seeing a post that basically confirmed the obvious disparity in content made me think more about a scene i would have liked to see with gale and that i've been thinking about for a while now.
i always felt a bit sad that his condition is so often treated as a joke by the fandom and to a lesser extent by the game itself. i always thought that this is partially down to the fact that we don't truly get so see gale actively be in pain due to his condition, other than brief glimpses and hints:
we do hear the urgency in his voice when he explains when and why he needs an artefact and the relief in his voice when the protag chooses to help him.
we see it, too, when he is afflicted by the arcane hunger condition:
we get glimpses of it when he consumes an artefact:
he mentions it, too, in his dialogues, but it's very much downplayed by gale or phrased in such a way that is meant to overplay it with humour, or perhaps even to distance himself from it by using metaphors:
that is until we actually get to see it through his eyes, if only for the briefest of moments:
*Its teeth, its claws, it's unstoppable as it digs through and becomes part of you. And gods, it is ever-hungry...*
gale also has an idle animation where he--quite often--reaches up to touch the orb, perhaps because it flares with pain, like an old wound is wont to do:
(gif by @bladeofavernus)
from the last conversation we have with gale, and after catching all of these little moments of things he says or does with how the orb affects him, we learn that consuming the magic from artefacts no longer has any effect at all. the only solution that tara and he were able to find no longer works:
it would scare him and imbalance him, and it would finally destabilise the orb, make it more volatile.
but what happens in the game after that? the orb becoming volatile enough for the artefacts to no longer have an effect has no consequences at all: you are able to do the tiefling party, all quests in the underdark, the entirety of the grymforge, and, should you choose to do so, the entirety of the mountain pass and rosymorn monastery without an incident at all or any mention of the condition itself/any discomfort or fear it might cause.
there's no urgency here, no follow-up, to what the narrative set up... and then we meet deus ex elminster and the orb is stabilised, and the urgency that came before literally is handwaved out of existence.
what i would have liked instead to happen--or at least to bridge the gap between the artefacts no longer working and elminster stabilising it to be used on mystra's behalf--is the following:
i think it would have been nice to have a scene with gale where we do get to see--on a much smaller scale--him losing control over the orb, have the protag and the companions see what he is trying desperately to keep contained within himself, what gnaws at him, what continues to haunt him.
it could happen perhaps after a particular gruelling and intense fight--and there are enough of that in the underdark and at the mountain pass. it could have been a ! conversation, providing both friendship and romance content.
have the orb act up after expending so much energy to manipulate the weave to the fullest of his abilities, have gale manage to reign it in, but barely, show that it takes a lot of power and effort for him to do so.
that it hurts, with none of gale's metaphors to hide behind or jokes to play it off.
have the audience truly see the gravity of what he is going through.
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The "darling being able to see Sunday's high-Fe social mask and avoids it" is so funny.
Because Sunday probably ends up thinking that you will be someone who he doesn't have to pretend around, he can be more free around you because you can see through him. I can even see the attraction being platonic at first before turning into something darker.
But because you can see through him, you know that there's something dangerous about him under that ethereal, beautiful appearance. There's no way you're getting yourself involved with that. Sunday simply wants someone he can be real around :')
But you keep on running away from him :')
-💅
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My Coronabeth Dominant Twin manifesto is simple and it's as follows: there's no way the twins could have planned for Canaan House.
John requesting new Lyctors wasn't something anyone in the Houses would've expected to happen in their lifetimes with any meaningful probability. This means that when the Tridentarii started the double necromancer ruse, they expected to carry on for life. It was an arrangement that benefited Corona vastly more than Ianthe.
What Ianthe got out of it, as far as we know: Corona would rule Ida, which she isn't keen on (as per NtN). But it also meant that Ianthe signed up for a life in her sister's shadow, with everyone regarding Corona as the perfect heir and Ianthe as the lame spare. Worse, for Ianthe, everyone believed Corona was the better flesh magician (as per As Yet Unsent). There's a lot more in for Corona in this arrangement and a lifetime of mild humiliation for Ianthe. As we see during the reveal in GtN, she was just dying to tell anyone that SHE is the necromantic genius of the pair, actually.
On their relationship with Babs: in GtN, Gideon notices that Babs obeys Ianthe's orders over Corona's. She also notices that Corona looks shocked about this — to me, this means that it's NOT something Coronabeth is used to. Pre-Canaan House, they are equals in their ruse. At Canaan House, it becomes obvious that if Ianthe ascends she'll leave Corona in the dust, and their relationship has to change. I don't think the way they act around each other from Canaan House onwards is at all representative of their relationship back on the Third, and I don't think Babs deferring to Ianthe over Corona is something that has happened often before, if at all.
There's the bit where Corona routinely threatened suicide to get her way since they were teenagers. In NtN she's doing it to save Camilla's life, but she reminisces fondly about it like it was something she did often to get her way, like it was a fun mind game they played with each other.
You've also got Ianthe calling Corona a bimbo and insulting her and whatever, and me arguing that Corona pulled the few strings doesn't make Ianthe good but as things stand I'm much more inclined to believe that, before Ianthe attained Lyctorhood, Corona was the one in charge — and I’m also firmly convinced that she’s using BoE for her own ends, and we’ll see her Fuck Shit Up in AtN.
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