me zooming in on a couple grainy photos from last night: ....did joe. did joe get a new tattoo??
it takes a bit but there's some higher quality shots from last night too, so these are a little more illuminating.
me checking photos from somerset: yeah he definitely didnt have this last time. it looks like he got one on the right side of his neck during their day off. what does it say omg.
at this point im desperately curious so i zoom in and
bone. it just says bone.
i love joe trohman
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Again the sickness speaking but here's something that has been going through my mind since forever:
I feel like a good way to mitigate a lot of discontent with the doa arc ending and in general the whole Dazai-being-flawless issue bsd has going on is by comparing bsd to Sherlock Holmes by Arthur Conan Doyle. Please bear with me for two minutes.
When Sherlock Holmes was being published, people were intrigued and enamoured by Holmes' brilliant and charming, crimes-solving figure. People read the stories for the pure joy of being left gaping at his superhuman wits again and again; they didn't want to see him fail, they wanted to be shocked and amazed by his genius. When Holmes died and then came back, nobody lamented it being unrealistic, because realism was not what people were reading the books for! They were reading to be impressed, to cheer for the hero and then take satisfaction in seeing him turn out victorious. That's the author-reader deal that was made there: to impress and to enjoy being impressed.
As of recently I feel like we've been asking from bsd something it never promised us in the first place. Maybe it's just not that kind of series! Maybe it's more about surprising the reader with how the hero is going to make it and less about highlighting his flaws and insecurities. And like, that's okay! That's why Dazai getting away with it isn't it him getting away with it “again”, it's just how bsd is; in a way, it's what makes bsd bsd.
I think it really clicked with me like it never did before when I watched the last episode of season 5; because the arc ending felt so shocking and unpredictable, very deus-ex-machina trope, a little underwhelming in its lowering the stakes that were there the whole time, and yet so extremely on brand with bsd, I didn't even have it in me to be disappointed. It was so similar to the Guild's arc ending and even more to the Cannibalism arc ending, and maybe it really is just a pattern, maybe it really is what bsd aspires to be, and that's okay too.
Also, I can't stretch this enough: if it's not your cup of tea, that's fine. I can't say it's mine either. But I feel like criticizing bsd now for how it's always been falls quite short, because it really feels like demanding from it what it never promised to deliver in the first place. That's just as far as my current perception of the series goes, though, so feel free to disagree with me on this.
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Can you draw Gabriel for MLB wearing this??? <_<
unbelievable. why would you think i would ever EVER draw this vile vile man wearing such a slutty dress. this is just absurd. (saracasm)
(i had fun)
(a ton)
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Piggybacking off this post I made last night, but I think two things can be true at once:
Being diagnosed or undiagnosed can both be disadvantages. Neither a state of diagnosis nor undiagnosis can be more "beneficial" because both can be harmful dependent on the situation. We need to be open to the possibility that a diagnosis can be helpful, harmful, a mix, or neither, and not having a diagnosis can also be helpful, harmful, a mix, or neither.
Basically, disability is complex. We live in an ableist world that simultaneously demands disabled people adhere to strict standards but also just not exist in the first place. It's hard enough to navigate diagnosis, and making it harder is only going to harm us, not abled people. They don't care about the intricacies of disability, more often than not.
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The parallel between Sokka and Tenzin as their fathers' sons.
Sokka, left at 13 as his father and all the other men head off to war. Hakoda tells him "being a man is knowing where he's needed the most" and he needs to protect his sister, his home.
Tenzin is the second airbender. He is also half water tribe, he's a man. When Aang dies, he will be the last airbender. He understands what he needs to do.
Untold amount of pressure and responsibility have been thrust upon them by their fathers. Though, I believe it is not all intentional, but the unfortunate circumstance of being the fathers of sons who take responsibility incredibly seriously.
In Sokka's case, "protect your sister" is a vague instruction. It was meant to give him purpose, to help him feel okay about being left behind, He is too young for war, his father does not want to bring his child to slaughter. But Sokka will die with purpose. He will train the children of his tribe so they will be protected, he will face a fire nation ship until his last breath. He cannot go to war, but Hakoda did not see that war was all around them. In trying to give Sokka purpose, Hakoda put their world on his shoulders.
We do not get to see Aang be a father (in the TV shows), but we know he had hopes for the future. All his children were air nomads, and the air acolytes brought his culture back, but Tenzin could bend. This part of their culture is one ONLY they share. I do not think Aang would hide this, he is joyous that he gets to share his culture. When he feels respected, he always is, he taught the air acolytes after all. Off handedly, he could say, "I'm hopeful for a future where there are lots more air benders," and that, which feels mostly innocuous to him, is the nail in the coffin of Tenzin's fate. He is Avatar Aang's son, and the future of the air benders. It would not matter that Aang meant a future in generations. Tenzin sees the responsibility and it's his. He is his father's only air bending child, he knows what he needs to do.
Being a parent is not understanding the way the things you say harm your children. Even those things that feel innocuous in the moment can be life altering. Especially the more the child respects the parent. Purpose and Hope for those with a broader perspective, can be death sentences to a life that could have been when expressed to those who idolize the former.
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actually i do have something to say about this chapter and it's quite critical of it but also i'm tired tonight and i've been talking about it long and hard on discord already and putting it all together in a coherent post feels like too much of a task tonight. all i'm gonna say is that part 2 was very obviously going in a certain direction from the start, and i loved that direction, and to an extent it is still going in that direction but now very obviously missing a huge chunk of what stirred it in that direction. and i'm hesitant to simply say it's fujimoto that's dropped the ball on this (though it might the idealization, who's to say) because from the actual shape of the writing + slump in paneling/art + recent bitter interview by fujimoto + japanese audience is apparently vocally not a fan of asa + my own cursed knowledge of shounen jump and shueisha editors and how they react to a fall in sales = i think the lack of focus on asa has really hurt the themes of part 2 when she was an integral part of it + i think this wasn't entirely fujimoto's doing and it's very likely because she is apparently strongly disliked in japan and there's good reason to believe that fujimoto was told to not focus on her nearly as much bc sales slump and people complain as soon as she shows up. which sucks. becaue what made part 2 work as well as it did was the synergy and parallel between the two protagonists' paths, and the absence of asa's path in the past few months (both in universe and by real time in the comic) feels like a genuine writing and thematic and emotional hole in the comic that to me shows that she WAS supposed to be there. fujimoto had fully intended to write her in there bc there's a hole in the shape of her where she is very obviously supposed to fit. it isn't simply a question of "author forgets his female character" it's a question of "this crucial part of the manga is missing and the author is painfully aware of it and bitter about it too"
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Saw someone on tiktok who made this art piece of Hannibal in his standing in front of a car’s headlights with shadows that look like antlers and eughhhhh a deer in headlights is exactly how he felt when he realized he was in love with Will
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Role-reversal AU where Machete opens a library on Florence and slowly becomes a very influencial local political figure, while Vasco's parents become fed-up with his "lifestyle" and send him away to the clergy (he probably has a brother in this AU, to make their decision more believable)
They reconnect in a similar way to the original, but their relationship is much more tragic as Vasco became self-hating and thinks he corrupted/doomed Machete in their youth and meanwhile, this Machete is trying to protect him from the corrupted side of the Church and possible assassination plot, that he's too indoctrinated to see happening around him
A interesting ending for this AU should be that Machete still dies, but results in Vasco finally running away from the clergy/inquisition (not sure if Vasco joins the inquisition or not, you can decide) and hiding in the country-side. Where he grows old dedicating various paintings and poems to Machete and possibly taking care of some noble's horses for a living
.
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