thinking about the way shadowheart, lae'zel and minthara deal with breaking away from a god/god-like figure they've dedicated their lives to. shadowheart immediately latches onto rescuing her parents as her new 'mission'. lae'zel immediately dedicates herself to freeing orpheus with the vigor she served vlaakith. minthara fixates on obtaining the power to make sure she's never controlled again.
its like. breaking away from gods/god-like figures leaves a void to fill. they're trying to fill it, and trying to choose what they fill it with. and they know that's what they're doing, in some ways, maybe to avoid the enormity of what it means to have broken away. maybe to avoid working out what they'll do as individuals. shadowheart doesnt know her parents, and they dont know her anymore, but she has to save them. you can ask lae'zel why she won't focus on herself, and she acknowledges there's no time for that. not yet. minthara wants you to use the power of the brain, but has dialogue/approval when you speak to ravenguard and she realizes hes still in there beneath the tadpoles influence, just like she was.
'my deference to him is a habit that will die hard, i fear'. minthara still calls the elder brain the absolute, even after she knows the truth. lae'zel still calls out to vlaakith in battle. shadowheart still wears the symbol of shar in her hair after dyeing it. indoctrination/ingrained beliefs are hard to break.
they've broken away from what was controlling their lives. they're free. they've lost everything. shadowheart can save her parents and but will always have that mark. lae'zel has been declared a traitor and will be hunted until vlaakith is overthrown. minthara can never go home, and would be executed if she tried.
they've broken away. they've lost everything. they're struggling with what that means. they're free. they wouldn't have it any other way.
220 notes
·
View notes
I know my last report is so long...and technically, I could've summarized so many of those info in shorter paragraphs.
But it's all intentional. I really wanted to write their dialogues out as far as possible, because I've noticed something in the fandom. I'm pretty sure this is not limited to CLAMP but to 'public figures' in general, especially on the internet.
I've noticed a sort of tendency to dehumanize these four women. Sometimes I come across comments that make my skin crawl. People calling them names, insults, "these old hags", people who think these four women should only live to satisfy the fandom's hunger for content, or their fetishes. They don't consider (and even if they do, they do not seem to know what the words 'be indulgent' mean) these are four human beings who have their lives, wishes, preferences, shortcomings, health problems, or even not a 100% great mental space.
I admit I have "joked" with heavy terms in private too, in the past. But lately, especially after they started to open the Twitter Spaces, showing their more "raw, genuine side" to us, and ever since my JP skills allowed me to understand them better, I can't bring myself to do that anymore. It might be because I'm getting old too and I understand painfully well what it means to begin having problems related to age (for memory or even physical pain), and the love and care (and often pain) that lie behind a piece of artwork, but I just can't help empathizing with them. Hearing them joking among each other, knowing how much they care for one another like sisters, hearing them talking so humbly about their work even after such a long time, getting to know when they're feeling sick and knowing their struggles because on the workplace they're like a machine that can work well only if all the components are in good condition...it really really makes you realize how human they are.
I think the turning point for me was when I heard one of the personal Spaces Ohkawa opened every morning for a week, while she was having breakfast, talking about various topics. In one of the firsts, she apologized because you could hear the noise of the washing machine working on the background. It struck me so powerfully. This is not some kind of unapproachable, inaccessible person living on another existential plane, this is a normal, regular human being who writes stories for a job but who's got to do laundry like every other regular person on this earth. They might drink champagne and go to fancy restaurants (but Ohkawa in particular is a fan of McDonald's too) but that doesn't mean that they lost their humanity.
And I found myself not wanting to partake in this stupid game of dehumanizing them anymore. Actually, with my translations, I want to try to make people see what I see too. Make them feel the "vibe" through their own words, because you can understand so much of them through the words they often use. Ohkawa might look like this merciless and whimsical boss, but she actually just loves the stories she envisioned very much, and she's ready to go through a shitstorm to defend her choices on the workplace.
She just feels a bit guilty that when there's criticism of her choices, the work of her colleagues gets dragged down along, but they're all in this together and they stick to one another tightly.
I can only do these translations when it's about CCS because they're exhausting to me and take me so much time, so my "brainrot" helps me push through to finish them. But at least for that, I want to try to do this, when I can.
23 notes
·
View notes
Everytime I see Lian Harper appear on a comic or a TV series I have a few thoughts
1) Please don't kill her
2) Please don't make this a Roy hallucination
3) Please be alive fr
4) Please don't take her away from Roy 😭
18 notes
·
View notes
I know,as the satosugu community,we are going through a lot.From the recent chapter to the upcoming episode.So to help all of us,I volunteer myself as a vessel for all your fanfictions.
We do not accept angst fics here tho.I want lots and lots of domestic au
24 notes
·
View notes