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#i should reblog it now
opikiquu · 15 days
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iknow my comics are ugly please just hear me out
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felsicveins · 2 months
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His heart belongs to another
And no other heart will do
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tmos-time · 7 months
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*sits up in bed from a cold sweat* oouh redraw day cringetober erisol real.... ok good day o7
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clownsuu · 11 months
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Frank/Home anon here, again, with a new idea. we know very little about Home from the mob au, other than hes a god like figure who has immortal control over the family. and we know that Frank is trying to figure out whats happening behind the scenes, and is getting into places he probably isnt supposed to. i know you made a few drawings about Frank and Home meeting, but damn, being faced to face with a GOD has got to fuck you up, not only from their interaction, but the uncanny divinity as well. i like the idea of Frank, not so much falling in line to Homes control, but being so infatuated with him after that he keeps pushing and pushing his luck. imagine fighting against the control for so long, only to be caught because of your own untamable curiosity and need to have questions answered. not only that, but being in the physical presence of an entity whos basically bending reality to their own will? theres a comparison to a moth being drawn to a flame here (or an electric fly buzzer). how do you even recover from something like that, and go back to ordering supplies at your day job? (you dont, lol.) anyhow, you should def drop a few more crumbs of Home lore, to add coal to the train that is my ranting.
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Very intriguing very intriguing, that would be the trope of “the most powerful god” x “some weak loser from across the street” HDHDHDH
cw minor spooki
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Man art block is REALLY kicking my ass rn-
also a few more crumbs of (mob) Home lore? Well lemme seeeee-
-Home is a entity who works entirely alone (unless otherwise chooses someone)
-He answers to the most weak and vulnerable who calls for him
-he is not a demon (but can be considered a god)
-he is neither defined as good or bad
-Home and Wally are NOT related (home purposely takes a form who’d look like a father to him)
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quinns-art-box · 3 months
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happy valentines day <2 i participated in a vday art collab project with the v3 gift exchange server again this year!!! these are the three sketches i did with my own color slapped on them
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bibiana112 · 2 years
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NOT A GIRL MATCHING WITH ME ON TINDER AND SAYING THE QUEEN'S DEATH MUST HAVE BEEN HARD FOR A PRINCESS LIKE ME CRYING SCREAMING 😭😭
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essektheylyss · 5 days
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Oooo I've been wondering when Critical Role was gonna decide that YouTube and Twitch weren't viable long-term hosting options. I don't really have thoughts yet except that let's be real. I'm sooo biased on the name. :3
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divorcedfiddleford · 9 months
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and you may say to yourself: "my god! what have i done?" and you may tell yourself: "this is not my beautiful wife!" and you may tell yourself: "this is not my beautiful house!" and you may ask yourself: "well, how did i get here?"
time isn't holding up, time isn't after us, time is a pony ride! (images described in alt text)
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unbidden-yidden · 7 months
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Here's the thing that really broke me about the goyische left's response to the Hamas massacre: once again, the uncritical, antisemitic double standard for Israel and Jews versus literally anyone else has now expanded to assume that Jews do not deserve human rights or have lost them by virtue of being Israeli.
Let's say, for a moment, that you have been radicalized to really believe that the Hamas attack on civilians was a liberatory action, perhaps unfortunate that it targeted unarmed civilians, but what else were they supposed to do? Besides, Israel has visited similar and worse attacks on Palestine for years, so turnabout is fair play, especially in service of the struggle of liberation of a brutally oppressed group. [To be clear: I take issue with this and find it morally repugnant. But for the moment, let's accept arguendo this belief as a baseline.]
Do you really include rape, torture, killing children at all but especially in front of their parents, or killing parents in front of their children and taking hostages of the survivors, beheading infants, trapping and burning families hidden together alive, stripping and parading hostages naked through the street, mutilating and displaying the bodies of the dead proudly and celebrating their deaths, and doing all of this on a holy day where Jewish people the world over are supposed to be celebrating the end of the holiday season and the beginning of a new cycle of Torah learning. On a day that people will be resting, with their families, unarmed and in their holy spaces, and are explicitly commanded to be happy.
.......amongst the "unfortunate-but-necessary violent struggle?"
Like even if you believe in your heart of hearts that all Israelis should die or at least are acceptable casualties in the struggle, do you really believe that there is any excuse for the above atrocities? If you do, I need you to ask yourself some things:
Do you think there is any justification for the manner and cruelty of the deaths?
Do you really think that there is anything a person could do in order to deserve any of these actions as a sentence?
Was the cruel nature of this, designed to inflict the greatest amount of trauma on the survivors and the Jewish people at large, actually necessary to accomplishing the goal of liberation?
Would you accept any of these actions being done to any other group?
If you are a white American, do you think you personally deserve this yourself for everything the United States has done to the native population (never mind anyone else)?
Do you think that civilians can be held 100% accountable for their government's actions? Is that a standard you yourself would like to be judged by?
If context is important, how is the last 2000 years of brutal antisemitism from virtually every part of the world not also relevant context? How is the Holocaust not relevant? The Farhud?
Do you think refugees fleeing genocide should be able to live wherever they can and that other countries and peoples have a duty to step up and take them in? If so, would you call refugees of genocide colonists and settlers?
Do you think that children should have to answer for the crimes of adults? That it is ever okay to kill them in cold blood?
Do you think that non-combatant deaths should ever be celebrated?
Theoretically, if the only way Hamas could accomplish its goal (which we will assume arguendo is Palestinian liberation, despite the mounds of evidence against that) is to kill whatever Israelis they could get their hands on, don't you think that a valid liberation force would just kill people as efficiently as possible rather than take the time to brutalize and humiliate them first? Wouldn't that be the more morally understandable thing to do?
Do you think it's ever okay to mock or talk down to people grieving their dead, no matter who they were, especially if they were random citizens rather than, say, high-profile politicians?
These questions to me are unanswerable and the fact that they are even in question at all unjustifiable. The left has either actively participated in this or remained silent in the face of it. And too many friends who I thought were allies have failed to reach out to even ask if we're okay, let alone made even the weakest of condemnations of the brutality my people have experienced this week.
This tells me that you think my humanity, as a Jew, is conditional. That my right not to experience war crimes is up for debate.
How am I supposed to trust you ever again? Feel safe in your presence? Collaborate with you on other issues? Why should I?
For the people who are posting about the situation yet failed to condemn the torture and brutality against my people, please know that I will likely never fully believe you that you are for restorative justice, against the death penalty, against cruel and unusual punishment, against sexual violence, for children's rights and against the murder of children, against terrorism, against civilian casualties, for the rights and protection of refugees, for freedom of movement, support indigenous groups, and certainly certainly anyone claiming to be against antisemitism. There will forever and always be an asterisk next to your statements in favor of universal human rights which reads: *except Jews.
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ricky-mortis · 3 months
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FOUND IT
Clip from Curt Mega’s Movie Monday stream from yesterday, 2/12/24 (or 12/2/24 for non Americans) of Curt responding to a comment about Mark Chasity being very much not straight, and confirming it (his headcanon, not canon).
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skrunksthatwunk · 4 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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humanmorph · 9 months
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"[high pitched and tinny] Let’s dive in. Let’s dive in. It’s time to dive in. Get ready to [audio distorts and slows] dive. Diiive. Diiiiie…" (The Road to PALISADE 20: City Planning Department)
so that's what i've been working on for the past 2 weeks! i wanted to draw something for this intro ever since i first listened to it (as a companion piece to my other gur drawing, though it of course ended up being way bigger in scale), but it only really gripped me about halfway through PALISADE ep 18. the next morning after that i listened to this narration on repeat for about 45 minutes and then made a big sketch on 4 sheets of paper at my desk at work.
anyways, i haven't listened to the new episode yet but i think i'm probably ready for whatever they're gonna throw at us with the next sortie. i'm gonna believe, against it all, in millennium break. for gur
(i recommend listening along while scrolling! + transcript btw. if anything is hard to read)
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griancraft · 1 month
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Hi guys, this is sort of my official "please, for the love of god, listen to Skyjacks with me” post because I’m losing my mind and all the content I can find is from the latest stuff right now, and I don’t want to spoil myself. I want to be able to talk about this with people!!!! I will make a watch (listen) party discord if there is enough interest. Just give it a chance; you won’t regret it. Also, some information may be wrong or outdated. I’m on episode 11 out of over 200.
Skyjacks is a ttrpg podcast about sky pirates in a world where there was a catastrophe about 200 years ago that left the sea unsafe to sail and maybe even damaged the entire world to the point where civilization is scattered and in small groups. There is very casual queer rep, and it’s casual to the point where it really just fits into the world perfectly.
A brief summary of the premise of the first episode will hopefully get you hooked. I’m really bad at summaries, but I promise it’s a billion times better than how I talked about it here:
Captain Orimar Vale is dead, and a mutiny will be on Gable, Jonnit, Travis, and Dref’s hands if they are unable to keep up the ruse of him being alive. To do this, necromancy (deeply forbidden magic) is performed by the Dref, the ship's doctor, to turn him into a semi-functional zombie. Captain Orimar is famous for his abilities as a captain; to replicate this will take great skill.
As they run out of supplies, they make a desperate decision: port on the land of one of Orimar’s scorned lovers or deal with the growing uneasiness of the rest of the crew. They haven’t seen their captain healthy in months, and whispers about his health are starting. However, greater danger will await them when they take to the skies again, lurking just beyond the clouds…
And more propaganda as to why I think you guys will like it:
There are unique and interesting gameplay mechanics they use to tell a really cool story, and if you like Hermitcraft or any other sorta storytelling-based SMP, I promise you’ll like it. Like. If you liked Boatem from Hermitcraft 8, you’ll love the characters in Skyjacks. The players are exceptionally good at playing their characters, their humour is unmatched by anything similar I’ve had the pleasure of seeing, and the story is prioritized, which I think is an amazing choice.
Best part? It’s still ongoing after, like, 5 years. Some people have left, but a good chunk of the OG cast has stayed. Not that leaving is bad, because holy crap, 5 years is a long time, and stories have to end at some point! It’s a good way of getting into something and knowing there is still a shit ton of content to be explored.
The music is good. The story is good. The characters and humour are amazing. The lore of the world is sprinkled throughout, and as you learn more about the world, the more excited you get. It’s incredible so far, and if you decide to listen to it, I will actually love you forever and ever. My boyfriend is on episode 190, and he finds it so funny every time I go. Oh my god, this is so cool.
Link to the podcast, but in a playlist (up to 180). So it’s in order and easy to find, since it’s a part of something else from the oneshot network:
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pinkblondie · 9 months
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I already managed to damage these heels by stumbling to the ground because I was goofing around :(
Paypal ♡ Wishtender ♡
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aspecpolls · 3 months
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unicyclingdogs · 5 months
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sky!!! 💙💙💙 I tried out a new coloring style here and tried to put less emphasis on line art, and I really liked how it turned out!!! :)
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