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#icons richard madden
randomwpsd · 2 years
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wiccantwav · 10 months
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Mason Kane (Citadel) - Icons
Don't repost, that's not cool.
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hollywocd · 1 year
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misc. like or reblog if you use them
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marina-na-na · 1 year
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realzayn · 11 months
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calisources · 9 months
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RICHARD MADDEN AS ROBB STARK IN HBO'S GAME OF THRONES, SEASON ONE TO SEASON THREE.
base icons are 190x120 in order to be use for any type of icon template.
the icons are already sharpened and slightly color corrected.
Richard Madden ( b. 1986 ) is a Scottish actor. Richard was 24 when he was casted in Game of Thrones and was a main character on the first three seasons.
Game of Thrones is a high fantasy show set in the game of thrones universe, based on the song of ice and fire universe.
icons include scenes of implied sexual content, kissing, implied nudity, blood and death.
remember to reblog if you save/use. credit somewhere if you save.
this icon pack are 5$ THROUGH PAYHIP or  paypal or buy me a coffee through ko-fi. it truly helps me a lot.    
552 icons. you can also get the base icons for free if you reblog this post and show me evidence of proper credit. once that's done, DM me and I will give you the link for the free download.
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goldbloodedavatars · 1 year
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Richard Madden (002)
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taylorswiftt1 · 11 months
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Richard Madden
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annscollections · 1 year
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richard madden icons for @sadserotonin​
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shitedits · 2 years
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steveyockey · 1 year
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Steve yockey I believe in googling for the bit but I can’t find anything about the phantoms eternals casting call 😔
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well luckily for you I happen to have just pulled it up,
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wiccantwav · 10 months
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Mason Kane (Citadel) - Icons
Don't repost, that's not cool.
Like or reblog if you save.
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hollywocd · 1 year
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misc icons like or reblog if you use them
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cleogifhunts · 1 year
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RICHARD MADDEN in ‘ETERNALS’  – gif pack.
♡  CLICK THE LINK IN THE SOURCE to be directed to #153 gifs of Richard Madden from the movie ‘Eternals’. All gifs were made by me so please don’t claim them as yours. Do not repost, edit, or turn these into gif icons. Please give a like and/or reblog if you’re using this gif pack. Thanks a bunch and enjoy! xx
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pers-books · 8 months
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Review
Sep 26, 2023 - Written By Diana Feng
Review:
OCTOPOLIS, Hampstead Theatre
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Photo credit: The Other Richard
Octopolis is a witty two-hander with a playful spark in its fiery humour and a thrilling emotional journey tucked away within.
Professor George Grey (Jemma Redgrave), a world-renowned behavioural biologist, best known for her pioneering research into octopus intelligence, is grieving over her recently deceased husband. She spends every day with her research subject: Frances, who resides in a large, purpose-built tank in George’s campus accommodation. Their world is disrupted when ambitious anthropologist Harry (Ewan Miller) arrives, seeking to test a groundbreaking theory on Frances.
Entering Downstairs at Hampstead Theatre, Octopolis dresses the theatre in an oceanic ambiance. Blue velvet curtains, blue carpet, blue wash lighting, accompanied by David Bowie’s iconic songs; it feels like diving into the ocean with a Walkman plugged into our ears – delightful and liberating.
Blackout, the blue velvet curtain opens to reveal a sophisticated minimal set designed by Anisha Fields: a wall of built-in aquarium-like light boxes, lit up with a gradient of blue, filling with haze to suggest the motion of water. Two actors dress in matching hues, dancing on stage in an iconic, almost pulp fiction-like movement. No set, no props, just a bench and the water tank. A projection appears on top of the water tank: “The Future,” and quickly, we are immersed in the world of George and Harry.
The fast-paced dialogue between the two actors works like a charm. Marek Horn’s humorous text injects academic jargon with just the right amount of zest. Though the two researchers often speak in long, complex sentences, it maintains emotional resonance throughout.
The story is compelling. The octopus has always been a mysterious, intelligent creature that fascinates mankind. Its curious nature draws parallels to the curiosity building up between George and Harry. Redgrave’s performance is strong, grounded, and endearing. Her wittiness and assertive body language make the audience fall in love with her. It’s not hard to see why a young, passionate man like Harry would find her as fascinating to observe as the octopus. Miller exudes fiery playfulness in his performance. There’s no doubt we can see his obsession with his work. However, we wish there’s a clearer moment for us to see how Harry's feelings sprout for George.
Director Ed Madden strikes a balance between playfulness and sophistication, fuelling the audience's imagination. The overall quality and atmosphere give an aristocratic ease. The 'third actor,' Frances the octopus, is vividly present without ever being seen on stage. Thanks to the cast and creative team's artistry, we feel as if she’s right there in the tank with us. The imagination takes us exactly where we need to be.
Jamie Platt's interactive lighting design takes a creative stance on stage. The water tank/aquarium changes from one colour to another, like colourful ink extractions, adding depth, mirroring the characters' emotional journeys, and emphasising the octopus' presence. It prompts contemplation about sensory experiences. Who says we cannot feel colour?
There’s something captivating about two professional observers observing a subject as well as their personal lives from an intimate yet slightly removed standpoint. It’s as if the audience is looking into an aquarium, observing the two characters, just as they observe the octopus or even themselves. Octopolis touches on big intersecting ideas about religion, existence, human behaviour, and evolution through the lens of academia and emotional connection. It’s all very fascinating; we only wish it carried more weight than an inciting incident. Perhaps exploring how these big ideas impact the relationship itself would be an even more thought-provoking journey for the audience. Though time goes by quickly and it doesn't feel like an hour and forty minutes, there are bits that feel a little repetitive and could use some tightening overall.
Angela Gasparetto’s movement and intimacy direction and Esther Kehinde Ajyai's sound design infuse a playful spirit into the often logical and conceptual dialogues. The fun, quirky dance moves and the retro iconic music draw us closer to the characters' humanity over their intellectual minds.
Octopolis is a theatrical delight that skilfully blends humour with profound emotional depth. It immerses its audience in a captivating world of imagination, wit, conceptual challenges, and emotional depth. A gem for theatre enthusiasts.
**** Four stars
Reviewed by: Diana Feng
Octopolis plays at Hampstead Theatre until 28 October, with further information here.
Octopolis - Hampstead Theatre
(If anyone's interested, the book of the play's available from Nick Hern Books or from the theatre itself.)
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