Victoria and her relationship with Tinker Tech is so funny because she inherently believes it will explode.
Seriously, when you scroll through Ward, almost any time she is handling Kenzie or Dragon tech, she’s like, “Will this explode if I drop it? If I hold it too tightly, will it explode? It’s out of power right now, can someone make it into a bomb so it can explode?”
Victoria. My love. My dear.
What is the deal with you and tinker tech explosions. Did Dean explode once? Did his tinker armor burst into flame one time and you had to dunk him in the bay? Tell me when a tinker tech hurt you.
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Andi Osho as Sitis (wife of Job) in Good Omens 2.02
[Image ID: A series of gifs from Good Omens season 2, featuring the character Sitis, an older dark-skinned woman dressed in blue.
The camera zooms into a Bible illustration of Sitis lamenting to the sky.
Sitis's face becomes concerned as Job says: "Sitis my dear, this person was looking for the children."
She turns, looking defensive, and asks, "Why? Who're you?"
Sitis looks stressed as she chuckles humorlessly and gestures to their ruined house. It is slightly smoking. She says: "Not now, Bildad the Shuhite. Good of you to look in, but we're a tiny bit busy weathering the wrath of God."
Close up on Sitis as her face becomes confused, then changes to horror and disbelief. "…No. God wouldn't!"
Sitis holds back tears as she asks something of her husband. He is about to burst into tears as he shakes his head no.
Sitis implores the angels as Job falls to his knees beside her. "I don't, I don't want more children." A close up of her desperate face. "If my children are dead, then… I will curse God, and—"
Crowley, as Bildad the Shuhite, clasps his hands and rubs them together in a "let's get started" motion. Sitis looks scared and backs away.
Crowley stands framed between Sitis and Job, who are facing each other. He makes a switching motion between them as he says, "Now good lady, simply turn to your husband, reach into his robes…"
Sitis looks dubious but reaches towards Job, who abruptly looks very surprised.
Crowley interjects: "N-h-higher. Higher."
Sitis and Job's children stand between them. Jemimah throws her arms around her mother who embraces her joyfully.
Job, looking confused, gestures to his restored children as he says to the angels. "But, it is—"
Sitis quickly reaches out to Job and interrupts. Clearly frantic and trying to hide it she says, "A-a miracle. It is a miracle, that our new son should look so much like our old son."
Sitis explains very deliberately to Job as she pats her son who is definitely not Ennon on the arm: "No, Job. Look, it's not Ennon, it's… a new child. These are all… They're all… new… children."
Sitis anxiously watches Job speak, and starts to relax until a baffled and annoyed Ennon says something. She tenses and turns to him.
End ID]
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flipping from warm to cold, insisting how important having a name/identity is and simultaneously continuing to dehumanize, providing a nice little enclosure & talking with a tone like he’s speaking to a pet, one second cruel the next dripping with sweetness and praise, calling them friends, fish in his aquarium, oh q!bad you are sooooo twisted in the head
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You know that VERY specific subgenre of science fiction/horror/thriller/mystery whatever where everything is perfect. But it isn't, not quite? I mean where we start in a place where everything is absolutely wonderful and just as it should be. We have a protagonist and maybe they're an actual character or maybe they're just a way through which we can view this world, but they are in a beautiful place, a place that is perfect to an almost eerie degree. Not quite, but almost. You can practically see it. The grass is Pantone 2272 CP, the sky a rich and beautiful Pantone 15-4421 TPG. Your neighbors are friendly, your friends loving and carefree and so happy. You're happy. Nothing ever changes, nothing bad ever happens.
But, well, something isn't right. Maybe it has the episodial vibe of a sitcom or the eerie feeling of the second try in a time loop, where you're sure you've seen this before but can't figure out why. Something isn't right. Everything is perfect and just like it's been for as long as you've been in this place, so different from where you were before (where were you before? You can't remember anymore. You've always been here, haven't you? You search your mind for anything before this place, but you can't. Huh. That's weird.), but something is wrong.
It comes to your slowly at first: Mrs. Gardener is always pruning her tulips. Well, yes, always. Why? Every day she does this, and the next day the tulips are there like she never did it all. She prunes her tulips.
Nothing ever changes, nothing bad ever happens. You try to ask questions, but everyone looks at you like they don't get it, or you've gone insane. Some look like they're hiding something. Suddenly the perfection isn't comforting, it's eerie. It's a cage. You can see suddenly all the ways in which your environment isn't normal. The weather isn't supposed to always be perfect. No town moves the same way every day, like a synchronized dance. What the fuck is happening? What is this place? Why is everyone acting so strange? Don't they see it? Are they real? Is anyone here but you even real? Are you the only real person here?
And then things get slowly more and more sinister? Like, I can only think of film examples, no books or anything, but the cinematography shows as the protag becomes more and more aware. The sky looks brighter, the music more grated, slower and creepier. Nothing is right. This place is not safe. It doesn't have to be a small town specifically, it's just that vibe is slowly discovering that this beautiful place you're in is a terrifying hellscape conjured by someone that desperately wants to keep you there.
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im too tired to expand on this fully but consider: s10-11 au constructed around chuck not showing up late in s11 but instead joining up with the winchesters after Fan Fiction. specifically as chuck, not as god, though he is still that and not only a prophet anymore. but sam and dean don’t need to know that. they just know there’s a prophet-shaped hole at the bunker.
chuck being a reoccuring character in the background of s10. talking about the mark with sam, getting badgered by charlie about the books, helping to translate the book of the damned. as it becomes more and more clear that sam’s really going to destroy the mark, he. doesn’t do anything to stop sam. but there’s more and more times where chuck just looks uncomfortable. an emotion that’s a mixture of nausea and fear, that the winchesters can write off as ‘nervous weird prophet dude having an episode’.
watching sam and dean a lot, too. in a voyeuristic way, obviously, this is his whole deal, he set them up to be interesting to him, but there’s something else there. grief, maybe. jealousy, definitely.
i just think the whole ‘oh yeah he’s actually god for real btw’ set-up would be better if he was actually around for a bit more recently not being god. or pretending not to be god.
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