The Beach Omake And Authorial Intent
initially i was going to save this for a big teru analysis i had cooking however i eventually ended up deciding that it would feel like a really long tangent in its original context and probably deserves a separate post.
when it comes to the whole "teru's parents" thing i generally see two competing ideas on it
a. terus absent parents are the real villains of mob psycho and are the direct cause of everything wrong with his life and any and all teru analysis must center around this fact
b. terus parents being absent in the first place is only revealed in an omake and only exists for plot convenience and is not something that should be focused on at all when writing him
and whenever i see either of these my mind always drifts to the question of authorial intent. i know how people are reading this information, but how are we supposed to? i know death of the author is becoming more of a common thing in fandom spaces (albeit usually misused) but i feel like a better understanding of why this omake exists and how we're supposed to read it might help to better synthesize two takes that seems to be completely at odds with each other.
okay first i want to go over the actual placement of the beach omake in the update schedule of the manga because, unlike most other omakes, i feel like this ones placement in the schedule of page releases is actually super relevant
the vast majority of omakes come at the end of weekly updates. you finish reading the usually 15-20 pages ONE put out and then you get a little bonus comic at the end, usually something funny or a slice of life but but occasionally more serious. multi part omakes are usually spread out over multiple updates, making you wait a couple weeks for a punchline.
beach omake is not that. between chapters 99 (mob gets hit by a car) and 100 (the whole rest of the omake) there was a 6 week hiatus from normal pages and in this hiatus is where we get beach omake. reading it all together immediately cuts away the sort of "slice of life sunday paper comic" tone other multi part omakes have and make you read it as a part of the actual main story, since that's how you're used to reading these weekly updates.
now the actual tone. generally the multi part omakes exist to be long punchlines and the rare emotional ones are a single page for maximum impact. beach omake has a very different structure compared to, say, the haunted doll omake or the pot of happiness.
off the bat from the first two pages there's not really a joke. the tone mostly seems kind of melancholic. mobs expression for the middle section of the second page (maybe purposely) is obscured by the panel breaking off, it's hard to tell his reaction, all our attention is directed at teru. with all of the panels taken up by dialogue (primarily his own), we're being asked to focus on what he's saying:
-teru lives alone
-he lives alone because his parents live overseas
-he hasnt seen them in a while
-he doesnt like having nothing to do
-he doesnt like being alone
all of this information is delivered with an extremely casual expression from him, implying that it's not something that seems ll the out of the ordinary for him. mob, on the other hand...
the hesitation before he says anything and the way his expression is obscured seems to imply something is... off... about this information to him. this isn't a handwaved "oh mob is walking home from school after passing out because he needs to for plot reasons", we're reacting to this information like it's weird.
the next two pages are, mostly, a lot more of what we expect out of a mob psycho omake. the first one works as a standalone joke page, teru is bad at identifying animals which leads to him showing reigen a roach, something reigen is terrified of, instead of a beetle.
the second page starts similarly, we get a dumbass joke about reigen trying to pick up women at the beach (note: i think this is the singular time we get an indication reigen is even into women) but then the next two panels take on a more melancholic tone again. we get a small panel of mob and ritsu playing on the beach and a much, much larger panel of teru sitting on the beach, watching them. the dialogue bubble forces us to pay attention to the fact that he is silent.
the ending of this omake is where we bring it home. generally the last panel centers the punchline of the page, or of the whole omake, but the final panel of this isn't really what was being built to in this case.
we start our second page on teru. his expression is obscured, reigens speech bubble is shoved to the side so we can see that teru's hat is being held in his hands.
when we see his face in full view he looks... confused. he looks like he doesn't know how to react to someone going through all this trouble for him. teru is a character who, up to this moment, we have seen as extremely independent. he always rushes into things alone, he always has to be the hero, he always has to be the one to save the day. hell, this omake is immediately followed by the confession arc. where... you know.
so what are we supposed to get out of this omake?
teru's been doing everything on his own up to this point
but he doesn't have to anymore
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I forgot about this.
The whole reasoning behind the Supervillain Danny AU sketches was that his villain persona was the complete opposite of his normal, sane self and hero persona. Danny plays into the Fenton name really hard, and ramps up the “mad scientist” bit, taking inspiration from both his normal civilian life and his parents, thus using just his last name as a villain.
And then I wanted to add what Sam and Tucker might look like if they joined in on his shenanigans. To keep with the “opposite of their normal life” bit, let’s throw in some ghostly artifacts that help the two keep up with Fenton’s madness.
Sam would get an angel’s halo that helps her form ghostly wings, and she’d play into the good-two shoes angelic look, and then she opens her mouth and verbally assaults you. She pins her bangs back and wears clothes that better fit a celestial aesthetic and uses all the etiquette training her parents taught her. Manson looks like some sort of regal angel and people expect her to be the nicest out of all of them. She’s not. Manson is the sneakiest and most bloodthirsty one, and heroes regularly wonder if she has actually committed murder or not.
Tucker takes inspiration from his time as a pharaoh. He has a metal postiche that enhances his physical ability. (Maybe it gives him dreadlocks too, but I like to think Tucker is just wearing a whole ass wig.) He wears a strange mix of street wear and his pharaoh outfit, and throws his tech-obsessed self out the window. Fenton is the nerdy one here, so now Foley is the muscle. Foley plays up meathead American bully stereotype hard. He delights in throwing hands, and hunts down supers just for the sake of a fun spar. (For him not for the supers.) Foley’s favorite people to fight so far is Killer Croc and Superman. Heroes are concerned about what would happen if Foley fought for real, but then they saw what he did to the Joker “as a joke” and decided not to ask any more questions.
Basically, the trio looked at their civilian lives and picked out what they considered “villainous traits” from the people around them that they then played into as villains themselves. If that makes sense. Sam hates how her parents want a perfect child, so she makes herself look like one. She speaks in backhanded comments and has a snooty attitude, which she learned from other rich people. Tucker is constantly confronted by bullies everyday, and all the rogues that come to Amity are always fighting, so that’s what he decides to mimic. Yeah, he now gets to be the big and strong protector of the group, but all his experience with fighting have been bad ones, and that reflects in his style. And finally, Danny. Why does he take after his parents and play into the family name? Because the Fentons are one of the biggest obstacles and source of anxiety in his life. Danny associates mad scientists to pain and other bad things, so even if all he’s being helpful in a really annoying way as a villain, his parents and the threat of the GIW still influence how he presents himself. Because to Danny, those two things are far more scary than a kid with a pirate ship or a man wearing a bat fursuit.
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i've seen figure skater sanji and hockey player zoro before. idk if its been explored but i'd love to put it out there:
hockey player sanji (specifically goalie bc he desperately wants to avoid being checked) and then pairs skater zoro.
pairs skater zoro's long time partner has been nami. though many people ship them together a Lot, they just know each other super well. Well enough to try dating and both of them realized they don't swing that way. in fact, it makes them a really good team. they fought long and hard to claim top spots in competitions because they portray a chemistry that's separate from the rest. plus zoro can carry nami like she weighs fucking nothing. so their lifts are so much more dynamic. they even have a whole next to impossible combination that they're trying to get the ISU to name after them officially.
sanji plays for the East Blue Straw Hats in the Grand Line Hockey League – a formidable rookie group that took down lots of big names in the preseason. they want to make it all the way to the postseason playoff finals but always seem to fall short. but theyre so determined. they reignited a lot of old sparks that were no longer there for old fans and brought in new and curious fans. sanji is the starter goalie and a damn good one at that. it makes sense bc goalies are often doing splits on the ice just to make a save. he's perfected the technique that utilizes just his legs to make saves that make the crowd go fuckin insane.
we have the usual "i booked the rink to practice before you did" trope but a little more spice. in actuality, sanji loves watching pairs skating competitions. his favorite pair rn is franky and robin (mostly for robin). and he adamantly does not want to admit to anyone that he watches zoro and nami's routines much more frequently. (and if anyone asks, he always says its bc of nami. its never just bc of nami.) and zoro's besties with luffy so he always watches their matches even if he barely understands the rules. and he definitely does not stare at a certain blond starter goalie most of the match thats fucking ridiculous
one day zoro and sanji are invited to do one of those comparison videos between hockey players and figure skaters. both get to laugh at the other even Attempting to do their sport. zoro frankly looks ridiculous in all of sanji's usual goalie get-up. and sanji couldn't land an euler to save his life. the video producer suggests they try a simple pairs skating routine. sanji is like "oh i couldn't do that–hEY WHAT THE FUCK MOSSHEAD PUT ME DOWN" because zoro lifted sanji and had him sat on his shoulder like it was normal.
zoro smirks, "you might be lighter than nami, actually. wanna be my new partner?"
sanji knees him in the stomach before skating away while blushing so hard he could melt the ice beneath him.
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