#i just heard there was a 1999 version and HAD to see the animation because i KNEW it would slap | Explore Tumblr Posts and Blogs

kylekozmikdeluxo · 8 months

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Bonkposting

I was randomly re-watching BONKERS this week. Coincidentally, that show turned 30 this year... Now that's *bonkers*!

For the uninitiated, it's a Disney TV Animation-made series that had the usual 65-episode run. It was a WHO FRAMED ROGER RABBIT-inspired show made at a time when Roger Rabbit's future was up in the air, and this series - inspired by ROGER RABBIT'S core premise of cartoon characters living in our world and being the actors of their animated pictures - just so happened to be in development. Seemed to be the perfect "that'll do" situation! Its production history, so complicated it scrambles my brain, but fascinatingly so, like any troubled production. The entire show, including an episode that was held from TV for years due to depictions of bombings (in the wake of the Oklahoma City bombing and 9/11), is available to view on Disney+.

The show itself is every bit as puzzling as its production history, no matter which batch of episodes it is or who animated on them. It feels like it's a weird outsider-artist's attempt at a wacky, spontaneous Tex Avery-inspired cartoon, but it frequently misses the rhythm even though it's earnestly trying with everything it has got... That is all juxtaposed with this very high-grade art direction and animation (for a 1993-era animated TV series, that is), particularly the episodes made at Disney TV Animation Japan. It's like I'm watching some badass '80s anime take on L.A., but with these silly-looking 'toons. A hell of a contrast! But the show's weird attempts at zany humor are all the more questionable because this is a DISNEY SHOW, you would think they could pull this off. I know it's popular opinion that Disney animation, all throughout history, was never "funny"... Though I beg to differ. Disney TVA, from my perspective, tended to be more "fun adventure" than wacky comedy. Not in the wheelhouse of, say, ANIMANIACS or REN & STIMPY. Bonkers D. Bobcat himself actually started appearing on one of Disney's attempts at a wacky show, RAW TOONAGE, a year earlier. There was also this show called THE SCHNOOKUMS & MEAT FUNNY CARTOON SHOW, which fits this bill, too. The respective executions of these shows apparently left a bit to be desired.

I first saw BONKERS when its re-runs aired on Toon Disney, a long-defunct channel, in the late '90s and early '00s. That was the way I, a 1992 baby, could see all of those early-era Disney TVA cartoons and many of the ones that were part of the legendary syndicated "Disney Afternoon" block. I saw almost all of 'em, from DUCKTALES to TALESPIN to TIMON & PUMBAA. That was a brief period of time though, when my grandmother had a cable package that included Toon Disney. Later on, she didn't, and neither did I at my house... So I went a good many years without seeing those shows again, the only one I had pieces of on VHS was NEW ADVENTURES OF WINNIE THE POOH.

I'll tell you what *weirdly* filled the void for me...

SONIC ADVENTURE.

Yeah, you heard that right... SONIC ADVENTURE. And by that, I mean the original version released for the Sega Dreamcast in North America in 1999, which I got sometime in - I wanna say - spring 2000? Easter present, maybe?

Now, my grandmother still had Toon Disney when I had SONIC ADVENTURE... Because at the time, Toon Disney was airing... ADVENTURES OF SONIC THE HEDGEHOG! That's right, the DiC cartoon from 1993. The wacky one. I sometimes caught it in passing, but I really wanted to see it now that I was playing SONIC ADVENTURE religiously circa mid 2000... But it was never on when I was over there, I had only caught a commercial or two. I remember catching one during an airing of BONKERS, and it was like "The SONIC show... Whoooooaaa." My 7 1/2-year old brain on a high of some sorts, 'cuz that's just how my weird-ass autie brain works you get the gist?

Anyways, when I no longer could watch Toon Disney, I had SONIC ADVENTURE...

Here are the weird connections I made between SONIC ADVENTURE and Disney TV Animation's output circa 1987-1995:

Anthro animals, check. Goofy villain, check. Sonic's design channels Felix the Cat and early Mickey, very much Western "funny animal" in spirit. Coincidentally, FELIX THE CAT: THE MOVIE was airing on Disney Channel and Toon Disney around this time, I remember seeing commercials for it at the time... And remembered seeing scenes of him running around some palm trees, a jungle-like setting... and I thought it looked kinda Sonic-y and kinda cool. Moving on: Tails' bi-plane, the "Tornado". TALESPIN vibes. Has two tails, 'tis his nickname... What else, Station Square, a city with both humans and cartoon animals, reminding me of not only BONKERS, but also Duckberg. The "At Dawn" section of the "Speed Highway" level in particular had those vibes, for me... And then you have the Mystic Ruins, the spacious jungle hub world with the temple. Disney had a couple of "jungle" shows at the time, outside of the JUNGLE BOOK-inspired TALESPIN, you also had JUNGLE CUBS (basically MUPPET BABIES by way of JUNGLE BOOK), MARSUPILAMI (a very bizarre adaptation of the Franco-Belgian comic of the same name), and the aforementioned TIMON & PUMBAA spin-off.

So yeah, SONIC ADVENTURE and certain Disney TV Animation shows were kinda "linked" in my brain circa 2000-ish. It's a thing my brain does, it makes these weird connections or associations with disparate media. Like, I'll be hyperfixating on three or four separate things in a period of time (say, September-November 2005)... And because of that, they're all linked in my head. I'll think of one of those things, and I'll think of the three, if that makes sense.

In fall 2002, for my birthday, I received a DK book called DISNEY: THE ULTIMATE VISUAL GUIDE. It had a two-page spread dedicated to the DTVA stuff, and lo and behold, BONKERS was on there... and it all came back... And for whatever reason, I built up BONKERS in my head as this amazingly funny thing. It was even in the name, and at the time, I was developing a cartoony slapsticky idea of my own... Which totally morphed and mutated over two decades into the behemoth beast that it is now... Partially thanks to BONKERS, a show that's considered one of the worst of the Disney Afternoon and that whole era of DTVA... I simply had to see this show again, and all the other Disney TV Animation cartoons that weren't being shown on any other channel.

And I eventually caught a few of the Bonks on Toon Disney somewhere's else in mid-2003, and remember thinking "Yeah, it's as cool as I thought!" But then many, many moons later - with much more knowledge under my belt, a lot more context, a lot more animation history, etc. - I gave it a proper revisit. This was probably right around the time it came to Disney+, and after hearing other outlets either fairly criticize or outright trash the show. I mean, ANIMANIACS - probably fueled by Steven Spielberg's beef with Disney/Eisner at time, which affected ROGER RABBIT plans going forward - was roasting BONKERS. And what I saw was a show that was certainly a mess... I mean, when your plug is pulled halfway through production and your show is straight-up rebooted w/ an all-new supporting cast and main character redesign- it's a miracle the show even got made, finished, and was somewhat watchable. I have a soft spot for it, really. There's a kernel of a really cool, wacky, ROGER RABBIT-lite there... and under different circumstances, it could've really stuck the landing... But it meant a little something to me, and that's all that matters.

#disney #bonkers #shitposting #reminiscing #autistic things #autie things #hyperfixations #sonic as well

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yuna-writes · 1 year

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If I had to take this whole AI craze that’s going on, I’m wondering why do people believe in AI now and didn’t really catch unto it a few years ago? Some of my co-workers are heavy believers into AI and it’s funny because they suddenly believe in the technology but when I talked about it 6 or 7 years ago - no one cared. Even now my feelings about AI hasn’t changed that much. I already knew about it so I’ve processed the information and accepted AI rather quickly.

If people are believing in AI than it does prove they have the capacity to think a little bit abstractly. Or maybe they don’t but still feel excited by AI because the craze is becoming a social contagion. It’s possible people are excited when they see other people feel excited but they have no clue or idea on what the technology is about. There’s a saying, every invention out there is useless, but it only has value if the beholder see’s value in it. I think people are excited about ChatGPT because it’s pretty much a slightly more intelligent chat bot that seems to get more intelligent as time progresses. Funny too, because some people see ChatGPT as an intelligent dumbass because it sounds smart but the answers it projects are inconsistent or completely wrong in accuracy. It does have potential to get better and correct it’s mistakes but it will take a while for it to get there.

I see a bunch of mixed reaction. People who are in the AI craze boat as soon as they heard about the technology and the other people who are terrified and scared about AI. I’m neither of them. Just like any invention, there’s going to be good or bad. ChatGPT or AI as a concept wasn’t just created yesterday either. The idea existed for a decade now, but I suppose it had no value because there wasn’t any practical use cases for it. Now that ChatGPT is a finished product, people can use it for school, work, and relationship advice too. Just wished I met more people who were open about this technology years ago. No one believes in it unless it benefits them in some shape or form. It’s human nature. Most of the time, the reaction is usually they feel fearful about the unknown. It’s a technology that is new and emerging so feeling scared is a normal response.

I suppose the question is why didn’t I feel scared when I first heard about AI? I read about it in some book and found the concept really intriguing but I also saw it as a possibility to be a real product. To be honest, I think AI is going to be the next version of what we call the internet today. We’re not as fearful about the internet because it’s pretty much integrated into our daily lives. Interestingly we used to be afraid of it. There’s was this great fear called the Y2K bug. Y2K is the shorthand term for "the year 2000." Y2K was commonly used to refer to a widespread computer programming shortcut that was expected to cause extensive havoc as the year changed from 1999 to 2000. Instead of allowing four digits for the year, many computer programs only allowed two digits. As a result, there was immense panic that computers would be unable to operate at the turn of the millennium when the date descended from "99" to "00".

After reading about it I kind of laughed. I always wondered why as a human society we are generally scared when it comes to trying to understand complex technologies. There’s this one person who had an explanation about this phenomenon. He shared that we are all offsprings from people who were scaredy cats with a lot of doubts. If we take the pre-historic era of cave people, they would run away from any unknown territories, objects and wild animals to survive. The people who didn’t have much fear would often get eaten by wild animals, get caught in traps, and die from food poison soooo...only the scaredy cats survived and we are the product of those people who ran away from any unknown elements. Therefore, we behave like headless chickens and become emotionally irrational when something disruptive occurs. It’s engraved into our DNA. I understand maybe not everyone can really comprehend complex topics because making sense of it means they need to tear down their pre-existing beliefs. That can be really hard. It’s like seeing a part of yourself die and to accept a new version of yourself that is open to another belief system. And when some people can’t really make adapt to certain change, they feel stressed, and their emotional response is going to be negative most likely. Some of the weirdest things I’ve experienced is that I’m not afraid of things other people are afraid of, but I’m afraid of things other people accept as being ‘normal.’

#notes

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chernobog13 · 3 years

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MOONLIGHT MASK

Starman, aka Super Giant, was Japan’s answer to Superman, appearing in theaters in a 9 films between 1957 and 1959. He was also Japan’s first superhero on film.

During that time, Japan’s answer to Batman or The Shadow appeared on Japanese television. Gekko Kamen, aka Moonlight Mask in English (also Moon Mask Rider), was the very first tokusatsu, live-action superhero on Japanese television.

Moonlight Mask fought crime, carried two snub-nosed .38 revolvers, rode around on a motorcycle, and usually could be heard singing his theme song (I ain’t making this up!) before he appeared out of the darkness. He had no super-powers except the ability to never run out of bullets, and never get his cape caught in his motorcycle’s spokes.

As for his choice of weapons, he couldn’t have picked worse. .38 caliber revolvers were standard issue for many police forces at the time. However, the .38s were notorious for terrible penetrating and stopping power; there have been documented instances of the bullets bouncing off someone just wearing a nylon windbreaker! And generally, the longer a handgun barrel is the more accurate it will be. The only reason anyone wore snub-nosed.38s was because they were easily concealable underneath jackets or other clothes. But for 99% of users they were only effective at point-blank range.

Japanese DVD cover for episodes 47-58 of the television series, part of the Skull Mask storyline.

Moonlight Mask was always coming to the aid of Police Inspector Matsuda, usually when some bizarre, diabolical villain was involved. No one knew who Moonlight Mask was, and his secret identity was never revealed. In the cast credits Moonlight Mask was always played by a question mark (”?”). However, even the dullest of audience members could figure that Moonlight Mask was very probably private detective Juro Iwai, played by actor Ose Koichi, because the two characters are never, ever seen at the same time.

Cover to the Japanese DVD for the film Moonlight Mask - The Monster Kong. Gotta say, this Kong isn’t as impressive as the television version.

Moonlight Mask debuted on Japanese television in February 1958 and ran for a total of 131 episodes, ending in July 1959. The episodes were run serial-style, with each episode picking up right where the previous one ended (usually with a cliff hanger of sorts).

The episodes were organized into 5 stories. The first story, Skull Mask, ran the first 72 episodes. The second story, The Secret of the Paradai Kingdom, ran 21 episodes. Mammoth Kong, the third story, was 11 episodes long, and featured the first television kaiju. Story number four, The Ghost Party Strikes Back, was 13 episodes long. And the final story of the series, Don’t Turn Your Hand to Revenge, ran for 14 episodes.

Mammoth Kong as he appears in the television series. He’s a fearsome looking brute!

I was only able to find available for sale in the USA the first four chapters of Mammoth Kong. Above is the cover of the DVD that I purchased from Amazon. The episodes are subtitled in English, but appear to have been lifted from Youtube.

Despite being an early television show, with a very limited budget, I was very entertained by these episodes. Mammoth Kong is a mutant giant ape, approximately 45-50 feet tall. The scale model building for the Mammoth Kong scenes, while not up to Eiji Tsuburaya’s standards, were convincing enough. And instead of using an expensive optical process to put humans in the same scene as the Mammoth Kong, they used marionettes instead. It sounds goofy, but it was actually pretty effective.

In addition to the television series, Toei Films produced six Moonlight Mask films during the same time period. There films were released in 1958, and the second three films were released in 1959.

That’s the diabolical Skull Mask and his gang of eyeball minions threatening Moonlight Mask.

The films were Moonlight Mask, Moonlight Mask - Duel to the Death in Dangerous Waters, Moonlight Mask - The Claws of Satan, Moonlight Mask - The Monster Kong, Moonlight Mask - The Ghost Party Strikes Back, and Moonlight Mask - The Last of the Devil.

The films were adaptations of the stories from the television series. with Skull Mask - the longest story - getting divided into two films. They were filmed in 2.35:1 aspect (”Toei Scope”) and had slightly better production value. Also, Moonlight Mask and Detective Juro Iwai (if they really are the same person) is played by actor Fumitake Omura.

Japanese DVD cover for the film Moonlight Mask - The Claws of Satan.

Think about how neat it was to be kid in Japan back then: not only could you see Moonlight Mask on TV every week, but you could go to the movie theatre and see him at the same time! The equivalent today would be watching Superman and Lois on TV at home, and having a new Superman film showing up at your local multiplex (anybody remember those?) every 4 months.

The television series and films were quite popular and doing well. Unfortunately, a young Japanese boy died imitating one of Moonlight Mask’s stunts. This led to the cancellation of the television series and the films coming to an end.

(A similar incident led to director Teruo Ishii, who directed several of the early Starman/Super Giant films, to leave the series after a young boy had been hurt imitating Starman.)

An early soft vinyl (sofubi) Moonlight Mask figure.

A manga of Moonlight Mask made the scene a few months after the television series started. Much of the artwork in the manga was by Jiro Kuwata, the creator of 8 Man. He is better known in the West as the artist of the Batman manga from the 1960s, which were collected and released by DC Comics a few years ago.

The Marmit 1:6-scale Moonlight Mask action figure. He has automatics here, which he never used in the television series, so thes may be based on the film version. (Yeah, I know he needs to be touched-up with a Tide Pen. You try keeping your white costume clean when you’re tussling with bad guys!)

Moonlight Mask would return in 1972 for a 39-episode anime series. He had an updated costume, with a motorcycle helmet instead of a turban. He was also sporting two .357 Magnum revolvers, which in real life would be only slightly more accurate than his old snub-nosed .38s, but with a heck of a lot more stopping power.

The Medicom Real Action Heroes (RAH) 1:6-scale action figure of the anime version of Moonlight Mask.

The anime series was apparently very popular in Latin America, where it is known as Centella.

The anime was broken into three 13-part story arcs: The Claw of Satan, The Mammoth Kong, and The Dragon’s Fang. I’ve never seen the anime, but based on the titles alone I’m assuming the fist two stories are based on the original series.

There was also a gag anime, We know You, Moonlight Mask-kun, which had 25 episodes broadcast between October 1999 and March 2000. I know next-to-nothing about this series.

That brings us to 1981, and the most embarrassing point on Moonlight Mask’s career:

The Moonlight Mask movie, known in English as Moon Mask Rider.

This movie was an attempt to update Moonlight Mask for the 1980s, complete with giving him a suped-up motorcycle. I’ve only seen clips from this film, and I was not impressed. The kindest review of the film of several I’ve read describes it as dull; not bad, but not good.

None of the original series’ characters return, and Moonlight Mask even has a new secret identity! The actor who played Moonlight Mask, Daisuke Kuwahara, was never seen in films again after this movie bombed big time at the box office.

The 1981 movie version of the Moonlight Mask costume, which seems to incorporate elements from both the television and anime versions.

Sadly, that was the last time Moonlight Mask was attempted in live action, and he hasn’t been seen in anime in over 20 years. Unfortunately, only Japanese versions of the Toei films, and a few chapters from the television series, are available for sale in the USA. The DVD covers shown above are all from Amazon’s site.

Some random episodes of the television and first anime series are available on YouTube, but I couldn’t find any subtitled in English.

One of the Toei films - I think it’s Moonlight Mask - The Claws of Satan - is available in its entirety on YouTube, but it is not subtitled either.

I’m hoping one day someone will subtitle the original television series and films and distribute them to the USA. I’m dying to see how Moonlight Mask manages to defeat Mammoth Kong and the evil gang controlling him.

#Moonlight Mask #Gekko Kamen #tokusatsu #Mammoth Kong

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sugarcomatosed · 3 years

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On Miyuki Inaba and Macross:

I’ve heard nothing but love for wave 2-10 of destruction; but I’ve realized that the scene loses some of its magic for western audience because they don’t know it’s a shout out.

So today I want to break down for you today the biggest reference in 13 Sentinels you most likely missed out on; Miyuki Inaba, Lynn Minmay and The Super Dimensional Fortess Macross.

Join me under the cut for massive spoilers for Sentinels of course, and a nearly 40 year old anime you’ve never seen.

I think everyone knows Sentinels is chock full of sci-fi shout outs. From War of the Worlds, to Terminator, The Matrix, heck even GroundHog’s day, the list goes on and on. Most western audiences will be able to spot the bulk, so why haven’t you heard of Macross?

Simply put, copyright battles. In 1985, Hamorny Gold stitched together three unrelated animes to create Robotech. One of the anime series involved was Macross and Harmony Gold has kept a tight leash on the copyright preventing the series from ever getting a real proper English release ever since.

...so what is Macross?

Well, in super blunt Wikipedia stolen summaries:

Macross (マクロス, Makurosu, English: /məˈkrɒs/) is a Japanese science fiction mecha anime media franchise/media mix, created by Studio Nue (most prominently mechanical designer Shōji Kawamori) and Artland in 1982. The franchise features a fictional history of Earth and the human race after the year 1999, as well as the history of humanoid civilization in the Milky Way. It consists of four TV series, four movies, six OVAs, one light novel, and five manga series, all sponsored by Big West Advertising, in addition to 40 video games set in the Macross universe, 2 crossover games, and a wide variety of physical merchandise.

If you asked me to boil the series down to it’s three staples I’d pick the following three elements. Big robot fights, love triangles and music, usually all interplaying together to make some of the most exciting fight scenes in anime.

The series is going strong in Japan ever since its 1982 release, with the most recent series Macross Delta’s newest film “Absolute Live!!!!!!” getting its first teaser trailer days before I sat down to write this post. It’s insanely big in Japan and you’ve probably seen a half dozen Macross references if you’ve watched a sci-fi anime before. Most likely the signature missile blast.

Sentinels pulls specifically from the 1984 film: the Super Dimensional Fortress Macross: Do You Remember Love? The story is largely a shortened version of the first tv series which aired in 82 and is considered in canon a film retelling of the events.

The film focuses on a colony ship adrift through space suddenly being attacked by an alien race called the Zentardi, it’s both a war film and a very quiet drama all tangled up in the three central characters of Hikaru Ichijo, the young pilot, Misa Hayase, one of the bridge officers and then Miss Macross herself; Lynn Minmay. An idol singer aborad the ship who has during its journey become a huge celebrity after starting as a simple waitress at her family’s restaurant.

Minmay is considered something of the face of the series and while other characters may never come up again in its extended universe, the story of Lynn Minmay is akin to legend in later entries in the seires.

When mankind was faced with these invaders, there was one simple thing that managed to send the enemy into disarray, the music of Lynn Minmay shocked the Zentardi who had no concept of culture and music. They end up capturing her and the other two leads during the course of the film and while the others manage to escape; Minmay is trapped behind with the Zentardi.

They eventually ask her to look and exam a relic they’ve kept on board their ship, and Minmay discovers it’s of all things, a song.

So, if isn’t obvious enough by this description alone, Miyuki is modeled after Minmay. It’s not a 1 to 1, but the curls in her hair and the style of her outfit make it even more obvious.

They have a lot of the same general vibes too, Minmay over the course of the film becomes a tragic melancholic figure and a symbol of the war effort against her will. Her sweet dreamy smile and glittering energy become subdued as she faces set back over setback. She remains strong up until a point behind her facade of confidence until she discovers Hikaru now has feelings for Misa. Culminating in the finale of the film where a despair filled Minmay refuses to sing because it all seems pointless.

Miyuki foils this of course with her journey from the plucky Tomi Kisaragi of a prior loop to a ghost in the machine; a somber beautiful figure but a changed person. She only has this role she’s taken on in the end. All she can do to impact the out come of this fight is sing and hope Shu hears her.

In the finale, Minmay is given a wake up call and asked by Hikaru to sing her song and try to save the lives of everyone left aboard the macross. Roused from her despair, Minmay agrees and the final battle is set to the tunes of the song the Zentardi had shown her, now with lyrics Misa had translated. At long last reaching them and halting the conflict.

This is of course, what 2-10 is a direct reference too. Miyuki sings Seaside Vacation until she can’t be heard any longer.

Even if you’ve never seen the film, the clip alone is a treat in itself. It’s a lovely piece of animation

But Macross’s influences go deeper than just Miyuki and the original Macross. In Macross Plus, the primary idol is the artificial intelligence Sharon Apple. She is also it’s major villian as her AI becomes destabilized during the course of the film.

With the illegal modifications installed in Sharon takes control of the capital of Earth with her music and nearly destroys the city. Miyuki’s character is all Minmay, but her role in the story is a heroic Sharon Apple.

And outside of Miyuki, Macross references and influences can be spotted in Tomi’s story in which she and Nenji are trapped in 2025 and he begins to fall for her mirrors the arc that occurs between Hikaru and Misa after they escape the clutches of the Zentardi. The pair find themselves trapped on a mysterious planet, which turns out to be Earth rampaged by the Zentardi. Misa and Hikaru’s hostility towards each other fades as they try to come to grips with this truth. They spend a long time alone in the ruins and eventually fall in love before eventually being saved by the Macross. Which, is roughly what occurs in Tomi’s story between her and Nenji.

Shu’s story as well, with the minor focus on his confusion of his feelings towards Tomi and Yuki are also arguably a tongue in cheek reference towards the series many Love triangles, which aren’t always true triangles but always remain a corner stone of the series.

Does Shu actually have feelings towards Tomi? No but she’s showing up everywhere and it’s left him a little out of sorts and plays into the misinformation sentinels feeds you, leading you to think there’s a triangle of some sorts:

Maybe they’re stretches, but considering it was stated in an interview the film was a huge inspiration for the game, I wouldn’t be shocked. I found the interview on twitter back in November but can’t track it down now and I’m v. sad

There’s also the matter of the Protoculture.

The Macross is a massive colony ship, sent out into space with the goal of returning to earth after a long space voyage to insure humanity’s survival, much like the probes the 2188 colony sent out. Misa and Hikaru return to find this was the only thing that’s had prevented humanity from being wiped by the Zentardi.

While on earth, Misa and Hikaru manages to discover a set of ruins of a highly advanced civilization that had created both humanity and the Zentardi. The protoculture.

The logs they manage to Find reveal that their inventions grew too great and they have all but disappeared from the universe, but humanity in the end are aliens as well. The invading Zentardi were just tools used by the Protoculture to wage war on itself and contributed to the death of their people.

The song Minmay sings is a relic of the Protoculture, an ancient highly advanced civilization from thousands of years ago.

Now Hm. Why does that sound familiar? What was it Fluffy said about 2188 and the Deimos code....

They’re obviously not 1-1 references, but Sentinels was such a labor of love that pulled from so many genres it’s nice to see such an iconic series get a well thought out reference.

I hope this was something of a fun read and gives you a better love of Miyuki and 2-10.

I don’t know if I’d recommend getting into Macross if you liked Sentinels, but if you’re interested send me an ask and I could probably give you a helpful breakdown. I love both series so much and consider them my top two sci-fi!

#macross #13 sentinels: aegis rim #miyuki inaba #lynn minmay #sugar speaks #i almost always listen to macross tunes while working on 13sar fics and am really passionate about both series and ready to shill lmao #i wanted more pictures and tumblr said....no #sugar’s 13 sar collection

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duhragonball · 3 years

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Hellsing Ch. 70-76

I guess anything I say here is a spoiler, so yeah, this is “Heart of Dreams”, “Relics”, “Heart of Iron”, and the arc “Finest Hour”. Oh, and “Lunatic Dawn”. Gotta lotta ground to cover. Treacherous ground.

Not a whole lot to say about Anderson’s death. He tried to become a monster using one of the Holy Nails from the True Cross, and then Alucard defeated him anyway, once Seras gave him a little help and a reason to go on living. Alucard was pretty upset about Anderson’s demise, but Anderson says a few soothing words, and reminds him that Al only became a vampire because he couldn’t stand being a human, so it doesn’t make a lot of sense for him to cry now.

So yeah, as determined as Anderson was to kill Alucard, he’s a pretty good sport about losing this fight, and he seems to genuinely pity the man. He wonders how long Alucard will go on living with his regrets, and Al replies “Until my expansive future shatters my expansive past.” So, if we want to take that literally, I guess he’s trying to find redemption by being a good guy to make up for his years as a bad guy. Well, he’s been a vampire for 523 years, and a servant of Hellsing for 101 of those years, so I guess maybe he figures if he trucks along for another 321 years that’d balance the scales?

And maybe I’m finally starting to appreciate some of the complexities of Alucard’s character. The Team Four Star Abridged series spent some time on his desire for redemption, but I couldn’t tell if it was based on the original material or something they came up with for their own version. For instance, the Abridged!Alucard rejected the forgiveness offered by God himself, but later Anderson spoke of his desire for redemption and Alucard didn’t dispute that. It seemed contradictory to me at the time, but the manga does seem to support that. As Vlad Tepes, he refused to ask God for anything, preferring instead to fight and drive himself and his followers to the limits of endurance and decency as proof of their faith.

I find that idea heretical, because it suggests that a person can “earn” God’s favor, or God’s forgiveness, or a place in heaven. Arguably, Anderson tried to do the same thing, but I think he was coming more from a place of doing zealous deeds out of gratitude for the Lord’s grace, rather than trying to earn anything he didn’t already have.

The difference with Alucard is that he seemed to be really wrongheaded about his faith, trying to use violence to become a good person. Then it didn’t work, and he became a vampire, devoted entirely to his own selfish desires, and I guess he’s spent the 20th Century realizing that he’s back where he started, trying to fight his way to redemption, only now he has centuries of red in his ledger instead of mere decades.

Oh, anyway, while this is going on, Integra takes a sword and stands it upright so it looks like a cross to mark Anderson’s death. It’s like this quiet sign of respect. I’m not sure whose sword that is, but it looks like the one Alucard was using in his Dracula persona.

Anyway, fuck all that, because Walter finally shows up and stomps the ashes of Anderson just as everyone was having their final farewell with the guy. Rude.

Young Walter just looks kind of stupid to me. Why is he still wearing the monocle? He’s trying to be 14 and 69 at the same time and failing at both.

Seras asks what Millennium did to him, but Walter makes it clear that this isn’t some brainwashing trope. He’s doing this of his own free will.

He also doesn’t consider himself loyal to Millennium. They turned him into a vampire, but he’s doing this for himself, and he’s only cooperating with them because their goals are in alignment.

Yumiko Takagi tries to kill Walter for... Was she mad at him for stomping on Anderson’s remains? I mean, Alucard’s the one who actually killed Anderson, so shouldn’t she be mad at that guy?

It doesn’t matter, because Walt just slices her into pieces with his magic filaments. Now Heinkel Wolfe wants revenge, because she was her long-time partner in assassin stuff. The TFS Abridged series implied that they were lovers, too, which seemed authentic at the time, but I’m not sure there’s any confirmation to be found in the manga itself.

But before she can take the shot, the Captain shows up and shoots Heinkel in the face. Like, through one cheek and out the other, and the only thing saving her from serious injury was that she happened to have her mouth open at the time.

Side note: I caught myself referring to Heinkel as “him”, which frustrates me because I’ve known she was a woman for like five years now. When I first watched the OVA, I was confused, becuase I could tell it was a female voice actor, but maybe that just meant he was really young, like with Schrodinger. But the Hellsing Wiki set me straight, or so I thought. I didn’t think I’d still be making this mistake.

On the other hand, Yumiko sometimes looks a lot like Goemon from Lupin III, so her wearing a nun’s habit isn’t as heteronormative as it might seem. I’m getting off-track.

You’d think this would be leading up to some big double-team on the Hellsing group, now that the Iscariots are out of the picture, but the Captain’s only stopping Heinkel so Walter can have a clear shot at Alucard. That’s the sole reason Walter turned traitor, you see. He wants to fight Alucard and win, and for the last 55 years they’ve been on the same side.

But is that all it is? I never got to read or watch “Hellsing: The Dawn”, the prequel manga Kouta Hirano created after Hellsing. I’ve heard that it never got finished, but also an anime adaptation was released with the home video release of Hellsing Ultimate Episode VIII. All I really know about it was that there was this time where Alucard and Walter were fighting the Nazis, and the Captain showed up, and Alucard ran away because he didn’t think he could beat that dude. Presumably, he left Walter to fend for himself? But all three of them survived until 1999, so I’m not sure what the outcome of that was. I always wondered if Walter held a grudge over that. But maybe I’m reaching.

There’s also a suggestion of professional jealousy. Walter was a rockstar vampire hunter in his youth, but he’s been overshadowed by Alucard, who is--let’s face it-- a living legend. This would be doubly true in the 90′s, when Integra reawakened Alucard, and Walter having to step back even further from the spotlight. The only way for him to reclaim his former glory would be to challenge the greatest of all vampires and win. He’d go down in history as a traitor, but at least he’d be cemented as the absolute best.

Or... or, you can go with the TFS version, where Walter hints at his motives, only for Alucard to take the wind out of his sails and announce “because you wanna fuck me!” And I love that theory more than any other explanation, because it just brings everything together a lot more neatly. I guess you don’t need Walter to have had a crush on Alucard for 55 years, but it’s a lot more compelling than revenge or professional jealousy. Those things have weight, sure, but they work better as distractions, the things Walter might admit to because they hide the deeper reason that he can’t bring himself to say out loud.

And it’s not entirely rejected by the manga. Alucard remarks on how much more beautiful Walter looked in his old age, compared to this treasonous knockoff vampire look he’s sporting now. The last time he spoke this way, it was when he flirted with Queen Elizabeth II. The next time he does it, it’ll be with Sir Integra when she’s in her early 50′s.

Speaking of QE2, she’s safe and sound, because the Secret Service evacuated her to a fortified location in Dover before Millennium attacked. If things get really hairy, they’re prepared to send her to Canada, and if London can’t be secured, they’ll nuke the whole city, though the Queen is certain that Integra and Alucard will win the day. The vampires acting as Millennium agents outside of London are being contained and destroyed, so things seem to be getting under some semblance of control.

However, the Royal Order of Protestant Knights, also known as the “Round Table” is down to just three surviving members. Integra’s in London, but here we have Rob Walsh and Hugh Irons, reflecting on the death of their fellow Round Tabler, Penwood.

This whole scene struck me as a complete non sequitur when I first saw it in the anime. Walter’s betrayal seemed to sudden and poorly explained that it felt like the author was just winging it by this point, and now we have these two dudes struggling to provide some justification for the twist. But reading this manga in 2021, I find that it makes a lot more sense. We’ve already seen tons of Britons in rather lofty positions, all willing to sell out their principles for a chance to become a vampire. Walter is no different from any of them. It’s just more personal when he does it because we actually know the guy.

But as Walsh discusses the utter debacle of this Millennium invasion, he deduces what we’ve just learned back in London. There must have been a traitor in their ranks, because that’s the only way Millennium could have made it this far. I mean, they just flew a bunch of giant blimps full of rockets right into British airspace. That only worked because they had traitors sabotaging the U.K.’s defenses and communications, and Hellsing was especially vulnerable at the same time.

The only thing Walsh can’t figure out is who the traitor was, since it had to be someone at the Round Table, but they’re all dead now, except for Integra, Irons, and himself.

But Irons fills in the missing pieces. It doesn’t have to have been one of the Round Table’s members, but someone close to one of the members. Years ago, Irons warned Walter about Richard Hellsing. Irons knew that when Arthur died, Richard would try to make a play for the Hellsing estate. But when Irons’ fears came to pass, Walter wasn’t there. It’s like he wanted things to play out the way they did.

But why would Walter want events to play out that way? On her own, Integra had no choice but to unseal Alucard to defend herself, and she’s kept Alucard active ever since. And now, lo and behold, Walter reveals that he turned traitor just so he could take on Alucard. It’s like he arranged for all of this to happen years in advance. But how many years? Fifty-five, Irons wonders.

It’s never explicitly confirmed, but Irons’ reasoning makes too much sense to ignore. Earlier, the Major said that he decided back in ‘44 that Walter “Angel of Death” Dornez would have been a good “get” for his side. Now, Irons is suggesting that Walter might have agreed in the same year. So maybe Walter and the Major made a secret agreement even then. It’s possible that they might have done it later, but why not in 1944?

I mean, the whole backstory here is that Millennium is a continuation of a secret Nazi Vampire project that Walter and Alucard destroyed in 1944. Except they didn’t destroy it at all, which sure makes Walter and Al seem very bad at their jobs, unless Walter let them escape and covered it up.

Meanwhile, the Captain tosses a first aid kit to Heinkel, kind of like he’s saying that he doesn’t want to kill Heinkel, but he can’t let her interfere either. We’ll talk about the Captain later.

As for Alucard vs. Walter, Al wants to check with Integra before he goes through with it. He asks for orders, repeating his big speech from when he killed all those cops in Brazil. Yeah, Walter’s a traitor, but he’s been a close mentor and advisor to Integra for all these years. Does she really want Alucard to killerize his ass?

Yes, she does. If Walter stands against them, then he’s the enemy, and Integra has already ordered Alucard to destroy the enemy, no matter who (snif!) they may be. Integra doesn’t relish this command, but she refuses to compromise over sentimental feelings.

Man, fuck you, Walter.

Then the Major lands his airship near the battlefield and invites Integra to come aboard and fight all of his remaining guys. Alucard orders Seras to join her while he deals with Walter. I can appreciate Seras’ concern here, because the last time she watched Alucard fight alone, he took a flaming bayonet to the face. She probably doesn’t care for Integra and Alucard splitting up like this.

Before she goes, she thanks Walter for all of his support, which disarms Walter for just a moment. Man, fuck you, Walter. Seras is so nice and grateful and polite and cool and you just go right ahead with your 55-years-in-the-making Nazi Vampire Jilted Lover scheme. Fuck you, Walter. You don’t deserve to be in Seras’ life.

So the gals go on board the airship and Schrodinger’s there and Integra just shoots him right between the eyes without bothering to slow down. This is maybe my favorite Integra moment in this thing. I sort of wish Kouta Hirano had done a spin-off of Integra and Seras doing cool shit like this for 30 years.

Alucard taunts Walter with the fact that he no longer gets to be a part of Inegra or Seras’ lives anymore. It sounds kind of petty, but when you think about it, it’s a pretty sick burn. Walter may have been planning this for 55 years, but he still had to live that double life, and it’s not like he can just say he was faking it the entire time.

So they fight. Walter’s magic wire powers seem to be amplified, either because of his restored youth or maybe the boost offered by vampire powers, or maybe he’s always been this strong but now he no longer needs to hold back anymore. For instance, he can make mesh screens with his wires to deflect Alucard’s bullets. And when Alucard summons that dog creature he used to dispatch Luke Valentine....

... Walter just bisects it with a flick of the wrist. You really begin to see why he was “The Angel of Death” back in his heyday.

I never understood what this dog familiar was supposed to be. Walter refers to the Hound of the Baskervilles, but as far as I know that’s just a legend confined to the Sherlock Holmes novel of the same name. But apparently that concept was based upon “black dog” folklore of the same region. There’s a whole laundry list of “black dog” apparitions in Britain alone. Black Shuck, Padfoot, Hairy Jack, Bizarro Snoopy, and so on. So I’m not sure if Hirano is saying that Alucard was the source of these legends, or if they were all based on a single creature which Alucard eventually defeated and absorbed into himself.

Al tries to use the Jackal to kill Walter, but that’s kind of stupid, since Walter designed the gun in the first place. In the anime, I thought Walter somehow triggered a bomb he had planted inside it, but maybe he used his wires to make this happen. It doesn’t really matter, because we already saw that the Casull was useless against Walter’s defenses, and not because it had smaller ammunition.

Then Luke Valentine emerges from the black dog’s body. This part never made any sense to me, but I loved how the Major recognized him, but barely. “Oh yeah, it’s that guy from Volume 2! The guy with the brother.”

The doctor suggests that when the dog was killed, this allowed Luke to reassert himself from inside the dog. Something about a “control ratio”, whatever that is. Like, he was absorbed into the dog’s mass, but now that the dog is no longer conscious, he can think for himself again. Notably, only half of Luke actually makes it out . It’s like he’s half-Luke, half dead dog monster.

But before he can do anything else, Walter puts his wires into Luke and starts controlling him like a puppet, mostly so he can use the dog half to attack Alucard.

Alucard seems more impressed than threatened. Keep in mind, Walter was doing pretty damn well against him early on. You’ll notice Alucard’s missing his right arm along with one of his guns. This is better than Anderson managed to do. So why does Walter even need this Luke-dog puppet thing in the first place?

Well, it’s because Walter’s body is giving out on him. Earlier, when the Doctor was performing the procedure to turn Walter into a vampire, he spoke about how rushed the operation was. I mean, he had to finish the whole thing in one night, after all. And Walter’s a lot more powerful than Dandyman, whom the Doctor considered his finest artificial vampire work. So maybe Walter’s just too powerful for this, and he can’t sustain this form. The Luke-dog-thing is just to keep Alucard busy while he coughs up blood.

The Major sees this development, and likens Walter to a high stakes gambler who’s mortgaged everything for a single hand at a high stakes table. Walter’s risked everything just to tangle with Alucard, and it still isn’t enough.

Alucard does manage to finish off the dog-Luke thing, and this sets him up for Walter’s next attack, and then he goes to finish him off, so things seem to be going Walter’s way...

But Alucard used a decoy, disguising Luke’s severed torso as his own, all so he could sucker-punch Walter in the face. As it turns out, Walter’s physical breakdown is making him younger, which amuses Al to no end.

So Alucard follow suits and assumes the form he once used when they fought the Nazis in 1944. Yeah, say hello to “Girlycard”. I’m not sure why Alucard looked like a 14-year-old girl during World War II. I’ve heard this form described as a Japanese 14-year-old girl, and I can’t dispute it, but it also makes Girlycard seem even more random somehow.

I mean, I guess the idea here was for Walter and Alucard to be able to move inconspicuously through enemy territory. No one would suspect a couple of kids until it was too late. I’m imagining a similar scenario to the ones presented in “Cross Fire”. Heinkel and Yumi would play innocent bystanders, then whip out their guns and swords and go ham on the bad guys. Knowing Hirano’s style, maybe Girlycard and Young Walter operated the same way.

And this further supports the Walter-had-an-unrequited-crush-on-Alucard theory. He might have understood that Girlycard was a disguise. On an intellectual level he might have known, but maybe he still carried a torch, and told himself that there was some way that they could be together. Was he just in love with this disguise, or does he love the real thing? Alucard says that he told Walter the truth decades ago, and claims that this is the reason Walter turned traitor, so yeah, it sure feels like Walter couldn’t handle Alucard’s true nature, one way or another.

I mean, let’s assume that this isn’t just about Alucard not being a cute girl. Maybe Walter fell in love with Alucard in all his forms, whatever that means for his sexuality. The bigger issue is that Alucard’s a vampire, and he’s just fundamentally different from Walter, and maybe that was the problem all along. It’s interesting to think about, but the point here would be that there was some kind of problem, and Walter couldn’t let it go.

Meanwhile, Seras and Integra are busy looking like total BMFs. Just HBIC’s. What’s better than this? Two gals bein’ pals.

Hell yeah!

Bad ass!

The vampires on board this airship are happy to meet their doom, and Integra recalls what her father once told her about how vampires want to die on their own terms. Seras doesn’t get it, because if they want to die so badly, they could have just died in the war they were already in fifty-odd years ago.

So the Major gets on the PA system and explains to her that they want more than just a glorious death. They want bigger, better, more perfect battlefield, so as to make their deaths as meaningful as possible. That’s why I don’t understand that airship captain from a while back. Everyone else in Millennium seemed to understand that they weren’t necessarily fighting to win. Britain is prepared to nuke London if they have to, so it’s hard to imagine anyone in Millennium surviving past today, even if they won.

Anyway, as the Major explains all of this, the Captain appears before the gals. It looks like he’s here to stop them, or is he?

#2021hellsingliveblog #hellsing #alucard #seras victoria #walter c dornez #alexander anderson #heinkel wolfe #yumiko takagi #the major #the captain #warrant officer schrodinger #sir hugh irons #lt general rob walsh #luke valentine #really? luke valentine?

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sage-nebula · 3 years

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Game Review — New Pokémon Snap

In 1999, a photography game centered on the world of Pokémon was released. Ever since then, I have hungered for a sequel. And now, 22 years later, my wish was finally granted.

Overall Score: 9/10

While I am still puzzled that they didn’t create and release this game for either 3DS or Wii U, since both had built-in cameras, overall I couldn’t be happier with this and I definitely feel that it was worth the 22-year-long wait. Head under the cut (and onto my blog) for more detailed thoughts on what has honestly been an excellent game.

The Pros:

Everything is GORGEOUS. The environments, the pokémon, literally everything. Even setting aside the glowing effects of the Illumina phenomenon (particularly at night when it really stands out), everything about this game is visually stunning. The colors are bright, but not blinding, and you can see that everything was crafted with care. There aren’t any areas that feel unfinished or unpolished. It is beautiful to look at, which is rather important when you’re making a photography-based game.

Each area changes as you increase your research level, so that even though you will have some run-throughs of the courses that are the same as you experienced before, you’ll also find new paths and see different pokémon as you go through the courses more and more times as well. For instance, when you first play through the Florio Nature Park, the Bidoof are in the process of building their dam. But later, their dam is completed. And this is just one example of how things change; believe me, there are lots of changes as time passes and you go through the courses again and again, making them feel far less repetitive than they did in the original game. (Not to bash the original game, which was on the N64 and thus had a lot less space to hold data, of course. I’m just saying.)

The pokémon behaviors are also so great. You have the Bidoof building their dam, for example, but you also have Alolan Raichu surfing the sand dunes, or Espurr levitating rocks for the fun of it, or Pikipek bringing fruits back to nests on Toucannon’s orders. On less happy notes you also have things like a group of Mareanie chasing down a Corsola, but I mean, it’s a well-established fact that Mareanie eat Corsola, so that’s just nature. The point is that this isn’t a game where the pokémon are just standing around waiting to have their pictures taken. The pokémon feel alive and it’s clear that so much thought went into their behaviors to make it feel as if life is teeming around you as you go through the courses, because it is! It’s excellent.

Although this is a sequel game (and it makes it clear that it’s a sequel game, which I’ll talk about more in a second), it’s also incredibly accessible to those who have never played the original. Even if you never heard of the original before, you can jump right into this one with mostly new characters and a brand new story. And I think that’s great, considering the original game came out 22 years ago and is probably somewhat hard to find now, especially if you don’t have a system with access to a Virtual Console to play it on. (Which wouldn’t be a problem if we had the Virtual Console on the Switch, Nintendo, but that’s a separate discussion.)

That said, it is a sequel game and all of the nods and references to the original game are things that I love. I mean, first off, Todd Snap is back and he had a major glow-up. But even setting that aside, it’s mentioned how the NEO-ONE was based on the old vehicle that Todd used (the ZERO-ONE), how Todd used to take photos for a different professor (Professor Oak), the final Illumina Pokémon’s level is a huge callback to the Mew level in the original Snap, et cetera. Although this game was called New Pokémon Snap likely so that people wouldn’t think they had to play the first game first, it’s pretty clearly Pokémon Snap 2 and I love that.

Along with the courses themselves changing as you progress through the game, there are also day and night versions of almost every course so you get something different on them even before making more progress. Additionally, each course has multiple different routes that you can take if you find them / want to, and Elsewhere Forest in particular has zones that change depending on the season, which offers even more variety and things to discover. Again, it doesn’t feel boring to keep going through the courses because there’s always something new to find.

Everything is streamlined and plays excellently. The menus are cleaned, I haven’t noticed any lag in gameplay no matter how much is going on on-screen . . . everything is smooth, clean, and fresh, and again, adds to how much of a joy to look at this game is, on top of making it a joy to play as well.

The online features are implemented really well. I absolutely love that you can post photos to share with people around the world, but also that the feature isn’t obtrusive and in your face, so if you want to ignore it, you can. But the process itself is seamless, and the fact that you can add filters and stickers to make memes out of the photos is hilarious and a well thought-out feature, particularly since this is the age of social media, so having a Pokéstagram just makes sense.

I enjoy that there are little missions that you can complete that are posited as being posed naturally by the other characters. You’re given clues of what to do, but often you’re not told outright, which can make some of them fun to figure out (and others the shot itself is challenging enough so you don’t need a riddle, haha). While fulfilling the requests can be a bit irritating (more on that in a bit) I like that there’s additional material to do in addition to the main story that unfolds as you go through and gives you plenty of stuff to do even after you’ve completed the main story.

The characters are all pretty great. There’s one character I don’t enjoy very much, but otherwise the characters are good and add charm to the story.

These characters still don’t know anything about photography (the rule of thirds is so basic and no one here knows it), at least they’re not as obvious about it as Professor Oak was, always scolding me for not getting pokémon in the center of the frame. So toning down the obnoxiousness on that was nice, I will give them that.

The environments are so varied and so cool. Like sure, you have your basic jungle, your basic grasslands, your basic volcano . . . but also your underwater, your magic forest, your ancient technicolor ruins. And I mean, I don’t even want to diss the other areas because the volcano area was incredibly vivid, the snowy mountain was beautiful, and so on. Again, I don’t want to gush too much about how beautiful this game is, but it is and the wide variety of places to take pictures makes it all the more incredible.

As I mentioned in the missions bullet, there is plenty of content to do even after the main story is completed, which is a definite plus. Filling your Photodex aside, there are also Course Scores that are enabled once you complete the main story and an additional time of day for an already unlocked area that is unlocked as well. This means that even after you clear the game, you can still have fun trying to get different shots and discovering new things, which is always a bonus in my book.

Motion controls are included, but they are entirely optional. So if you want to undock your Switch (or if you are playing with a Switch Lite) and you want to move your Switch around like an actual camera, you can! But if you have any physical limitations that would make doing that hard for you (or if you just don’t feel like it), you don’t have to and the motion controls are actually turned off by default. I haven’t used them myself because I’m not a fan of motion controls so I can’t tell you how good they are, but I can say it’s a plus that the motion controls are 100% optional, rather than forcibly included like they have been in other Nintendo games.

The Neutrals:

All of the different tools you get are basically the same as the original game, with a few slight (and sometimes silly) changes. For instance, they’re now calling apples “flufffruit” because “fluffruit are actually a lot softer and don’t hurt the pokémon” even though . . . they’re very obviously apples. Like very obviously apples. I get that they don’t want to encourage throwing apples at animals for the sake of picture taking / they don’t want to make a kid feel bad if they accidentally (“accidentally”) knock a pokémon in the head with one, but . . . come on. They’re apples. They’ve also decided to take away the Pokéflute and make it a random music player instead, and Illumina Orbs replaced Pester Balls for both story reasons and for the same reason why we can’t call apples apples anymore. Honestly, all of this is fine, just something to mention, though I will say it took way too damn long to unlock the turbo feature, damn. Pokémon are fast, guys! Give me my turbo sooner!!

Sometimes the “tips” that Professor Mirror gives during the photo evaluations . . . don’t actually fit the situation at all. Like I can’t tell you the number of times he’s told me about getting the whole pokémon in the frame when the pokémon is in the frame, or like “throw a fluffruit to get the pokémon to look right at you!” even though the pokémon is staring into the camera like they’re on The Office. It’s not a huge deal but it makes me think that Professor Mirror might need his vision prescription updated.

I understand that this is also the age of the smartphone, but I do find it disappointing that we’re essentially given a smartphone camera (or at most a point-and-shoot) versus the SLR camera that Todd very obviously had in the original Snap (and even has here). Granted, we didn’t have to adjust for aperture or shutter speed in the original game and I wouldn’t want to do that here either, but it’s about the aesthetic and the fact that having professional nature photographers have actually good cameras is more fitting than handing them a smartphone and saying, “have fun!” Again, I get why it’s a smartphone now, but it still is a little disappointing, even if not an actual detraction from the game.

It is confusing that we have wild Alolan form pokémon when this is not Alola, especially since they didn’t make it equal by adding in Galar form pokémon too. (And on that note, there seems to be a lack of Galar pokémon at that.) I think it would have been cool if they’d designed some Lental form pokémon for this game specifically, although I get that this isn’t a game developed by Game Freak so I understand why that wasn’t done. All the same though, the presence of Alolan form pokémon when this isn’t Alola was still a bit weird.

It’s rather easy to breeze through the main story if you don’t want to take your time revisiting areas to get better pictures / boost the research level. While the main story is longer than the original game / there are more areas than the original game, it’s still pretty short. Ordinarily this would be a con, but since there are so many things to do even after you beat the main story, I’m putting it in the neutrals section instead.

The Cons:

While the missions are fun, it is frustrating that you have to do them again if you capture a photo of the mission before the mission is formally handed to you. This is especially true if it was a hard to get shot that’s difficult to replicate. I understand they want to put challenge in the game, but it’s a bit frustrating you can’t point to your photodex and have the mission be cleared if you’ve already done it. You also can’t get the pokémon doing the requested thing in a different part of the course (or a different version of the same course, or even just a different course altogether if a pokémon appears in multiple areas), which is fine, except that you can only turn in one photo per pokémon. This can make it particularly frustrating when you technically get a photo of what was asked for (e.g. Wingull doing a loop-de-loop) but it’s not the specific Wingull you were supposed to take a picture of, so it doesn’t count.

I have noticed a few bugs or typos here or there. Like one time the text box said “Rita” even when it was clearly Mirror talking, and there have been other times when the game is like “you can’t submit photos if the pokémon is not in the Illumina State” even though Wishwashi was GLOWING BRIGHT PINK because I had just thrown an Illumina Orb at it. Little things like that are things I think could have been better smoothed out in QA, but ultimately aren’t too much to deal with and don’t happen very often.

The alternate paths are a bit too finicky sometimes. Like I managed to get on the swamp path once and haven’t been able to manage it since. I was on research level 3 in Elsewhere Forest for a good long while before Espeon decided to show up, which blocked me off the second exit and guaranteed winter route, too. Again, I love that there are secrets in this game, but I tried to replicate getting into the swamp area twenty times in a row after I had just done it with no success, so it can be a bit frustrating at times.

There isn’t really a true conclusion to the main story. I won’t give spoilers, but essentially the story revolves around uncovering the secrets of a myth that happened in the Lental region thousands of years ago. You get close . . . but the story ends before you get any real answers. You’re just left to speculate. In a way this makes sense, since it’s not like you’re time traveling, you’re just taking pictures. But it is still a little annoying for anyone who is interested in things like the lore of the Pokéworld and who might like actual answers to the questions set up (such as myself).

Anyway, overall, this game is amazing whether or not you played the original, and I highly recommend it to everyone who likes Pokémon even a little. Here’s hoping we don’t have to wait another 22 years for the next one. (But if we do, it will probably be worth the wait.)

#pokemon #pokemon snap #new pokemon snap #2021 game reviews #i am still playing it but since I finished the main story I figured I should go ahead and post the review

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scottymcgeesterwrites · 3 years

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Final Fantasy V Review

Year: 1992

Original Platform: Super Nintendo

Also available on: PlayStation One (Final Fantasy Anthology), Game Boy Advance, Steam (updated graphics)

Version I Played: Game Boy Advance

Synopsis:

Bartz is a drifter, riding across the world with his chocobo – Boko. One day, the wind seems to fall. Lenna’s father, the king of Tycoon, goes off to make sure the Wind Crystal is all right, but doesn’t return. Meanwhile, a meteorite falls. Lenna and Bartz check it out separately, where they find each other and a man named Galuf with amnesia. Together they figure out that the world is falling apart – the crystals that drive wind, fire, earth and water are dying out. They stumble upon a pirate hideout led by Faris, and together they seek to restore the world and uncover the mysterious forces behind the destruction of the crystals.

Background:

Once again, this Final Fantasy game was originally unreleased outside of Japan. Unlike II and III, the developers thought that the game was a different tone than the others and the vast job system would be too complicated for Western audiences. The West didn’t experience Final Fantasy V until 1999 with Playstation One’s Final Fantasy Anthology; a compilation of both V and VI. One notable change from the Japanese version is the name Bartz. The original name for Bartz in the Japanese release was translated as Butz, but because Americans are immature and laugh at such a name, they changed it in the localization to Bartz.

Gameplay:

Holy capitalism, Batman – so many jobs!

Not only that, but each job has abilities that you can mix and match! Every time you level up a job, you earn a new ability for that job. You can switch those abilities across jobs.

The possibilities are seemingly endless!

The gameplay is the most fun I had with customization in a while in any video game RPG. The best part is that the Job System is so rewarding by the time you reach the third act of the game. It gives you such a variety that it allows you to approach battles from many different angles. There’s no one way to be a badass and deal destructive damage.

It’s so much fun that once a year, Final Fantasy V gamers join in “Final Fantasy Five Four Job Fiesta”. It’s a challenge where you are randomly assigned four jobs in the game and have to finish the game ONLY with those four jobs. I’ve joined in the challenge myself and it’s a great way to come together with Final Fantasy players.

I had fun unlocking the legendary weapons and hunting down the most powerful summons - this time naturally without looking anything up. I find it interesting to say that I had legit fun hunting down all the extras. Sometimes in other Final Fantasy games I get weary over hunting for some extra, higher powered spells and summons. I sometimes even wonder if I should bother going after them. The vast Job System in Final Fantasy V keeps you occupied for the entire game and more. I finished the game and there are still some jobs that I haven't even touched. Luckily, the Game Boy Advance version adds some extra dungeons after you complete the game.

Graphics:

The sprites in this game look a bit rough around the edges. They also come off as too small in my opinion. The same is said of the Game Boy Advance version. Regardless, it now looks like an actual SNES game. Unlike Final Fantasy IV, it has more color, structure, and doesn’t look faded.

Something irked me though about the sounds. I never have anything bad to say about the sound effects, but for some reason, in this game, the battle sound effects were meek. Even when someone had a sword, the attack sounded puny.

The PlayStation One version has an FMV sequence that look awkward and ugly as fuck, just like the FMV sequence for the PlayStation One version of Final Fantasy IV. As much as I love Yoshitaka Amano, trying to transplant his style into 3D is not a good idea.

Story:

The story transcends that of Final Fantasy IV. Where Final Fantasy IV can feel weak or simple at times, Final Fantasy V delivers a strong, emotionally charged storyline.

It starts simple. Once again, the world is in danger because the crystals are in danger – but this time because humans are misusing their power and breaking them. So this is a rare Final Fantasy game without any evil empires or rebellions.

Out of all the Final Fantasy games, I had heard the least about what happens in V. Heck – I knew more about II before going into it, mostly because of what people said about the Star Wars parallels. It’s been a long time since I went into a Final Fantasy game completely blind. I kept it that way and was very pleasantly surprised.

I can see what the developers meant by a “change in tone.” Final Fantasy V is probably the funniest of them all. It’s not campy – just humorous. Galuf loves to share puns. Bartz can be a klutz. The characters bicker a lot during their journey. One part actually made me genuinely laugh out loud when you are in a certain underground place searching for clues:

Despite the lighter tone, each character has a pretty sensitive, delicate backstory. I cared for Bartz’s personal history with his parents. I worried about whether Lenna’s father would die or not. I wondered what Galuf forgot and who Faris really was. There are dashes of tropes here but none of them stand out too much. You have to remember that tropes themselves are not inherently bad – what matters is how you utilize them. There’s no hokey romantic subplot thrown in either, which is extremely rare in a JRPG.

It was so rewarding to go into it blind because there was even a shocking death. I thought maybe they would be all right in the end through some Disney cop out.

No. That person is dead. Dead as a door nail. Never coming back. I also enjoyed the bit where they tried to revive said dead person with spells and phoenix downs. They finally imply that there can be a point where someone can go beyond and it’s too late to bring them back.

The henchman Gilgamesh is very memorable and lovable, probably the most memorable character of the entire game. He serves as great comic relief while not being at all annoying. I kept hoping he would show up.

My only real complaint, if I’m ever forced to say anything bad, is that Boko wasn’t really an asset in the story, at least not as much as I assumed he would be.

The story is unfortunately very overlooked. I can understand that maybe at the time American and other Western gamers may have found the third act strange – especially after learning about the villain Exdeath’s true nature. Compared to the other Final Fantasy backstories, it’s a little out there, and something tells me it relates to Japanese mythology. But today? You’d be sorry to miss out on it.

Music:

Final Fantasy V’s main theme is somewhat reminiscent of Final Fantasy IV’s main theme. They have this melodic soaring feel with a continuous beat. “The Four Warriors of Dawn” in Final Fantasy V is reminiscent of “Red Wings” in IV. Meanwhile, the biggest and most interesting display is “Battle with Gilgamesh”. (sometimes titled “Clash/Battle on the Big Bridge”). The piece opens up with some intense drumming. While the later orchestrations and adaptations of “Battle with Gilgamesh” are pretty good, nothing seems to capture the tempo and umph of the original.

“Dear Friends” is probably the most endearing tune in the soundtrack. It’s played at the end and gives a really bittersweet feel. The Distant Worlds concert version is extremely bittersweet. It has a sweet, gentle guitar, and it reminds me of how Uematsu said one of his inspirations was Simon and Garfunkel. “Dear Friends” definitely has that folk tune.

Exdeath’s theme song gives a heavy rock vibe. That heavy rock vibe was last heard in the opening segment of the final boss fight in Final Fantasy IV. The rest of the score has a lot of drumming incorporated, partially due to the fact that pirates are involved in most of the plot. Ultimately, this Final Fantasy score broke out all of Uematsu’s classic and hard rock inspirations – and it’s fucking awesome.

Notable Theme:

“Battle with Gilgamesh”

I have replayed this song over a thousand times by now.

youtube

Verdict:

Definite must-play. It’s the most underrated Final Fantasy game. The Kob System can be overwhelming, especially if you have never played a Final Fantasy game before. I wouldn’t suggest playing this for beginners – more after you get your hands wet.

Direct Sequel?

Yes. And No.

While not a video game, Final Fantasy V did receive an anime sequel titled Final Fantasy: Legend of the Crystals. It’s technically the first sequel to a Final Fantasy game. The anime is set 200 years in the future, with the heroes of the original game having become legend. Critical reception of the miniseries was mixed.

#final fantasy #final fantasy v #square enix #super nintendo #nintendo #underrated video games #video games #onvideogames #fantasy #rpg #jrpg #rpg game #video game rpg #chocobo #four job fiesta #final fantasy five four job fiesta

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onf-headcanons · 3 years

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ONF MEMBERS AS YOUR SIBLING (MK & U version)

OMG I AM VERY VERY LOOKING FORWARD TO WRITE THIS PART!!!!!

Either you are related from Yuto or Minkyun side and either one of them later joined the family. Confusing? OK example you are Yuto’s sibling by blood and then later Minkyun joined. Or in reversed, Yuto joined later.

1. You are the youngest sibling (could be in terms age when the family comes together or you being born later OR stand in of Yuto’s youngest sister)

2. You are the middle sibling, being either Yuto’s elder blood sibling or Minkyun’s younger sibling but is older than Yuto.

3. Or you are the eldest (Good luck if you do lol there will be a lot of face palming), and alot of “Yuto, I thought you are on my side????”

Any scenario that is suitable to your own imagination. Also there will be some repeated ideas from first universe because i would like to keep characterization consistency.

Btw this pair of sibling would be one of the noisiest.

My recommendation, you are the middle sibling. But you can totally imagine that your are younger ones. I will try to elaborate both, I hope i won’t confuse you guys🙈

Also age recommendations, Minkyun born in 1995 while Yuto is 1999, so if you are the middle sibling, your birth year is at between. I would prefer as 1997 or 1998. Preferable that 1997 born if you are Yuto’s sibling, while 1998 born if you are Minkyun’s.

If you are the youngest, either you are same age as Yuto but later birthdate or the 3rd child that born after your parents marriage, in this case, 2 years younger than Yuto and 6 years younger than Minkyun.

Heads up I mentioned in the Hyojin & E-tion household, 3 households in this universe are very close to each other.So, apologies in advance and by all means there is not explicit favoritism (I did wrote about household interacting for previous universes). It just convenient and i felt we can use it this way. Also, Minseok is Yuto’s classmate.

General headcanons

Yuto family moved to Korea when he is still a toddler. So he speaks Korean outside and Japanese back home. Because his family speaks in Kansai dialect, Yuto picks up that dialect automatically

Of course it could be Yuto’s family moved to Korea when he is at middle school age as well, it can be flexible.

Minkyun struggling to learn Japanese but then give up. But it never stops him to randomly drops in weird Japanese when he is hyper, and then leaving Yuto （and you）facepalming because Minkyun used it wrongly

Actually even though mature but super sensitive brothers. Well in very different ways. But should you live with them long enough, you pick up that intuitively

I dont think this family will have alot of fight because both are sensitive in nature and deeply scare to hurt each other. So this family is all about giving out mental security to family members as well.

(its very different from MInseok Yuto household, because them 2 are in same age, so there is less factor to consider, while Yuto would have to put in Minkyun being a hyung when he started to get used to Minkyun’s existence. And Minkyun will sometimes, not in a bad way, being to passionately and freeminded hoping the younger one to open up more)

I mean, Yuto is defo the tsundere one while Minkyun radiates big puppy energy for this pair chemistry.

Loud

Bonus, Yuto never knew Minkyun can be that clingy lol XD

Minkyun never knew Yuto can be such a fan towards his weird antics XD He thought Yuto wont get his joke due to cultural differences, but turns out Yuto loves it (well cause mostly is body gag/ mom gaegu, like you see what Minkyun did during his birthday’s mini game heaven in 2020, that suddenly motor engine starting? Ya that is total epic lol )

Its super harmonious? like this family combi does not shy away on expressing hey i need help and family members super volunteer to help out if needed. (not that i mean other family does not help out each other, but this one is particularly doing it with super high tendency)

Due to Japanese background, Yuto might try to settle things on his own, but Minkyun will break that mindset stereotype and helps him out (like why you think it is a hassle for me? Ask for help if needed that is what family is here for.)

Minkyun playing guitar while singing and that is how your family know if he is at home or not.

Yeap in this universe Minkyun is a songwriter while Yuto is a dance coach and dancer (later when they all grow up, BTW i am thinking that Yuto and Minseok runs a dance academy later on.)

Minkyun is also part time sponsor/volunteer at pet shelter. In the end you and Yuto also are familiar faces at the spot.

Also, hanging out being little part timers at Baskin Robbins lol

OH IF WANNA TRULY LINK EVERYTHING FOR UNIVERSE 3, BASKIN ROBBINS being the main meetup/setup point. Jaeyoung is Minkyun’s friend so he would always drop by to have ice cream. While Changyoon could be doing a part time job there before and while occasionally drop by when he is nearby.

welp they all live in the neighbourhood/same city in this universe so they all coincidentally bump at each other very often.

Either Yuto joining a school dance club or a dance academy so there is where he met Minseok. (Who is a really curious kid who also look up to Yuto and Yuto also look up to him, cos dance talents)

(for this part I wont be talking about how Minkyun snuggling cat snacks cos its repeating what I wrote.)

Scenario 1

If you are related with Yuto and Minkyun is the new join

Could you be are extroverted and you kind off help Yuto to get close to Minkyun

You and Yuto would find this new brother fascinating. He looks quiet at the beginning but later he will prove you both wrong

But when Minkyun is his serious mode, you will feel strange towards that too, because how can he has such large gap

i thinking its super cute and funny that if you and Yuto both gets intimidated at Minkyun’s height lol

It will be fun if Yuto has a denial stage aka hard time opening up to accept it because he is cautious, but you just bluntly accept it and joins Minkyun. It shows difference between personality of related blood siblings lol

IF actually you and your blood brother are introvertedly fun, Minkyun’s existence will be the key to spark both of your dork traits. It is a assuring factor for your parents that you 3 hang out very well.

its not like your family never heard Yuto laughed, but ever since Yuto and Minkyun opened up and gets close, Yuto is laughing alot.

you and Yuto both asking MInkyun for help when you two could understand some Koreans. But since Minkyun fools around 50:50, you two ends up googling or just straight up asking your friends

But if it is homework/grammar wise, Minkyun will really really explain it to you.

Minkyun also get close towards Yuto’s classmate, Minseok. I think a few times, you did not join, but the boys went out to roam the streets to feed stray cats/animals.

Bonus if in this hc, and you are younger than Yuto, and you have a crush on Minseok. Minkyun picks it up and would wanna help out but you told him to keep still XD

you three gonna be game buddies for sure lol

Scenario 2

If you are related with Minkyun and Yuto is the new joined / OR my preference, Yuto being the home stay student, and your family ends up unofficially adopts a Japanese sibling since Yuto continues his homestay contract with your family.

You and Minkyun thought Yuto is a bit distant in the beginning, and you three overwork your brains on trying too hard not to do something impolite towards each other culture.

But you and Minkyun would be surprise at how Yuto is so adapted to Korean culture later on.

Could be you are similarly shy like Yuto and need time to open up. This time Minkyun will be the one to open up first and slowly helps you.

Minkyun would suggest 3 of you to hang out at pet shelter. It does help.s

hould it is the homestay hc, I do see your family and Yuto’s family going along very well. Occasionally showing up to greet Yuto’s family during Skype session.

As Minkyun is the one who gave up, you are the one who would pick Japanese up later on. It gave Minkyun a shock when you and Yuto casually switching Japanese and Korean (with you amateur Japanese, but its already enough to give Minkyun a fright)

He might pout a bit, thinking/semi blaming himself a bit for not putting more effort to try to manifest the tool get close with Yuto. But then will throw the worry aside because its not really that important. Because he understands that its not like he and Yuto could not communicate anyways.

if it is the student hc, This could be when you and Minkyun are still high shcool-ers/ middle school-ers. And your school opens for foreigns students.

Minkyun being a bit worried because of he is 95er and Yuto a 99er. But when one day he sees Minseok come to visit, he goes: “ OMG thank goodness, I was so worried that he could not get along with classmate.”

Yuto just sidelining his hyung lol like chill dude, I interacts just fine ok. Don’t worry.

(maybe Minseok comes to pass homework for Yuto because Yuto was sick and Minseok know the address.)

Similar to above, should you are Minkyun’s younger sibling, he can picks up that you have a crush on Minseok too.

Scenario 3

If you are the child that born later from your parents marriage

Them both flustered when they first meet the baby you.

Idk why for this hcs, I felt that age gap will be wider, as Yuto and Minkyun’s parents come together when them both are more older than other hcs. My age range idea is Yuto is about 10 or 13 while Minkyun is 14 or 17.

So, also I do think them both had a fight with parents, especially the mom because of her decision to get pregnant at older age. But quickly reconciled, they are just worried, no bad intentions.

Because they are more grown compared to other hcs for this scenario, they help out on babysitting even more and even practical.

Minkyun basically is just like a young flustered dad while Yuto is the calmer one. But sometimes when the baby you throws a tantrum because you specifically wanted mommy, cues in both Minkyun and Yuto flustered.

Also, Minkyun being funny but you are unbothered, 3 seconds later, it was Yuto who could not hold in and burst out laughter.

You might be the one who pick up the language. And because you master both language, maybe later on your career pick would be interpreter

Rather than Yuto gets confused with language, you are the one who gets confused with language in the beginning lol

It only got better when Yuto decided that you should speak Japanese with him and Korean with Minkyun in the household.

Minkyun is gonna let his baby young sibling ride him, and he will do his iconic either elephant or horse voice imitations.

(super funny bonus, if you are scared of that when you are a baby, but it got better later on.)

A/N I will stop here because I dont wanna write repetitive stuffs

#onf #onf headcanon #onf headcanons #onf imagine #onf imagines #onf scenarios #onf scenario #sibling!au #sibling!onf #mk #u #onf mk #onf u #mizuguchi yuto #park minkyun

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thetrashywritingwitch · 3 years

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fun fact: in our local dub of yyh, kurama was originally voiced by a female, intentionally. they really though kurama was female (though to be fair, he really is too pretty). anyway, so he's name was 'denise' but i guess a few episodes later on they were probably clued in that kurama is a dude so they changed his name to 'dennis' and then had some short explanation on why he was pretending to be a girl.

lkjflajdfs i know that names were changed in the Portuguese dub of the anime, too

Yu Yu Hakusho was localized in the Philippines as Ghost Fighter and aired on IBC in the mid-1990s, as well as on GMA Network in 1999. This version of the dub localized the characters' names, such as changing "Yusuke" to "Eugene". (from wikipedia)

i think Hiei's name was also changed to something wildly different, but i dont remember what it was

and yeah ive heard of some productions getting Kurama's gender wrong but its kinda funny to see how they had to rewrite things and double back on "uh, i was just PRETENDING to be a girl because..."

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ja-khajay · 3 years

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2020-2021 Animation Watch(ed)list

I haven’t posted about animation in a while that I remember, and I know a lot of my followers are into it as much as me so I decided to make a list of the animated movies and series I watched on the past year or so, coupled with my short, spoilerless take on them. Enjoy!

Organized by

Things I saw for the first time

Things I rewatched

Under a cut for the sake of your dashboards! PS: I have not added any images yet. If you are interested in knowing more about the visuals of these movies, I might make an old fashion ask-prompted imageset list.

Part One: Things I saw for the first time

The Bear’s Famous Invasion of Sicily

Movie, 2019, Italian/French

9/10, a delightful little movie with amazing visuals. It feels like an animated picture book.

One of those “plot is in the title” media! I had never heard of this before but was heavily recommended it by my family members, who all loved it! It’s a sweet story, nothing groundbreaking but the unique colorful visual style alone makes it worth it.

The Castle of Cagliostro

Movie, 1979, Japanese

10/10. Reminded me of all the books i loved reading as a child

I assume its because it’s so old and the art style and themes are so different that it gets little to no love compared to other Ghibli movies, which is a shame! It’s fun with an endearing cast and as always, great animation and music

Mushishi

Series, 2006, Japanese

10/10 three episodes in I knew it was going to be my favorite series ever

One of the few things I’ve seen I’ll describe as life-changing. It’s absolutely lovely but never toots its own horn about it. Humble, calming, emotional and surprisingly mature. It’s pretty impossible to binge due to how intense the experience is. I just want to walk in the forest now...

FMA: Brotherhood

Series, 2009, Japanese

6/10 Dissapointing adaptation of a classic story

I read the manga for this when I was in middle school and remembered loving it. The animated version does an ok job of presenting the characters and worldbuilding and has some nice action scenes but overall looks really damn cheap and just. Not very good. Seeing I already knew most of the plot I did not have the element of discovery that made me marvel so much reading the original. It’s still a nice series but I really recommend reading it instead.

Code Lyoko (s1+2)

Series, 2003, french

3/10. 1.5 being for the opening song alone

This show sucks ass if I hadn’t been watching this with my bestie I would have dropped it two episodes in. The art style is ugly the stories are always the same and the first season has a (later removed thank fucking god) LITERAL “erase any consequences” button as a plot device in every episode. If you watch it for one thing let it be the nostalgia factor of early 00s Vidya Game Plot

The Legend of Hei

Movie, 2019, Chinese

7/10. Impressive visuals and a poor story

I finally watched this, peer pressured by the load of gifsets on my dashboard! It’s a sweet movie with really impressive animation, sometimes a bit too flashy for my taste (the action sequences go so ham they become not very readable...) but the story was just ok? The setting is barely explained and you are instead bombarded with vague epicspeech about powers and stuff that made me fondly remember Kingdom Hearts lol but that asides it’s a really good time! I need to watch more Chinese movies the few I know are just delightfully off the shits in how they approach action and I love that

Hunter x Hunter

Series, 1999, Japanese

9/10. Superior to the recent one!

I first got introduced to the series via the 2011 one. Comparatively, the 99 series focuses way less on action and way more on the characters, which I love because that fits my personal preferences! Despite mediocre filler episodes and some weird slight pointless plot changes, what it changes from the original manga doesn’t have much of an impact on the characters. The animation quality isn’t always consistent including a huge art style change for an arc (???) but it’s overall pretty nice. The series really shines in the last arc it adapts.

Oban Star-racers

Series, 2006, Japanese/french

9/10 a lovely surprise

This series is completly obscure despite having been created by people famous for their other series (Cowboy Bebop, Code Lyoko that i can name) and it’s a crime! It’s a kids show but without being stupid about it who tells the story of an inter-planetary race. If you liked that one scene in the star wars prequels you know what I mean. It’s got surprisingly nice animation for a TV series, and some truly great character design. The art style is a bit unique in a not for everyone sense, but I didn’t mind it much. It’s also THE most offensively 2000s series i’ve seen in terms of visuals. y2k kids assemble

The Little Prince and the Eight-Headed Dragon

Movie, 1963, japanese

8/10. Classic fairytale format with incredible visuals

Watched this for the art style because I know it inspired Samurai Jack, and it delievered! I dont’ have much to say about this one, it’s a very simply film but it’s sweet. For my pirates out there if you want to find it in good quality with english subtitles it’s VERY hard to find. If you just want to see the looks of it, it’s on Youtube with portugese subs.

We now enter the Gobelins Shorts Zone....!

My Friend Who Glows In The Dark

10/10 makes me cry each time

Pure delight...great animation writing everything. A little short about death and friendship but not in the way you imagine!

Colza

9/10

Visual treat...homely and nice :) not far from a 10 but a 9 because nothing about it is that groundbreaking

Sundown

9/10

If you’ve ever been ten minutes from failing a group project because of a single dude you will REALLY enjoy this. Loved the colors and personality

T’as vendu mes rollers?

10/10

It’s SUCH a sweet little short I loved that one so much

Dix-huit kilomètres trois

10/10

Surprisingly well written dialog. Visuals are great but the humanity of the characters carries this to another level

Un diable dans la poche

9/10

Amazing visuals and the most tense/creepy of Gobelin shorts i’ve ever seen. Chilling

La bestia

8/10

I had some issues with the pacing. Interesting story and visuals choices but I was not fond of the art style

Goodbye Robin

5/10

Confusing but predictable. Both at once??? Yes!

Le retour des vagues

6/10

Cool animation stuff but felt pretty pointless

***

Part Two: Things I rewatched

Ruben Brandt: Collector

Movie, 2018, Hungarian

10/10. Underrated as hell

Watched this fully blind for the first time in an animated festival and rewatched it with friends. It’s a crime I never see anyone talking about it given the amount of whining I see about the lack of both adult animation and 2D movies? This film is a unique love letter to art in the form of a weird mix of charming crime story and psychological horror with amazing visuals. I recommend watching it blind and also buying it to show appreciation for how nice it is!!! WATCH THIS MOVIE...

Mononoke

Series, 2007, Japanese

10/10 Visual/storytelling masterpiece in the weird shit departement

If you can stomach intense stuff watch this. The visuals are incredibly unique and beautiful and under the jewel tones and art direction high takes it’s a really cool horror series. My only obstacle to enjoying it the first time I saw it was how dense it is - simply put, it’s so...culturally Japanese it’s not very accessible to me who doesn’t know anything about the culture? Watching it for the second time helped understanding the stories more!

Corto Maltese in Siberia

Movie, 2002, french

9/10 but really close to ten. A great adaptation!

I’m a huge fan of the original comic so I entered this a biiiittttt suspicious it would suck but it was a really pleasant surprise! It has all the wonder and charm of the original and the animation was surprisingly good for the little budget. If you’re not familiar with the series, it’s a sort of geopolitical action/adventure movie but with it’s own really poetic vibe to it. It’s almost impossible to find online but happens to be fully on YouTube so go ham I guess?

Redline

Movie, 2009, Japanese

10/10 cinema was invented for this, actually

Every review of this movie i’ve seen gives it five stars and starts by talking about how immensly stupid it is. I’m no different. It’s a masterpiece of escalating energy with the depth of a puddle and it fucking rules. It’s free on YouTube too so there really is no excuse to not watch it. Watched it for the first time on a huge cinema screen and despite this my second rewatch on my small laptop was as/even more enjoyable. If you watch this stoned with friends you might travel to another dimension

Spirited Away

Movie, 2001, Japan

10/10 deserves the love it gets

I watched this a single time as a kid and had little memory of it! I mean it’s Ghibli you know it’s going to be good as hell but this one rly shines in how colorful and detailed it is and in it’s world! It made me remember I had a huge crush on the dragonboy as a kid. I’m gay now

Kung-fu Panda (1&2)

Movie, Usa

10/10. KFP fucking rules

Honestly my favorite franchise of the whole disney/dreamworks/pixar hydra. It’s fun as hell, doesn’t skip a single beat and has amazing animation and character designs. If something is a good time I will not care if it’s deep or not and boy I fucking love these movies

Sinbad, Legend of the Seven Seas

Movie, 2003, Usa

5/10 Some great some really bad and overall generic

I tend to hate american cinema and this includes that era of animation I have no nostalgia for. Sinbad is in a weird place because I love adventure stories and the visuals of the movie absolutely deliver but it’s very predictable and TANKED by the addition of the female character, pushed in your face as “look we have woman!!!” despite her writing being misogynistic as hell lol. The evil goddess rules tho. This movie would have been a solid 9 if instead of the girl the two dudes had kissed

#j #animation #if you want links to these ill provide but not for the indie ones that arent free #i have no remorse p*rating disney or a movie thats over 50 but if its recent and underrated just legally get it!!!

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howaminotinthestrokesyet · 3 years

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Radio Friendly Unit Shifter: The Complete Nirvana Videography

Heart-Shaped Box

Nirvana had originally wanted Kevin Kerslake to direct this video, who had written the initial treatment in July 1992. By the summer of 1993, he had written at least five treatments, which included a shot of Kurt Cobain kissing William Burroughs and another of the entire band hanging by their necks from trees. Yet by the end of August, the band decided to go with Dutch photographer Anton Corbijn. The director seemed initially apprehensive about agreeing to do the video as he had heard Kurt Cobain could act overly detailed in production. He would say, “But then I looked at it and I thought that actually it was pretty good. I was very amazed by somebody writing a song and having those ideas as precise as he did." The video begins with the band standing in a hospital room around an old man receiving an IV drip, then moves to a surreal Wizard of Oz type of outdoor setting. The same old man in a Santa and later Pope hat climbs on a crow infested cross as they sing the song. The video also includes a young girl reaching for fetuses in a tree, while at the same time an overweight woman appears with human organs painted on her chest with a pair of wings. Many of these ideas were actually conceived by Corbijn, not the band as he always came up with the ideas on his own for any of his videos. Upon the promotion’s release, Kevin Kerslake sued the band for copyright infringement, as the case would be settled out of court. Upon its release, the clip became the most played video on MTV eventually garnering two video music awards for Best Alternative Video and Art Direction. Dave Grohl, Krist Novoselic, and Pat Smear accepted the awards as Kurt Cobain had already passed. New Musical Express named it as the 11th best music video of all time, while Time magazine called it the number 10 music video ever saying it was both “beautiful and terrible.” In 2016, Dave Grohl reunited with the young girl from the video, who had this to say about the reunion. “Today reminded me that I peaked at 6 years old but I was the most badass kid on the playground. Today was the absolute coolest. Or in Dave's words seeing each other today was a 'historic moment'! What a legend!”

Sliver

A music video for the song was released in 1993 to promote the compilation album, Incesticide. The video would be directed by longtime collaborator Kevin Kerslake. The clip begins with Kurt Cobain holding his young daughter up behind some cardboard as she dances along to the first few seconds of the track. The video moves to Cobain’s garage, where it shows the band performing the song. Dave Grohl is playing on the drums, even though he never played on the original song. Cobain only sings into a microphone, but he's never seen playing guitar. He is wearing a red mohair sweater that Courtney Love had purchased for him from a fan at a Nirvana show in Belfast, Northern Ireland. His whole garage is filled with toys and decorations the singer had placed in storage just before the release of Nevermind that he had collected over the years. The collection included a Chim Chim toy monkey that was given to him from the Japanese band Shonen Knife.

Come As You Are

This video would actually be the first one directed by Kevin Kerslake, who was hired after such a negative experience with the director on Smells Like Teen Spirit. The concept would be developed by Kerslake as Cobain could not come up with any ideas, so he let the director develop the video. The singer’s only requirement was that some kind of reference be made to the cover of the Nevermind album. The clip shows the band in a dark room as water falls around them obscuring their form. Other images include Cobain swinging from a chandelier, a dog wandering around the room, a baby swimming in a pool, and a pistol falling underwater. The end of the video shows the entire group lying on the ground as Cobain kisses the camera.

Lithium

This video originally had a concept of doing a short animated story about a female girl named Prego. This girl lives in a forest, when she finds some eggs and takes them to a king in a nearby castle. Unfortunately, both Kevin Kerslake and Cobain discovered that it would take four months to produce the video, so they abandoned the idea. Kerslake instead created a collage of concert footage for the video made up of their 1991 Paramount Theater concert and other footage from the 1992 film, The Year Punk Broke. Biographer Michael Azerrad would make this critical comment about the clip. "Although [the video] was enlivened by Kerslake's neat trick of using more violent footage during the quiet parts of the song and vice versa, it was something of a disappointment from a band and a song that promised so much."

You Know You’re Right

Chris Hafner directed this video released in October 2002 to coincide with the single of the same name. The clip shows a montage of The band in either concerts or interviews, but giving the impression that they are actually performing the song. The video would reach number two on Billboard’s music videos chart. New Musical Express would go on to nominate it for Best Music Video in 2002.

In Bloom

Two versions of this video exist. The first one showed clips of the band walking around New York City and performing at Maxwells in New Jersey. In the clip, one can see Krist Novoselic in some shots has hair and others a shaved head. The reason for that comes from the fact that he had to shave it as punishment for a mediocre performance during a show at the Pyramid Club. They made this alternate version for a compilation dvd on the Sub Pop label, Sub Pop Video Network Volume One. The second version, which most people remember is called the Nevermind version. This promotional clip would be directed once again by Kevin Kerslake and released in November 1992. Kurt Cobain’s original concept for it was to tell the story of a young girl born into a Ku Klux Klan family until she realizes the evil nature of her parents, but the concept seemed much too difficult to work out. He then switched it into a parody of 1960’s television shows like the Ed Sullivan Show. The entire video was shot in original cameras of the period in Kinescope, while the band did the entire song without a script. The actor playing the host was Doug Llewellyn, who had worked as the reporter interviewing people after their case on the People’s Court. Cobain wanted to make a funny parody video to show that there was another side to Nirvana. He felt “so tired for the last year of people taking us so seriously . . . I wanted to fuck off and show them that we have a humorous side to us.” The entire band would wear suits during their performance, while the Nirvana frontman had glasses that eventually made him quite dizzy. He would later say in a Melody Maker interview that they wanted to parody groups like the Dave Clark Five, but not the Beatles. He would never mock the Fab Four due to their influence on his songwriting. In the clip, Novoselic is wearing short hair, which he liked so much that he never changed it. They eventually destroy all of their instruments and the stage by the end of the song. In Bloom would go on to win the 1993 MTV Music Video Award for Best Alternative Video.

Smells Like Teen Spirit

This video would be directed by first timer Sam Bayer. The director believed that he actually got hired because the work on his résumé seemed so below average that Nirvana thought that it would represent the opposite of anything remotely corporate. The concept developed by the band was to stage a school concert that ended in a riot. The idea had been based on the films Rock ‘n’ Roll High School starring the Ramones and The 1979 film, Over the Edge. The clip begins with the band playing the song during a pep rally in a high school gym as cheerleaders wearing sweaters with the anarchy symbol on them cheer along. Every so often, the camera cuts to a janitor dancing alongside his broom. The video ends with the apathetic students going from the bleachers to the gym floor in a full-scale riot. The apathy from the students was actually real as they had been sitting on the bleachers all day. Cobain was finally able to convince Bayer that the students should be allowed to mosh at the end of the video. The singer said, “Once the kids came out dancing they just said 'fuck you', because they were so tired of his shit throughout the day.” The Nirvana frontman hated the directors final edit of the video so much that he went in himself creating what became the final version. Upon its release, Rolling Stone’s David Fricke would say that it was “the greatest gig that you could ever imagine.” The video would go on the win MTV Video Music Awards for Best New Artist and Best Alternative Video. In 1999, the video was named the number three music video of all time on a list put out by MTV. VH1 named it number 18 in the greatest television moments in the history of music as alternative music now became a “commercial and cultural force.” At the end of 2019, the video had been viewed 1 billion times on YouTube.

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northoftheroad · 4 years

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The Robin 80th Anniversary Special

It's not a secret that I'm first and foremost a Dick Grayson fan, whether he comes dressed as Robin, Nightwing, Batman or something else. But I try to be charitable and be happy for fans of the other Robins that they got a pice of the birthday cake, i. e. the Robin 80th Anniversary Special.

For your enjoyment (?), here are my thoughts about the book. Spoilers ahead, obviously – don't like, don't read!

I honestly thought almost all of the stories were ok – but pretty forgettable. Marv Wolfman's spin on Dick leaving to become Nightwing, in "A little nudge" (art by Tom Grummett and Scott Hanna), is probably the only one I will remember and reference in the future. I don't know if or how it is supposed to fit into the (any?) continuity, but as far as I can see, it works nicely in the current setting.

Dick's parting from Robin and Bruce was successively portrayed as more and more hostile. When he originally left Robin to become Nightwing (1983–1984), the two still had a good relationship. This changed in comics to, first, that Bruce decided to retire Robin, and then to that Bruce outright fired Dick and kicked him out of the cave. This lead to that their relationship was portrayed as poor, antagonistic even, for a good many comics years.

The bad mood was picked up by Batman The Animated Series, where Dick left being resentful of Bruce and his methods.

I don't have a lot of good things to say about what has happened to the Bat-family after Flashpoint. But from what we've seen from scattered panels, Dick was the one who decided he wanted to leave Robin. You can read Marv Wolfman's story as confirmation of that. Which is nice.

Bruce is only a little bit of a jerk in this story, being utterly rigid about that Robin has to follow orders. Dick, however, chooses to stay with a kid that had been shot instead of following the criminals.

Dick has had it with Bruce's rules and leaves the cave, but he says "later" rather than "goodbye".

It's made clear that those strict rules were Bruce's way to say, "I know you've grown up, and you should move on; I'll be fine without you."

Batman # 408, where Bruce decides to retire Robin because he got scared when the Joker shot Dick, is firmly established in my mind as the "correct" leaving story in my mind. It was the only one I had read and knew of for many years, and the two still part on decent terms. But Marv Wolfman's 80th Anniversary version has a lot going for it.

On to the rest of the stories...

"Aftershocks" By Chuck Dixon, art Scott McDaniel and Rob Hunter.

Set during Cataclysm (a storyline from 1998) where Dick lived in Blüdhaven before he moved back to Gotham and became Batman. It's an action-filled story where (fingerstripe) Nightwing comes to Gotham after an earthquake has hit the city.

It's interesting to read this, living through the corona crisis that is going on right now. I don't know how it is where you live, but where I am, people are setting up networks to help people who can't go out to shop or walk the dog, University students are helping kids do their math lessons with the help of Facebook, people make masks for health workers etc. But when Chuck Dixon writes what happens after a catastrophe, Dick has to fight his way through masked thugs who are trying to rob an ambulance of "painkillers and tranks" when he tries to save a cab from falling with a damaged bridge. A woman is giving birth inside the car, and the story ends with that the mother wants to name the boy after Nightwing.

"Well...Robin works, right", he says.

"Team building" by Devin Grayson, art Dan Jurgens and Norm Rapund.

Well, I'll always soak up everything that has to do with Dick and the Titans – Teen Titans, New Teen Titans, Titans, any Titans...

Devin Grayson wrote The Titans 1999–2000, which is the setting of this story. Most of it takes place inside a H.I.V.E. locale, where an exasperated boss (Damien Darkh) chews out his soldiers after a fight with the Titans. But Darkh decides not to kill the lot of them, because they did distract the Titans while he stole a red crystal/power source. Of course, it turns out Dick is the soldier who has kept his helmet on; he takes the crystal with him and gives Darkh a bit of advice on team-building on his way out.

"Generally speaking, fear of execution isn't a great motivator. I've found basic team-building and morale-boosting to be much more effective. Like, I'm just spitballing here, but... You ever consider a pizza night?"

Well, it did keep me amused, and it shows us that Dick is a good leader and strategist, (and a great acrobat who manages to get out of the H.I.V.E. uniform with one hand, on the way out), although it isn't exactly a surprise that Dick was in the building when you get near the end.

"The Lesson Plan" by Tom King and Tim Seeley, art Mikel Janín.

Now, I do like some things about the Grayson run, but with a bit of distance, I've realized it was mostly the art. The sexualization of Dick and how King and Seely wrote him as a guy who jumps first and plans never got tiresome. This story is in-character for Grayson; Dick is accompanied by a girl (Paris) from St Hadrian's on a mission, and on the way, he remembers the lessons Batman gave him and imparts his own interpretation of them to Paris. As is Batman says, "plan everything", and Dick says "Improvise. Leap first... figure it all out on the way down." Ergo, classic King and Seeley. Also, it is possibly implied Dick made out with a beautiful girl that turned out to be gorilla in disguise...? Yep, vintage King and Seeley.

Other than that, I don't have a big problem with the story. Some things ring true to me – as when Dick remembers Batman saying, "At their core, people are cowardly and self-serving. Trust no one until you know them. And even then, never completely". And what Dick says is, "Give the benefit of the doubt until you gotta knock 'em out."

For my own peace of mind, I'm reading this as Dick is half-joking with his advice. It's not like we've never seen him make plans and be suspicious post-Flashpoint.

On a side note, one of the best characterizations of Dick Grayson to my mind is a panel from Black Mirror. When Dick explains he had injected James Gordon Jr with a subdermal tracer, and says about himself, "I am a softie. And I do try to see the best in people... but that doesn't mean I'm stupid."

Detective Comics # 881. By Scott Snyder, art Jock and Francesco Francavilla.

"More Time" by Judd Winnick, art Dustin Nguyen.

Jason has a cute story about him repairing Thomas Wayne's watch as a present to Bruce. He started the work as a tiny Robin (too tiny, in my opinion, but with Dustin Nguyen on art it probably couldn't turn out any other way) and finished the work as Red Hood. Jason delivers the present to Bruce on his birthday, placing it on the Batmobile while it is parked in a Gotham alley.

"Extra Credit" by Adam Beechen, art Freddie E. Williams II.

Tim has an appointment with the guidance counsellor at Gotham City High School. Tim sees a future in law enforcement (that's the first I've heard of that, but I'm no expert on Tim) and he's adopted (again, something I haven't seen post-Flashpoint). But the counsellor doubts that Tim will be admitted because he has nothing to show when it comes to extracurricular activities. It's kind of a fun few pages where the counsellor suggests things that Tim could do, and Tim thinks about what he does as Robin on his spare time.

"Boy Wonders" by James Tynion IV, art Javier Fernandez.

Tim, Red Robin, is unsure what he wants to do with his life and goes to his brothers? fellow Robins? for advice.

I know emotions have been running high because Dick tells Tim that he is "demonstrably smarter" than he is, which makes it sound as if Dick is not really smart at all.

Again, for my peace of mind, I choose to read this as I want: that "big brother" Dick is encouraging, he has always thought highly of Tim, he has no ego to preserve. This doesn't make Dick a reliable narrator on the subject, and the page ends with that Tim thinks "He was the first. He's the best. He's always going to be the role model. "So, two brothers who admire each other.

Tim also talks to Jason and Tim, and the story ends with that he tells Batman he wants to start Gotham Knights protocol, the team in Detective Comics (Rebirth.) 2016-2018.

"Fitting In" by Amy Wolfram, art Damion Scott.

Stephanie, as Robin has problems because Tim's Robin suit doesn't fit her female body. But at the end of the day, Bruce gives Stephanie her own "changing room" in the Bat-cave, because she's female.

...are Bruce and Alfred idiots? Did Dick, Jason and Tim have exactly the same body type when they were Robin? Stephanie deserved a story worth being told, not this one.

"My Best Friend" by Peter J. Tomasi, art Jorge Jimenez.

Jonathan Kent writes a school essay about his best friend, Damian. As he writes the words on his laptop at home, they are illustrated with pcitures of the two as both Robin and Superboy, and as Damian and Jon in civvies. Tomasi and Jimenez worked with Super Sons (2017–2019), and though I didn't read that, I'm pretty sure this story is an extra chapter in that series.

"Bat and Mouse" by Robbie Thompson, art Ramon Villalobos.

It's not the worst story in the book, but somehow the one I disliked the most. It is part of what is going on in Teen Titans and Bat-titles right now; we see Alfred's tombstone and how Batman and Robin have a strained relationship and difficulties in communicating. I'm not keeping up with what is going on with Damian and Bruce in detail, so I really can't say whether this story is consistent with how things have been going lately. I'll let Bruce-and-Damian fans take that ball.

To be honest, my reaction to "Bat and Mouse" is probably due to that I really, really don't like what's happened in the Bat titles lately. I firmly hope that the current situation will be changed and Alfred will be alive again, and I wish I could go back and re-read this book years from now without being reminded of this very dark time when DC seemingly doesn't want any money from me for new comics...

Being who I am, I probably take it waaaaay too seriously to try to understand where/if these stories fit in the DC continuity... The writers have probably (rightly) thought more about writing a good story than making it consistent with any grand plan for a timeline for all of the DC universe. But whatever.

The Grayson story clearly happens in a post-Flashpoint universe, as does Damian's and Tim's stories. But Tim says he's adopted, which I believe has never been said outright post-Flashpoint. And Stephanie has as far as I know not been Robin in this continuity. Chuck Dixon's Nightwing story is explicitly set during Cataclysm (a storyline from 1998) where Dick lived in Blüdhaven before he moved back to Gotham and became Batman. Post-Flashpoint, he moves to Blüdhaven for the first time in Nightwing vol 4., so Dixon's story should take place in the old continuity.

On the other hand. The last pages of the book are made to look like profile overviews in the Bat-computer and use pictures from different Robin runs. If the snippets of information are supposed to be the current continuity for the Robins, a lot from the pre-Flashpoint universe is back in canon.

Shortly, Dick was adopted (that's the word they use), formed the Teen Titans, moved to Blüdhaven and was Agent 37 for a while. Blüdhaven comes before Agent 37, but it's not explicitly stated when he first moved there. Because if Dick was in Blüdhaven before his time with Spyral, it is inconsistent with parts of Rebirth Nightwing. (Which I can live with...)

Jason's story starts as the street kid who tries to steal the tires of the Batmobile, his stint as Robin was short, and today, Red Hood has formed a tenuous alliance with Batman. Tim uncovered Batman's secret and made a bid to become the new Robin – and his new moniker "Drake" is acknowledged. Stephanie was Robin for a very short while. Damian was created with genetic material that Talia stole after a romantic tryst with Bruce, and he was bred to be an assassin.

Personally, of course, I think that Dick Grayson was worth more of an effort from DC on his 80th anniversary. But on the whole, the things we got were decent, "A little nudge" gave me something I will keep with me, and several of the covers are great.

(The cover photo is still pinched from Dan Jurgens' Twitter – I haven't bought all of the variant covers.)

#Dick Grayson #Robin #Nightwing #Jason Todd #Tim Drake #Damian Wayne #80 years with Dick Grayson

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irenereru · 3 years

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For the Daft Punk asks: 1993-2021.

Yes, Irene. I want you to answer all of them (except the ones you don’t want to answer, of course ❤️).

/2B

Well well well, this is gonna take a while! I already answered 2011 to 2013 in this ask right here, so I’ll be skipping those!

1993: When did you first hear about Daft Punk? That’s an odd question, and hard to answer.

During my childhood I KNOW I heard songs like Around The World, Music Sounds Better With You, One More Time, Harder Better Faster Stronger, and Technologic later on.

It wasn’t until around 2011 when I had my first contact with Daft Punk, when on a restaurant, on a TV in the background, One More Time was playing. I could not hear the song, but the visuals catched my attention and I became fascinated. Sadly, I did not catch who’s song was that, nor the title.

It wasn’t until Get Lucky and RAM released that I FINALLY figured out who Daft Punk were. The moment I saw the robots, when I rediscovered and watched Interstella 5555 in it’s entirety in one setting, then, was when i got hooked up to them, forever.

1994: What do you find most striking about the band? THE ROBOTS! I love the dessigns, they have SO MUC PERSONALITY. But other things I love are, obviously, their music, the “not giving a shit” actitude, and the way they worked. That’s something I admire a lot, keeping control of your works. As an artist myself, it’s something that can be really important and can help you out in the future.

1995: Do you have any favorite music videos? I love Interstella 5555 with my whole heart. The Homework MVs, specially Burnin’, hold a special place in my heart. I love that in Burnin’ the boys make a cameo for a split second, wearing odd costumes and wigs.

1996: What do you think about the Homework album? Pretty good! I love house music, and it’s certainly the album that introduced me to the genre, so... Da Funk, Around The World, they’re just absolute BANGERS. The “harder” songs on the album aren’t really my thing, tho...

1997: What do you think about Alive 1997? A bit bare-bones, not gonna lie. It’s like 45 minutes long. That’s not a lot. It certainly is something of it’s time. What I love the most are the scarce pictures and videos of that era of them playing live. You can REALLY tell they’re having a blast, specially Thomas.

1998: Do you have any favorite remixes/mash-ups? Their remix of Chord Memory is certainly one of my favorites. It really gives you a... Something. It feels like it’s telling a story, with it’s change of tone later on and then mashing both. Also, that WDPK 83.7 reference!

1999: Has your opinion of the band changed over time? Not really. It just started high and they stay high as my favorite band/musicians. They’re extremely inspiring, specially for the fact they did so many different things, but all feeling so unique to them at the same time. Them also being nice people and supporting of social rights and the LGBT community is certainly a great plus!

2000: Do you have a favorite ‘era’ of Daft Punk? Discovery. It’s the most fun, colorfull, and the one they seemed more “silly”. The robots appeared in their rainbowy marvel and odd/oversized clothes.

2001: What do you think about the Discovery album? It’s My FAVORITE! There are barely no songs I dislike. It have so many different vibes, feelings, you have vocal tracks and instrumental tracks, all with the same quality... And my favorite song from them, Something About Us, is from that album.

2002: Has Daft Punk inspired you creatively? Absolutely. Like, 100%.

2003: What do you think about Interstella 5555? They could’ve worked on that lip-sink a bit better, it’s something that ALWAYS pulls me off. But aside from that, it’s a great concept, and a very special animated film. You can tell there was a lot of care put on it.

2004: Are there any lyrics in particular that stuck with you? Within. That song just, resonates so much with me. Check out my other post with answers, I talk in depth about it!

2005: What do you think about the Human After All album? You can tell it was made in 2 weeks. They were angry, frustrated. And you get a lot of “Thomas Vibe” in that. It feels like it wasn’t a good time for them and it’s reflected in the album.

2006: What do you think about the Musique album? The only good thing from it is that they FINALLY re-released Musique and those remixes! Also, in the special version, you get the Interstella 5555 DVD, which is how I got the movie myself physically!

2007: What do you think about Alive 2007? It’s just great. I wish there was an official version of the entire concert edited by them, where you could see the visuals, the vibes, and the boys all in one enjoying themselves. I’m sad I couldn’t go see them, but at the time I just did not know who they were, and I was only 11. I remember seeing their pyramid on TV when they came to Spain in 2006! I thought it looked really extra, and it really is.

2008: What do you think about Electroma? It’s heartcrushing. I have the feeling they could’ve cutted the ending a little, and I don’t really get why of the dunes looking like a woman and going like, inside the vagina... But still. Also, I can not laugh when they wear the human masks. They’re so ugly x’D Is that how they see themselves?

The bathroom scene ALWAYS gets me. GM08 getting extremely mad and frustrated, while TB3 tries to hold on to what’s left until it can’t be recovered... That says SO MUCH about them, about the robots, as characters and people. You can really get what they’re feeling.

The ending, though... That ending. My god. Everyone always talks about TB3′s death, but the one that really got me the most is GM08′s. It seemed like he wanted to keep going, but finding himself alone ends up being his demise. They need each other. And when he tries to reach to his self-destruct button but cannot, and he just stares in the distance... I really, REALLY felt that.

2009: Do you have a favorite Daft Punk cameo/reference? I talked about the Burnin’ video before, but if I have to think of something else... I think their cameos in different productions are great. Like Sebastien Tellier’s videos of the songs he made with Guy-Man, one with magazines with drawing of GM08, while on the other he appears as a background guy, face partially covered... Also Thomas’ cameo in the movie Realité, where his wife is one of the secondary characters, where he just, again, appears for a split second. I find those really funny.

2010: What do you think about TRON: Legacy? It had a lot going on, but it’s story just... Was bad. The effects are cool (except for the guy they tried to make look younger), and I love that Daft Punk just kept vibing when the fight breaks out at the club. Aside from that, that’s all.

2014: What’s your favorite moment of Daft Punk at the GRAMMYs? The hug. Come on, that’s like, the loveliest thing ever. You can tell how happy and emotional they were. They even had to hold Thomas’ hand because his helmet fogged on the inside.

2015: Do you have friends who like Daft Punk? Hmm... Does all the cool people I’ve met in the fandom count? ;D Specially @edbangingrobot and @invader-777 they’re the coolest people ever <3

2016: What Daft Punk collaborations stood out to you? Probably the one with The Weeknd, but only because of their AMAZINGLY COOL COSTUMES, more than anything. Those have to be my all-time favorite looks for the robots.

2017: Did you get to see Daft Punk live? No :(

2018: How does Daft Punk fit into your taste in music? They have that disco-electro-house vibe I LOVE so much. Why do you think Discovery is my favorite? x’D Tho my tastes go all over the place, if I’m honest. You just have to take a look around my Spotify playlist to see what I’m talking about.

2019: What Daft Punk song makes you smile? One More Time, Digital Love, Voyager and Give Life Back To Music. If you wanna make me get in a good mood, play those.

2020: Did Daft Punk help you get through tough times? They certainly helped me focus on something. I found them in one of the toughest, darkest times of my life. Just had to drop out of school due to my mental illness, only to be abandoned by my old friends, while my family did not listen to me about my depression, anxiety and agoraphobia. Not only that, but we also moved for the third time in a decade, and it wasn’t for fun reasons. Having Daft Punk’s music there as a new discovery to me certainly helped, with their cheerfull, thoughtless songs for a time where everything felt too much.

2021: How are you “holding on” after the split? I am extremely sad we will never get to see the robots again. They’re a really important part of my life. Just like their music. All I hope is that they’re in good therms, and that they’ll be happy for now on. We do not know the reason, but there surely was one behind their decission. If any of them does make something new in the future, I’ll make sure to check it out. It wouldn’t be the first time they’ve done things aside from Daft Punk.

#ask #well that was long #you could say it was #too long

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paulisweeabootrash · 3 years

Text

2020 mini-review pack

Di Gi Charat (1999)

Episodes watched: 7

Platform: VRV (Hidive)

Di Gi Charat (pronounced like “carrot”) is a series of fast-paced 4-ish-minute shorts nominally about Dejiko and Rabi-en-Rose, rivals trying to be Earth’s greatest idol. Who are, respectively, a catgirl and a bunnygirl. Oh, and also they’re aliens? That’s... uh... certainly a premise, I guess. The actual show consists of self-contained gag-filled episodes with no ongoing story, in almost a sitcom kind of way, throwing the characters into situations without context, but with a stable “baseline” situation (unlike, say, Pop Team Epic, where the characters serve more as stock personalities playing different roles in different sketches). Dejiko is a snarky schemer. Rabi-en-Rose is a snarky schemer whose main activity seems to be bothering Dejiko at work. Puchiko is a small and quiet child and behaves accordingly. And Gema is... something? I have no clue, honestly, and neither does the fan wiki. Other recurring characters fill stock roles such as “manager” and “otaku”. A lot of the humor centers around poking fun at fandom. It’s a show by, for, and about otaku from an era before our current internet culture, and since I’m a millennial and not from Japan, that makes it unusually hard to evaluate.

W/A/S: 8/2?/5?

Weeb: Chibis. Catgirls. Idols. Kappas. Kawaii verbal tics. Akihabara. Low-detail background characters who look like blobs or thumbs with faces. Kanji left on-screen but untranslated. Particular sorts of highly-exaggerated facial expressions we may have become familiar with through emoji, but which still haven’t made their way into American media generally. This is ludicrously Japanese.

Ass: This really isn't that kind of show. Although it is certainly designed for adults, as evidenced by the presence of phrases like “naughty doujinshi”.

Shit: The art is fun. It has style shifts from comic strip to watercolor painting to mainstream 90s anime, and looks better than some of its contemporaries that were, uh, “real” shows. The opening takes up about a quarter of the total runtime and gets annoying quickly (but that's because it’s clearly designed for being part of a broadcast block, not binge-watching). Still, unless I’m missing hidden cleverness on account of not having the background knowledge, there’s not much to it. It’s just okay.

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First Astronomical Velocity (band, active 2011-present)

Platform: Spotify, surprisingly

Okay, this one is a bit different, and I’m jettisoning the whole format for it. Remember how I said the music-centered episodes of SoniAni were actually pretty good, even though the modeling-centered episodes were so offputting I never finished the show? Well it turns out that First Astronomical Velocity, Sonico’s band, has released several IRL albums. Physical copies may be a little hard to come by, but official uploads of a lot of their music can be found on Youtube and Spotify. Do your musical interests include at least two of: string arrangements that would be at home in a particularly sappy movie soundtrack, 90s-00s alternative rock, synthesizer beep-boops, and that constricted cutesy Japanese women’s vocal style (you know the one I mean)? Then this is for you. They’re a pretty good... uh... alt-pop-rock band, I guess is what I’d call them.

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Interspecies Reviewers (2020)

Episodes watched: the entire 12-episode season

Platform: I plead the 5th. But it’s getting a video release soon, so it will finally be legitimately available in English!

I started this year with a plot-light fanservicey animal-people show, and now I’m ending the year with... a plot-light fanservicey animal-people show. But unlike Nekopara, this show had me cracking up, eagerly clicking “next episode”, and not complaining about the premise. I’m sure a lot of people do have a problem with this show’s premise -- which centers almost entirely on various forms of sex work -- and I understand and respect that they will want to skip this show.

But for the rest of you: Interspecies Reviewers is a wildly-NSFW comedy about a group of fantasy world adventurers who gain fame and fortune reviewing brothels of different species. I expected excessive nudity and fantasy tropes, but I didn’t expect to also get serious thoughts. Like showing, in the golem and Magic Metropolis episodes, some of the unsettling problems that are looming IRL as deepfakes and sex robots are in development -- note especially the contrast between consensually and non-consensually basing automata on real people in those episodes. Or the discussion in the last episode of how much riskier sex would be in a world without magic (i.e., ours). This is a much smarter and more interesting show than you’d expect, considering that it has so much sexual content that it got dropped by two of the networks airing it and even its US distributor.

W/A/S: 5/10/4

Weeb: Although heavily influenced by the Western fantasy media canon of European mythology and Tolkien and tabletop RPGs, familiarity with the tropes of fantasy anime will help you “get” this too, as will familiarity with the -sigh- character dynamics and censorship practices of hentai. Especially because it’s a comedy, there are probably also instances where I have completely missed topical references or wordplay that a Japanese person would get, but I can’t think of any specific instances right now of “there was clearly supposed to be a joke but I missed it”.

Ass: Look, this could not possibly have more sexual content without unambiguously becoming porn. Genitals are (almost) always carefully hidden by viewing angle or conveniently-placed glowing (something lampshaded in one episode as an actual feature of one of the species they review), but otherwise, expect lots of nudity and almost nonstop crude humor. Do not watch this with children. Do not watch this with your parents. Do not watch this with friends you don’t know well enough to know how they’ll react to something like this.

Shit: This show is better-made than it deserves to be. It’s pretty dumb at points, but it’s fun enough to make up for it. The art is consistent and pleasant, and the opening and ending themes are extremely fun, but it’s not a serious standout in any of those departments. Also, I swear the background music is stock music, but I don’t remember what other show(s) I’ve heard it in before.

Stray thought: Crim is a precious and relatable cinnamon roll and I love them.

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OreSuki OVA (2020)

Platform: Crunchyroll

So, I know I didn’t cover the whole season in my initial review, but I still want to mention the hour-ish-long finale of this show, which was released straight to streaming. Short version of the rest of the season: Joro starts to actually fall for Pansy, but a new challenger, Hose, appears. He is irritatingly attractive and effortless at maintaining the right persona for the situation, leading Joro to describe him as “the main character”. Hose is the sociopathic manipulator Joro wishes he could be, and Pansy, who has a bad past with him, clearly wants nothing more than for Joro to stand up to him. But, since this is OreSuki, it’s not going to be handled simply. No, instead, strap in for a grand finale of Joro and Hose competing in, and trying to manipulate through rules-lawyering, an absolutely ludicrous competition to win the right to date Pansy. And, on top of it, we also get to finally see how Sun-chan got to be the way he is and what happened at that pivotal baseball game that set off the whole plot. What has Joro learned from the experiences of the past season? You’ll see! And you’ll facepalm about it!

Really, you must watch this if you watched the regular season.

W/A/S: 6/5(!)/4ish

Weeb: Basically the same as I said before. Gags referencing other Japanese media, anime and otherwise, and it's better if you’re familiar with the high school romcoms and harem comedies Joro thinks in terms of.

Ass (and slight content note): -sigh- Why does the camera need to be there? Also, Joro, you just committed a little bit of sexual assault for the sake of this contest. Stop.

Shit: I want to rate this overall better than I did the regular season because I think it’s an excellent finale overall because, even though it ends in a very “let’s leave everything unresolved” way that’s common in media that rely on absurd relationships to propel the plot, it does so in a way that makes sense in character. I personally think it would’ve been stronger if it had, well, confirmed its title, and at least some of the other “challengers” had lost interest in Joro, but I guess they probably want a Season 2, since they have so much more source material to work from. There are... oh god 14 light novels?! That is too many.

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Your Name. (2016)

Platform: DVD

Two high schoolers -- small-town girl Mitsuha, from Itomori, and big-city boy Taki, from Tokyo -- find themselves in each other’s bodies for a day. They both think at first it must be a very vivid dream, but when it happens again, and they start finding clues like notes they don’t remember writing and comments by friends and relatives about their out-of-character behavior, they realize the body swap is real. This begins a relationship of mutual understanding that nobody else can really understand -- or would even believe (except Mitsuha’s grandmother, who is... familiar with this phenomenon) -- and the plot then pivots to a tense adventure where they use their connection, some crucial information Taki has, the skills of Mitsuha’s friends, and the intervention of Itomori’s patron deity, to save the town from an impending disaster.

And that’s all I’ll say about that, because I really do think this is something you should go into blind. My only remaining comments are that (1) the red string of fate is critically important imagery, and is particularly interesting to me here because, if I took a particular scene correctly, Mitsuha made her own red string of fate from sheer necessity, which is a very different twist on that trope, and (2) I am now curious about the history of the body-swapping phenomenon in-universe.

W/A/S: 4?/2/2

Weeb: As mentioned above, symbolism of the Red String of Fate shows up throughout the movie, as do the occasional distinctly Japanese quirk like a wildly out-of-place vending machine or a café with dogs, and but for the most part it’s a cross-cultural story of understanding and dealing with someone else’s life, and of forming a connection other people don’t -- can’t -- truly understand, and to some extent of divides between urban and rural and modern and traditional that I think could play out in any country with just the local symbolism tweaked. The significance and content of Shinto beliefs and practices depicted, particularly kuchikamizake, are made pretty explicit, so although foreign to the vast majority of the non-Japanese audience, I feel like this movie also has nearly no barrier to entry for people not familiar with the cultural context, so I don’t want to rate it very high on this scale.

Ass: Look. It involves teenagers switching bodies. What do you think they do? Especially Taki? But it’s played for laughs, not titillation.

Shit: This movie is beautiful and punched me in the feels and was very satisfying. The closest I have to a complaint about any aspect of it is that the musical breaks that I guess are supposed to mark acts of the movie almost make it feel like binge-watching a short series instead of watching a single self-contained movie.

#weeaboo trash #anime review #mini-reviews #happy new year #di gi charat #first astronomical velocity #super sonico #interspecies reviewers #oresuki #Are You Really the Only One Who Likes Me?#your name

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mulanxiaojie · 4 years

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We were all thinking it, and finally someone had to ask: Why on earth would Disney cut Mushu? “Well, we made it 10 minutes in,” joked Mulan producer Jason Reed.

In case you missed the trailer, the headlines, and the tweets — so many tweets — the live-action Mulan will cut Mushu, leaving it bereft of the comedic energy from a dragon sidekick. The world has changed since 1998, and Disney has made a serious, more violent Mulan that’s truer to the Chinese folklore.

“Obviously Mushu is a beloved character, and one of the most memorable elements of the animated film,” Reed explained to a group of journalists huddled inside a tent on Mulan’s mountainous New Zealand set in October 2018.

“It turns out that the traditional, Chinese audience did not particularly think that that was the best interpretation of the dragon in their culture. The dragon is a sign of respect and it's a sign of strength and power, and that using it as a silly sidekick didn't play very well with a traditional Chinese audience.”

It's one of many indications that unlike with The Lion King, Disney is not going for a by-the-numbers Mulan remake.

While a classic to kids of a certain generation in the West, 1998’s Mulan flopped in China, released a year late after Disney was effectively banned for releasing the film Kundun, a film sympathetic to the Dalai Lama. On screens in Mulan’s birthplace, Hunan, the film only made $30,000 at the box office after three weeks.

You could blame the film’s late release in China, which caused some audiences to watch pirated versions months before its eventual arrival in theaters. But it's also likely that local audiences didn’t warm to the idea of Americans taking on a Chinese legend, especially one which already had multiple adaptations on film, TV, and stage.

“This is not a Chinese dragon," one Chinese moviegoer told The Baltimore Sun in 1999. "I can tell the people who designed the dragon are from America."

In that light, Disney’s resistance toward a comedic dragon sidekick in the new Mulan makes financial sense. Once chump change for Hollywood, China’s film market is set to overtake the U.S. this year. For Disney, its three biggest 2019 releases in China — Captain Marvel, The Lion King and Aladdin — accounted for more than $320 million in takings.

Despite the omission of Mushu, Reed promises the film will be funny. Just admittedly not Eddie Murphy funny.

"We have some scenes that, although they're played very real, are gonna get some very big, big laughs.”

“Take one of the greatest comedians of all time, make them a dragon, have him prance around, and give him like, two years refine the jokes — we're not gonna beat that, in terms of raw slapstick comedy,” he said.

“But we have added a couple of elements to this movie which I think really do the same thing of grounding it, bringing you into it, we have some scenes [that], although they're played very real, are gonna get some very big, big laughs.”

Other big changes are afoot as well. There aren’t any of those singalong theatrical musical numbers like “I’ll Make a Man Out of You,” “Reflection,” or “A Girl Worth Fighting For”, although Reed promises there will be “songs that you recognize and remember” in the movie.

Also gone is the cathartic scene in which Mulan cuts her hair in preparation for battle, which Reed admits he gets mocked for during meetings in China. “[It’s] actually a Western anachronism,” Reed explained. Chinese male warriors wore their hair long, and to cut Mulan’s hair would make her look more of a woman.

Nor will you see Mulan’s smart-mouth grandmother, Fa, or Li Shang in the live-action film. The latter decision has been particularly controversial, given Li Shang’s status as a bisexual icon. Reed was surprised by the backlash, but the decision was made in the light of the #MeToo movement.

“I think particularly in the time of the #MeToo movement, having a commanding officer, that is also the sexual love interest, was very uncomfortable. We didn't think it was appropriate and we thought that in a lot of ways, that it was sort of justifying behavior that we're doing everything we can to get out of our industry,” Reed explained.

Instead, the character of Li Shang will be split into two characters: Commander Tung, played by Ip Man star Donnie Yen, will serve as Mulan’s surrogate father and mentor in the film, while Chen Honghui, a role filled by New Zealander Yoson An, will be an equal to Mulan in the army and her eventual love interest.

It still leaves questions about how the queer element of the relationship between Mulan and Honghui will play out, or whether it will even be present. While homosexuality was decriminalized by China in 1997, Chinese censors are infamous for cutting out LGBTQ TV and movie scenes.

Chinese moviegoers saw no reference to Freddie Mercury’s sexuality in Bohemian Rhapsody, while Call Me By Your Name was pulled from official screenings (although it soon gathered a cult following). Disney doesn’t believe censorship will be a problem for Mulan, with Reed explaining it worked “very closely” with censors and its releasing partners in China.

“We feel that we are secure in the censorship issue, that we have our permits approved and I believe that we will continue to have a good relationship with the releasing entities in our various partners in China,” Reed claimed.

While the storyline will largely remain similar, new characters are joining the fray. A powerful shapeshifting witch, portrayed by Gong Li, will feature alongside the main antagonist Bori Khan, played by Jason Scott Lee. The story will begin with Mulan as a child, and she will have a younger sister in the film, something present in other adaptations of the folklore.

“It makes it more than just her having to take care of her father and mother, who are sort of in the role of taking care of her,” Reed said. “By adding a younger sister we thought that it added sort of a broader emotional context, and added more motivation for her, particularly for the end.”

On the monitor inside our tent, actor Yifei Liu is effortless in her swordplay. It’s no surprise she’s landed the titular role; she is Mulan. Liu battled through a tough physical audition for the role, admitting to us she couldn’t walk properly after.

“I wanted to thoroughly explore this girl,” Mulan’s director Niki Caro told Empire in February 2020.

“Because I needed a warrior, and I needed a partner. So she did this grueling audition and then we sent her straight to the physical trainer to do an equally grueling physical assessment. Weights, push-ups, pull-ups, everything. She was brilliant in the dramatic part of the audition, and in the physical part she never stopped, never faulted. I knew at the end of that day that I’d found my warrior.”

Liu has plenty of experience acting in wuxia films, a genre of martial arts films in China. Besotted, Mulan's filmmakers even pushed back production five months for Liu.

“She was doing a television show and so she wouldn't be available to a certain point, and the point when she was available was terrible weather for us,” Reed said.

Liu, who exudes confidence onscreen and is praised by her co-stars for her professionalism, is more reserved in conversation. She said she doesn’t try and think too much about how Chinese audiences will perceive her as Mulan. Nor would she be drawn on a question comparing the character of Mulan in the animated and the live action version.

“I would not really compare, because I think each creation was its own form, and I really respect that,” Liu explains. “I’m also open to Mulan’s possibilities. We tried not to fix too many things.”

For Honghui actor Yoson An, who only has a handful of credits — mostly in his home country of New Zealand and in Australia — the whole international fame thing hasn’t quite set in.

“I don't think it’s hit me yet, I don't know where it's gonna go until this movie’s released, I guess. I'm still kind of rolling with things, just one day at a time,” An said.

Admitting that he would’ve been looked over if the live-action Mulan had been a musical, An said he only picked up acting in his late teens, disillusioned with his university studies.

“When I heard that Niki [Caro] was set to direct this movie back in 2014, I was like, ‘Oh, so cool. A New Zealander is set to direct Mulan,’ and I was just walking back to get my car and I was like, ‘Wouldn't it be cool if I played the love interest?’, just like a little thought in my head, and I'm thought, ‘No, that's never gonna happen.’ And then, four years later, here I am,” he said.

"It really dispels all the classic Asian stereotypes from all the other films."

The world of Mulan is inspired by the Tang dynasty, a golden age of imperial China during which it experienced flourishing trade with foreign nations and cultural advancement. In An’s eyes, Mulan could be a major moment for Asian diaspora worldwide — although Liu’s praise for police during the Hong Kong protests last year has prompted calls for a boycott of the film.

“In this film, the cast, you see people from different kinds of cultures interacting with each other and every single character has a multi-dimensional layer for them. So it really dispels all the classic Asian stereotypes from all the other films,” he explains.

“And with what Black Panther has done for its community, and I really feel that Mulan is gonna do the same for the Asian community as a whole, taking on what Crazy Rich Asians has already done for Asian community, with the momentum it created.”

Like Crazy Rich Asians, Mulan looked far and wide for Asian actors. There’s a mixture of Asian New Zealanders, Asian Australians, Asian Americans, and of course, Chinese actors. Mulan is mostly in English, to the joy of the subtitle-averse out there, and thus all actors are aiming towards a Chinese-influenced American dialect — a goal which Reed admits has been “complicated.”

It’s no problem for An, who said he’s performed Chinese accents on screen before. Reminding us how young he is, An mentions he practiced as a kid to YouTube videos of Canadian stand-up comedian Russell Peters, who went viral a decade ago for his “Be a man! Do the right thing!” bit.

“You guys know Russell Peters? Right? As a kid, I’d watch his stuff and do exactly as he did. But that's a very comical version of the accent, it’s very different to what we’re doing,” An said.

In research for its live-action reboot, Reed and the production team went back to the original ballad and the “many, many variations” which told in China since, including several modern film and television adaptations made in China — before watching the Disney animated version again, thinking how Mulan would appeal to multiple audiences.

With the coronavirus shutting down all 70,000 of the country's theaters since Jan. 24, it's unclear — and more unlikely every day — that multiplexes will reopen in time for its planned release.

"It certainly has worldwide and global appeal, but there's no denying that this is a very important film for the Chinese market," Comscore analyst Paul Dergarabedian told The Hollywood Reporter. "It's a huge blow for Disney if it doesn't release in China." Disney president of production Sean Bailey told the publication he's "looking at it day by day."

Whenever and wherever it arrives, the hope is that Mulan will appeal to four audiences: the Asian diaspora community worldwide; women; Disney movie fans; and of course, a Chinese audience. But why would a Chinese audience watch another adaptation of Mulan? The answer lies in the hope that Disney can create something exceptional this time around.

“One of the things that was made clear to us from the very beginning was, make a Disney movie. Don't try to make the Chinese version of Mulan, because they've already made it several times, and they've already seen it,” Reed explained.

“So if you wanna make something that's going to play to the Chinese audience and be interesting to them, make the Disney version. And what that meant to us, was that we had to bring the highest level of execution, production, design, costume, hair and makeup, the cinematography.

“The people that we hire, they were hired with the expectation that we wanted awards-caliber work, and they weren't meant to think about this as a kids movie or an animated remake, or any of those things.

“Our references are David Lean and [Akira] Kurosawa — we're not looking at 101 Dalmatians.”

#entertainment #disney #mulan #live action mulan #article #I'm all four audiences so let's see if it appeals to me lmao

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