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#i've wanted to draw more women
zaana · 8 months
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i've made a twi'lek OC! her name is Shiri and i'm having too much fun with her
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sergle · 8 months
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When ppl will create a "curvy" girl character and get pretty much the whole body's proportions right, obviously they're putting emphasis on bust/hips but it seems like it's being executed well--- except that they completely, fully, and deliberately, skip the stomach entirely. Just nothin there. Not even a whisper. I'm like. Just sack up, make it make sense and be honest with yourself by making it official and say it's canon that they got a tummy tuck. You cowardly ass, yellow bellied, wet brained, upside-down dog mouthed dirty bitch.
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poorly-drawn-mdzs · 4 months
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Hello! I was wondering if you’d be willing to take commissions someday 👀. No pressure tho! I just love your art so much
The short answer: "not at the moment, but it is very possible in the future'!
The slightly longer answer: I would have to figure out a good pricing and payment system! PD-MDZS is also where most of my free time goes, so until my life settles down a bit, I would be on the slow side to complete them.
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bijoumikhawal · 5 months
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got reminded of the "saying Arabs conquered and colonized North Africa is Zionist because obviously no one saying that coulx possibly draw a distinction between North African Arabs and Palestinian Arabs, and even drawing a distinction between Arabs and Imazighen is colonizer shit" school of thought
#cipher talk#I have seem Zionists co-opt the language of MENA Indigenous groups but MF that doesn't mean we're WRONG#It means they're stealing our talking points to appeal to more left leaning people#How is it you can recognize that they've co-opted the language of social justice and that that doesn't mean social justice is bad#Until the people YOU dispossess are mentioned and suddenly you're doing step 8 of the 8 steps of white settler colonial denial#Just like the Israelis do!#And yeah like. Some people don't draw the distinction. That's a product of intergenerational trauma and how our communities#Get manipulated by the US and shit. I've also met Arabs not from North Africa that refuse to draw a distinction#And see a discussion of how Arabs have hurt Indigenous Africans as an attack on them when it doesn't make sense to do so#I've also met a lot of people who DO clearly draw a distinction because the material conditions of Palestinians are that of Indigenity#Are your material conditions as a postcolonial North African with an Arab name and a mosque and skin that isn't black that of Indigenity?#Do you not have people with your face in the government (regardless of how shifty it is)? Did someone take your land or your churches land?#Do you struggle with employment? Is your tongue not the most common one? Are your cultural clothes looked at with distaste?#Are your girls targeted for kidnapping and rape to force them to not be of your culture? Are your women called whores who WANT rape?#Are you harassed by cops? Does the government try to take your kids because they have bullshit adoption laws?#Do your kids get arrested at 12 or 13 and almost sent a thousand miles away from home before pressure stays the order?#Is your language called feudal? Do people tell you they hope it dies soon? Is your name a barrier in your life?#Did they drown your fucking village?#Because all of these are things Copts and Nubians can say yes to#Before I even start on the shit done in the Maghreb or the fuckery about how Egypt defines 'Amazigh territory' (which is very complicated)
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piplupod · 17 days
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epic win at old lady group today: the group leader was struggling with a tangled up loose skein of yarn, so i scampered over to the other end of the table where was sitting and offered to untangle it and wind it into a centre-pull yarn bal for her since I remembered how to do it from just the other day fjdkdl and she was very confused why i would WANT to do that but she let me :3
so i got to untangle yarn AND wind a yarn ball AND help someone i appreciate, three things i love doing - YIPPEE !!!
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aerticent · 1 year
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Elane's chubby I don't make the rules🤷‍♀️
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moinsbienquekaworu · 6 months
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Entranced by a new man once again
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raveartts · 2 years
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Corset piercings my beloved, I think he would love them <3
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ghcstcd · 1 year
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Lady prebty,,,, womon nice
You did a really nice job with the female body on this piece. I hope we get to see more in the future! I am so gay for lussy.
Thank you. I can draw women just fine, I just don't do it often. Typically, I identify with masculine people more, and thus draw them more frequently.
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wheelie-butch · 2 years
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I love Lyke's big coat of pockets obviously but also I HC him as a he/him butch lesbian so my next thought was... what if cargo shorts.
Anyone's welcome to use or build on this design for fanart / fics :)
[Image ID: a pencil sketch of Lyke from Sangfielle. He is stood with his legs apart, holding up a jar with Aterika'Kaal in it that he is appraising with a smile. His body is thin and bony. He has light skin with freckles on his cheeks and shoulders, small, pointed breasts, visible leg and underarm hair, a pointy nose, slight sideburns, midlength black hair, and spider tattoos on his right arm.
He wears a wizard hat with pockets on, a pair of goggles, a dangly earring, a light vest with no bra underneath that has ridden up slightly to reveal his stomach hair, a large dark protective glove on his left hand, large cargo shorts with many pockets haphazardly arranged, a belt that is too long, tall, rumpled socks, and hiking boots. Tombo in his ball is attached to his belt by a carribena. End ID.]
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zanathan-aisling · 2 months
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brain. please.
#its 'sleep debt' i'm like 90% sure but i'm in such an easily uh. reactible? triggerable???? my brain sees stimulus and starts slamming#buttons.#i'm fully composed just like - i saw some furries that looks similar to character featured in NOT BAD but emotionally challenging (to my#personal foibles the art itself was quite wholesome) art that lives rent free in this one out-of-the-way but easily-seen-in-passing part of#my brain and my heart just sank like a fucking ROCK lmao#followed by the actually rather excited (because i don't actually bear the particular art i was reminded by ill will) going to figure out i#it was The Same Artist - wasn't! made sense the masc one was much better put together#for the record the other art was characters wholesomely discovering their sexualities to be Different than they previously knew.#of course my gender/sexuality ocd self hears that and feels like she's being boiled alive ha-ha~!#significantly more offended that a sicko from the *other* side of the fence saw it though and thought#'oh this will go great in the same pool as a load'a dykebreaking crap!!!' ITS CUTE AND SWEET AND THEYRE TEXTUALLY BI ASSHOLE#like one of the images is poorly worded who cares jump off a cliff#(found the art looking up 'insert normie term for gnc masc x gnc fem' stuff i wasn't even trying to gaze at THAT abyss)#....lowkey hate it that aesthetically a solid chunk of my preferences are trapped in 'femboy x tomboy' art like...#bro those aren't the genders i want/need sdhgdsklsgdhlk i can close my brain and pretend its not what the lore says but how fucking hard is#it to find decent sapphic art with trans women in it where they AREN'T big boobie breasted transitioning-like#(i literally have ocs that are t4t lesbians who are virtually indistinguishable not-being-furries-aside from some of the art i've found its#god it fucking kills me i need to get more comfortable drawing for PLEASUREEEEE AAAAAAAAAAA)#but those sorts of 'noone quite makes what i wanna see. i wanna draw it.' moods ALWAYS JUST FUCKING GO AWAY ONCE I GET MORE ENERGY IN ME TO#DO THINGS!!!!! I'M ONLY CREATIVELY ENERGIZED WHEN IM FUCKING NAPPING WHEN I'M AWAKE ITS EITHER HYPERFIXATION OR BIDEO GAMES#AND LIKE. I HAVE LONG TERM ART PROJECTS IN THE HYPERFIXATION ZONE. BUT THAT ISN'T THE FUN SHIT I COULD BE DOING IN THE MEANTIME#-WHICH'D ACTUALLY HELP PRACTICE FOR THE BIG LEAGUES!!!!!!!!#god i'm getting a headache. wanted to get to bed early today. its still early for me despite being 1:00 but like STILL phooey
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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I've encountered a strangely large number of stories online of single men who decide to test the theory that married men are inherently more desirable to women by buying a fake wedding ring and wearing it. They usually report that this works miraculously, women are far friendlier and more approachable, which is immediately interpreted as flirting. The conclusion they draw from the data is that women are inherently cruel, selfish and greedy, because clearly they don't want the man unless they think they're stealing from some other woman.
I wonder how many of these women in these experiments actually just thought they don't need to be wary about this man mistaking friendliness for flirting, since clearly he's not looking to date as he's already making someone else miserable.
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guideaus · 11 months
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i got on my laptop and forgot i had 20 tabs open of pages from mty and one w beauty and the beast tales master list
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Lesson 1: "White Man Painted Black"?
Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!
You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.
Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!
I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!
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(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)
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(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)
You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?
It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.
And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!
Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:
Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?
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Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)
What if, instead of just changing her palette, we changed her:
Hair?
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There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?
Lips?
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I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.
Nose?
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One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!
Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.
I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!
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flowersandbigteeth · 3 months
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Orc boyfriend with what he thinks is a tiny, smol mate who's so smol, so delicate, so sweet... They're actually pretty firmly built for a human, while a bit short, along with being stubborn and sassy and ready to bite heads off for their adorable XL size boyfriend.
I've got so many orc stories going right now, but you know I'm not mad about it ^_^ I love Orcs <3 There are so many different ways to write them. I have another couple of Orc asks I'm working on, as well 🥵
Orc (Cedar) x thick f reader
Word Count: 5K
Tw: sfw orc fluff, some brief descriptions of battle, brief mention of sa, size difference
More monster fluff here
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“Put the stick down, sugar. We’re not going to hurt you.” 
You scoffed at the soldiers circling you, their eyes dark with lust. 
“We just want to have some fun,” another said, his eyes drifting over your shapely hips. “Don’t you owe us a debt of gratitude for rescuing you?”  
You squeezed the iron fire poker that you had gripped in your hand. 
“Rescuing me? You didn’t get your rocks off burning down the damn village?” 
“It was a strategic maneuver,” the leader of the armored men said with an oily smile. “We are here to liberate you.” 
“By assaulting me?” you snapped. 
There was not a doubt in your mind that the second you lowered your weapon, they were going to drag you into some dark corner and act out all of the sick thoughts they had echoed on their faces. 
Your King’s soldiers weren’t good guys. When they heard there was an Orc camp nearby, they couldn’t be bothered to attack it directly. Instead, they burned down your village. They said it was to prevent them from resupplying. 
It was true you did business with the Orcs, who were technically your enemy, but they never acted like enemies. While big and quite scary-looking, they paid in gold and were always polite to the women running the shops. You never felt the least bit unsafe alone with one, and occasionally, they’d help you out with things that needed done– fixing roofs and cartwheels. The men of the town had all been conscripted for the war, so it mostly the ladies keeping the village afloat. The soldiers had made a whole lot of children and the elderly homeless. 
“Come on, sweetie, this game is getting tiresome.” 
One of the soldiers dared to approach you, and you didn’t hesitate a second, swinging your poker and smacking him so hard in the head that his helmet crunched. He collapsed on the broken boards that had once been the floor of your little noodle shop. 
“Now that’s a crime!” the leader barked.
He waved to his accomplices. 
“Get in there and restrain her!” Their eyes fell on the collapsed soldier, and they looked between one another, trying to sort out who was next to get a whomping. 
You flexed your wrist, preparing to swing at whoever came at you next, when you heard the heavy steps of an Orc approaching. The soldiers were too inexperienced to know what that sound meant. You’d heard them approach every day at dinner time for several months. It wasn’t until he was shouldering his way through what was left of your door that they took notice. 
“The enemy approaches! Your swords!” 
The Orc you knew as Ash, wrinkled his brow and let out a lilting call to gather his brethren. The ground rumbled as more heavy feet ran towards you. 
Wood splintered, and what remained of the ceiling creaked as they tore the walls away, making more room for a fight. 
Faced with five nine-foot Orc barbarians armed with axes almost as big as their bodies, the soldiers tried to run for it. You screamed as they threatened to trample you, trying to force their way through the back wall, but they never reached you. 
The Orcs didn’t need to draw their weapons, grabbing every soldier and smacking them against the ground until they stopped moving—a gruesome way to die, but practical. 
When the danger was crumpled into a wet gnarl of bones and metal, their eyes turned to you. Ash said something to his friends in their own language before he stomped across the room and plucked you up like a kitten, cradling you in his arm. 
“Hey, What do you think you’re doing?!” 
“Quiet, little one. You’ll give us away.” 
You puckered your lips at him, annoyed, as if the stomping of five tons of muscle was quiet. When you tried to wave your poker at him, he plucked it out of your hand but didn’t drop it, tucking it instead in his belt. He said something else to his friends before turning to split away from them. 
You had no reason to panic. The Orcs had never harmed you, but being taken away from the group put frightening thoughts in your head, and you instinctively started screaming. 
The Orc sighed, sounding tired, when four more soldiers came skidding around a corner, swords in hand. You looked up at him apologetically, smacking your hand over your mouth to stay the scream that didn’t want to stop. 
He set you on the roof of what was left of a building and pat you on the head, a gesture that you read as “stay” before pulling out his axe. You weren’t going anywhere, even if you wanted to. The drop was fifteen feet down, and the stairs were just charcoal at the base of the building. 
“Attack!” the leader of the soldiers shouted, but their moves in their heavy metal armor were slow. Ash swung his arm in a sweeping stroke that sliced four of them in half where they stood. The other one, eyes wide with horror, turned tail and ran. 
Replacing his axe, he picked you up again and headed into the woods. This time, you had enough sense to keep quiet. 
You’d never been to the Orc camp before, but you heard it before you saw it. The brassy sound of a grinder and hammers on metal rang through the trees, blended with the shouts of the Orcs in their language.  There were lots of huge tents and fires spotted here and there. The camp was buzzing with activity. Orcs ran around shouting at one another, some gathering weapons, some sending groups in the direction you came. You recognized many of them as some of your customers. They often came in groups and hauled away vats of the noodle stew you sold. 
A few Orcs waved at Ash but didn’t pay you much mind as he carried you to the nicest-looking tent. It had a banner outside of it with a gold bear embroidered into the fabric. Ash set you on the ground at the door and handed you your poker before patting you on the back, indicating you should go in. 
“What’s in there?” you asked. 
He said something in Orcish that you didn’t understand and walked away. There were too many other giants around to attempt an escape, so you pulled aside the fur covering the door and peeked inside. 
“Hello?” 
Your question was returned with a deep voice, smooth as a glassy pond. 
“Enter, little one.” 
Taking a few steps inside, you were faced with what you could only describe as the most handsome Orc you’d ever seen. His skin was a deep olive, and his hair fell over his shoulder in a long, dark sheet with small braids here and there. His tusks were large, but they seemed only to highlight how well his lips were formed. His features were harsh and defined but not unattractive, with a straight nose and deep-set gold eyes. The only thing you could point out as a flaw was a dark scar from his forehead to the right corner of his jaw. 
You assumed the Orcs were blunt tools, sprinting into battle with no real plan, but this one was sitting at a high table examining maps with a book in his hand. 
“I’m…I’m not sure why I’m here,” you said, brandishing your poker, though you didn’t feel like you were in any particular danger. 
“I asked Ash to fetch you,” he said without looking up. “You’re the noodle shop woman.” 
“My name is (Y/N), not “noodle shop woman,” and I don’t have a shop anymore. The soldiers burned it.” 
He put his book down and turned his gold eyes to you. 
“That’s why you’re here.” 
“I don’t understand.” 
His eyes drifted over you before they settled on the poker you were still holding up. 
“You were feeding most of the camp. If there’s no shop to visit, you can make noodles here.” 
You blinked up at him. 
“Oh…Am I your prisoner?” 
He chuckled. 
“If you’d like to go back to your people, I won’t stop you, but judging how they burned down your village without hesitation, I think you’re safer with us.” 
You had to admit that made some sense, but you still weren’t buying it. 
“I can’t stay here with you!” 
He tipped his head, the corner of his lip twitching up slightly. 
“Why is that, little one?” 
You narrowed your eyes at him. 
“First of all, I’m NOT little, and second, an Orc camp is no place for a lady.” 
A shudder that had nothing to do with fear shot down your spine as his eyes moved over your body. He crossed the room, scooping you up, and setting you on his table. Your feet dangled far from the ground. 
“What- What are you doing?” you snapped, waving your weapon at him. 
“My neck was hurting from looking down at you. You’re very short.”
The sparkle in his eyes told you he was teasing you, which drew heat to your cheeks. 
“Maybe compared to you. You’re unnecessarily large. What are you doing with all of that muscle? Are you going to arm wrestle your books?” you pouted, eyes drifting to the massive bicep peeking out of the fur vest he wore. 
He laughed out loud, gracing you with a wide smile. 
“You’ll fit right in here.” 
You raised your nose at him, trying to look unconvinced. 
“Where will I even sleep? All of your tents are big and drafty.” 
“Since you’ve declared your intention to court me, I wouldn’t mind if you slept here.” 
“Declared my intention to— Where did you get that idea?” 
He flicked a fingertip at your poker. 
“In the old days, Orc females came to their males' tent and threatened them into submission with their favorite weapon.” 
Your cheeks burned like hot irons, and you almost dropped it. 
“Well…I’m not trying to court you. It’s for protection.” 
He snorted at you but nodded his head. 
“If you say so, little one, but it will be much warmer in my tent if it’s drafts you’re worried about.” 
“I don’t even know your name. Ash called you something in your language. I didn’t understand…” 
He examined one of the feet you had dangling over the edge of his table. Compared to his big hand, it was tiny. 
“Cautalin, it means something close to general in your language, but you can call me Cedar. That’s what my mother named me.” 
Your eyes traveled over his barrel chest and thick arms. 
“Seems about right,” you said, finally setting your poker down. 
He picked it up, looked it over, and tested the weight in his hand. 
“Not a bad choice,” he said. “Light but effective.” 
You glanced up at him through your eyelashes, feeling cheeky. 
“Do you feel like submitting?” 
You watched a flicker of heat ignite in his eyes, and he slowly set it down. 
“Come on, let's get you to bed, killer.” 
He picked you up again, walking you over to a large pallet covered in furs. 
“This is your bed.” 
He gave you another smile. 
“We’re in the middle of a battle; I won't be sleeping tonight. It's all yours.” 
Though you weren't quite sure about sleeping in his bed, weariness overtook you at the sight of the comfortable, cozy furs, and you crawled in, wrapping yourself up to your chin in blankets. 
He put your poker next to you and blew out the candle, slipping out the front flap as you dozed. 
— 
You woke to yelling, but not the sound of battle. Crawling out of your furs, you picked up your poker and peeled out of the flap Cedar used as a door. Another Orc you didn't recognize was the one yelling, and Cedar had his arms crossed, looking bored. 
Your eyes drifted to about twenty women, elderly, and children, cowering in the chilly morning air, their faces streaked with soot from the fire.
“They’re our enemies!” the strange Orc barked. 
“Really, Asvoth? Are you really afraid of a handful of children and their mothers?” 
“This is a war camp, not a nursery.” 
“It's my camp, not yours. They stay.” 
“I outrank you. I can take your command.” 
Cedar snorted. 
“Yet the King hasn't trusted you with a unit of your own. You're nothing more than an errand boy with a fancy title. Any of these children could take your job.” 
Asvoth’s face turned a deep forest green from both embarrassment and indignation. He yanked the sword he wore on his back to his hand. Without thinking, you hopped in front of Cedar, waving your poker at the intruder. You had no idea why, a fact you only considered after you’d already put yourself in harm's way. Still, you'd made your move so the only thing to do was follow through. 
“You heard Cedar! We’re not leaving! Get on if you know what's good for you!” 
Asvoth sprung forward, dropping his sword toward your head. Your eyes squeezed shut, preparing for pain, but there was only the clang of metal. Opening one eye, you glanced up to see Cedar’s axe blocking the other Orc’s blow. 
There was a moment when you thought Asvoth might overtake him, but Cedar’s muscles weren't all for show. He shoved the other Orc back, and he toppled over, landing on his butt in the dirt. His sword landed in front of the children with a CLANG. 
“Woah!”  the little ones cheered, circling around it like it was a strange animal. 
A few of them tried to pick it up, but it was far too heavy, making their eyes pop even wider.
Cedar nodded at him, and a pair of Orcs from the camp dragged Asvoth up by the collar of his tunic, pushing him towards the forest.  
“I'm reporting this!” He shouted over his shoulder as he stumbled towards the woods. 
Cedar waved a hand at one of his Orcs, beckoning him closer. 
“You and Orin follow him and make sure the King gets our side of the story, not his.”  
When the situation seemed settled, Cedar looked down at you and patted your head. 
“Thank you for your protection, little suitor,” he said with a smirk. 
Your cheeks blew up in flames, but you puffed your chest and looked at the children watching Ash pick up the abandoned sword. They hopped around him like little bunnies, begging him to teach them to use it. 
“I have no idea what you mean! I’m here to make noodles! Point me in the direction of my kitchen! These little mouths are probably hungry.” 
He chuckled, but guided you with a large hand on your back to a large tent filled with whatever food supplies they had rescued from the village. You wrinkled your nose at the primitive workspace, but there were enough flour and eggs to work with. You were surprised to find someone had stuck in a lower table, perfect for your height. After washing your hands in a water basin, you got to cooking. 
“What are you still doing here?” you asked Cedar, who had plopped down in a chair and was reading a book. 
He smiled. 
“Reading.” 
You blinked at him, putting your floury fists on your hips. “Are you surveilling me? I’m not going to poison you all! I have to eat this too, you know.” 
He tipped his head to the side, his gold eyes sparkling in the makeshift hearth. 
“The sound of cooking is soothing. I liked to study in the kitchen while my mother cooked when I was a boy.” 
You looked him up and down. 
“I can’t imagine you as a child.” 
You thought for a second, tapping your chin. 
“You know, I don’t think I’ve ever seen an Orc child, actually.” 
He looked back down at his book, shifting in his seat to get comfortable. 
“You will,” he said as he flipped a page. 
Your brow wrinkled at that nebulous statement, but you knew everyone was hungry after the long night, so you got back to work. 
By midmorning, you had a stewpot big enough to feed an army filled with noodles, vegetables, and what little bit of venison the Orcs had been able to hunt between the battle. 
“All done,” you said, clapping your hands and creating a puff of flour in the air. 
Cedar got up and shouted something to his men, and two Orcs appeared to carry the big vat into the central circle so it could be served. You felt a sense of satisfaction when all the bowls were passed out and the children, tired humans, and bloodied Orcs were eating. The mothers spoke quietly between one another, while the children could hardly sit still, their big eyes following the Orcs every movement. 
“Here.” 
You looked up to find Cedar holding a bowl out to you. A grumbling stomach had you accepting it, and he patted the seat next to him for you to sit down. The two of you ate quietly for a moment before you asked him a question. 
“What are you going to do with all of us?” 
“Hmm?” he asked. 
“Well, I mean when the battle is over. We have nowhere to go. Our town is destroyed.” 
He looked at the children who, after scarfing down their bowls, were engaged in some game with Ash. 
“I was hoping you would all return to our capitol city with us. That’s where we live when we’re not fighting.”
Your eyebrows jumped. 
“To the Orc city? We’re humans. Don’t your people hate us?” 
He shrugged. 
“There are some weak minds who reveal their own fragility with their hate, but the rest of us like your kind. This whole war started because we wished to create allies amongst the humans.” 
“What? The soldiers said you attacked!” 
He chuckled. 
“Your king has a very effective propaganda engine. That’s probably the only thing about him that is effective. We sent a delegation party to him to discuss our interest in mingling with you humans. You all are prolific; despite your size, you’re a sturdy bunch. We thought marriages would bolster our numbers and strengthen your stock. Your King attacked, and we were forced to defend ourselves. The force that attacked us was decimated, and he declared war.” 
“You mean…you wish to mate with us?” 
His eyes slid down to you, and he gave you a sharp nod. 
“Is that so surprising?” 
You thought about it for a moment. 
“I don’t know…Maybe a little. You’re so strong. You’re not afraid we’ll diminish you?” 
His thick hand cupped your chin and rubbed some flour away with his thumb. Your heart raced at his touch. 
“Size is not what makes us strong. Our strength lies in our unbreakable bonds. Your King will be defeated, not because his forces are less than ours, but because he orders his men to betray his own people.” 
He nodded towards the children, who were playing chicken fight on Ash and another Orc’s shoulders. 
“They will remember it was men who burned down their village, stole their fathers from them, assaulted their mothers and Orcs who took them in, fed them, and helped them smile again. 
“I suppose you’re right,” you agreed. 
His smile widened. 
“I will remember you took up arms to protect me against an enemy twice your size. You belong among the us.” 
Suddenly the wool dress you wore was much too hot. 
“I should go wash these before the next meal,” you squeaked, grabbing his empty bowl and scurrying away.
Once safe in the kitchen tent, you pressed your hand against your chest, trying to still your heart. Why did Cedar make you feel so fluttery? You’d never felt this way around anyone before. You usually kept to yourself and steered clear of romance. It had to be the battle, you decided. You were still hyped up from the night before. In a day or so, you were sure it would pass. 
Dunking empty bowls in ice-cold river water helped cool your thoughts as you tried to focus on what to make for dinner. The Orcs stocks were pretty hefty, but they and the children ate a lot. You’d noticed many of the parents tipping some of their bowls into their little one’s, making sure they were fed properly in case the next meal didn’t come. 
It saddened you it had to be this way. What horrible person decides to burn down their own citizens' village? Who was the King even protecting you from? Not the Orcs, that’s for sure. 
A loud rabble outside dragged your attention away from the dishes, and you picked up your poker before peeking your head outside. 
A few Orc scouts were speaking in rapid Orcish to Cedar. When they paused, his eyes immediately looked around for the children and frowned before he spoke to you all. 
“The human King has sent reinforcements. They will close on our camp by nightfall.” 
The mothers all gathered their children to their skirts, looking weary. 
“Women and children to the kitchen tent! We will keep you safe, but you must stay hidden!” 
You made way as a small stampede of humans rushed past you, many pushing their children to hide under the table. 
“What’s happening?” You asked Cedar as people and Orcs rushed around. 
He scrubbed his hand over his jaw, looking disturbed. 
“Someone ran back to your King with a story that we’d kidnapped you, not taken you in from starving in a burnt-down village. We will win this fight, but then we will have to make the journey back to the capitol. They will keep attacking if they think you’re within their grasp. Do you think you can explain this to your people? We don’t intend to take anyone by force, but I wouldn’t trust the King’s soldiers.”
“Yes, of course. Whatever you need.”
You hurried back to the kitchen, where the humans were muttering to one another. 
“Should we flee to the forest?” Isla, the former town candlemaker, asked. “Can we depend on the Orcs to protect us?” 
Another woman scoffed. 
“We can’t trust anyone. These Orcs are kind now, but they’ll sell us out at the drop of a hat.” 
Linda, a quiet woman who worked as a weaver, whimpered. 
“But we’ll starve in the forest alone. Word is the King’s men have raized every town for fifty miles!” 
You inserted yourself into the conversation, holding up your hands. 
“No one needs to escape to the woods. The Orcs are going to take us back to their capitol to keep us safe.” 
Linda squeaked in horror. 
“The Orc capitol?! Where they can enslave us?!” 
“They have no plan to enslave you. Don’t you want your children to be safe? We will be safe behind their walls!” 
“Or…when the King takes the city we’ll all be hung as traitors!” 
“Shawna, don’t put that in her head. Linda, we’ll be fine. I trust Cedar.” 
You paused on that thought, realizing not only was it true, it didn’t make any sense. You’d only just met him. Your conversation was interrupted by the shouting of men outside. 
“We’ll talk about this later,” you hissed, “Here, take this.” 
You armed the humans with whatever haphazard weapons you could find, mostly butcher knives and skillets. 
Outside, you could hear the clang of weapons and the squelching sounds of metal piercing flesh. 
“What's happening?” Linda asked, trying to get around you so she could peek out of the tent flap. 
“Stay back!” You barked. “If they see us, we’re in trouble!” 
You could tell she was losing it, hopping from one foot to another, her hands getting slippery on her knife. 
“No, no, no,” she whimpered. “I don’t want to go with the Orcs. Even a human monster is better than them!” 
Before you could grab her, she skipped through the doorway, running wildly into the fray. The other humans gathered around you, their opinions spilling out like loose marbles. 
“What is she thinking?!” 
“Linda, come back!” 
“Let her go, she’s nuts.” 
You clenched your jaw, squeezing your iron poker. 
“She’s scared. I’ll go get her…you all stay put!” 
Before anyone could stop you, you darted after her, trying to catch sight of her red skirt through the mess of armour-clad humans and massive Orcs. The King had sent a much larger force than the one that had burned down your village. The battle around you was brutal. You almost slipped on a puddle of blood, your eyes frantically searching for Linda. 
You found her pointing her knife with shaking hands at a human soldier. 
“What are you doing? I’m a human, too!” 
“The King ordered you all dead!” he snarled, raising his sword at her. “No witnesses! Come on, do your duty to the kingdom, and die quietly!” 
Panicking, you launched yourself at him, whacking him with your poker as you barreled into him. The two of you went down, metal clashing as you fell and dropped your weapons. Both of you scrabbled for purchase in the blood-soaked earth. You could hear Linda screeching beside you as you tried to overpower the soldier. His armor, now slick with mud, made it impossible to get a hold of him, and he triumphantly dragged himself to his sword, clumsily grabbing it by the blade and flinging it in your direction. You saw the metal flash in the firelight before pain exploded between your eyes, and your vision went black. 
“Please tell me she’s not dead,” you heard Linda’s voice from far away. 
Isla scoffed. 
“You’d better hope she’s not, Linda. This is all your fault!” 
“I'm sorry!” she simpered, “I made a mistake! I thought the soldiers were here to free us!” 
“Free us from what? A good meal and a safe place to sleep?”
You dragged your eyelids open, vision blurry for a moment before it cleared. 
“What…what happened?” you murmured. 
“She’s awake!” Isla gasped. 
You felt her cool hands against your cheek. 
“Take it slow, here; have some water.” 
She pushed a tin cup into your hands, and you wet your palette with a few sips. Looking around, you were surrounded by the humans, all looking very concerned. 
“Is everyone okay?” you asked. 
Isla smirked, and the other women tittered a bit. 
“Thanks to you, I suppose. That chieftain or warlord or whatever saw you get knocked in the head and went berzerk. He killed most of the soldiers all by himself.” 
Another woman poked her head out of the tent. 
“She’s okay! You guys can untie him!” 
“Untie who? Is the battle over?” 
Isla nodded.
“Yeah, all the soldiers are dead. We’ve all been waiting for you to wake up so we can move the camp before the King sends anymore. Can you believe he ordered them to kill us? I guess so he could claim the Orcs did it and get more support for the war.”
She smirked at you. 
“And as for who's tied up, your Orc friend thought you were dead. The others had to tie him up so he wouldn’t go on a rampage. He was ready to storm the King’s stronghold! You ought to see the ropes they had to use…thick as your waist!” 
You heard the roll of stomping feet, and Cedar burst through the tent flap. His hair was wild, and his tunic was red with blood. He fell to his knees in front of you, holding his hands as if he couldn’t decide if you were safe to touch. 
“Are you okay?” he asked, carefully prodding the bandage you had wrapped around your head. “That monster didn’t do any permanent damage, did he?” 
“She’ll have a scar,” Isla said, “but I think she’s fine.” 
Cedar’s face lightened, pulling you towards him, his big arms wrapping around you. 
“Thank the goddess,” he sighed with a heavy breath. “I thought they’d taken you from me.” 
He cupped your cheeks between his palms when he finally let you go. 
“You are so stupidly brave, little one,” he gasped, eyes wet. “You have more honor than your people deserve.” 
Behind him, Isla waved the women out of the tent, leaving the two of you alone. Not used to so much intimate attention, your cheeks warmed, and you weren’t sure where to look. 
“I just didn’t want Linda to get hurt,” you muttered. 
He gave you an odd smile, scooping you out of the cot you’d woken up in. 
“Once I get you to our home in the capitol, I’m going to have to keep you locked up for your own safety,” he said, patting your head. 
You looked up at him from where you were tucked, leaning on his bicep. 
“Our home?” 
He grinned at you, counting on his fingers. 
“First step to Orc courting: Threaten your desired with your weapon. Done. Step two: Allure them with your cooking skills, cooking or hunting something delicious. Done. And the final step: Display your honor through a grand act of bravery. Done! You’ve effectively and thoroughly seduced me, little one! All that’s left is to take you home!” 
He tipped your chin up with one thick finger and dipped his head to press his lips against yours. Your whole body felt like it was made of butterflies, every nerve flickering with excitement. Despite being covered in blood and mud, his kiss tasted like honey and sage. It felt like a warm cup of tea on a chilly morning. Your eyelashes fluttered shut and you sank into his warmth, despite yourself, happy to be alive and in his arms.
“Oh!” you gasped as he straightened his neck.
Your mouth fell open, unsure what to say. Before you could think of anything, Cedar carried you out of the tent, shouting orders at his men to pack up the camp so you could leave for the capitol.
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