Tumgik
#i'd love to do a crossover art with the two of them
lostxmelody · 4 months
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sorry for so many text posts recently! i have a few art pieces in mind that i'll get to eventually :')
anyway, today i wanted to share how i got into milgram because i think im a bit of a special case as i didn't get into it via recommendations or even just happening to stumble across it somewhere.
i got into it because of D4DJ!! not sure how many people know this-- but back in late april/early may 2022 they did a limited time collab. through this i heard several of the trial songs and i loved them! HARROW was actually the first i listened to iirc but i immediately fell in love with both that and MeMe (major hanae natsuki bias here).
...but i never watched the trials themselves and ended up not getting into the actual series until earlier this year. it was kind of just a brain worm for a while lol. but now im here... in milgram hell... and loving every single second of it.
to finish it off i wanted to show that yes-- they had limited in-game items that i own!
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its so funny to look at... like why is es milgram in this rhythm gacha game??? hilarious.
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enavstars · 2 months
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Your art is so adorable, and that animation with Kai and Zane made me cry happy tears!
In your “Meet the Artist” piece, I saw that you also like Monkie Kid along with Ninjago. Just curious, have you drawn any crossover art of the two?
(To be honest, the two fandoms need a crossover…)
They definetly need a crossover!
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Monkie kid is my second fav show and of course Mk, Mei and Red son are my favourites so I had to draw them interacting with the rgb siblings <3
(I'm still playing around their designs)
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If Kai and Mk meet they would get along (tho there is a 70% chance Kai would adopt him)
I wanted to add what happens when you send me ideas for art: most of the time I add them to a list of future drawings I want to make (and even if I don't I usually re read yours messages so I won't forget). However it may take a lot of time for me to do them (depends on the idea) or I may never do them or how you'd expect. But I love when you send me ideas or messages <3
So sorry for the wait but here's the ninjago x monkie kid crossover. And I'd like to make more monkie kid art in the future :3
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phospadparadscha · 4 months
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Church dance + Gems au = accidental near-fusion???
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And now, for the main event: Black Opal, the fusion of an Orange Pearl (Kim Kitsuragi) and mystery gem (Harry Du Bois). Below is a reference I made:
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Black Opal, the fusion of Harry and Kim as part of my Disco Elysium / Steven Universe crossover AU. I really wanted to lean into the nostalgia and adrenaline junkie aspects of both characters. The conclusion I came to was a 70s biker. I think every time I've seen a picture of someone's american dad back when they were younger, it was a guy with insane facial hair and a homoerotic biker fit, which lead me to this as the aesthetic for a fusion of these two. These are black opals, for reference:
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As a fusion, they both struggle to speak as a singular being. They are not a very stable fusion, mostly due to Harry's damaged gem and how quickly they both can diverge from each other in action and personality. When they do agree however and can maintain Black Opal, its the aspect of themselves that brings out the daring qualities of the other; the one that says "hold on!" and presses their foot on the accelerator, the one that revs their engine, the one that brings a boombox to a boat ride. After a while Black Opal is able to assimilate both aspects of Kim and Harry, as seen in the last panel where his enthusiastic and showboating personality (which both Harry and Kim posses individually in different ways) becomes more like a singular being, like other fusions in the show.
I arranged their limbs and eyes according to where I think they diverge in terms of personality and what they try to accomplish as a fusion / where their interests conflict. This seems to be the case for fusions in Steven Universe as well, where the less harmonious a fusion is, the less proportional the limbs and eyes are to a human body. Harry and Kim have divergences in their eyes and in their forearms. While physically they follow each other in a common goal, Harry and Kim have different ways of handling the world and diverge in their sense of interfacing. Kim has a delicate touch generally, while Harry tends to brute force his way through obstacles. They also have divergent eyes; They both see the world very differently and have different reactions to the same stimulus. Besides these two divergences, they are a fairly harmonious fusion physically.
This is Kim's first fusion, meanwhile Harry has fused before with multiple people from Precinct 41 and his ex, but due to his amnesia he doesn't remember that he has.
Harry and Kim are both basically in historical cosplay throughout the entire game, and I liked the idea of them both being a fusion that dresses in an outdated and charming way as well, like a person out of time. Black Opal as a gemstone I chose because the rainbow coloration of Harry's pale damage on his gem would intermingle with Kim's orange pearl, while the orange and green of the two of them mixed as colors would be a darker muddy color. Thus, this would equate to a dark gem with rainbow coloration inside. Opals tend to be porous as well, which I found fitting for Harry's eroded gemstone.
I love how Harry and Kim have whack-ass facial hair in game and I wanted to give them both an insane facial hair combo. The leather jacket is basically a combination of Harry's green disco blazer and Kim's orange bomber jacket. Kim's gloves become biker's gloves, the "tie" from Harry is the bandana they both wear around their mullet with buzzed sides. They're wearing these big biker's boots, which are drawn largely from Kim's boots in game. Kim has a ton of little compartments to his clothes, so I liked the idea of there being a bunch of zippers everywhere. I'd have put even more and drawn on some patches but my hand was starting to fall off from drawing so for now this is it.
I'll definitely be drawing more of this fusion and for this AU in the future but if you guys have suggestions, ideas, art requests for the crossover let me know. The tag for posts about this au is "disco universe".
Below are some of the clothing and aesthetics I referenced while drawing Black Opal:
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masterwords · 7 months
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masterwords halloween party
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Welcome to my Halloween party!
From October 1st - 31st, I'd like to challenge you to create something with October/Halloween vibes. Anything from a bucket full of sweet treats to roll around in to a total bloodbath. The catch?
It has to be Criminal Minds.
You can write fic (any ship, gen, self-insert, world-building, AU, meta, headcanons, crossovers...whatever you want to craft with words), create art or moodboards or playlists or whatever your heart desires. I want to keep it simple and easy to participate, just have fun.
If you're interested, read below the cut for a list of prompts you're welcome to use, details and a few simple rules!
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🎃 Tricks:
As if the case isn't grisly enough, now the hotel might be haunted.
Alternatively: The BAU is haunted
Anderson? There hasn't been an Anderson here in thirty years.
Childhood fear exposed
New fear unlocked
A near death experience acquaints a character with the Grim Reaper
Unsub AU
Back from the dead
Spooky campfire stories
Horror movie AU
Vampire AU
Zombie Apocalypse
The team plays with a Ouija board
"That isn't fake blood."
Power goes out during a thunderstorm
Someone's costume triggers Character A and Character B helps
The entire BAU ends up in a murder castle ala H.H. Holmes
🍭 Treats:
Taking the kids trick or treating
Office Halloween party
Pumpkin Patch/Corn Maze/Hay Ride
Cozy backyard bonfire
Haunted House/Carnival/County Fair/Spook Show date night
Characters make their relationship public with couples costumes
Operation: make Derek Morgan like Halloween
Character A is hurt/sick and has to skip Halloween. Character B brings Halloween to them.
Masquerade Ball
Character A surprises Character B with a sexy costume
The team is traveling on Halloween and makes the best of it
Scary movie night at Reid's place
Pumpkin carving contest
Doing yard work is unexpectedly fun when you have piles of leaves to jump into
Two people show up to a work party in the same costume
Character A relentlessly tries to scare Character B.
I have a bunch more prompts, so if you don't see something here but want something a little more specific you can send me an ask and I'll try to help you out. You do not have to use any of these to participate or ask permission to use them. Just take them or don't, totally up to you. I'd love to help you brainstorm so feel free to reach out! (You are welcome to combine these with Whumptober, Kinktober, etc. Double up! Triple! Quadruple!)
Please note: This is a challenge for you to do the creating, not a list of items to request of me. (I will be participating though.)
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👻 Rules:
Must be Criminal Minds. Any character or ship, gen, self-insert, OC...whatever, but it has to be CM. This includes the main show, Suspect Behavior, Beyond Borders and Criminal Minds: Evolution.
Explicit sex/smut is allowed but you must be 18 or older. I will not add your fic to the masterlist or interact at all if there isn't clear indication that you are 18+.
Please warn/tag appropriately
No ship shaming, kink shaming, character hate etc please. This is a Halloween party, it's bound to get dark but let's not be mean!
Please tag me in your creation so I can add it to the masterlist and share it with everyone! (You can post here or send an AO3/other app link, up to you!)
Happy Haunting!
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dianagj-art · 4 months
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Now that we're entering into 2024, I'm asking some artists and writers that I follow:
1) What is the one piece you're most proud of from this past year?
2) What are some pieces that you would have liked more people to see? If you can include links, I'd love to go check them out!
3) What were your top three favorite pieces (art, comics, fics, etc) that someone else has made this past year?
(As always, no pressure to respond! Feel free to just ignore, or let me know if you'd rather I not send you these kinds of asks in the future.)
1)Oh man, just one?
uuuhhhhh.... Im gonna go with this animation for@/onionninjastuff's DTIYS
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this as a whole was very fun to do and I ended up doing more than I originally planned because I was having so much fun with it
2) uuhhhhh *checks my archive* the "who broke it" crossover animation
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and these two DTIYS for @/geminforest's Coin Toss AU and @/tangledinink's Gemini AU
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3) damn, top 3 pieces that live rent free on my head? that's hard to say, specially because it'll have me infinetly scrolling down my friends' blogs and I dont have the brain power for that now
But very quickly I can say these two crossover drawings from @teaableu and @intotheelliwoods that I have saved on my wallpaper folder (I also have one from Dae but I dont think I've seen it posted on tumblr or insta so I'm not posting it)
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asides from that the whole Cass' Apocalyptic Series by @/somerandomdudelmao (I'm not tagging them because they already get tagged a lot in random stuff and I dont wanna bother them)
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ROUND 3: SIDE 1: Max Goof (Disney)/Yakko Warner (Animaniacs) VS Sora (Kingdom Hearts)/Jim Hawkins (Treasure Planet) VS Johnny Bravo (Johnny Bravo)/Samurai Jack (Samurai Jack)
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*Mun Note: There are three options because Sora/Jim and Johnny/Jack tied last round, so this round is a three-way matchup. Only the winning ship will advance to the next round.
Propaganda for Max Goof/Yakko Warner:
I just like them. I think its cute. Romeo and juliet vibes because theyre from different studios, Disney vs warner brothers. They're both funny, dorky guys, and they bring out the best in each other. Plus only child vs overworked older child turned parent is a really good dynamic too.
YAX SWEEP
#YAX SWEEEEEEEEP!!!!!!
#yakko x max opened my third eye #this needs to be a thing
Cameo of Max's VA expressing approval of the ship~!
#YAX SWEEP #LETS GOOO
#yax propagandists ASSEMBLE
#yax sweep #they deserve it
Propaganda for Sora/Jim Hawkins:
I just think they're cute and they should put a Treasure Planet world in Kingdom Hearts.
I can't believe I have to choose! Jimmy/Timmy had a nice dynamic in their specials, but I just can't help but vote for Sora/Jim because of what we don't have. I'd love for Sora and Jim to get together, I think they'll have a lot to talk about! #HEY SORA AND JIM ARE IMPORTANT TO ME #VOTE FOR THEM
Propaganda for Johnny Bravo/Samurai Jack:
A man physically out of time and a man mentally out of time. In that little laundromat, these two men exchange a conversation filled with sexual tension. Jack overwhelmed by Johnny’s strength. Johnny overwhelmed by Jack’s sense of calm. Despite all the ways it shouldn’t work, there’s a real affection simmering under that surface. Mutual attraction, that if they acted in it, could transform their lives in such a myriad of ways. With Jack’s endless hunt for Aku and Johnny’s endless hunt for sex, the only barrier between their happiness is their sense of duty holding them back.
#i cant help but smile and giggle a bit at the propaganda for jack and johnny because yeah. yeah exactly this. this is what its all about #I <3 GAY PEOPLE
#alright now seriously PLEASE VOTE FOR JOHNNY BRAVO X SAMURAI JACK!!!!!!!! #WHEN I FOUND OUT ABOUT THAT SHIP MY BRAIN EXPLODED #and then i forgot this ship existed for. 4 years (????) if i didn't find this poll i would never remember it
#remider to support Samuraibravo
Art Credit: Max/Yakko art by @/doodle-poofes Sora/Jim art by @/smovs Johnny/Jack screencaps are from the laundromat short
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xekutozoren · 3 months
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My first Terraqua submission
Models by Otzipai-Art and Square Enix
Pose inspired by a frame in @steadyknight 's comic @crosstheline-terraquafancomic These two have been bringing me a lot of comfort after a recent string of bad luck. I admittedly was only a Aqua fan before because I didn't really see Terra reciprocate her feelings in-game. But after researching their relationship and seeing it from different perspectives, I've fallen hard for them. (Because I love angst)
I still want to see more appreciation for Aqua from Terra in the games though ._.
My friend and I like to refer to their ship as Terraquarium keke
I wish there were KH3-style MMD models for them. I know Data Greeting exists but I'd rather be able to pose them more flexibly. I need to get off my butt and actually draw them as well as some crossover AUs I've been doing.
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iennoganan-aha · 1 year
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Just wanted to pop in and say I love your fma x demon slayer crossover!! Its such a good au that wouldn't have even crossed my mind if I wouldn't have stumbled across your art. Speaking of, your art is ADORABLE!! The characters are so squishy and I love them so much!! If you decide to continue into this AU, I know I'd love to learn more about it!! Thanks so much for sharing these!!
Ah thank you! I do plan on continuing the au, since I am currently writing a fanfic for it! I have two chapters prewritten as well!
And THANK YOU!! I really love drawing characters all squishy and soft!!
As a GIFT here’s some more concept art lol
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lucky-bishop · 20 hours
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20 Questions for Fic Writers
Thanks for the tag @lavender-lotion love u!!!
How many works do you have on ao3?
80 as of this week! 79 Teen Wolf and 1 WWDITS 😂
What's your total ao3 word count?
662,501. Which is insane to me. But I've already posted 78k so far this year!
What fandoms do you write for?
First and foremost is Teen Wolf. But I have a few works in WWDITS, Stranger Things, and Scream. Most of them are WIPs, and only one is posted to AO3.
Top five fics by kudos:
Hearts in the Byline, Steter, E, 62,395 words
Kinky Antics with the Pack (Kinktober 2022), Multi-Pairing, E, 53,103 words
The Empty-Nester Alpha, Steter, E, 16,306 words
Try, Try Again, Steterek, E, 35,241 words
Mask of Many Faces, Steter, M, 22,806 words
Do you respond to comments?
Yes! Sometimes I'm slow or it takes me a while, but I largely respond to all comments. Sometimes if I don't know what to say to a comment, I won't say anything, but that's pretty rare.
What is the fic you wrote with the angstiest ending?
Um. That is tough. I do love angst. I'm going to cheat and give two because they are angsty in very different ways. Major character death vs whump.
For This I'll Burn, No Pairing, E, 4,409 words
Sharing is Caring, Steterek, E, 15,322 words
What's the fic you wrote with the happiest ending?
Also tough! I have a few that are very happy. But I think I have to go with:
The "No-Bite" Rule, Steter, M, 3,869
Steter HEA.
Do you get hate on fics?
Not often, thankfully. But yes, I have.
Do you write smut?
Sure do!
Craziest crossover:
I haven't written anything that's a crossover, I don't think. I do have a BTVS/Teen Wolf crossover in my long list of WIPs, though. Have the closest thing I have to a crossover - Sleeping Beauty AU.
That Gleam in Your Eyes, Deter, E, 7,393 words
Have you ever had a fic stolen?
Not that I know of!
Have you ever had a fic translated?
Yes! The "No-Bite" Rule was translated into Ukranian. Being asked by the translator if this was okay was a beautiful moment that made me incredibly happy. 💖
Правило "Жодних укусів"
Have you ever co-written a fic before?
I have not! But I would. Maybe @thotpuppy and I will write that baseball AU someday.
All time favourite ship?
It's so hard to pick, but it has to be Steter. I always come back to them.
What's a wip you want to finish but doubt you ever will?
I think it's pretty unlikely I'll ever finish my Stargent fic where Chris uses Stiles as a surrogate daughter after Allison's death. But never say never!
What are your writing strengths?
I'd say tone is my biggest writing strength. I try to have my works be very thematic and emotionally connected, and I think that comes across well for the most part.
What are your writing weaknesses?
Transitions! And action! I guess "movement" if I had to provide a single answer. This can cause my writing to feel very choppy and it's something I do acknowledge and try to work on.
Thoughts on dialogue in another language?
I'll do pet names, single word translations, things like that. I try not to write outside of what I know, though. Maybe someday I'll incorporate my rusty German into fic, who knows?
First fandom you wrote in?
MCU. Those works have been orphaned/abandoned. Good riddance lol. It's just been Teen Wolf since then. My (current) first fic on AO3:
Clean Plates, Sterek, T+, 3,118 words
Favorite fic you've written?
Oooooooooooh again. This is really hard. But I think it has to be:
Down to the Marrow, Steter, E, 23,206 words
Managing an unreliable narrator was not easy. But I'm so happy with the end result. And there's beautiful art by @tarantula-teeth. I love this fic with my whole heart.
No-pressure tags (and I'm sorry if you've already been tagged and I missed it!): @tarantula-teeth, @dear-massacre, @meggie-stardust, @punchedbymarkesmith, @aurevell, @midmorning-bomb, @vmures
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plisuu · 19 days
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Fanfic Writer Questions
Thanks for the tag @the-rebel-archivist! I think I might have been tagged by someone else a while ago but??? sorry ahahha
1. How many works do you have on AO3?
12! But two of those are art and one of them is the abandoned version of my long fic. I... don't post much ahahaha
2. What's your total AO3 word count?
71k
3. What fandoms do you write for?
Just Dragon Age :)
4. What are your top 5 fics by kudos?
In Flame Forged Anew - my long fic! DA: I, Cullen/m!Trev except not really because it's insanely slow burn. Deals with a lot of guilt and also tranquility. ㅤㅤ ㅤ ㅤ What You Want - My oldest work (barring my abandoned long-fic). Pavelyan, from when Connor used to be a Dorianmance. A lil confession one-shot. ㅤㅤ ㅤ ㅤ Battle of Attrition - Dead-dove whump for whumptober. Red Templars and torture ahoy! ㅤㅤ ㅤ ㅤ The Healer's Hands - Solas/Blackwall gay awakening and pining, ft. a little bit of hurt/comfort ㅤㅤ ㅤ ㅤ On Broken Wings We Fly - A lil friendship fic I wrote for @rosella-writes of their Lavellan's interactions with my Inquisitor and the start of their strange friendship.
5. Do you respond to comments?
I try! I also forget and get so caught up trying to write "meaningful replies" that I tend to fall behind on them ahaha
6. What is the fic you wrote with the angstiest ending?
Hhhh well it hasn't ended, but probably Battle of Attrition (since it's all just whump) or Never Say Die, a tiny thing about some of the OCxOC lead-up to the Conclave.
7. What's the fic you wrote with the happiest ending?
Most of my writing is pretty bittersweet at best, but probably Shrike, a lil Cullen PoV fic about his and Connor's relationship.
8. Do you get hate on fics?
I have in the past.
9. Do you write smut? If so, what kind?
Only privately, and of the heavily character focused kink variety. Trust and emotional vulnerability through physical intimacy my beloved.
10. Do you write crossovers? What's the craziest one you've written?
Not off the top of my head, no.
11. Have you ever had a fic stolen?
Not that I'm aware, but I mostly write OCs so probably not lol
12. Have you ever had a fic translated?
Nopeee
13. Have you ever co-written a fic before?
No, it seems difficult?
14. What's your all time favorite ship?
... All time? Axel x Saix, probably ahahaha for Dragon Age though I'd say my favorite romance is Iron Bull's.
15. What's a WIP you want to finish but doubt you ever will?
I have yet to finish anything ever soooo
16. What are your writing strengths?
Banter and character voice! The transcript project mostly means I've heard and read so much character dialogue that their voices are ingrained in my skull. I'm also told that I'm pretty good at grounding things in physical sensation.
17. What are your writing weaknesses?
I've always really struggled with head-hopping and under-explaining, I think.
18. Thoughts on writing dialogue in another language in fic?
I've never needed to, but it depends on the fic/language. If it's something the reader would already be familiar with like or a word or phrase, I'd write it in the language, but for longer lines or a full conversation, I would either summarize for the reader or write the conversation in italicized English.
19. First fandom you wrote for?
Naruto!
20. Favorite fic you've written?
Definitely my long fic, I'm very proud of it, but I love all my writing! I write very specifically to my own tastes ahahah Though my whump fic has been so indulgent it's definitely near the top.
tagging: @rosella-writes, @inquisimer, @dreadfutures, @broodsys, @blarrghe, and anyone else who wants to join! Question template under the cut :)
1. How many works do you have on AO3?
2. What's your total AO3 word count?
3. What fandoms do you write for?
4. What are your top 5 fics by kudos?
5. Do you respond to comments?
6. What is the fic you wrote with the angstiest ending?
7. What's the fic you wrote with the happiest ending?
8. Do you get hate on fics?
9. Do you write smut? If so, what kind?
10. Do you write crossovers? What's the craziest one you've written?
11. Have you ever had a fic stolen?
12. Have you ever had a fic translated?
13. Have you ever co-written a fic before?
14. What's your all time favorite ship?
15. What's a WIP you want to finish but doubt you ever will?
16. What are your writing strengths?
17. What are your writing weaknesses?
18. Thoughts on writing dialogue in another language in fic?
19. First fandom you wrote for?
20. Favorite fic you've written?
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just-zander · 5 months
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Next
Nearly four years ago, I had a plan to draw a Treasure Planet and Breath of the Wild crossover comic, combining two of my favorite universes. I'd been daydreaming a plot for 6 months by the time I started to actually write down and organize the story, and then I wrote for another 6 months before I ever shared the first chapter on AO3.
I kept promising here that I would start drawing it, but then I gave in to imposter syndrome and convinced myself that I couldn't do it; the story was too big, I wasn't a good enough artist, people wouldn't even read it, etc etc.
Well... I wrote it and posted the story. It wasn't the best story I've ever written, but it was mine and I loved it and even if no one read it, I at least could say that I did it and that was something to be proud of. Even if I didn't draw it, it was still done and I thought that would be the end of my fanfict career.
The funny thing is, I made a friend who loved my story and urged me to keep writing and who said I inspired then to begin writing again. I was blown away. Ngl, I cried. I never thought of my writing as inspiring or worth reading, and here someone was telling me that I gave them a reason to be creative again.
We wrote a story together.
And then another.
And another.
Dozens of stories written and shared and now I finally feel confident enough to share my art.
I guess what I'm trying to say is that even though I'm still nervous about messing this up, even though it scares me to put my art out there, even though I don't think my art is worthy of a comic, I'm doing this and I'm going to see it through.
So thank you for checking this out.
Note:
I've linked the original story below, but I'm currently in the process of rewriting it, so the plot will vary and will pull from both new and original versions.
The cover is also based on the cover art for BotW, with Treasure Planet aspects tied into it to bring them together.
Lastly, everything is over on AO3 as well, including all tags giving warnings for what's to come. There are adult themes, but nothing explicitly NSFW will be included in the comic.
Updates are every Tuesday. Early access on Patreon (link to come soon).
Finally,
Happy 21st anniversary Treasure Planet! ❤️
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ripeteeth · 6 months
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20 questions for fic writers
Thanks for the tag, @another-lost-one!
How many works do you have on ao3?
106, all in. (105 under ripeteeth, 1 orphaned)
What's your total ao3 word count?
966,792. God, I'd love to hit 1 million before the end of the year, but that's extremely unlikely.
What fandoms do you write for?
Way too many. The main are: The Terror, MDZS, Disco Elysium, Harry Potter, Good Omens.
What are your top five fics by kudos?
Salinity (And Other Measurements of Brackish Water) [Good Omens]: 3094 how a resurrection really feels [Disco Elysium]: 1479 Vigil Strange [The Magnus Archives]: 1266 the art of asking your boss for a raise [Succession]: 1154 no son of mine [Beyond Evil]: 993
Do you respond to comments? Why or why not?
I try to, but I get easily overwhelmed and sometimes don't. I feel awful about it, I'm so sorry. I am so grateful for every comment, truly.
What's the fic you wrote with the angstiest ending?
I guess it depends what you consider angstier? I have some centered around grief and loss and some focused on fucked-up relationships and characters continuing to make choices that hurt them. It's kind of cheating to say Asterius is my choice, considering that I haven't published the end of it yet, but anyone familiar with the story of Theseus and the Minotaur should hear the beat of the story I'm telling there.
What's the fic you wrote with the happiest ending?
For some reason, I think it's either The Passion or How A Resurrection Really Feels. A believable happiness feels the most relatable to me, and two middle-aged, damaged-but-still-here-godammit men finding a bit of comfort in the midst of all of it just feels right. Like a comfortable boiled wool jacket just a little big in the shoulders. The one that smells like your father's cologne. That kind of warmth.
Do you get hate on fics?
Yeah. It was really bad for awhile, and was the main reason I left Good Omens and turned off comments and orphaned Salinity. I'm pretty desensitized to it now.
Do you write smut? If so, what kind?
I write pretty much only smut. I don't know what I'd categorize it as other than that tbh.
Do you write crossovers?
No, never felt the interest.
Have you ever had a fic stolen?
No, I don't think so.
Have you ever had a fic translated?
Yeah! It was a really cool experience and I felt really honored.
Have you ever co-written a fic before?
No. I've tried to but I'm terrible at it. It doesn't help that I've had terrible writer's block for the past several years though.
What's your all-time favorite ship?
I have no idea how to answer this. All of them I've ever shipped?
What's a wip you want to finish but doubt you ever will?
Revachol Calling. God, I want to finish it so badly. There was a very specific something in me while I was writing it, and then a lot of everything happened. Anyway, I've lost it, that je ne sais quoi. I started replaying Disco Elysium again recently, so maybe it will come back. Here's hoping.
What are your writing strengths?
Imitation. Hearing the music in a sentence. Being fascinated by everything and bogging the reader down in necklaces of useless fact.
What are your writing weaknesses?
See above, turn it up to eleven.
Thoughts on writing dialogue in another language for a fic?:
Not unless I'm reasonably fluent and confident in the language.
First fandom you wrote for:
Ghost Story, for Harry Potter, first posted in December 2018. It's surreal to think that it's been five years. What a strange five years.
Favorite Fic You've Written?
Either Revachol Calling (for Disco Elysium) or Blood, Bones, and Butter (for MDZS). I think there's something deeply personal about Revachol Calling that both makes me struggle with it but also resonate the most with it.
For Blood, Bones, and Butter, it was one of the more fun fics I've ever written and I really enjoyed being able to add layers to what the reader knew by simply adding an additional viewpoint, kinda triangulating their messy beginning through three men who are each extremely certain that they're correct. (Yeah, I'd watched Rashomon recently, why do you ask). That's the fascinating thing about songxuexiao for me, each of them is so certain they've got the others all figured out, but they're also all holding back aspects of their own interiority.
Either way, they're both important to me.
Tagging: @pearwaldorf, @et-in-arkadia, @danpuff-ao3, and anyone else who likes!
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aristocratic-otter · 7 months
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20 questions for fic writers!
Thank you @artsyunderstudy for the tag!
1. How many works do you have on AO3?
28, though one was a round robin where I only wrote one of the chapters.
2. What’s your total AO3 word count?
838, 380. Subtracting Birthday Man (the round robin fic), I've written, by myself, 799, 248. I'm not surprised. I'm not good at brevity. (And I have over a hundred thousand words in unpublished fics right now 😅)
3. What fandoms do you write for?
Only Carry On, though I've made a habit of sticking Simon and Baz into fandom loves of my youth.
4. What are your top 5 fics by kudos?
Oh, Have You Seen The Fairies Dance, my CORB from two years ago, writing to art by @krisrix. 562 Kudos
Playing With Fire, Treading Thin Ice, my pinch-hit CORB, also from two years ago (I sense a trend), writing to art by @steppjes. 453 kudos
Back To Start, my Simon youthens Baz into a baby fic, 447 kudos
A Fucked Up Cinderella Story, a Simon as escort fic, and my first collaboration with my dear friend (and a brilliant artist), @frjsti. 339 kudos.
A Real Doll, my first real PWP (ok, it sort of has a plot) (a very thin one), written for @captain-aralias's Monster Under the Bed Fest, 331 kudos.
5. Do you respond to comments? Why or why not?
Yes! It means a lot to me to hear how folk enjoyed my work, and I appreciate how much effort it takes to reach out sometimes, so I want to show my appreciation. I should be better at commenting myself!
6. What is the fic you wrote with the angstiest ending?
Readers nearly burned me at the stake over my ending to The Blue and The Gray, where Simon rides away with his Union troop, leaving Baz behind at his plantation home. Even the 'happy ending' epilogue I wrote, to get them back together, is bittersweet, because Simon is damaged from the war and it will be a long road to recovery (or at least the length of the Oregon Trail 😉) (If you know, you know).
7. What’s the fic you wrote with the happiest ending?
I only do happy endings, but, like Ashton, I tend towards angst a lot of the time. So I think that my most meaningful happy ending is in New Year, New Me, which takes Simon and Baz literal to the end, of their long lives together (with a gorgeous song written by @moodandmist and @cutestkilla!)
8. Do you get hate on fics?
Not yet! I've gotten a few corrections, which I honestly don't mind. I'd rather be corrected than leave a glaring error in a fic. I agree with Ashton, this is an incredibly kind fandom.
9. Do you write smut? If so, what kind?
Uh <looks side to side shiftily> yes? Like, a lot? It's funny, because I'm ace, but I find all the ways humans can relate to one another through sex fascinating, even if I don't need those things for myself. I'd say I write mostly bonding through sex? Occasional fucking just 'cause it's fun, but mostly soulful, loving sex.
10. Do you write crossovers? What’s the craziest one you’ve written?
Not crossovers precisely, (I don't mix in characters from other fandoms) but I'm extremely guilty of throwing SnowBaz into any story, show, or movie I've loved and putting them through their paces:
The Watford Games: Simon and Baz in a Hunger Games Scenario
The White Chapel: Simon replacing Olivia Newton John in the movie Xanadu
The Snow Fox: (unfinished) Simon as the Francis Marion Character in the old Disney TV show, the Swamp Fox.
Episode 2: The Naked Next, (gift fic for @raenestee) (I blame this one on @facewithoutheart), Simon and Baz in the Star Trek Universe.
and, Stars, Flowers, and Children, an unpublished (part done) fic set in the universe of the movie the Blue Lagoon, and To Heal a Broken Mind, an unpublished (nearly finished) fic set in a scenario similar to the TV show House MD.
11. Have you ever had a fic stolen?
Fingers crossed, but no, I don't think so. Probably hard to pass off a seventy thousand word fic as your own that you just popped up with out of nowhere.
12. Have you ever had a fic translated?
Nope
13. Have you ever co-written a fic before?
Only the round robin fic, Birthday Man, where each of several fic writers wrote a chapter for Simon's birthday celebration, and the Star Trek Universe fic, The Naked Next (linked above). But I'd definitely give co-writer credit to many of the fandom artists I've worked with, because their work either inspired my words, or they even helped guide the evolution of the fic in the background. I especially have to give credit to @krisrix, @ivelovedhimthroughworse, @frjsti, and @artsyunderstudy for being brilliant at helping me flesh out the fics they did art for!
14. What’s your all time favorite ship?
Gee. Bet you can't guess.
15. What’s a WIP you want to finish but doubt you ever will?
This is a tough one because I've (so far) never not finished a fic I've committed to (I've got a few paragraphs of a few random ideas in my files, but nothing I ever advertised or put much effort into). But I'm also perpetually in the middle of at least five or six fics, so leaving one dangling remains possible, even if I desperately hope it won't happen. I guess I'll mention Westward Son here, because though it ought to be finished in the next couple of weeks, it took me two fucking years to get there!
16. What are your writing strengths?
I don't get writer's block. I think my habit of fic jumping helps with this; if one fic is dragging, I can spend more time on another until words start to flow for the first one again. I do force myself to write at least a sentence every couple of days, even on the draggy fics, though. I think I'm decent at characterization? Especially Simon, because I identify with his way of thinking a lot. I also think I'm decent at giving the reader a strong visual of what's going on in a scene (hopefully).
17. What are your writing weaknesses?
Plot and tech. I can write plot, but not snappy, quickly resolved ones. For me to find my way to the end of a plot usually takes several thousand words. And that's a weakness, not being able to write short. I don't know how to be interesting in small bites, I guess. And tech: I'm intimidated by incorporating modern tech like social media, etc. in my fics. I always feel like I can't format it correctly or make it look/sound realistic enough, so I tend to avoid fic ideas that are tech based, like text fics or social media fics. Aaaaand now I'm writing a fic based in Tiktok, a platform I do NOT know well. Pray for me.
18. Thoughts on writing dialogue in another language in fic?
I've done it once (in The Blue and The Gray), but I'm nervous about it. I think I'm afraid of misinterpreting a connotation of a word or phrase. I researched extensively for the Spanish lullaby in The Blue and the Gray, and even the Greek and Latin phrases in Back to Start and The Watford Games. I don't mind it in fics, so long as the meaning isn't integral to the scene (like using French swears in a fic set in French Canada) (@bazzybelle, I'm looking at you!). If the meaning is integral, I tend to prefer the translations be not far away (like at the end of the fic), but rather just a few lines down (like at the end of a chapter), because it's frustrating having to jump back and forth to get meaning from what I'm reading.
19. First fandom you wrote for?
CSI, on fanfic.net. But I only wrote one fic. Don't look for it. I didn't have this username and I'm not interested in reliving that part of my life 😆
20. Favorite fic you’ve written?
I think it will always be Back to Start (linked above). I still love the premise and it was the first fic that made me feel like a real writer. You don't forget that feeling. It's my baby.
How about, instead of tagging folk, you consider yourself tagged if you're one of the many people I mentioned above? 😂
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popculturebuffet · 9 months
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Teenage Mutant Ninja Turtles: Mutant Mayhem Review and Analysis: This Films What Makes Me Feel Alright
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Hello all you happy turtles! It's time to grab some pizza and party sized cool ranch doritos and pull your old high school sketchbooks out of some ancient backback in your closet, it's time to talk TMNT: Mutant Mayhem. As a massive TMNT nerd who was beyond hyped for this film coming from the powerhouses of both Point Grey Pictures and one jeff rowe, how did the film stack up? How did it spin kick on it's own? And why did they think Bebop nipple piercings were a good idea? All this and more under the cut, with FULL SPOILERS so if you haven't seen the film, you've been warned.
A New Coat of Ooze: Mutant Mayhem's story of how it came to be is oddly familiar: a massive movie company who has an iconic IP has no idea how to use said IP on it's own, and taps creators who have had some recent noticable and well loved succeses to make them a hit.
If that sounds familiar.. it really should as it was sony's creative desperation to get something spider-man centric only they would get profit from out that lead to Into the Spider verse and i'ts sequel. So it's funny and endearing to me that a film that wouldn't of gotten away with it's utterly unique and grungy art style without spider-verse.. happened for pretty much the exact same reasons.
Like with spidey, Paramount.. really didn't know what to do with TMNT for a while. And it's weird because when they first aquired the heroes in a halfshell from mirage, they had a pretty solid plan: the 2012 show, while messy as it went on, started out really promising and was a huge hit. The IDW comics prior to it were a massive hit for the company and are STILL around today, having outlasted other long term idw liscenses like transformers and having kept a consistent continuity for a decade while also leaving room for crossovers with ghostbusters, the mighty morphin power rangers, the goddamn batman and now street fighter.
So what went wrong? Simple.. they tried WAY too hard to mimic the transformers formula with their theatrical film, Ninja Turtles, not only not getting that audiences were tired of "Micheal Bay makes a weirdly sexual comedy about your childhood and it may have robots", but what really made the franchise work. The sequel from what i hear is slightly better but it just wasn't enoguh. Not helping is they quickly lost their shit on the tv front, as after the 2012 series concluded, they launched the creative, hilarious, and gorgeous Rise of the Teenage Mutant Ninja Turtles.. which proceded to last only two seasons because it wasn't an instant hit, aka the same issue most nick shows fell into, not helped by the fact that Nick also seemed to pick up Cartoon Network's bad habit of hating action shows. We DID at least get a really good Rise film that gave the series a nice epilogue, but it's still sad it sputtered out so fast.
So Paramount turned to something they really weren't using.. their film animatoin department.
Paramount Pictures Animation is neat to look into as it had a steep rise.. then fell right off a cliff. It was a bit spottier at first, producing two of the charlie brown films, Bon Voyage Charlie Brown (And don't come back) and my beloved Race for Your Life Charlie Brown... mostly for this theme song.. okay ENTIRELY for the theme song.
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And scattered experiments like Cool World, which was so good Ralph Bakshi punched a man over what they'd done to his idea, Bebe's Kids, and Beavis and Butthead Do America.
It wasn't till the late 90's and the nick boom they really started seeing success with the rugrats movies, jimmy neutron, spongebob and even the failures like Hey Arnold and Wild Thronberries were still neat. And yes i'd like to talk about any and all of these films at some point, they made up my childhood etc etc.
Eventually they got a cushy partneriship with dreamworks, still releasing the ocasional original effort like Rango, Barnyard and TinTin (The last of which I WILL be covering next august, I simply didnt' have room in pirate month this year. Once dreamworks left.. it seemed like Paramount genuinely had no clue what to do with the animation divsion. We had things like Sherlock Gnomes or Wonder Park, and the ocasoinal spongebob movies but it's clear that with Nick constantly cutting itself off at the knees they had no idea what to do. The closest they got was the turdtastic loud house movie and the totally awesome Rise of the TMNT films on netflix, but they just had no idea what they were doing. I mean it's telling that their trying to get extra paw patrol tickets by promiting a double feature with saw X. I.. I wish that was just some stupid joke I made as it's comedy gold. Eventually they came across an idea: Stay the course in focusiong on ips they own.. but bring in someone who knows what their doing to create something truly jawdropping.
So for Mayhem Parmount brought in two proven successes. The first were producers Point Grey Pictures, helmed by friends, writing partners and permenant teenagers Seth Rogen and Evan Goldberg. Rogen has made quite the name for himself as a producer. While Point Grey started as mainly a way for Rogen to produce comedies starring himself and a pre-outing as a sex monster james franco, over time Rogen has proven to be REALLY good at making adaptations, with point grey having had a hand in both the Boys, which I haven't seen but seems to be a MASSIVE improvment over the original comics , which isn't hard but it's still nice they tried, and Invincible, one of the best superhero shows PERIOD and a fantastic adaptation that changes what needed it, moves around pieces and ultimatley creates something really special. So tapping him to adapt a big property like this was a no brainer. He even had animation experince thanks to Sony Pictures Sauage party and while this was Point Grey's first family production, it's clear it wasn't too hard for Rogen to adapt. As for their director they picked a hell of one: Jeff Rowe. For those not familar with him Rowe helmed the Mitchells vs the Machines, sony's first post spider-verse success and the film that helped codify the 2d on 3d style that spider-verse made popular and peanuts pioneered. And it was clearly just ont hes trength of word of mouth alone as Rowe went right from machines to mayhem and only got better. From interviews, the two worked really well together: Rogen was hands on but didn't make the mistakes lord did of being way TOO hands on, simply pitching neat ideas, adding to the film and clearly being heavily involved, while still letting Rowe steer the ship. Rowe in turn learned to have a good work life ballance and give his employees one, preventing the kind of nightmarish working conditions present on other flims such as, sadly, Across the Spider-Verse.
For the direction of the film Rowe was a fan of the franchise as a kid, specifically the toys. He recalled a really sweet story about he and his dad spent a saturday trying to find Tokka and Rahzar and really loved the toys designs and uniquely grungy astetic. As such Rowe really didn't lean into or heavily research the rest of the franchise. Which set off my alarm bells when I read it in a review close to release: after all a LOT of bad adaptations come out of the person adapting it not giving one iota of a shit about the source material. Eventually though I realized I was .. over panicking. What jeff meant was more "I don't want to be overly reverent to the material and see what we can do on our own with the basic concept' rather than "THE TURTLES ARE GOD YOU FOOLS GODS. GODS I SAY!". There are still little nods in there and bits taken from other series; There's a mention of the turtles taking in a knicks game (something that happened in out of the shadows), April's design borrows heavily from her design from Rise while still being unique, Donnie has glasses like the bay movies, there apparently was a miyamoto usagi sticker on a notebook (thanks tv tropes for noticing), and there's a TON of refrences to the 87 continuity as it's clearly the one rowe knew best. And while I do get a LITTLE tired of that being the one continuity most creators seem to lean on the most, I don't hate it and plan to binge the whole giant thing soon I just feel there's a LOT more turtles to pull from, paticuarlly the idw comics, the nods are neat stuff like them having their belts form that series, the various obscure mutants. The Ninja Rap even shows up. Rowe and Rogen clearly love them some turtles.. they just wanted to do something new with it and I completely love and respect that. The biggest swing and the one that's paid off the most was leaning on the teenage aspect. Rowe and Rogan were baffled that no other version of the franchise had done the obvious: Have actual teens voice the turtles. There are reasons for that: For the various tv shows it's simply easier to know the va's wont' age out of the roll, and to the 2012 and rise series credits, they both still tried to make the turtles feel younger and had va's that still made them sound sorta like teens, paticuarlly rise... but it's not at all a bad concept and i'm shocked it took this long for someone to try it.
Another aspect was having the boys all record in one booth. Rogen had the idea.. but Rowe had to explain that it'd be a sound mixing nightmare.. but eventually agreed to it when they tested it out and he saw how much having the four actors playing the turtles riffed off each other and just how much material they got out of the boys adlibs. It adds a natural feeling to the boys conversations: it feels like four teens riffing who just happen to be turtles. It was indeed an audio nightmare.. but the nightmare was worth it and Rowe was greatful and apologetic to his sound crew.
The final bit was simply taking from teen movies, the film even outright has the boys watch Feris Buller's Day Off, which gives me one of my faviorite lines in the film, courtesy of Raph: "Being in high school means you can hyjack a parade whenever you want. "
There's more to get into as we go but with the film opening decently and paramount being so confident in the film pre-release they announced a two season tv show and a sequel, the future looks bright for the green machines. So now we've seen how the pizza gets made let's see how it came out
Perfectly Sketchy: Rogen and Rowe's "Teenage Energy" philosphy went into the design. Rowe wanted to find a unique look for the film, but it was a bit of a puzzler at first: There's SO many incarnations of the tmnt, which one do you pick for this? Do you go with the mirage comics, the 87 cartoon? 2003? the next mutation if you huffed some paint? In the end Rowe decided
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Instead he made a brilliant decision: if the film was going to feel teenagery, then why not have it look like the sketches teenagers make in their notebooks? It's an idea that just oozes brilliance and still fits the franchises history like a razor decked claw glove. Part of what made the early comics stand out was it's sketchy, frank miller-esque style, and the toys stood out for largely echoing that as much as you could in three dimensions at the time. So it still fit.. but did something entirley new with it. As as a result the film has a look that simply nothing else has: porportions on most things are off, the backgrounds arne't hugely detailed , did you when you were a teen?, but still pop gloriously, and the characters all have SOMETHING that would be off model anywhere else. One of the thugs in the turtles first act of vigilnate justice, for instanc,e has a weirdly crooked head with indents. It's a look that's perfectly stylitic, fits the series history, and it's a kind of weird that perfectly complintes a series that was already having our heroes fight space dinosaurs by the third issue. I especially love how the shurikens are not even yet still throw perfectly and Mikey's hey arnold head. It's a look that pops with creativity and the crew really took to playing with. It's a style that will, much like spider-verse lead to this, undoubtly lead to more unique swings and I cannot wait to see what people come up with as a result
Protecting a World that Hates and Fears Them
The film's core comes from a rather genius decision to simply pick apart a key part of the franchise... the fact Splinter keeps the boys isolated from humanity for most of their lives and encourages them to stay hidden. Now credit where it's due some continuties justify it well enough: sometimes splinters hiding from shredder, or already had a sweet rent free sewer apartment he set up for no reason, trying to find his lost son and complete his family while avoiding a mutated alley cat or simply was waiting till the boys could defend themselves. They often have a lot of enemies... but even that shouldn't mean they can't get an education or have friends. April and Casey stick by them no matter what. They should be able to at least try for a normal life or the idea of them WANTING more than hidnig all the time should really come up more. The only ones that have really tapped into this are the IDW continuity which is just now having the boys integrate post armageddong game, out of the shadows which from what i've read has a throughly intresting subplot about the boys wanting to become human and leos' resistance to the idea (which also makes him come off as a bit of a jackass honestly as it's not his choice and "We're turtles end of story" is not an excuse). We've had the turtles say move into an apartment but this is the first to just flat out ask: why CANT the boys at least try to live with humanity instead of under them? And if so why did splinter keep them apart?
It's part of what really grounds the boys in this incarnation and makes them feel so damn real. The other of course was the decision to have actual teens play them and riff off each other. We get them making unteiotnally douchey digs at each other, such as the other three mocking Leo attempting a batman voice, casually talk about how they'd like to meet drake or have brunch with tom brady, which leo no you can do better man, or do some goofy shit while april marvels at their stupidity.. and then double down when told it might make people like them less. By making the biggest attempt so far to make the turtles FEEL like teens instead of young adults, an evolution the franchise has been undergoing since the 2012 cartoon and honestly reaches it's apex here, it makes us feel for them that much more; These are just kids who simply want to be loved and accepted, like any teenager. That awkwardness, wanting to fit in, wanting to simply belong.. it's one of the most painful parts of a teen and transplanting that to the tutles wa sa brilliant move. One of the earliest scenes is what sells this the most: the boys going to see Ferris Buller's Day off.. and just wondering what it'd be like to be normal. That lost shot of them sadly returning to the sewer... looking on screen at something they only wish they could have... it's so heartbreakingly beautiful.
The reasons WHY Splitner restricts their time in the outside world and refers to humans as "the demon scum of the earth. They lust to destroy that which is diffrent than them"
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Giving Splinter a deep fear of humans is a brilliant move. It's something that really coudln't be done in most incarnations as he's been the pet of a martial arts master who treated him well, said martial arts master living in a sweet sewer apartment after being clumsily blamed for murder, got reincarnated as a rat after dying in ancient japan, a martial arts master who turned his back on his heritage because his clan let his family die, became a movie star, fucked a spider lady, had said spider lady put him in gladatorial games, then got depressed after becoming a rat but gladly adopted his sons. Here they strip that away and we're left with a splinter who was just a rat who was yelled at by other animals, shooed by humans just for trying to survivie and whose only friend was a cockroach.. who he ended up eating after humanity killed the poor guy. Finding the boys also abandoned in the sewers and covered in ooze, as oozual, not only made him into a rat man.. but also gave him the one thing he never had: a family. We also get a REALLY adorable montage set to de la soul's eye know that makes me REALLY glad the copy right hurdles around them are gone so we don't have another spider-man no way home situation because the song both slaps and has a nice soothing tone that really fits. We'll get more into the music on i'ts own later, I just really love this montage.
It also makes what follows..
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We see that Splinter GENUINELY tried to go out into the world.. and the result was humanity throwing things at him despite carrying 4 small children and said children nearly being hit by a car. It's a really unsettling sequence. While yeah everyone going "rat man" and throwing things is a bit on the nose... given how a LOT of humanity acts to LBGTIQ+ persons, People of color, diffrent religions I could go on but i'm depressed enough as is, it's not really that much of a stretch that they'd throw things at a rat just trying to show his sons the world. It reminds me a LOT of the x-men and it's honestly weird to me that the othe rbiggest mutant franchise int he world HADN'T taken a page from them sooner.
It gives the film nuance: Splinter IS objectively prejudiced, leo even says so directly, but you can see how those prejudices formed and why he's so terrified for his own kids. He's worried a world that hates and fears them will also hate and milk them.. a runner that while awkwardly phrased, I don't think Seth or Jeff have heard of the term milking before, is hilarious, especially the usual refrain of "we don't even have nipples. " He just wants them safe and happy and you can tell he really does love them. He taught them the martial arts to protect them.. and the how is also really clever and a really fun idae: instead of "I learned it from a book" Or "I happened to be owned by a ninja master" or "I was reincarnated" we instead get him teaching them.. via martial arts films, instuctional videos, and the ocasional youtube thing. I love it because it honestly makes way more sense than it should as shown in the animation: splinter watched the films, learned the movements himself and then taught the boys. It's also a nice bit of meta text as Jackie Chan himself is a practicing martial artist who makes martial arts films and did his own stunts. One of his films is apparently even in the montage. It's one of my faaviorite takes of the film.
One of my faviorite scenes is Splinter's biggest pet the dog moment: the pizzza party. Splinter brings in a bunch of pizza hut pizzas
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It's neat because it both clearly misses the point, Splinter really dosen't seem to get that simply bringing down a bunch of pizzas to have a human style prom and having kelvin captain kirk cutout won't fill the void inside. I mean I could think of a lot of uses for a chris pine cutout, i'm not saying it's a bad gift and it's sweet he's trying SO HARD to get his boys to open up and Jackie Chan just nails the dad energy on this one. It's just clear that they don't want to stay there there whole lives as safe as that is.
What brings it to it's head is one of the films more brilliant decisions. Originally, while I haven't found many specifics the film had other antagonists: Baxter Stockman was originally the boys teacher (they went to school during the course of this film in this draft) and became the fly again, while Shredder was TCRI"s heavy in earlier drafts. Both were nixed, the former likely due to abandoing the school plot and the latter for the entirely on the mark decision that it was just too much. Shredder.. is THE arch enemy to the turtles. The one constant in every universe. So it makes way more sense to save him for a sequel and let someone else take the reigns. As Rowe has teased Shredder's going to be a bit of a wakeup call: just as the boys think they have it figured out .. in comes shredder to kick their asses. Which really has happened A LOT across the franchise, with it being a regular tradition that the shredder beats the shit out of the turtles the first time they fight. Even in IDW where they do rally and turn the fight on it's head.. he still easily handles them all one on one before they rally as a team. It makes sense to save their ultimate test for a sequel while still giving them one hell of a trial by fire
Instead we got Superfly, who better fit into the fantastic racisim narritive. If the boys want to get love and acceptance by fighting for a world that hates and fears them x-men style.. it only makes sense they have a magneto on that other end.
Like Magneto Superfly has a tragic backstory behind his hatred of mankind.. Superfly was the creation of Baxter Stockman and what they did with Baxter both completely floored me.. and drove me to tears. Instead of what he is normally, either a put upon target coerced into villany who strikes back at both the turtles and those who wronged him, or a narcsitic monster who will gladly do whatever he wants and kill anyone in his way, here... Baxter is just a deeply lonely old man who just wants a family. At worst he steals from TCRI.. but given we see their a horrifying company who wants the mutants as weapons and will gladly torture teenagers for a buck, it's not hard to side with him. It's really nice ot see a heroic baxter.. and sad to see him go so quickly.
It puts Superfly's hatred in perspective: like splinter he saw just what huamanity does and how his kind is treated and grew up having to raise his younger siblings. Like Splinter he seems to really love them. And like splinter his attempt to take his siblings topside.. went horribly wrong with them being chased by an angry mob for just..c oming to a snack bar. But it's right after that we get the clear diffrence: Splinter just ran in fear and while he trained the boys ot protect themselves, he just wants a line between himself and humanity. Superfly.. wants them all to pay. He wants to mutate the world that killed his dad and drove him and his siblings into hiding. The only way they can be accepted.. is if humanity is mostly gone and what's left are enslaved.
IT's that sadistic streak that ultimately defines him as a villian: the turtles just want to be accepted, splinter just wants to be loved, the rest of the mutant "cousins" just want a home and have been indocrinated and browbeaten into thinking there isn't another way. Superfly.. wants things his way: he wants blood, he wants revenge and if anyone stands in his way no matter their age or being his family he will kill them. It's that anger inside that makes him a true monster.
And that extends to his own family. Superfly's an abusive parent to Splinters flawed but loving one: The rest of the mutants turn stone quiet when he subtly/notsubtly threatens the turtles if they happen to disagree, and during the chase not only are they all desperate to get the thing back but Wingnut in paticular gets the most telling line
Wingnut: Superfly's almost here and he's not going to be as nice about this! Leo: You're not being nice! Wingnut: He'll be less nice!!
While the other mutants SEEM jazzed during the bowling alley scene, it's very clear later none of them were that enthused about the idea. Both sets are afraid to speak to their parental figure.. but the diffrence is clear in motion: the boys hide from splinter because they know he'll say no, it's a standard teenage thing and as seen with the pizza party when Splinter finds the various knick knacks they've picked up on their heroic journey, his response is to try to bring the surface to the sewer. It's awkward as hell and dosen't remotely work.. but it's still a sweet gesture and you still feel bad for him when the boys quickly leave to finish their half assed plan. Splinter ultimately wants what's best for his kids and even if he's not always right in carrying that out, I never doubted he actually loved his children.
This all brillantly comes to a head towards the end: While Splinter plans to just.. isolate the turtles after their nearly milked, the one time he seems GENUINELY angry the whole film, he still wants to save April, the one good human, who warned him the boys were in danger in the first place.
This leads to a touching bit in itself: the boys COULD fight the other mutants, their trying to do a genocide after all.. but instead the boys.. just talk them down. I mean i'm used to this kinda thing by now, most animation these days is about forgivness, but it still works: earlier when meeting each other the turtles gladly bonded with their cousins, who i'll talk about in more detail later: Mondo and Mikey were both chill, raph finally found some people who liked to hit stuff, presumibly while blasting Limp Bisikit, it was really sweet. THeir relutance to stop them added a nice dimension to things: they UNDOUBTLY want to stop superfly's plan.. but they genuinely like their cousins and see them as good people in a bad situation. Likewise the cousins are utterly destraught at the fight afterwords and miss the turtles. These are simply at the end of the day teens 20 somethings and whatever scumbug is who just wanted to not be chased iwth torches.
So it's utterly heartwarming when the turtles and splinter simply offer their home. They may not have humanity.. but they'd have each other. It's also YET ANOTHER idea that seems obvious in retrospect but most turtle series never really thought of: why.. can't other mutants stay with them? They usually order suplies and stuff descretley anyway or in this case take them out of nescsity, if they can afford pizza for 5 people reguarly, why NOT let other smove in. I mean I get it meta wise, you dont' want to overcrowd things. But it's a nice thought i'm glad gets realized: that the boys aren't alone and now have a whole new family to lean on.
And of course Superfly can't take that. To him there's only one way to go: never stop making them pay. I'll also say I like just how poweful superfly is: he's got strength inunerablity, and super smarts, which I thought was a nice touch. I assumed he woudln't have baxter's intellegence and I'm glad to be wrong. He's only stopped and only then breifly by sheer numbers.
What follows is a LITTLE on the nose, with superfly just.... saying outight he and splinter aren't so diffrent, down to both having said "You'll be safe if you just LISTEN TO ME".
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That part.. dosen't quite work for me. What does work is the animation on splinter during the struggle between everyone else and superfly.. the dawning realization of what he is as Superfly states the obvious and his determination as soon as Superfly says "the diffrence is i'm not a punk". Superfly just wants to get revenge on a world that hates and fears him.. Splinter just wants his sons to be happy. And he finally realizes that even if there's a lot of risk involved, they DESERVE to live out there with everyone else. There is something better than hiding or murder.
I also like how Superfly.. drops the pretense: once his plans done he just goes on a massive kaiju attack: I also like how fucking horrific his form is: the whale part's a bit goofy at first.. but then you see how much STRENGTH that gives him as he destroys it. Even if we get the ocasional joke (I didn't need that horse is gold), for the finale Superfly is just a nightmarish, imposing threat that threatnes to run our heroes lives and also maybe end them. The glee he takes in crushing the boys alive... it's fucking terrifying.
I also love the bit of the boys panning... seeing all the destruction.. and seeing the media blame them too. Their trying to HELP people.. and get blamed. I'd suggest moving to krakoa but a lo tof shit has went down and living with one old man full of fear and regret is what started this whole caper. And the boys.. fight on anyway because it's the right thing to do. Despite all the hate... someone has to stop superfly. And in doing so.. April makes sure they get the glory and praise they deserve anyway.
Finally I love splinter's turnaround right before the final fight... where he admits he was wrong.. but hasn't FULLY turned around on humans. He's simply realized he can't let his baggage with humanity weigh down his sons. And it pays off brilliantly during the time square fight, as when Splinter is downed.. someone helps him up. And what I love is that while it COULD just be someone who saw April's newscast clearing the turtles and other mutants.. it's left ambgious. As far as we know it was just a nice guy and gal helping an old man up regardless of if he was a giant rat or not. It dosen't paper over all the films flaws with the rat man mob scene but it does help quite a bit.
The film brillantly tackles prejudice and I like how unlike most films.. there's no easy answers. Our boys have to do something big and loud to get accepted and it's not guaranteed to shield them, as seen with the stingers. THey find friends , activites and get what they want.. but it's likely not the end.. but that's okay. The important thing is for the first time the turtles are out of the shadows and into the sun. And it suits them. Seriously this last twist was brilliant and i'm shocked it took a tmnt this long to just.. let them be public since 87, and since media has evolved, it means when we get to the series we can actually explore what that means: how will they adapt? will everyone accept them? will april realize Leo is into her and it wasn't just a friend thing? there's a lot of questions I can't wait to be answered.
Change is Constant
I didn't have a good segway so.. CHARACTERS! MY WHEELHOUSE. LET'S GO.
Starting with the boys, their more of a package deal here. They still have unique deisgns, takes on the cores of their personalities, all you'd expect from a good tmnt adaptation.
What changes it up a bit is the recording together: while most sets of turtles have great chemistry, this one.. really feels like their brothers thanks to the shared recording: they talk over one another, dunk on each other and goof around. This has always been a thing, and part of the franchises charm, but how they do it here feels more real, helped by the fact they clearly took some adlibs in. Both the BTS bit where they try to comfort Donnie only to both mangle the lyrics and writhe in pain and the bit with the new york accents both sound like the boys just started riffing on the prompt given, didn't stop and they rolled with it because it was comedy gold. It also means a LOT more pop culture refrences.. but it works. It dosen't feel like too much
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Admitely I don't know how current the refrences are to ACTUAL teens, but they work well enough and don't feel like their horribly date the film. Plus it'd be.. weird to have a turtles work that didn't reflect it's era in some way, as all 4 cartoons and most films and comics reflect their time either in writing or in the general vibe.
The downside to this is the turtles indvidual personalities, while present.. get kinda underplayed. Leo and Raph make it out fine enough: After the radience that was Rise Leo and ben schwartz being at his peak slacker doofus (while also still being badass), we're back to Leo being Teachers Pet. But thankfully like the 2012 film they play with it: like that Leo his brother's don't really respect him as a leader, but rather than the usual raph snarling at him like wolverine, here it's more just their his brothers, they woudln't respect him anyway and benig their dad's mouthpiece just makes them ignore him harder. He's the dutiful son but he's simply outnumbered. Raph dosen't get a ton of spotlight, but gets enough to be a fun little murder baby and probably my faviorite of the 4. Instead of the usual brooding loner, sometimes ultra violent sometimes just sassy, often both, here he's more an obnoxious older brother who picks on leo the most, is happy to do dangerous stunts and badly needs therapy. He's essentially Reese from malcom in the middle as a ninja turtle. He still loves his brothers and loves a good scrap, but he's got some issues to adress.
Mikey and Donnie likewise aren't bad but kinda one note: Mikey gets it the worst: he's a bit goofy.. but since they ALL are this incarnation it dosen't stand out as much. He gets some nice bits and one hell of a impariment shot, but not much else.
Donnie fairs better, but suffers from the unintended consequences of a good choice. As part of grounding things a bit, Donnie isn't a super genius. He's just a snarky little otaku who does really like tech, but on the resonable level of a teenage boy. As a result he dosen't get as much to do as most donnies as he's not hotwiring shit as often or making super lasers. It works for me, it's intresting to have a donnie whose just a normal kid who happens to be really nerdy, but it means plotwise he dosen't have as much to do as Raph as the ringleader to the boys mischief or Leo as the leader of the band during hero stuff. I get why: they only had a hundred minutes and it's remarkable they crammed as much in as they did, but it's something I really hope the series can course correct. I don't mind the boys riffing and hope it continues, but I also hope we get them more as their own people too.
As a final note I love Leo's crush on April. IT feels like a better realized version of the Donnie one from 2012. Instead of waffling over wether april notices or just dosen't want to turn him down which..
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And then having it go from cute to "spiraling obessive dickhole", here April notices something's weird, but is clearly more intrested in the "giant talking turtles who can help my rep" thing and thus dosen't really pry. It only REALLY crosses into that at the end when he transparently asks her out.. and she waits till prom to ask "wait this is a friend thing right". But that could be nerves or her being just as scared of her feelings as he is with his. It also helps that while he's intrested in april romantically the two do bond: out of the four he' sthe most empathetic at her barf reputation, priortizes her not out of his crush but because she asked for their help and later works with her at her club. It's still somethign the series could work on, but for "a way to both mine jokes and get leo to go against his dad's wise council" it works fine. It's better than "how dare you ruin my ship you bastards" and "Mikey stop being a sex creep. "
So moving on to April herself, I mostly like this version. She's the third time this franchise has gone with a teen april and the third to have her POC. I've liked the turn to teen april as instead of being a big sister to the turtles, and essentially another authority figure when they already have their dad, she's on their level and it opens up fresh possiblities. Mayhem is the first with this take on april to have her be a reporter again, and it's honestly nice to see that work at a school level, having her TRIED to be on their equivleant of channel one.. and end up puking. And i'm not a barf joke man but walking back into the theater after a bathroom break to see her ralphing to "UnwritteN" may be one of my faviorite cinema moments of 2023, up there with walking back into Barbie to find she and ken now had cowboy outfits they'd apparently stolen.
I also love how it gives her a personal stake: she just wants to be loved same as the turtles and like them realizes this isn't WHY to do this. She also provides a nicely needed straight man to the goofier brothers without being reduced to the old sterotype of "Joy killing female foil. ", something her fellow teen aprils and most aprils in general have thankfully achieved. April is just a person and reacts with annoyance to the boys because their going on a 4 minute tangent saying new york sterotypes while mike does a rumpshaker.
We do have to unpack that mostly though and that comes from April being kind of a dick at time's. She's pressuery when the boys are undercover with SUperfly's gang.. even though she can HEAR what their saying.. and thus hear that he's clearly indocrinated the others and that the boys may not want to harm THEM. I get her not wanting Superfly to succeed, his plan is fucking horrible, but even for a teen it's weird she dosen't see the nuance. She can also be a bhit short with them, though the latter I acknolwedge in hindsight as being like the boys: she's a teenager and teens aren't perfect. This is still a great april and continues Ayo's streak this year of great voice acting roles.
The other mutants are great. I was worried: While the cast for them is fucking stacked and Seth called in a lot of his rolodex to fill it out, and himself as credit where it's due he tends to show up in shit he produces and bring his absolute best rather than showing up because he can, i've seen plenty of films fall flat because they tried to add too many characters from the source. Just this year I felt one of the biggest issues with Transformers; Rise of the Beasts is that they tried to jam so many autobots and maximals in, a total of 10 but didn't bother to give any of them but optimus, bee and mirage an actual character.
Here while the characters are one note, they have charming designs and work more as a unit like the boys, but are still friendly and likeable enough that your fond of them like the turtles and happy when they join the family. The breakout is easily natasha dimoscu's wingnut. I already loved wingnut, but this is easily the best verison: she's cheery kind and gets some great subtle jokes, the wifi one is fucking great as is her swiping Donni'es akira voices. All of them are pretty charming though. The only one to not really feel like a character is Hannibal frog, a sad waste of hannibal burgess, but everyone else gets something fun to do: Bebop and Rocksteady are rageholic morons who then get a sweet character arc as they realize their rage is because Superfly ENCOURAGED them to be constantly angry, and it's fun to see a version of them that's genuinely heroic. Not so fun is Bebop's pierced nipples.
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I am genuinely baffled by this design choice. I don't doubt Bebop would get pierced nips, it' sin character. But why Seth thought anyone would want to see that, why he made HIS CHARACTER HAVE THEM, OR WHY HE MAKES IT SO PROMINENT will be a question that will haunt me for years to come. Or until we get creators commentary to explain why he hates viewers eyes. For the record I have nothing against nipple piercings, I just question why anyone thought giving them to Bebop was a good idea. OR their so large or
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I also like Scumbug and i'm happy to see Splinter in his first relationship where his partner hasn't died horribly or put him in gladiator games. I did not need to see them make out with clone high level tounge. I"ll let this discord conversation with my good friend @kammieceleek handle the heavy lifting.
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I mean their a cute couple but please, NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN NEVER
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Anyways capping us off we have TCRI, who are decent enough. I like remaking them as this sort of paramilitary goon squad that shows the worst of humanity. Cynthia herself.. is fucking great. I like that to anyone familiar with Krang, it's DAMN obvious who she either is, or is a stand in for, with the name, apperance and Maya Rudolph somehow doing the Pat Fraley krang voice and tics while also doing a thick german accent. She's a brillaint combo of over the top hammy.. and an utterly sadstic monster, shocking the boys just for speaking, not carring that they don't really belong to her, and willing to kill them just to get her super weapons. She's what a remade krang should be: still over the top.. but also dead seriously terrifying. My only complaint is she's a bit OBVIOUS as a sequel hook. Like Rowe was really banking on that sequel and i'm never a fan of when films do this when they don't KNOW this story will continue. It is clearly, with the film slowly picking up more and more money and more than enough in merch, but he coudln't of known that.
So with that we just have one bit of buisness to wrap up
Yo Jeff Drop the Verse
The soundtrack for this flim is liquid gold. It's so good to my ears and full of such nice cuts. Guardians cemented my love of needle drops in film in tv: If you can pull it off well do it. And this film does it so damn good. The film skews to hip hop, likely due to wanting a "Tony Hawk Pro Skater" vibe, which really does fit teendom well. I will admit it's also pretty explicit here and there, so kids may be disapointed to find they can't stream these songs, but it's still a stacked selectoin
So before I break it down track by track, something I regret failing to do with spider-verse as like this reveiw it was massively behind, I whipped up a playlist as Parmount's own leaves out several tracks. While I get the what's going on bit being left out as that bit is a good suprise why it has'nt been added weeks out from the film I don't know. You can find it here
Ante Up is a song i've heard maybe once or two here, but is a perfect gag for the opening grocery run, while still showing off just what our boys can do.. even if their doing it for some party sized cool ranch doritos. Which is still a great reward.
Danke Scheon shows up in the clip of feris buller. This dosen't really count but I do think the film is a perfect fit, since John Hughes was an inspiration for this film, and it's an idealized version of the freedom the boys desperately want. Not a John Hughes film I was ever a huge fan of, but it works and that "You can hyjack parades whenever you want" joke is so damn good.
Now we come to a track I wasn't familiar with but is easily my faviorite now: Eye Know. I"m glad more films are using De La Soul's music, mostly because it makes ME want to know them better as I haven't heard much and even after really enjoying three is the number, thanks to the weird rights limbo it wasn't avaliable to stream ad nauseum when No Way Home came out. Thankfully just a few short months ago, the whole De La Soul catalogue is up. This song is a really gentle, really fun love song with one heck of a chorus, and it nicely meshes with Splitner raising his adorable little children. It's one of my faviorite scenes of the movie.
The next track is another perfect selection but for something more hilarious and badass: While Push It To the Limit verges on a parody of training montage music it works for one where we find out the turtles and splinter learned ninjitsu from movies,, instructional tapes and whatever they could scrounge up. HOw their learning is awesomely rediculous, so it needs backing that's cheestastic.
Love is an Illusion by Ronnie Walker was nice for Leo falling for APril. It's a really crisp, dreamy love song so it fits.
Okay look i'ts only there for a second, but I can't tell you how much I love Ninja Rap making a cameo on this soundtrack. The soundtrack is cheesy good and one of the more iconic ninja turtle songs for a reason. It's not as good as say Pizza Power or the various awesome theme songs, but it's goofy fun that fit the film it was in. It's also one of Vanilla Ice's better songs, though that isn't huge compettion especially since he made a weird as fuck sequel I still can't comprehend that was also compeltely ninja turtle free for some reason.
Cavern By LIquid Liquid is fun, a nice chill beat to meet turtles to.
Dance by ESG is already a fun song and fits the boys going full blast on their plan well. THat's.. about it. THankfully I have more for unwritten. I'm not a fan of Vomit humor most of the time unless you have a paticuarlly inspired twist like say. a mad scientest making everyone in the room vomit at a bar as a thought experiment leading to an image like this
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That's just beautiful. But i'm just not a gross out guy, so this gag working for me was a lot... setting the most embarassing moment of April's life to FUCKING UNWRITTEN, a song I heard 998 times over the course of the 2000's as every fucking movie and tv show overused the hell out of this throughly mid song, it was transedeant. First and only good use of unwritten. Well done.
Now we come to what's easily the best musical bit of the movie. And it has some steep competition from Eye Know and another song we all know is coming, but the No Diggity Scene is just one of those sequences that once you see it you know "This shit is iconic". This is a scene that's now etched in tmnt lore and for damn good reason. It's also a brilliant way to get up to the chain to superfly and have a few weeks of sluthing and our heroes getting better pass as our heroes easily blaze through some goons and those shots of EACH turtle getting to burst in and lead the assault?
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And look I admit this montage hits a sweet spot that was also started by guardians: setting an action montage to music that somehow fits despite having no right to. In this case a mellow smooth as hell jam perfectly complmenting some frantic action. So fucking smooth.
Wake Up in the Sky grew on me as let's face it, a song that has bruno mars saying fly a dozen times nad saying he's super fly works. I just don't like it a lot because trap is'nt something that fits me musically. I prefer more intricate beats or at least a really solid one thorugh the whole thing. The more relaxed beatwork here isn't for me, but I can't deny it fits Superfly's big debut well.
Fitting me much better is the use of Shimmy Shimmy Yay for the bowling scene. It's fucking great, a song that's never not awesome and that's also a bit low key while being way more my speed.
The use of BOTH major versions of What's Up? .. is an easy close second for best use of music int he film and one of the most brilliant masterstrokes. And this all comes to Seth Rogen. When the chase scene wasn't quite working, he suggested the slackcircus version of he man. It's also awsome in that the song's themes of isolation PERFECTLY fit what the mutants are going through. So not only did they manage to stick one of the best meme songs in human history in a feature film.. but they did so with it being ENTIRELY relevant. The switch from the 4 non blondes version to slackcircus is fucking genius and the song adds nice manic energy. It'll also hopefully give this song a rightful ressurgence as the heman cover is , while hilarious, also GENUINELY good. The original ain't too shabby either.
The boys version of butter is hilarious and got me to listen to the original which is alright. Mr. Lonely isn't a bad song, and perfectly fits Splinter's mope session.
Finally we have can I kcik it, an objectively awesome song. It fit the trailer perfectly and it fits our ending as our heroes are finally allowed to mingle with the surface adn get their happy ending beauitfully. A beautiful ending to a beautiful film.
So overall mutant mayhem is fucking awesome. If you haven't seen it after all this go see it, support the hard workers who made this film possible by supporting the ongoing strike and thanks for reading.
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SIDE 2A: ROUND 1: Jiminy Cricket (Pinocchio)/Timothy Q. Mouse (Dumbo) VS Max (Camp Camp)/Phineas Flynn (Phineas and Ferb)
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Propaganda for Jiminy Cricket/Timothy Q. Mouse:
This ask! So cute!
Also this ask~!
I swear to god, this has nothing to do with the Jimmy Timmy Power Hour thing, I came up with the ship separate from that. So like, as someone who grew up watching both movies, I was like "There are similar elements to these movies." "These two characters are kinda similar." "You know, I wonder how these two would interact, given their similar circumstances." "Yeah, they'd def bond over talks of the kids they watch over and such." "Perhaps the two would be besties." "Wait, both appeared in Dumbo's hat in the opening of The Mickey Mouse Club? Awesome!" "Hold on, maybe they could also be an interesting romantic couple." "I am writing stuff in my head and also a fic and doing art as we speak." "There are old Disney comics that have them interacting, I am on Cloud Nine right now." "This is my ship, I love them. They are both not straight. They're besties. They're trying their best." And here we are. I'd be more than happy to make art specifically for the polls if asked/contacted. Otherwise, I'd be happy to direct your attention to those old comics and stuff. And I'd be more than happy to also elaborate/talk more about 'em when asked.
Propaganda for Max/Phineas Flynn:
Max is the poster child for cynical traumatized grump and Phineas is so oblivious he went the whole summer without noticing his sister trying to tattle on him, and Max being angry enough about a crush to turn his attitude up to eleven while Phin is completely immune to the ways Max normally pushes people away because he's just too oblivious is a very silly premise that opens the door to explore the ways that people find what they need in each other, and sometimes what they need is someone who is incapable of noticing our flaws.
Like. Phineas wants the people around him to be happy, and if Max isn't happy, if Max is actively UNHAPPY, Phineas would instinctively just want to try cheering him up. So Phin is putting all this energy into cheering up Max, who is likewise putting all of this energy into pushing him away because he doesn't know how to handle positive attention. But unlike David (or a little like David), Phineas is completely immune to Max's attitude. It's not like how David is actively working against Max, Phineas just DOESN'T NOTICE. He's not going to be let down, he's just going to try something else because hey, if that didn't work, maybe this will.
Art Credit:
Jiminy/Timothy pic from the Disney comics Max/Phineas art by me, @/astro-b-o-y-d
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dropthedemiurge · 4 months
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2023 Year Results
I have lost my ranking of favorite Thai BL/QLs that I made during half of the year, so I'm just going to write it anew^^
My Top BLs by the end of 2023:
1. Be My Favorite
2. Moonlight Chicken
3. Not Me
4. The Eclipse
5. Semantic Error (or if we talk only Thai series, then Bad Buddy!)
Honorable mentions: Only Friends, SOTUS, Laws of Attraction, Kieta Hatsukoi, My Ride...
I keep changing the places and Moonlight Chicken held such a strong place in my heart but now I'm also taking into account whether I liked all pairings and characters, so BMF finally took over. But I still can't decide whether The Eclipse is higher than Not Me, I might rewatch it endlessly but Not Me was a cultural reset :D As well as Semantic Error who's done so good and finally broke through the typical Korean BL setting and public's favor.
Bad Buddy has done amazingly as well but there are only 5 places in Top 5 ranking 🥲 I guess, the Our Skyy just dimmed my good memories about it a little bit x)
I love how this year we got shows that have expanded beyond the borders of usual BLs, they added mystery and mystic, action, time travelling, sitcom etc, mixed gentes, kept speaking out about many important things - from marriage legalisation to equal rights - that definitely had its own impact on real life, actors went on many fanmeetings overseas, from West to East, and overall... This was a good year, story and fandom wise.
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My Fanfic Statistics
I stopped writing metas and somewhat distanced myself from the fandom when I felt that my views often didn't align with majority (and also got shadowbanned by tumblr?), but I wrote ~ 80k words on AO3 and drew >10-15 arts that I really enjoyed. I still have many wips so look forward to them!
I wrote way too many Only Friends fics whole I watched the show xD This was definitely a show that gave out ideas (and sometimes outrage) and lots of angst.
But Not Me fics are still my number one (though mostly because of all the crossovers with other series I keep writing about)
Also somehow Bad Buddy OT4 fic is now the longest fanfic I've ever written (both in Neglish and my native language). And it's still not finished but tbh even I don't know exactly how it will end, that's how self-indulgent this is but I'm so happy rhat many people were excited about this idea with me!
My Fandom
I also had a blast having various discussions in my own small community and people who wanted to share opinions and watch series together. You guys keep inspiring and supporting me in exploring many ideas, drawing art and writing many fics, I truly admire and adore you all, especially my fam @springkitten @xagan and also @thepancakelady @wereflamingo (I'm surprised how often we agreed with each other on somethjng but that's what makes discussions interesting xD).
Also I want to hug bad buddy server was a joyful discover this year too that inspired me to start learning Thai, our not me server that keeps being my safe comfort space and many hugs to some tumblr folks who I talk in replies and reblogs (I am truly bad at remembering usernames but if I ever chatted with you here, I am definitely thinking about you and your profile picture <3)
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Here's to 2024 and more projects
I also started my FirstKhao AU visual novel, and though I thought I would be able to make it in a month or two and then got struck by Health Doing Bad for a long time, I'm definitely determined to finish it next year.
And we keep talking about making Poetry Zines with @springkitten inspired by lakorns/bls we watched and I'd like to try and make it happen 👀
I also want to return to commissions in a better way, because of political situation I haven't been able to continue drawing for my foreign friends but thanks to my other friends who are generous to help me with handling finances for me, I might be able to start drawing requests again! I also spent like 5 months fixing my health that kept me from creating I want to finish old ones and I'm really itching to return to drawings and other projects :D
And I have in my mind mastering pixel and 3d art as a part of my Changing Profession and Career Path in 2024 so let's hope I can lighten up everyone's mood with cooler art and animations 👀
Happy New Year and Happy holidays, everyone!
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