the kind of beseeching look that filled Peter with dread.
“I need to ask you a favor,” he said.
“No,” Peter said, swinging away.
__
Peter and Johnny get married, really-not-really.
(A classic Spidertorch fic, absolutely hilarious and not even a little bit MCU-touched)
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Peter Parker: Legend of Empire State by Popjeckdoom
There was a dorm room, at the end of the third floor hallway on the male side of student housing, that was a mystery to all the students of Empire State. #339, Peter Parker.
The dorm itself wasn’t strange. It wasn’t haunted or cursed in any way, or as far as anyone knew. The door looked like everyone else’s; a doodle of Spidey on the whiteboard, a random scratch at the bottom left corner of the door, likely from someone moving in, etc. What made this ordinary room into a legend was it’s mysterious inhabitant, whom many believed did not even exist.
Peter Parker. The Criptid of Empire State.
(Technically incomplete, but it’s a series of oneshots so do with that what you will)
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Dumpster Fires Verse by deniigiq
Peter and May receive a notice to vacate.
The other guys on Team Red have been there before, they offer a bit of advice.
(Another deniigiq classic, it’s a series of interconnected fics that don’t need to be read together to make sense)
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Can you hear the drumming? (there’s a revolution coming) by Crescent_Blues
"You know how to throw a punch?"
Peter stops fidgeting and his heartbeat slows as he breathes deep and forces it to calm. The endorphins aren't quite there yet but he can almost taste the excitement, the hopefulness. Like carmel, like yellow, like tacky sweetness.
"Don't tuck your thumb into your hand and keep your wrist and arm straight?"
He has the basics.
That's a good start.
Right?
(Matt accidentally acquires one Peter Parker at the ripe old age of eleven and becomes the mentor he never wanted to be)
(This one comes courtesy of my friend Moon, who will kill me if he knew I was reccing his fic, but the writing style and quality is top notch so I refuse to stop. Also incomplete, but there’s 160k words before you get to the end so there’s a lot to read)
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Peter Parker’s Home for the Wayward Villain by BeanieBaby
A really long redemption story.
(Another classic, Peter buys a house and adopts+reforms like 90% of the Marvel villains)
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Roundabout by Gruoch
“Are you being killed right now?” Tony asks. “Am I listening to your final moments?”
“Maybe,” Peter chokes out, weakly pedaling his legs in the air while he futilely scrambles to pry the hand away from his throat.
Tony releases a sharp huff, irritated. “You are absolutely not allowed to die right now. Your graduation is a month away. Pepper’s moved around all her meetings to be free that day, and I’ve already given the deposit to the catering company for your party. I can’t get it back if I have to cancel now because of your untimely demise.”
***
In which Peter attempts to survive long enough to graduate, Tony moonlights as a semi-professional party planner, and absolutely nothing goes according to plan.
(This one is just. Peter Parker’s terrible horrible no good very bad day but in the best way)
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Spider Season by selador
Peter Parker is Ben Urich's intern at the Bulletin. He's alright, as far as interns go. Bad coffee, but he fights crime bosses who want Ben dead. That wins a lot of points with Ben, that's for sure.
(Mostly follows the plot of DD s1 but still a great fic)
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WHAT sugar daddy(s)??? By o1nm
"I've never really thought about it," Peter sniffs, gazing sadly into his mostly empty cup. "Maybe uh... maybe somebody who buys me milkshakes whenever I want? I don't know."
MJ's eyebrows twitch minutely. "Really?"
"Yup," Peter says lightly, "really," despite the fact that he feels like he just signed some sort of demonic treaty. "Hey, do you think we could circle back and -"
"I'll go get you another," MJ tells him as she snatches his previous milkshake, dropping it in a trashcan on her way as she sashays back to the ice-cream store.
...Weird.
(*slaps roof of Peter* this boi can fit so much autism in him. But honestly he’s so oblivious throughout, it’s amazing)
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Always Glad You Came by aloneintherain
Spider-Man is a relatively new, controversial vigilante, and Johnny has a crush the size of the Empire Building. The Four - operating under the assumption that Spidey is an adult - do not approve.
“I just happen to think Spider-Man's cool,” Johnny says, matter-of-factly. “A hero can think another hero is cool without making it weird. I admire his aloofness. And his badass-ness.”
“His aloofness,” Ben repeats, chuckling into his mug of beer. It’s roughly the size of Johnny’s head. “Yeah, sure, I bet that’s all your admire, right?”
(Another Spideytorch classic, with So Many Misunderstandings it’s amazing they can walk straight)
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