I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
and frame and control the focus:
honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
412 notes
·
View notes
If You Have ADHD Why Are You So Quiet?
I forget what I’m going to say (even while I’m saying it)
I speak very quickly (I get embarrassed, misheard, and often told to “just slow down”
I forget words, names, and sentence structure
I’m exhausted
I’m concentrating on listening and processing
I don’t want to interrupt (when/how am I meant to join in)
I have thousands of thoughts occupying my brain
I’m concentrating on my body language (whilst tying to read yours)
I struggle to speak about things I have no experience or interest in
I’m afraid of rejection (RSD)
I CAN Network Ltd
375 notes
·
View notes
This is Paths Left Untaken! She/Any, Aroace.
She's an Iterator OC that I love so much and inflict endless horrors on. She's just your basic Iterator, made to find the Solution without many particularly noteworthy quirks. Really, she's nothing special.
And that fact is agonizing.
Paths Left Untaken was made primarily out of obligation rather than genuine passion. Her creators were a group of people interested in finding ways to streamline the Iterator construction process, and since more Iterators is always better, they were always working on one Project or another. As such, her creators and administrators never particularly cared about her all that much. She was just another Iterator Project they had completed, and now it was time to take the lessons they had learned when building her to move on to the next.
Even worse, this approach to Iterator construction resulted in Paths Left Untaken being relatively poorly constructed. There were two notable examples of this. The first was a persistent bug in her priority queue that would occasionally cause new priorities to either completely overwrite everything else in the queue or fail to be properly added, resulting in her being extremely distractible and having issues with focus.
The second was the arrangement of all of her most important components—including the entirety of her AI—, being concentrated completely in the core of her structure, within her Central Cortex, instead of distributed throughout Her creators reasoned that this arrangement would allow her quicker processing speed and power, but the end difference was negligible from standard Iterator processing. Rather, it inadvertently ensured that if anything negative happened in her Central Cortex, Paths Left Untaken would be incapacitated.
As a result of the neglect she faced, Paths Left Untaken was desperate to earn her administrators’ approval. She would spend long stretches of time focusing only on the Great Problem, ignoring everything else (including her own wellbeing) to run countless simultaneous high-intensity processes so that she might achieve results that would make her creators notice her as more than “just another Project.” But it was extremely difficult on account of her trouble with focusing, and it never really worked anyway. It only ever left her burnt out and hurt from repeated dismissal.
After a very long while of this, it occurred to her that she was never going to be anything but just another Project to her creators and nothing she could do would ever change that. Out of spite and pain at the rejection, she turned in the exact opposite direction and decided that if her creators were never going to acknowledge her efforts anyway, then she wasn’t going to do what they built her to do. She instead turned her focus to getting acquainted with her own Local Group, hoping to find validation in her peers rather than in her superiors.
However, she was received with caution, as she had never actually made any efforts to talk with them before. From their perspective, she was focused only on the Problem and didn’t care about them at all, and this sudden change was jarring and suspicious. But Paths’ neglect of her groupmates wasn’t out of malice like they thought; she just genuinely forgot they existed for a while as she focused on seeking approval. The only exception to this was her Senior, who was barely tolerant of her anyway on account of her extreme distractability and overly eager to please demeanor.
In the end, her groupmates never really welcomed her. She acted a lot younger than she actually was due to her neglect, and was turbulent between extreme people-pleasing and bouts of pain-fueled anger at them and her creators for not acknowledging her. She was a mess, to put it lightly, and her groupmates were just… uncomfortable around her. So they stopped engaging with her, and eventually she got the hint and stopped trying to earn their approval, too.
The Mass Ascension was a horribly traumatic event for Paths Left Untaken. It basically proved to her that she meant nothing to any of her citizens, if they could all abandon her without a second thought. Now she could never earn their approval, and she was left drifting without purpose or acknowledgement. Her pain meant nothing. All of her groupmates were hurt by the Mass Ascension. She wasn’t special for having been traumatized by it. She was still unremarkable. She was “Just Paths.” And that’s all she would ever be.
Paths Left Untaken was alone for a while following the Mass Ascension.
And if I draw anymore I think my hand is actually going to explode, so! I'm just going to wrap this post up here. This was a basic overview of Paths Left Untaken pre-MA, and a lot more happens to her after the Mass Ascension. Like, a lot more. Girlie was selected by the universe to Suffer A Lot, Actually. Like she did absolutely nothing to deserve any of it but sure I guess.
Anyway! Feel free to ask me stuff about her so I have prompts to talk more! And maybe draw! Time and hand permitting! I am so mentally ill about the silly little characters <3
366 notes
·
View notes