Tumgik
#i think if aziraphale had seen him
lost-tardis-room · 8 months
Text
shit shit shit
guys i'm not sure if aziraphale actually saw crowley standing by the car
like he moves his head as if he were to look over but i don't think the angle is right
he might not have known crowley was waiting for him
oh i am i having feelings
25 notes · View notes
coffeemira · 10 months
Text
aziraphale fell first crowley fell harder—in the sense that the realization of how he felt hit him all at once and then he couldn’t keep it in for longer than ten minutes, whereas aziraphale’s “oh” moment was when crowley saved the books and he has been grappling with his feelings ever since. aziraphale “burned so long and so quiet” and crowley spontaneously combusted
24 notes · View notes
maniacalmole · 10 months
Text
I can't possibly be mad at Aziraphale because
1. I love him,
2. This has always felt like a fanfic to me and while there are fix-it fanfics or 'Here's what I think happens' ones, there are also ones where we say 'This is an emotional turmoil we need to go through for the catharsis in our stifled lives' and this feels like that to me, like if we changed just one thing and made this character just a little more afraid, they would mess up and then they'd have to face a whole lot of things that are buried deep down and maybe digging up some dirt can help me discover something just like Aziraphale's gonna discover a whole hell of a lot, and maybe 'my' angel would never do this, but if he did....
and 3. He's been through 6,000 years of trauma and gaslit the WHOLE time and I simply don't know what that feels like, but I DO know the thoughts that go through my head when I'm as inconvenienced as someone having the bass of their music up too loud while I'm trying to sleep, hoo boy I am not a perfect person, so I'm aware of peoples' flaws and I think I should prooobably be a bit more forgiving of them XP
I think he is very entitled to one MAJOR fuckup. Six thousand years, I mean MAJOR. Annnnd the problem with that is that he has SO much more power than he realizes, so it iiiiis a big one.......
22 notes · View notes
grillsdontcry · 9 months
Text
Tbh Good Omens season 2 was a little weird to me. These are just my personal thoughts on it.
Everything was a little off. You see how Crowley and Aziraphale have obviously known each other a long time, but they didn't really show how they know each other, the way really old friends do, friends who have helped and (pretend) fought each other for centuries. Idk, I think it's because they didn't really show any of the casual intimacy they should have.
Also: I think Crowley and Aziraphale should've been living together. Crowley was living in his car, and Aziraphale already had that room that he gave to Gabriel. It would've made sense, and would've given them the intimacy that I didn't really notice in this season? Like, people were already calling them husbands from the first season. They had that domesticity, but then it was gone in this one. Crowley could've kept his plants in the shop, and it could've shown how Aziraphale has also gotten into the habit of talking to them like Crowley does.
Besides that, it felt like we didn't really need some of the plotlines, like the zombies or Nina and Maggie, most bc we didn't see why Maggie was in love with Nina. We saw her pining over her, but we didn't see how it started, or why they might be good together. Aziraphale really didn't have to use them for his lie.
Aziraphale and Crowley also felt a little out of character compared to the first season. Aziraphale a bit too naive, and Crowley a bit too serious. Obviously Aziraphale isn't jaded by any means, and Crowley isn't the sort to be excessively jovial, but they had just successfully outmaneuvered both Heaven and Hell and averted the apocalypse. I feel like there's room for more complex characterization.
I liked Beelzebub and Gabriel's romance, but I think there could've been more. Instead of the zombie episode, we could've had one dedicated to Beelzebub and Gabriel, who both also seemed out of character in the show, ngl. Beelzebub came off as a little too open from the start, and I like Gabriel with a softer personality but that's definitely not what he was like in the beginning. I think they could meet up that one time and complain about the Apocalypse That Wasn't, and how it starts is that they would wonder why the Hell (Heaven in Gabriel's case) an angel and a demon would work together to save the world, what is it that's so good about Earth? And so, they would decide to find out. They would investigate Earth's joys together. There could be a montage where instead of just showing them meeting a couple times at a few places, they go anywhere and everywhere, they go to amusement parks and get soft serve ice cream and try ice skating and watch movies and experience so many things together. Basically they go on a whole bunch of Not-Dates around the world and experience the pleasures that humanity has to offer for the first time. And then after all that, they could be sitting at the pub, and the song would be playing in the background, and there would be a Vibe.
Beelzebub, with dawning horror: Is this...?
Gabriel, bemused, This Close to an Epiphany: Are we...?
They realize it at the same time.
Both: Oh no.
They both vanish. They ran away.
But then, unable to stay away, they meet up again. They stare at each other.
Beelzebub, unusually flustered: Well. I figured it out. What about you?
Gabriel, blustering: I also figured it out. But, uh, I think you should say what you figured out...to make sure we figured out the same thing.
Beelzebub: I want to hear you say what you figured out first.
They get nowhere. They go get drinks.
With several empty beer mugs on the table, Beelzebub says: Alright, on three, we'll say it at the same time. Ready? One...two...three.
Neither of them say it. They both take gulps from their beers. Cut to the table being absolutely stacked with empty tankers. The bartender's like, 'Uh, I think I should cut you off,' and Beelzebub does something demon-y to scare him and he's like 'Nevermind, have as many as you like, no need to pay!'
Cut again. There's a fortress of empty beer mugs.
Beelzebub, thoroughly drunk: Wha' wassit you wanned ta' say?
Gabriel, absolutely plastered: I think...it was...uh...I think...
He thinks about it. He's thinking so hard right now. Finally, he wrestles it down: Are we in love?
Beelzebub, pointing: Tha's whot I figured out, too!
And last but not least: Crowley and Aziraphale. It really didn't need to end the way it did. And I think that Metatron's first choice to replace Gabriel shouldn't have been Aziraphale, but Crowley. He would decide to return him to his full former angelic glory. Even better than his former angelic glory, actually. Aziraphale would caution him that Crowley would refuse, but Metatron would request that he ask him anyway.
Cut to Crowley's response.
Crowley: #!$*_!\":$€&`[·§Г^}₩ฯ!$% (censored for sensitive ears)
Cut to Aziraphale informing Metatron of his answer: He said no.
Metatron sighs and says: Very well. And you, Aziraphale? What do you think of taking Gabriel's position?
Aziraphale, smiling politely: I'm afraid I have responsibilities down here that I must see to. I can't let just anyone run my bookshop, you know. They might sell my books.
He turns away, and we see from the way his expression changes out of Metatron's sight that he feels he's just dodged a bullet on fire being chased by the snapping jaws of a crocodile which is followed by the gaping maw of an enraged grizzly bear which is overshadowed by an oncoming meteor the size of Birmingham. Basically he makes this face -> 😬
Metatron, meanwhile, is somewhat put out: I suppose I have no choice, then.
He tells Gabriel he can return to his former position.
Gabriel: Hm...nah.
Cut to Metatron sitting hunched in a chair with his face in his hands.
Muriel: Would you like some hot chocolate? :)
Metatron looks at her. His other options are Michael or Uriel.
He asks her.
Meanwhile, at the shop, Crowley is sprawled in his favored armchair while Aziraphale hands him a cup of tea. "Everyday" is playing on the record player.
Aziraphale: You know, I quite like this song. I think it's grown on me.
Crowley: Not me. I'd like it if I never heard it again. He played it every day, all day, that feathery bastard. The only reason I didn't break the record is because you'd be cross.
Aziraphale, smiling at him: That's the only reason?
Crowley: If you're implying I actually love that song, don't. There's no secret love here.
There's a pause.
Aziraphale: You know, if you really wanted to visit Alpha Centauri, I could...make some time in my schedule.
Crowley: Oh, yes? Your schedule of not selling books?
Aziraphale: Yes, that one. You let me borrow your car, after all. It's only fair I do something for you.
Crowley, scoffing: You do plenty for me. You're the one who fixed the car in the first place after it burned up spectacularly, you let me move in--insisted on it, actually--
He holds up the cup: -You got me tea.
Aziraphale: Well, I--I want to. I want to do those things for you.
Crowley, pausing (he doesn't quite know what's happening): It's good tea.
Aziraphale: Well. Good.
There's another pause.
Aziraphale: Crowley, please tell me if you don't want this.
He takes Crowley's cup and sets it aside, and then he places his hand on Crowley's shoulder and leans in, closing his eyes.
Crowley pulls his head back, a look on his face like what's happening?!
Aziraphale doesn't see it since his eyes are closed. He kind of stays in place, eyes squeezed shut, lips puckered.
Crowley's alarm fades as he stares at him. After a moment, he leans in.
Their kiss is soft. They're so in love and it's so sweet and domestic and tender I might cry
I think it could've been really nice
8 notes · View notes
sysig · 3 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
New dream OCs drop (Patreon)
6 notes · View notes
kits-ships · 7 months
Text
told myself that i dont care for any of the goo/d ome/ns theories out there but for some reason my brain just went
Tumblr media
#season 2 spoilers in the tags so :3#i really suck at theories because i just like to ignore details of canon that i dont like but ill let you read it in the tags anyways#even if it makes me nervous im just a silly goofy guy you know#silly goofy guy syndrome#okay#so#directly from my dms with my fiance (who knows very little about go od ome ns#begin#you know how aziraphale left crowley on earth to go be the supreme archangel of heaven#what if crowley had been the original supreme archangel but was cast out alongside satan and his cohorts on a technicality or something#like he was just chilling and got caught up with the wrong crowd#and thats why the other demons dont really trust crowley. cause he was the fuckin supreme archangel#and when gabriel left that was them introducing the concept of the supreme archangel position being a semi fluid position#also a lot of people headcanon that crowley used to be raphael cause he doesnt show up with the other archangels weve seen in the bible#crowley has also been seen having extremely op abilities when compared to others in the show (ie bending reality and time with the snap of#maybe they can all do that idk i only remember crowley doing insane shit with time#also when he transported him aziraphale satan and adam into the VOID#and then seeing aziraphale take his old position just adds more salt to the wound of him leaving crowley behind#because besides believing heaven is too corrupt to be fixed- it hurts to think that aziraphale could possiblly fix heaven#but crowley couldnt when he was rhe archangel#i know its silly but this was just beamed into my head like a message from god#except its my hyperfixation and autism just shaking hands
2 notes · View notes
bazoonga-bazinga · 10 months
Text
Who made the Great Plan?
I maybe just a wee bit crazy, but after rewatching that first scene from s2e1 where Crowley is told about the Great Plan and the scene where Aziraphale debunks the Great Plan and the Ineffable Plan being the same from s1e7, I got to thinking. Even though it was a spur of the moment realization, Aziraphale was right that the Ineffable Plan and the Great Plan are two differnt things. Working off of this conclusion, I dont think it was God who made the Great Plan. While its possible that God changed the plan for the fate of the universe, its highly unlikely that this misinformation would have persisted this long without someone deliberately messing with the understanding of what the Ineffable Plan was. Also we as the audience know that the Ineffable Plan was not the Great Plan becuase after the Great Plan fails, we still get narration from God in that final scene in season 1 of the nightingale which implies that God knew the Great Plan would fail and there would be a future after the supposed 6000 year time limit.
So this begs the question who made sure the Great Plan was the main narrative being spread among the angels? It wasn't a demon since technically there were no demons at the time of that first scene in s2e1 (if i have my mental timeline right). It would have to be a someone with authority among the angles who could ensure that they had constant control of the conversation.
Metatron spread the Great Plan prophecy rumor from s1. My proof:
He is the "voice of God", so everyone would believe anything he says
He would use his authority as the spokesperson for God to spread the Great Plan among the angels who would have no reason to doubt that this wasn't the word of God
In season 1, he was very adamant about not letting Aziraphale talk to God to stop the events of Armageddon
From his conversation with Aziraphale at the end of the infamous s2e6, we can see that he well adapt in manipulation as he knows exactly what to say to Aziraphale to consider and accept the job offer.
I might just be blinded by my current hatred of metatron rn and could be overestimating his abilities, but it made some sense in my mind. The only thing i cannot really pin down is his motivation for doing this. The main two culprits for any other angel would be power or ensuring Heaven's victory. However, I think that from the position that Metatron currently sits at, these two reasons don't really make any sense since he already has a shitton power which he could use to ensure victory. The only real reason i can think of is that he wants to play God, but even then I feel there has to be something else I am missing here to fully complete the picture. I feel like this all has something to do with why God was only there in a flashback and one present day scene, but no narration this season...
but tldr I think it was Metatron manipulative ass.
5 notes · View notes
joycrispy · 9 months
Text
I wanna talk about The Angel Who Would Be Crowley.
Because I had a certain set of expectations, which got thoroughly trashed in the first five minutes of S2, and my genuine response is, "Oh, fuck, yup. You're right. That's WAY better."
Looking around at GO fandom, I'm not alone in this. So let's talk about it.
Basically, a lot of people (myself included) believed that he was a high-ranking angel, and therefore as chilly and remote as every other powerful angel we'd seen at that point. We pictured Crowley-To-Be as long-haired, regal and imposing --and the fanart at the time reflected this. I'd link some if Tumblr didn't hate links.
Something like this:
Tumblr media
We were collectively drawing on a few things --mostly, Crawly's appearance and general bearing in the Biblical scenes of S1--
Tumblr media
--But also scattered hints of his importance, backed up by conspicuous absences in Heaven and a few profound displays of power. That's all better covered elsewhere, so I won't reiterate the arguments here. All I'm saying is: I think our headcanons were justified.
But it turns out he was this:
Tumblr media
!!!
With his curly little--!!
And his neat white--!!
IT TURNS OUT, he was an angel who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty. Furfur, who knew him before the Fall, says:
"You used to jump on me back, little monkey in a waistcoat..."
(The use of a diminutive there, 'little'...oh, that fascinates me.)
In a pretty huge subversion of expectations, we're given these glimpses of an angel who was sweet, and joyful, and heart-meltingly silly.
In sum...an innocent.
(Perhaps innocent to a troubling degree.
We see how he troubles Aziraphale, during their first conversation. He starts looking around and behind them, checking to make sure that no one can HEAR the blithe and reckless things coming out of this angel's mouth. This angel who talks like he's never been reprimanded in his life; like it's never occurred to him that anyone would want to hurt him.
Before the Beginning, Aziraphale understood Heaven better than he did. The danger is plainly occurring to Aziraphale.)
So now, we the viewers are in on a cruel joke that Aziraphale has known all along, which is that this --THIS-- is the angel who--
*checks notes*
--did a million lightyear freestyle dive into a boiling pool of sulphur. For asking questions.
...Imagine you are Aziraphale, and everything inside you wants to believe Heaven are the Good Guys, and God is Good and Everything She does is capital-R Right...and now try to reconcile that. Keep trying. I don't think he ever totally managed it in 6000 years.
All this gets further complicated when we learn that, despite all of the above, we were still right. That sweet excitable babby up there?
He WAS a powerful and high-ranking angel.
That much is explicitly confirmed, with significant evidence that he could have been among the mightiest of archangels...
...Who apparently accosted his fellow angels for piggyback rides. And was remembered millennia later by those (now fallen) angels as something 'little.'
What does that tell us about who he was? Is?
Hell, Aziraphale has known to be wary of the archangels (and the judgements of Heaven in general) since before the Fall even happened. He chooses to believe they are Good; he can't fool himself into thinking they are Safe.
Yet he's absolutely certain that Crowley won't hurt Job's children. Enough to stand in a burning building and say to them, "I can't save you, but don't be afraid. I won't need to."
And what reason does he give?
("I know you."
"You do not know me."
"I know the angel you were.")
What does that tell us about who he was? Is?
("The angel you knew is not me."
But how is Aziraphale supposed to believe that, when he can see him all the time?)
tl;dr --yes, this is better. I love the tragedy of it.
'Innocence died screaming' and all that.
13K notes · View notes
number-one-hog-hater · 9 months
Text
Dhjg shaying shit
0 notes
actual-changeling · 9 months
Text
So, I was rewatching the kiss scene frame-by-frame, as one does, and I realized something. First I thought, well, Alex, you probably saw that wrong, let’s keep going. A minute later, however, I was confronted with the reality of no, not mistaken. 
Maybe I am late to the party and everyone has already seen it and knows about it, but in case there are people that haven’t: Aziraphale not only puts his hand on Crowley’s back, he puts his left one on his waist BEFORE that.
Not just that, he slides it up and also uses it as leverage to pull Crowley closer. I could go through those few seconds one frame at a time, but that would take forever, so I will give you the highlights in chronological order.
Tumblr media Tumblr media Tumblr media
His hands flutter around at first and don’t settle anywhere, which is actually really useful since it shows us what the angle for that looks like.
Now, the next time his left hand moves up, look at the progression. It does not go down the same way as before. Instead, it moves inward and against Crowley’s waist. And it STAYS THERE right up until he moves both of his hands away.
Tumblr media Tumblr media
Look at the angle!!!! Look at how it moves INWARD and towards Crowley instead of straight down like before.
Tumblr media Tumblr media
Still moving towards Crowley with a slight downwards drift because he is aiming for his waist.
Tumblr media Tumblr media
Now it is too low for us to see but I think it is very obvious where his hand has settled. Maybe I am going insane after only thinking about this show for almost a month straight. Maybe not. Call me crazy but the angle here is DIFFERENT. The second one very much looks like he is holding onto Crowley.
Tumblr media
Aziraphale kisses back. Fully kisses back. Somehow, that wasn’t enough for Michael Sheen, no, he had to fully commit to it and *close his eyes* when he reciprocates, too. Look at this!!! The way his eyes flutter shut when Crowley first grabs him, then open, and then CLOSE AGAIN when he starts holding him in return. Kissing back with his eyes closed and his arms wrapped around him. The last picture is right before he moves his hand to his waist/the frame after the camera angle changes.
Tumblr media
Anyone else losing it right now? No? Just me? That’s fine, although I most definitely am not. Fine, that is. Michael Sheen I’m sending you my fucking therapy bills.
9K notes · View notes
books-and-omens · 9 months
Text
Tumblr media
Heyyyyyy I’d really like to talk more about the ball, who’s with me.
Because for all its glitter, the ball is dark. No, seriously, it’s dark. It’s eerie, it’s disturbing, and the narrative doesn’t shy away from showing us just how much. 
As in a classic fairytale, mortals are being spirited away into another realm to dance through the night. Here, however, we see exactly who is orchestrating the dance, and why.
And we empathize with him, but watching Aziraphale has never been so painful or so unsettling.
Nina arrives distraught and is immediately hit with the realization that she doesn’t feel distraught, even though she knows she should be feeling it. She confronts Aziraphale and he just tells her: oh yes! :) no long faces tonight! And she is disturbed throughout the ball, thinks she is losing her mind, questions and fights the enchantment… but from time to time, the enchantment still takes hold.
And just—
Aziraphale. Aziraphale, you do know that manipulating people is wrong, don’t you? You… do know that? And yes, of course, neither Crowley’s nor Aziraphale’s approach to morality is human. They are eldritch, they are otherworldly. It was Crowley who changed the paintball guns into real guns in S1, though of course, the humans still had choice in using them.
But the ball is still different.
We’ve never seen Aziraphale do anything quite so disturbing before, or go so obviously deep into his own delusion. There are moments during these scenes when even Crowley, permanently frustrated, is very nearly disturbed. (“Angel! What are you doing?” or “Making it rain is one thing, but a BALL?”)
I fully think that by that point in the story, Aziraphale is not all right. He is in an anxiety spiral, denying reality fiercely, obstinately, disastrously, not listening to any of Crowley’s hissed warnings. Yes, yes, he is giddy, he is in love. It’s so very important for him that everything go RIGHT this night, the night he gets to dance with Crowley. Is he even aware of everything he is conjuring up, of the enchantment he has woven? The humans who step through the doors of the bookshop change: their clothing, their mood, their speech patterns… By this point, is Aziraphale doing this consciously at all? Or is reality conforming to his expectations, forcing everyone into a replica of the nineteenth century while Aziraphale himself, distracted and smitten, works himself up to inviting Crowley to dance?
In the first few episodes, as fear and danger grow, as Aziraphale is faced with the danger specifically to Crowley (I don’t see why he would risk his existence for you, Shax tells him in the car), Aziraphale only denies reality all the more fiercely, only holds on to his plans tighter, only puts more force into them and exerts more control (really, rather like the archangels with their Great Plan).
And the ball, beautiful and otherworldly and eerie as it is, is also a dire warning. 
In the morning, it will be Crowley, not Aziraphale, who will get told off for manipulating Nina and Maggie. Aziraphale won’t reflect on this. He won’t be forced to reflect, and Metatron will manipulate him in turn.
There is a plan to follow. The show must go on.
GOD the ball is so dark.
8K notes · View notes
inhonoredglory · 10 months
Text
Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality
Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.
I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.
Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,
Tumblr media
We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.
I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.
Tumblr media
Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)
That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.
Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.
But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.
Tumblr media
And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.
I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)
But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.
Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).
Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.
(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)
At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.
“We could make a difference.” We could save everyone.
Tumblr media
Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.
Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.
But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.
Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)
Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.
Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”
____
In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.
Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.
Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.
And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.
And he’s still going to do that. But it hurts him that he has to do that alone.
Tumblr media
11K notes · View notes
hikarry · 5 months
Text
It's the third time I read a fanfic where Crowley destroys his plants out of rage, and that actually had me thinking
Yes, he is hard on them. He yells, and the threatens and, well, "makes them go away"
Tumblr media
But most of us must know by now that, every time he takes a plant away, he keeps it on the side until he gives it to his neighbor. It's canon, I'm not making that up. He never truly hurts the plants. Puts the fear of Crowley into them? Yes. Terrifies them? Absolutely. But physically hurt? I don't see it. He is way too soft for that, even in a fit of rage
The plants are, unconsciously, a mirror of himself. When he terrorizes the plants, he is reliving his trauma of not being good enough for Heaven and being tossed out like he was broken and useless over and over again
Tumblr media
He treats the plants like Heaven and God treated him, and yet, he never truly destroys them or throws them in the trash for being disobedient or imperfect. That's a step too far. Instead, he finds them a new home. Some place better. Some place he wishes he also had found. And maybe he already did: Earth, with Aziraphale
Tumblr media
Alas, all this to say: destroying the plants, even with his rage goggles on, it's not very him
Destroying furniture? Throwing shit at the walls? Screaming? Sure, I can see that.
So far, we've mostly seen a very controlled type of rage from Crowley, mainly aimed at Gabriel in season 2. The only scene of actually explosive active rage we see is the one where he, well... explodes in the middle of Soho
Tumblr media
And even that was very controlled, if you think about it. He just lets it all out at once, and then the rage is gone, only the low-key depression (over fighting with bae) remaining
Tumblr media
So, yeah, realistically, I can kinda see him breaking stuff if he is at the very end of his rope and with no other way to decompress but never ever hurting his plants. Au contraire, I believe he would turn to the plants when he comes out of the high of being furious in search of some quiet comfort
4K notes · View notes
wordsinhaled · 9 months
Text
i’m so totally normal about the fact that aziraphale’s last (known) deliberate foray into the queer community was when he learned the gavotte at the fictionalized hundred guineas club (!!!) in the 1800s and now in the 2020s he’s like “grindr? what’s that?”
many are talking about his repression which is very valid… and yet the thing to me that stands out about aziraphale is that he’s actually… incredibly stable in his identity and that identity IS incredibly queer. queer by the standards of heaven AND by human standards as well
metatron describes his “de facto partnership” with crowley as “irregular.” and in fact aziraphale in his entirety is irregular. he likes and makes it his business not only to understand but to be a connoisseur of all manner of things angels aren’t supposed to even remotely care about. food. music. books. theatre. sleight of hand. and more.
it’s the sort of behavior that would’ve gotten him othered, treated as a bit odd, in heaven even if he hadn’t chosen to consort all across the earth with a literal demon. and it IS treated that way - the fact is aziraphale even as an angel has got proclivities that set him apart from the rest of the host (even after offering him the highest position in heaven, metatron still acts deeply dismissive of him… like aziraphale’s bookshop is merely a quaint little hobby of his that can be easily transferred to another custodian, and not a literal extension of who aziraphale has become, full of his tartan and unique bibles and special vintages of wine and the books arranged in a very specific way)
so. aziraphale is a queer angel but of course he’s also queer to other humans. but in such a way that… he had his realization a LONG time ago, and put the matter very much to rest after that. aziraphale is perpetually something like several centuries behind schedule. he owns an ancient computer that probably continues to run windows 98 simply because aziraphale’s decided it should. he wears the same waistcoat and coat for generations because he simply likes them precisely the way they are and sees no reason to change them. but the idea that he doesn’t know how he comes across to others - of course he does. he knows he looks like your prim and proper grandfather and he prefers it that way
aziraphale looked around at humans in the 1880s and said: ah yes. this is where i fit. and promptly ensconced himself in that queer subculture. learned the gavotte. read his austen. loved crowley from afar. aziraphale is fiercely and vibrantly queer. just with the sort of assurance of someone who lives with his lover in a commonlaw marriage for decades and then shows up at city hall for the certificate once society decides it’s ‘allowed.’ like… he hasn’t had any need to know what grindr is because aziraphale’s ‘scene’ was a century and a half ago and it defined romance for him too.
but my favorite thing about aziraphale is how much of him is about appearances versus the truth. he can lie straight to angels’ faces and sleep at night. he knows he comes off soft but he once wielded a flaming sword. he dissembles helplessness but he’s far from it and he knows precisely how it makes others treat him. and at the core of aziraphale is rigidity, inflexibility of ideas… his sense of self is stable where crowley’s is malleable, and so on, and so on
and the fact that he’s continuously fixated on trying to misguidedly do the right thing, the fact that he seeks heavenly approval and wants to fit the world into his schema of good vs evil… in no way do i think that means he isn’t one hundred percent aware of how he feels about crowley or what it means about him by angelic or human standards. i’ve seen some folks saying that aziraphale doesn’t want to like kissing crowley and like… as much as i love me some brideshead revisited/atonement flavored angst; i put forth that it’s not internalized homophobia or queer panic but simply: “i’m trying to do the right thing for both of us and you won’t let me.” and “i wanted our first kiss to be different.” he was envisioning an entirely different flavor of romance than what he got but he emma woodhoused too close to the sun
like, y’all. aziraphale in all likelihood has a glorious collection of historical queer erotica. he just has a feathery diva coat hanging in his closet, and for what. “oh, good lord” he says at crowley’s revolutionary outfit in the bastille, while eyeing him up like an entire meal. he’s so good at affected propriety, at carefully constructed stuffiness, but between the two of them aziraphale’s got to be the one who has experience
aziraphale had been physically throwing himself at crowley the entire season. he orchestrated an entire regency ball so they could touch hand to hand. he spends the entire season (well, and season 1) looking at crowley like he’s particularly coveted. he looked at crowley before the fall like he was glorious and beautiful. aziraphale’s queer and he knows it and i think that isn’t his problem, it’s the fact that he wants to build a different sort of future for the two of them but crowley’s gone and thrown a wrench in it by reminding him of everything he can finally have. like. that’s the heartbreak. it’s how dare you make this ugly? i forgive you for our first kiss being all pain and salt. it’s my dearest, i wanted to make heaven as beautiful as you deserve. as sacred and safe for us as our bookshop. and i can do that for us, because once i held a flaming sword and i still remember how the hilt felt in my hands. and now the taste of you is in my mouth.
6K notes · View notes
biceratops7 · 9 months
Text
Y’ALL I JUST FOUND SOMETHING WILD:
I figured this out by pure accident because musically, I’m not a big fan of Tori Amos’s singing style (I’m sorry 🙁, besides the point though!), so I pulled up the original instead to put on my playlist.
And GUYS. I don’t think “A Nightingale Sang in Berkeley Square” is about them at the Ritz together in the 21st century, or at least not at first…
Tumblr media
It’s about this.
“A Nightingale Sang in Berkeley Square” originally came out in 1940 by Vera Lynn, one year before Crowley pulled the most romantic ass stunt Aziraphale had ever seen and, let’s be honest, the vibes uh… changed. I mean there was a reason the rumor of them being an item spread in hell around this time.
And that’s not all, the song was actually meant to be part of a musical, on the West End. The place where they made a fond memory together for the first time in nearly a hundred years, took care of each other, trusted each other. Hell, where Crowley and Aziraphale, both friends of the theatre in different ways, probably heard this song about causing the impossible and falling in love just a year prior for the first time.
Yah so I’ve FULLY drank my own koolaide and completely believe that they already associated this song with each other. Not only saw it as a fond reminder of that night in 1941, but the quiet, gentle reality they might have together someday. But they wouldn’t DARE say that out loud, wouldn’t be ridiculous enough to let themselves hope for it.
Tumblr media
I think this was Aziraphale breaking the unspoken rules and acknowledging this thing they share. Him saying “I know, I see you. I hope so too.”
Tumblr media
7K notes · View notes
vidavalor · 7 months
Text
The pub scene is even funnier when you consider that poor Mr. Brown of Brown's World of Carpets has likely had this longtime pash on Aziraphale and, like everyone on Whickber Street, he has no idea who exactly The Ginger Goth With The Old Car is. He knows the prevailing theory is mafia but Mr. Brown of Brown's World of Carpets has seen Ginger Goth hanging around Mrs. Sandwich and her "Sandwich Shop" and also around the bookshop a bit and also some naked guy was also at the bookshop recently, so... what's the likeliest conclusion drawn by Mr. Brown of Brown's World of Carpets? That the old bookseller's lonely and paying for it.
Tumblr media
He sees them come into the pub and thinks Aziraphale is classy like that and is taking the sex worker for a drink first or maybe that's part of it-- he's gone the whole 'boyfriend experience' route. Mr. Brown of Brown's World of Carpets sees Aziraphale with that chest stroke of that Thin Dark Duke he's paying and while Mr. Brown (of Brown's World of Carpets, just FYI) isn't here to judge and gets it as he's lonely, too... and while he does think the bookseller picks some hot ones... he wants to give Mr. Fell the real thing. The kind of love you can only get between two middle-aged, still-sorta-closeted queers like they are. He'll be someone the bookseller can talk to and find some genuine chemistry with, Mr. Brown of Brown's World of Carpets will be, so he decides to shoot his shot and knows the bookseller is skittish from their past interactions, so he goes for the meeting option. He'll have to come over to drop off the chairs, of course. Give them an excuse to talk more, alone, when Mr. Fell is not, erm, entertaining.
And poor Mr. Brown--President of the Whickber Street Shopkeepers and Traders Association, Mr. Brown of Brown's World of Carpets is-- fine, upstanding, boring as all holy fuck fella... He's met by Crowley coming over with drinks and a greeting that says this is neither the first time, nor, he doubts, will it be the last that he's had to Husband the bookseller but again, Mr. Brown of Oh, You Know By Now thinks this is a bit, so he's not intimidated.
"I was just absolutely hitting on him for real, unlike you," is what he basically told Crowley when explaining what they were chatting about.
And Crowley's like lol you got him flustered enough to host this meeting. Good on you, Mr. Whoever the Fuck You Are from Whatever Shop You Run. Look at you *go*. 😍 I've got a new favorite human, Aziraphale.
He's all "you astonish me" to Aziraphale, teasing him like you're leading the poor, balding bastard on, angel. I know it's hard for you to reign in your divine sex appeal but you should maybe try. His heart is only human, after all.
Mr. Brown still thinks Crowley's a sex worker though so he doesn't give up and is all like remember, Mr. Fell, our date is right after work on Thursday in a group setting to set you at ease but I'll see you first to set it all up because I want you and I want to make sure you know I'm not just here for the business meeting.
Crowley: That's it-- I'm adopting you, Ballsy Mr. Carpet. I like your style. But you'll never wear my angel down. We've been married for 6,000 years. I am definitely up for saving you from some demons on Thursday though and making it rain on you and literally any fruity, single shop owner in the greater metro area next season. You're on the deck after my shop lesbians. Now piss off, Mr. Barnes. We haven't been to the pub in ages and you're in my seat.
Tumblr media
4K notes · View notes