When Ed said “i loved you,,, the best i could” i wanted to scream BUT IT WASNT GOOD ENOUGH, HE DESERVED BETTER AND YOU KNOW IT, YOU COULDVE LOVED HIM BETTER AND YOU KNOW IT

izzy's not the only character that's suicidal but he's the one whose entire arc was focused on him getting better. that's why it feels bad.

Question: I enjoyed s1 OF OFMD, but for various reasons I never actually got around to watching s2 (pick up most of the plot from tumblr tho). What exactly went wrong in s2 that got so many people upset?

Oh, boy. Very long rant incoming.

So, for context, S2 had a significantly smaller budget, which necessitated moving the filming location to union-unfriendly New Zealand, reducing the number of actors/number of appearances of established actors, and cutting down the number of episodes from 10 to 8. In a show where each episode is only about half an hour long, that last one alone was enough to seriously hamper any character development or plot. I am very comfortable putting the vast majority of the blame on HBO because of these financial decisions.

The short version is that Jenkins et. al. needed to address and build on the problems left hanging in S1 while also getting the characters to the end of their character trajectories in case there was no S3 while also leaving room for additional episodes in case there was a S3, in a grand total of four hours, and failed.

The long version is that there were a bunch of what I'd consider small problems in isolation that came together and exploded in the S2 finale.

The reduced cast necessitated breaking up the crew (ex: having Swede marry Jackie and stay on land with her, so they don't need to pay Nat Faxon for all eight episodes) and not spending as much time on their relationships as S1 did.

The reduced time meant that the entire season was rushed (in contrast to S1, which takes place over at least several weeks if not months, most of S2 takes place in roughly five days), leading both to a lot of telling rather than showing (because they don't have time to show you), including vital character and relationship development.

This includes:

Having the Kraken half of the crew beat Ed to death after months of being abused by him – abuse that is clearly shown to have given them PTSD and a well-justified fear and hatred of him – only for them to be okay with him two in-universe days later;

On that note, having Stede dismiss the crew's concerns about Ed because he loves him and also we only have three more episodes left to fit in everything so we need to get over it really fast, even though Stede is supposed to be well-meaning and caring (even if he's not good at it all the time);

Resolving the issue of Stede abandoning Ed in one day, then having them "go slowly" in their relationship for two days and then have some spur-of-the-moment sex, and then the next afternoon have them break up over their diverging career aspirations, and then the day after that resolve that problem and retire on land while the rest of the crew sails off into the sunset;

Stede becoming a fantastic pirate captain over the course of one day, becoming wildly popular in the piracy world two days later, and then deciding the day after that to never be a captain again because he is retiring with Ed;

Having Ed and Stede decide to retire together as what is implied to be the end point of their relationship arc, when none of Stede's issues from S1, like his poor self-esteem, have been so much as mentioned by anyone, implying that he's either magically gotten over them or they don't matter all that much, actually, even though they were the catalyst for basically everything he did in S1;

Ed having two separate character crises – "I am an unlovable person" and "I want to do something with my life other than piracy" – not spending a lot of time on either one, having moments that clearly indicate he is still working on both problems and they have not been resolved, and then apparently having them both be resolved in the final episode despite nothing occurring to actually make that happen, and in regards to the latter, despite the story actively undermining it by repeatedly showing he can't do anything other than piracy;

Related to the above, Ed ending the series as allegedly being loved by the crew as a family (thus solving Crisis #1) despite this never actually being shown, demonstrated, or even fucking alluded to onscreen. If anything, it shows the exact opposite.

This last point is especially galling to me because of what is probably the most divisive issue in the fandom right now: killing off Izzy Hands after giving him seven episodes of character development.

The show begins with the Kraken crew clearly trying to use the skills they learned as part of Stede's crew to cope with their incredibly shitty situation and care for each other, which includes Izzy. Izzy, on his end, tries to protect the crew and speak up for them, which results in him being repeatedly hurt (both implicitly, as Ed at one point says "that's another toe" in response to Izzy advocating for the crew and we later see he's missing more than one toe already, and explicitly, as Ed shoots him in the fucking leg in front of the crew when he stands up for them).

This camaraderie is shown again and again and again. Frenchie, Jim, and Archie take care of Izzy while his leg is infected, at risk to their own lives. Izzy's misery over losing his leg is what unites the PTSD-ridden Kraken crew and the well-meaning-but-ignorant-of-PTSD marooned crew, who are initially at odds, to make him a new prosthetic leg. Izzy gives Lucius advice about forgiving Ed. Izzy is introduced to drag and opens up enough to sing at a crew party, and the whole crew is having fun together while Ed and Stede are in their cabin having sex for the first time. Izzy gives Stede pirate captain lessons and bonds with him when Ed leaves him. Izzy provokes the season's villain into focusing on him and then gives a big speech about how piracy is about belonging to something, giving the rest of the crew time to try to escape.

Recall that Season 1 had some pretty well-established universe rules, one of which was that it runs on Muppet physics/magical realism. People can jump off yardarms, hit the side on the way down, and be perfectly fine. People can get stabbed in the liver and it's totally okay because it's probably not that important, and even can stay pinned to a mast all night that way with only mild discomfort. Buttons can talk to birds and see long distances without a spyglass and put hexes on people. Good people can be hurt (Stede is stabbed repeatedly), bad people can die (the Badmintons, Geraldo), but no one we care about is ever killed.

This is repeated in Season 2: Ed is beaten into a coma with a cannonball and wakes up like Sleeping Beauty after a spirit journey, with no injuries to his face or body. Buttons turns into a seagull after spending an episode doing a magic ritual and is never seen again (because they couldn't keep paying Ewen Bremner due to the budget cuts). Jackie microdoses her husbands with poison to build up their immunity, so that she can later pull a Dread Pirate Westley and poison the British with shared drinks.

So: in the finale, the villain of the season is taken hostage by the pirates (for reasons? unclear how that fits in the plan), happens to have a gun on him (no one checked??), shoots Izzy on the right side and then leaves with no repercussions. The entire crew stands around silently doing nothing while Ed cries over Izzy and tells him that he's his only family.

And Izzy fucking Hands, the guy who just spent eight episodes bonding with and protecting everyone, uses his last words to reassure Ed that him becoming Blackbeard/the Kraken was Izzy's fault and that the crew is Ed's family and they all love him. No one else says anything to Izzy or tries to comfort him or help him in any way.

I repeat: in a show predicated on the idea that bullies and bigots die stupid deaths while queer people and POC are basically magic, a show that was praised for being kind to queer people by not making them worry about their faves suffering or dying, a show founded on the strength of the relationships between the characters, the guy who went through a season-long arc of learning to embrace his pirate found family and his own queerness is shot for stupid reasons on the side we're told isn't important and dies while everyone just stands there. His last words are about the whole crew loving Ed when the only person that the whole crew has loved all season is him.

Anyway, never mind all that, let's cut to Lucius and Pete getting married and Stede and Ed retiring!

Complicating all this is that people who liked Izzy (or even said anything insufficiently mean about Izzy) were harassed for months in between seasons with insults, slurs, and actual fucking death threats. Izzy's growth was kind of a vindication for liking him: it meant that, despite all the harassment, we were right to like him and care about him as a character. Even people who didn't like him initially started to like him during Season 2.

And then he dies, and now there's a bunch of people saying that Izzy fans are big whiny babies who can't handle fictional death, and actually his death was so meaningful and beautiful and the only logical end to his arc, and it can't be bad writing because people die in real life all the time, and also he admitted he fed Ed's darkness so actually he was a terrible person all along anyway and they were right to hate him (and his fans)!

So, yeah, there are a lot of reasons why it's so hated, and I'm probably only addressing the problems of the pro-Izzy people (from what I can tell, BlackBonnet shippers who don't like Izzy think Ed and Stede's relationship is fine and dandy, but I'm sure that there are other criticisms they have that I have not addressed). I'm not even addressing the issues with Jim and Oluwande's relationship this season (and whooo boy are there issues).

It wasn't a universally bad season. There were episodes I really loved and still do. But the finale was a train wreck, and because it was a train wreck, a lot of people are looking back at what happened before the wreck and realizing that, oh, the train lost its brakes and steering because of the budget cuts and the engineers kept throwing fuel in the engine to make it go faster, and huh, now that I think of it, that part earlier in the trip was really wobbly but I didn't pay much attention to it at the time because I was sure the engineers had everything covered.

Okay. My thoughts on the Our Flag Means Death finale. Obviously I'm not very happy with the ending, though I'm also not as upset as some people are. I would say I'm discontent. Unsatisfied. Too aware of how it could have been improved, and a bit bitter that we didn't get a better version, but I also don't hate what we did get.

I know a lot of meta has attributed the problems to a shorter season, and absolutely I would have loved to get 10 episodes instead. I would have loved 22 episodes! Why don't we do that anymore? But I don't think the 8 episode length was the ultimate problem. A) The showrunner and writers knew they had only 8 episodes, so they needed to choose a story that fit into that length, but even more importantly, B) my problem is not that they had too much story for too little time, but actually that they had plenty of time and chose to fill it with too little story.

As I've sat with it over the last few days and thought more about the season's arc, it feels to me like we got eight episodes of filler. Filler episodes can be great! Filler episodes can have some of the funniest lines, the greatest scenes, the most intriguing ideas. But filler episodes do not progress character arcs or major themes, and that's exactly the problem this season had.

The only characters who got arcs this season are Izzy, and to a lesser and more rushed extent, Lucius. Which sure is a choice.

Ed and Stede and their relationship did not meaningfully change from S1. (Okay, yes, they had sex, they said I Love You – but these are external changes, not internal. They don't represent character growth. Stede realized he loved Ed and was telling everyone back in 1x10. Ed clearly would have slept with him in S1 if they'd had a little more time.) Ed and Stede in 2x08 are not different from who they are in 2x01. If Ed had asked Stede to be innkeepers in 2x01, does anyone think Stede wouldn't have immediately agreed? One of the big moments in 2x08 is Ed reading a letter that Stede wrote in 2x01! Stede's exact words from the very beginning of the season! What better way to underline that none of the subsequent seven episodes had important growth or changes?

Another one of 2x08's big shippy moments is Ed and Stede running to each other across a beach – deliberately paralleling the dream Stede had in 2x01. What are we supposed to take from this parallel? My original thought was that we're supposed to see how different the real version is from the dream, but there's honestly not many differences. Neither one has a beard, now? The dream mocked how Stede knew they needed to have a conversation about their relationship that he wanted to avoid, but they don't have a conversation in the "real" version either. They exchange about two sentences (which includes Ed's I Love You, yes, which is a big deal but still isn't a conversation) and then they charge right back into the fight, without discussing anything like Ed abruptly dumping Stede to go be a fisherman, Stede killing Ned Low when Ed asked him not to, their differences of opinion on being pirates, if having sex was a mistake or if that's only a thing Ed said because he was panicking, etc etc. They have just as many issues to address as they did in the dream, but just like the dream they act like everything is magically okay without talking about it!

So I think we're meant to take the beach-run parallels as "here's what Stede's been wanting, and after waiting for so long he finally gets it". Which is fine, a very sweet take-away for a finale. But it underlines what I'm saying is the problem of the season: Stede has just been waiting for eight episodes for his dream to come true. Not changing. Not growing. Not doing anything to bring the dream about, other than trying to get himself and Ed into the same physical location. Just... waiting.

This is an extra surprising development, because the show was really good at giving Ed and Stede character arcs in S1! Ed and Stede in 1x10 are significantly different than they were in their first introductions. Also, just to preempt some criticism, by 'progressing' I do not mean 'wrap up literally every loose end and make a firm final ending' – S1's finale is an excellent example of both moving the characters forward and leaving a ton of room for future stories. I wasn't expecting for 2x08 to show us a Stede and Ed who were perfectly on the same page and would never again have a problem. I was expecting them to be somewhat different than they were in 2x01, and I just don't see that.

Instead of arcs, we got little pieces of single-episode growth here and there that never added up to an overall whole. The season brought up a ton of potential arcs for Ed – violence, piracy, guilt, suicide, daddy issues, self-loathing, apologies, redemption, his tendency to idealize escaping into a different life – but didn't do anything with any of these options. Stede had nothing resembling a season arc at all.

Stede works to improve as a captain! Stede kills someone and has regrets! Stede confronts Ed's dark side! <- All potential arcs, but none of which lasted for more than an episode or had consequences. We don't even know what the ending means for Stede: does he want to be an innkeeper because he failed as a pirate in 2x07? Because piracy was always just a displaced search for love, and now that he has love, he doesn't need piracy? What does the crew of the Revenge leaving mean to him? Stede's understanding of their new arrangement literally happens off-screen and we're left to fumble at guesses for its significance to him as an individual.

Ed and Stede's last big conversation in the season is their break-up fight in 2x07, which is a shocking way to send off your main couple in a rom-com. Yes, there's the I Love You on the beach (again: two sentences) and the brief 'let's try to be innkeepers' conversation at the very end, but that's it for them in 2x08, except for their inclusion in some brief large group conversations about their fighting skills and the plan for escaping the British. How can you end your rom-com with the main couple exchanging only a paragraph's worth of dialogue in the finale? None of the stuff was brought up in the fishing fight in 2x07 is ever addressed at all!

Again, I don't think this is solely a matter of time crunch. Instead of using the eight episodes to progress the two main characters, we got a bunch of filler episodes that used the time in amusing side tangents instead of forward progress. I don't think that's the inevitable result of having to work with eight episodes.

Look, I can come up with a better Ed/Stede relationship arc without needing more episodes, and despite only thinking about this for a couple days and not having an entire writing room to work with:

(Note: this only addresses the Ed/Stede relationship. It doesn't fix Stede completely lacking an independent character arc and Ed having about ten thousand of them, none of which went anywhere.)

In 2x05 to 2x07, I would make Ed's motivations in their relationship very clearly that he's pushing Stede away so he doesn't get hurt again. Basically play up Ed's comment about "I was all in" in 2x04, and make him determined not to get 'all in' this time around. This aligns the "let's take it slow" conversation in 2x05, the "sex was a mistake" in 2x06, and Ed running away to be a fisherman in 2x07 into a single arc. He wants Stede, but he's afraid of what that wanting will do to him. He's trying to find a way to have a relationship without making himself vulnerable. He keeps pushing off commitment and openness.

Then, in 2x08, I'd make it more explicit that Ed thinks/fears Stede is dead when he sees the pirate ships burning. I think it's subtext in the episode as-is, but give him a line or two to make it really clear. Ed and Stede still see each other on the beach, have their dramatic run to each other, and Ed says, "I love you". Now this moment is Ed acknowledging his love, exactly what he's been avoiding for the last three episodes.

Near the end of the episode, Ed and Stede have a conversation where Ed says something like, "I didn't want to get hurt again, I was afraid of the risk of falling in love and you leaving again, but thinking you were dead made me realize that never loving you would be worse" (but better written, ha, this is a tumblr post that's already too long). (Also possibly you could tie in Izzy's death here to underline both Ed and Stede not wanting to lose another person they care about, if we must have that plot point for some reason.) We actually get to see Ed asking Stede to come be innkeepers with him, paralleling asking him to run away to China (and paralleling NOT asking Stede to a fisherman), Stede voices some of his worries (paralleling him keeping them inside in 1x09, but also giving him a chance to explain what piracy and love mean to him and why he'd give up one for the other), but ultimately they agree that they at least want to try.

This both puts them into a much clearer place for a happy ending, has clear growth from S1 and the beginning of this season, but also leaves open a ton of room for S3, because welp, it turns out trying to have a relationship entails all sorts of problems! Especially with these two. It also would make me feel like they'd at least addressed some of the issues between them.

Right now I feel like S3 will have to spend at least the first few episodes running through exactly the same "don't talk – break up – get back together dramatically" arc that Stede and Ed have already done twice but have never discussed and never learned from. I liked it, but I don't need to see it yet again. That will – ironically – feel like yet more wasted time, more episodes that are just churning through beats without moving the characters forward. I wanted them to have new, different fights in S3, but now I don't even feel like they've made enough progress to have a fresh set of problems.

I saw a take recently that Izzy "got shot while standing up to Ed to protect the crew," and I've been living in perpetual bafflement ever since.

The idea that Izzy was somehow "protecting" the crew from Ed during the Kraken thing, I think, was already deeply flawed. The crew do not need protecting from him; he's not some randomly violent animal, and until he decides he's ready to push a mutiny to commit suicide, the crew are never in danger. Izzy is the only one who Ed hurts, and it's very transparently because Izzy pushed him into this state in the first place. He said he wanted Blackbeard; he's getting Blackbeard, and given how triggering violence is for Ed, Ed is very clearly the victim here. There's not a point where fighting back against abuse means you somehow flip around to being the instigator, but at least I can kinda see where, if you were already determined to read Izzy as the victim here, you could find the protection read.

But during the scene where Ed shoots Izzy? Like, yeah, pointing a gun at the crew was deeply shitty and Ed shouldn't have done it, but this is the scene where his suicidal behavior goes from passive to active. He's just had Izzy call back Stede's mantra, which we know Izzy was trying to actually use to encourage a conversation, but the last time Ed talked about his feelings, Izzy threatened him. He has to feel like he's slipping and being mocked, and then he takes it in front of everyone and points a gun under his own chin. He is so obviously trying to work up the nerve to shoot himself and it's very upsetting!

Izzy shouting at him and continuing to blame Ed's feelings for the situation are not what you'd see from someone trying to protect the crew. I genuinely do not think Izzy cares much about the crew at this point - that's important character development that comes later after they help him despite his history of dickishness. It's much easier to read this scene as Izzy, once again, trying to control Ed's behavior and failing to see him as a person with feelings, and when he blames "Ed's feelings for Stede Bonnet," Ed shoots him.

I think the protection idea takes away so much of Izzy's character development. He doesn't care about what happens to the crew at this point, just like he didn't last season, and pretending that he does takes away from how he grows throughout the season.

No Nut November - Slash

A/n: This is my personal favourite but that might just be because Slash is my favourite, him and duff... might have to write something with the both of them...

Warnings: Smut, no nut November, oral sex(f receiving), fingering(f receiving), cum eating, slight breeding kink??, if you think I missed anything please let me know otherwise enjoy the final part to this short series :3

Intro

To be honest, he had no idea what the bet was. He tuned everything out and didn’t think twice about it. Axl called him later and told him no fucking before Steven. That made no sense to him and he just went home to go about his time.

When he got home he tried to explain it to you over dinner. Which was hard when he didn’t know what he was talking about in the first place. He managed to get the point across about not having sex for the month of November, you were upset but given the circumstances let it pass. You didn’t want to be missing out on a whole month of sex, however something you hadn’t thought about until the next.

You were downstairs making breakfast, as per usual because your manchild doesn’t know how to cook. Frankly you don’t want him to try, you like your house nice and not burn down. You were getting the plates set up when you remembered you had to go out of town for a family thing.

You rushed upstairs to your shared bedroom and found Slash stretched out over the bed. You gently shook him awake and told him about it. “So even if we wanted to do something we couldn’t!” You exclaimed. Slash stared at you blankly, clearly not awake.

“Alright.” He mumbled and face planted into his pillow. You smiled at him, brushing his hair out of the way and giving him a kiss on his forehead.

“Breakfast is ready, by the way.” He groaned.

You went about your day as you usually did, taking some time to pack your bags. You crawled into bed with Slash and he curled up nice and tight to you for a last night together before you left in the morning, likely before he’d wake up for breakfast.

Since you weren’t home for the majority of the month this challenge was easy for you. Slash called whining about it to you more than once but nothing ever actually happened, more often than not one of you would end up talking the other to sleep which was more than welcomed.

When you got back it was between him and Izzy but that was quick to end. Slash came home tired and hugged you from behind while you were cooking. “Izzy’s out.” He mumbled into the crook of your neck.

“Oh, yeah?” You responded. “That means you’re the only one left, right?” Slash was silent for a moment as he thought about it. In the end he never did give you an answer.

Slash dropped to his knees behind you and pulled your pants down. “When the fuck did you get these?” You looked down at him, cheeks red and brows raised in confusion. Slash shook his head and tore your panties off of you before forcefully spreading your legs and licking your flushed cunt.

You abandoned your cooking, turning the stove off while you could as Slash’s tongue worked tirelessly between your folds. You gasped at the feeling, holding onto the counter as he held you down on his face. He sucked your clit and dipped his tongue into you, eating you up so deliciously you could’ve cum right then and there.

Slash pulled back and stood up behind you, harshly bringing you to the island behind you so he could bend you over it. He pulled himself out of his jeans and gave his cock a few strokes as he stared down at your ass. “Been waiting too long for this.” He gleamed in that soft, raspy voice of his before pushing himself all the way into you.

He groaned loudly behind you while you let out a high pitched whine against the cold marble under you. He didn’t waste a single moment before pounding into you, gripping your hips with a bruising hold.

Oftentimes Slash wasn’t quiet, especially when he was needy or pent up and right now he was both. The house filled with echoed sounds of skin slapping on slick skin, your whines and Slash’s grunts and moans.

Your body bounced up and down the island surface with every thrust. Slash couldn’t take his eyes off of where your bodies met, where he disappeared into you before pulling out and pushing back in. He watched in pure amazement as you took him all in with ease.

“Slash! Slash, ‘m gonna-gonna cum!” You whined, hands twitching as your body quickly lost control of itself.

“Fuck, me too, ‘m gonna cum inside.” He said and with a few more thrusts he sent you over the edge. Your body quivered as you squirt on his dick. Slash followed you over and came inside you, coating your gummy walls in a thick layer of his seed just as he said he would.

Of course he didn’t even think to give you a moment to recuperate. He pulled you up and spun you around to face him, crashing his plump lips against yours. You could still taste yourself on his tongue as it danced with yours, saliva mixing together and dribbling down your chin in his haste to feel good.

He groped your body, ass, chest, whatever he could reach. He pulled you tight to him and tugged on your skin, slapping your ass and shoving a finger or two into you just to make you squirm. He hoisted you up onto the counter, lined himself up and slid into you, getting into a rhythm and hitting that spot in you that had you seeing stars.

Fuck, you loved the way he made you feel. His mouth never left you as he rut into you like a dog, desperate for release once more. He was a whining mess as he got closer, in turn bringing you closer as well.

You moaned loudly in his ear while he sucked on the sensitive skin of your neck. One of his hands was buried in your hair, tugging on it gently, while the other went to rub your clit, overstimulating you a bit.

You gripped his shoulders. Your nails dug into his back and without warning he came in you again. He paused for a moment, cock still stuffed deep inside of you as he processed what just happened. Once he had, at least mostly, he continued fucking you. He’d lost any sense of rhythm and you were sure he was overstimulating himself at this point so you gently pushed him back.

“‘M ok, Slash, don’t have to keep going.” You assured, though you weren’t thrilled with the idea. Slash stopped again and pulled out and went back on his knees. His lips suctioned to yours as he ate you once more, though now he was licking his own cum out of you. He didn’t seem to care, all his mind was set on was making you cum and when his lips latched onto your clit and sucked, his tongue swirling around it while he looked up at you with the sweetest puppy eyes you couldn’t help it.

You squirted on his face, your cum mixing with his as it hit his chin, getting in his mouth. He didn’t pull away until he was sure you were done.

He stood up and wrapped his arms around you, burying his sticky face in the crook of your neck. He pulled you off the counter but your legs were shaking so bad you couldn’t hold yourself up. Slash wasn’t in much better condition and slowly lowered the both of you to the ground so he could hold you properly.

What feels most insulting about being told that Izzys death made sense or was an appropriate end to his arc is the fact that it essentially disregards every reason we are upset about how his character was portrayed and sums it up to us just being upset that our favorite character died.

Because it's not that. I mean yeah, we are upset he died, but specifically it's not only how he died, but how the show handled it. Izzy was not just some lovesick puppy pining for Ed, and he was not some hard ass asshole forcing Ed to do the things he did. He was a survivor. A survivor of Ed's abuse, of betrayal, of love that morphed into a desperate attachment to a man who gave him so little when Izzy was the very thing keeping his world still spinning.

Izzy was important to people because of this, and so much more. He represented healing, self acceptance, growth, love. To see a character who was beaten down and thrown away for so long get to see a glimpse of what it was like to actually be his own person, to be cared about and see family in someone who didn't hurt him, only for him to be killed by something that every other character in the show never would have been killed from. Every other character time and time again got to survive what would have logically killed them, and yet Izzy dies from being shot in a scene you only see for a few seconds. Because it's clear to me that the whole time, he was always meant to die. And that's the problem.

The way Izzy's place is Ed's life was written almost paints him as being at fault for his abuse. He tells Ed he "fed his darkness" as if that puts him at fault for Ed literally physically abusing and mutilating him. He is treated as nothing more than a plot device to further Ed's path to happiness. A survivor of abuse dies so his abuser can move forward and heal. Izzy sits rotting in the dirt under the very home Ed gives Stede the love Izzy so desperately wanted.

I also think boiling Izzy's character down to him having an unrequited love for Edward brushes over the reason Ed is so important to him. Izzy forged his entire self around Blackbeard. He was nothing without him. He loved him and saw him as family and Edward didn't give him the time of day. He sacrificed so much of himself so Blackbeard could thrive, and what did he get in return? When Izzy realized he saw the crew as family, that was a very big moment for his character. He finally realizes that he is loved. And then at his funeral, we get all these reactions to his death from the crew that are just so out of character. The whole season was about how the crew was becoming accepting and loving of izzy and literally protecting him and then when he dies they just, what go off and seemingly forget about him?

Izzy deserved better. And we aren't mad because he died, we are mad because such an important piece of representation for so many people was so blatantly thrown away and disrespected.

A word about Izzy’s grave.

I’ve seen a lot of people upset that Izzy wasn’t buried at sea, or that he wasn’t buried with his leg and ring, and I want to offer an alternative explanation in case it can bring some comfort. Maybe I’m just deluding myself, but I can’t function if I feel nothing but pain about this, so here I am trying to turn…well, you know.

First, the choice to bury Izzy on land. For that, I want to talk about the swallow tattoo.

In a traditional nautical context, a swallow tattoo has a few meanings. The one that I think this whole fandom knows by now is that it represents 5000 nautical miles sailed. Totally makes sense for Izzy to have this tattoo- it’s practical, it allows him to subtly brag about his skills, and the fact that it’s on one of the few pieces of skin he generally shows bears that out. Izzy has sailed at least 5000 nautical miles, and he wants anyone he meets to know that.

But there’s a couple other meanings too.

A swallow is migratory. It travels great distances, and returns to the place it makes its nest. By getting a swallow tattoo, a sailor is essentially praying that they, too, will be like a swallow. That they will travel far across the sea, but ultimately return safely home.

And failing that, if a sailor drowns, the swallow will fly their soul up to heaven.

You notice the theme in both these prayers? That they don’t end with the swallow in the ocean.

All birds, even sea birds, need a solid place to make their nests. The type of bird that never touches ground, that’s born in the air and never once touches the land? That’s not a type of bird that can actually exist, captain.

I go back and forth on whether I think Izzy, sentimental bastard that he is, knew about or considered these meanings when he got that swallow tattoo. But however you consider it, the swallow represents the sailor’s journey. And a successful sailor’s journey doesn’t end with the sailor at the bottom of the ocean. It ends with them at home.

Izzy is buried at Ed and Stede’s nest, because his sailor’s journey is over. He was a sailor, but he’s not anymore. He’s retired.

Second, the grave itself. I’ve seen people upset that they took off Izzy’s effects rather than bury him with them. Now, I’m sure my own perceptions color this. I’m fairly unsentimental when it comes to the actual, physical handling of the dead. I don’t believe the dead care what is done with their bodies. Obviously you’re going to feel differently based on your own experience and culture, and I respect that.

But here’s what I think the crew were thinking.

You notice something about the grave? No headstone. And honestly, why would there be? Most pirates can’t read. You put a traditional headstone on that grave, and nine out of ten people who have reason to care about the person buried there won’t know what it says. But an unmarked grave doesn’t feel right, nor does an anonymous cross. I challenge anyone who’s upset about the way Izzy was buried to tell me that an unmarked grave would have made them feel one whit better.

Pirates recognize Izzy. They know who he is. The sword, the ring, the wooden leg- this is how you write “Here lies Israel Hands,” in a language every pirate can understand.

Look. I don’t by any means think the show handled this death perfectly. And for those of you who are enraged to the point of hating the show now, I don’t expect this to make you feel better. But I suspect a burial at sea, or an unadorned cross, wouldn’t have made it any better either.

This is how I try to feel better. Because I can’t just be heartbroken. I can’t do it. And honestly the part of this that hurts the most is watching people who shared in my joy of this show say they hate it now. I’m sure I’m giving the writers and showrunners too much credit- I think the death looked and felt the way it did because they were pressed for time and took the quickest routes they could. But I need to be something other than angry about it, so here’s how I try to do that. I hope it helps someone else.

Ok so apparently there's a new Ed is abusive argument cropping up that's like taking us arguing that Ed's not a domestic abuser in a vacuum and arguing "but he abused his crew" as if that was the take that people were arguing with but I do actually want to address that take because it's also straight up not true either.

Like we have been repeatedly told you what business as usual for a pirate ship looks like, and it's not what Ed is doing. Stede opens the show with floggings and keelhaulings mentioned as standard practice. His crew doesn't take him seriously at least partially because he doesn't do those things. In 1.08 we get the first mention of captain Hornigold as having stabbed and beaten down Jack and Ed and having treated them worse than dogs. Episode 9 we get captain Izzy and what's the first thing he does? Threatened to withhold food for a whole week. Then we meet Hornigold who reveals that a punishment on his ship was a crab clawing through your stomach and that a standard threat was skinning a person and feeding it back to them.

And what does Ed do? Cuts off his abuser's toes. Shoots him in the leg for having the most gaslighting audacity I've ever seen. But aside from Izzy, in regards to whom I have cell block tango cued up for Ed, what did he actually do?

The first time someone expresses discontent is after the wedding raid which I think is probably towards the end of the 89 raids given that Izzy has his breakdown immediately after Ed throws them a cake party, in fact I would guess that it's raid number 88, they do raid 89 in between Izzy getting shot and Ed telling Frenchie they're never going back to land, and then Ed decides to kill himself that night. So anyway, raid 88, they've been doing this for 3 months, and Jim says "Is it just me or was the wedding thing a bit over the line?" to which Archie responds "IDK I've never really been to a wedding before so I have nothing to compare it to." as if she's just happy to be there, and then Fang says "I've never seen Blackbeard like this before," Which establishes that what we're going through right now, the 88 soon to be 89 raids are atypical of Ed's behavior, and then follows it up with "He didn't bat an eye when Ivan got killed" which establishes both why Ivan isn't around and why Fang is so sad, but also might establish that Ed would be upset with crewmembers dying, which is consistent with episode 4 when he yells at Stede that the crew dying is going to be his fault to show him what it's like being Blackbeard.

Then we have the scene where the crew defy Ed. Ed orders them to dump the treasure overboard, because it's fucking treasure. What's Ed's response? To take another one of Izzy's toes so that he looks like he cares about enforcing rules on his ship while not punishing the people actually going against him but instead punishing the guy who low key ruined his life. Then Izzy does his "you can cut off my toes but I need to know that this is a sexual thing for you too" bit and Ed doesn't take the bait until he says a Stedeism. And then he goes out to threaten everyone with a gun, which, you know. Not great but he ends it like this so

you know. something to consider.

and then he doesn't really do anything to the crew until the murder-suicide.

so his list of crimes currently is:

not really giving a fuck about Ivan dying where Fang can see it

Dismembering his abuser where people who don't have the full context can see it (not a crime just a based action that has side effects for the people who have to see it)

waving a gun around in a way that makes you wonder if he's about to shoot himself in the head

trying so so so so so so hard to get people to kill him because he's addicted to outsourcing the big job

Demanding the crew dump treasure overboard (standard practice if Zheng Yi Sao is to be believed)

Overworking the crew a little bit.

When we measure this against the stick of every non Stede pirate captain we've seen so far I think what these crimes amount to is hurting your friends in the process of hurting yourself. And that using the term abuse which calls to mind a very specific phenomenon is one of two things: Melodramatic moralizing (which is the internet's fav thing to do so you know what sure) or demonizing the brown guy in the midst of a mental health crisis.

I honestly think that outside of the murder suicide the only reason anyone had a problem with any of it was because Stede showed them what piracy could be like, that's the whole narrative point right. Stede's doing things differently, in a way that doesn't hurt everyone involved, and nobody wants to go back to the old way, because they're healing from that and Ed stopped healing because Someone told him that if he didn't there would be a fucking problem(wonder who it could have been). Like he's not even flogging anyone be serious.

The first thing I should ever have said about Izzy and the last thing I intend to say until at least October 26th.

[Although I am not Her strongest soldier, so who knows if I will stick the landing.]

So to start with, I was a "late" arrival to the show. I knew it existed of course, but I only occasionally saw things that reminded me it existed. The first time I saw a mention of "grumpy/sunshine" it was with a picture of Ed and Stede, so I guess on some level I knew there was shipping going on, but that was literally all I knew. I didn't even know it involved Blackbeard lol.

Which is all to say that I first approached and watched season 1 removed from basically anything anyone had to say about it. I think what actually got me to watch it wasn't anything anyone had to say either, it was from youtube recommendations? Like I think I had watched a couple Taika interviews or something and ofmd stuff started showing up? So after catching a few clips and intentionally spoiling the kiss for myself (life is too short to be queerbaited) I watched it in April/May 2023, and was Changed by it the way so many other people were. It grabbed me so hard I started looking for fics, and when fic grabbed me even harder I became a regular tumblr user for the first time ever in June 2023.

What I didn't do, before the second half of 2023, was care particularly much about Izzy Hands.

I remember describing him as psychologically fascinating to the first IRL friend I talked to about the show, and joking that he just needed a good dom. As much as his decision to call in the navy was a threat to Stede's and Ed's lives, I saw his actions as part of a thing needed for the story, and while I knew he was one of the season's villains there wasn't really any heat behind that assessment.

For me he was there to set things in motion, and to serve the narrative in certain ways, to be a foil, more storytelling tool than man. That doesn't mean I didn't think Con did an excellent job adding layers to him, he absolutely made Izzy take up space and feel more present and textured than he otherwise might have. But when I began to zoom out and consider things on meta level, Izzy existed to do a certain thing or occupy a certain place in relation to the narrative and other characters more than anything else. And that was fine.

Then I started reading meta here, and found myself surrounded by passionate conversations about Izzy from many directions occurring with an intensity that I couldn't wrap my brain around. I saw people tying themselves into knots to justify and excuse the behavior of a textual antagonist, and I was baffled and because I still saw Izzy for what his role in the narrative was, it literally made no sense to see his behavior explained away. In the framework I brought to the fandom when I first arrived, trying to explain away Izzy's behavior would be like looking at a forest fire and trying to explain away processes like combustion and oxidation. Or if you'll allow me to borrow another extended, nature-based metaphor from a fic in an entirely different fandom:

Again, because from where my head was at, it didn't make sense to look at Izzy's morality as a zero sum game because in this metaphor, he was functionally just a brackish body of water. I'm not saying the morality is brackish, I'm saying the morality was literally not the point because like an estuary, an antagonist "must exist" because antagonists exist for specific reasons directly related to storytelling goals.

So there was no real heat behind my feelings about him or his actions, beyond the natural emotional reactions we have to characters and their behaviors before we zoom out. I was of course upset with his treatment of Lucius, which was targeted compared to other members of the crew. I was annoyed with the way he talked to and about Ed. I laughed when his plans had the equal and opposite results of what he intended, which you could argue happened with every single plan he made for the entirety of season 1. And yes, especially as a Black person living in the US, I felt the fear and betrayal that comes from seeing someone call the cops (which given the show and its writers, it does not feel like a stretch to describe calling the navy that). I wondered if there was any coming back from a choice like that, which is a big overriding question for the series as a whole.

I'm not here to debate any of the points in the previous paragraph. I know how I feel and you feel how you feel and there's already been so much said about the morality of it all by people who have explained themselves well, so let them convince you or not. Instead I've been trying to talk about the two sides of my experience before and after getting into the fandom with Izzy.

Before: Izzy Hands, Narratively Useful Antagonist Portrayed Compellingly And Effectively by Con O'Neill.

After: Izzy Hands, Unfortunate Avatar Of The Sadly Common Tendency For Certain Fans To Hyperfocus On A White Antagonist Or Secondary Character When There Already Exists A Protagonist They're A Foil Of (And Also It Looks Bad TO Do That When The Protagonist Is Someone With A Marginalized Identity).

I'm not here to argue the merits of those assessments either, because that's not the point. The point is the vast gulf between them and how the latter does such an incredible disservice to the Izzy we were given and that so many people claim to love. The latter comes from a place where morality is the focus, which I'm sorry y'all, feels like it originates with people who refuse to countenance Izzy's role in the story as well as his characterization.

Viewers who were willing to see Izzy as an antagonist, who don't view the word "antagonist" as a value judgement in and of itself, who don't think that finding an antagonist charismatic or compelling means anything about their own morality, those people can look at the show we were given and take it for what it was made to be. I'm not saying that it's only the Izzy stans (not enjoyers, not jar people) who start fights or that people who understand that Izzy is an antagonist don't also have deep morality related feelings about him and his actions in the first season. What I am saying is that sanding off Izzy's rough edges and trying to make him into something he isn't poisons even the possibility of having a discussion about him because people enter the conversation with two completely different understandings of reality. If you cannot accept the job that season 1 Izzy was given to do to move the story along, well you might as well have watched a completely different show for how much that fanon Izzy has anything to do with the canon one.

This show deserves better than that. The writers deserve better than that. Con O'Neill deserves better than that. Israel Basilica Hands deserves better than that. We all do.

☆ 𝐆𝐍𝐑 𝐋𝐈𝐕𝐈𝐍𝐆 𝐖𝐈𝐓𝐇 𝐄𝐀𝐂𝐇 𝐎𝐓𝐇𝐄𝐑 𝐇𝐄𝐀𝐃𝐂𝐀𝐍𝐍𝐎𝐍𝐒 (+𝐁𝐋𝐔𝐑𝐁𝐒) 𝟐 ☆

people included/mentioned; izzy stradlin, steven adler, axl rose, duff mckagan, slash, led zeppelin (mentioned)

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☆ izzy is actually pretty talkative when he’s with his friends. i'm just sure he's camera shy when it comes to talking or sth like that.

☆ slash and izzy are the picky eaters. izzy will eye something he doesn't think looks good and will try it before deciding rather he likes it or not; slash lays one look on it and decides it's the worst food in the world and that he WILL NOT take a bite.

☆ steven will occasionally make him and izzy match stuff for fun. izzy isn't amused at all, but whatever makes stevie happy makes him happy. (bracelets, shirts, pajamas [around christmas/halloween], etc.)

ex: "steven...are you being serious?" izzy took the christmas pajamas into his hands, looking at them. "yeah...why?" steven looked at him, looking a little upset by izzy's hesitation. izzy huffed and took the pajamas into the bathroom, putting them on. "what...the fuck.." izzy looked at himself in the dirty mirror, almost laughing at himself. he walked out, meeting steven in the living room. ex: "steven...are you being serious?" izzy took the christmas pajamas into his hands, looking at them. "yeah...why?" steven looked at him, looking a little upset by izzy's hesitation. izzy huffed and took the pajamas into the bathroom, putting them on. "what...the fuck.." izzy looked at himself in the dirty mirror, almost laughing at himself. he walked out, meeting steven in the living room. "you happy now?" izzy sarcastically asked the blonde. "yes! izz, we look so good!" steven excitedly jumped up. "woah-" slash slightly widened his eyes as he walked out of his and axl's shared bedroom. "shut up, no more words." izzy pointed a finger at the curly haired guitarist. slash held back a laugh, grabbing something from the fridge. "into the christmas spirit or something?" axl asked, sitting on the counter with a chuckle. "i know i look stupid, okay? it's for stevie and that's it." izzy rolled his eyes. "no, you don't look stupid," steven got up, standing on his tippy toes and reaching behind izzy's head to grab the hood that was attached to the pajamas, pulling the hood up to rest on izzy's head, "you look cute." "i'm glad you think so." izzy laughed softly, not understanding how the blonde found him cute in the pajamas. "yeah, lookin' sexy, izz. i'm even about to pop a boner." duff commented, teasing the black haired man, as he walked out of his bedroom. "i swear i can't stand you guys." izzy huffed, shaking his head.

☆ everyone, except izzy, has definitely messed up the title of the song 'it's so easy' and said 'it's so izzy' on accident. axl has accidentally said izzy instead of easy while singing in rehearsal too.

the band just got done playing mr. brownstone during practice. "what now?" slash looked up, asking so he new which chords to start playing. axl shrugged. "what about it's so easy." duff suggested. "what?" izzy looked up when he heard his name. "i said let's start it's so easy." duff said. “you said izzy.” “i didn’t. i said easy.” "nope, you said easy." steven said, the sound of his sticks hitting the drums slowly drowned out. "how would you know with all that noise around you, stevie?" slash asked. steven shrugged but went back to playing his drums lightly.

☆ i have a headcannon about when izzy and steven met and how izzy scared the shit out of steven. so, before i tell you: steven didn't know izzy at all, or that he was in the band and only knew axl a little because slash described him as "one of the only redheads around."

☆get ready for a tiny/short ones shot☆

steven, izzy, and axl were at the rainbow because steven and axl were meeting each other so axl could get to know his drummer before actually playing. izzy went with axl, but went straight to the bar, not really wanting to talk to anyone yet. although, the whole time, izzy stared at steven because he looked familiar and was trying to figure out who he was. steven thought the focused look was a glare, and was very much intimidated by izzy; considering he was taller, kept a plain face, didn't really seem happy or enthused by anything around him—and that scared Steven, who had just got into this scene of L.A. "hey, i'm axl. the singer." axl introduced himself, smiling at the blonde. "oh, yeah, slash told me about you. i'm steven." steven smiled back. after a while of talking, izzy came up to axl. "you got a cigarette?" "yeah, just take the box. don't smoke them all, man." axl fished the pack from his pocket and handed it to the pale man. steven tried to avoid looking at him, but couldn't help himself. izzy locked eyes with the blonde, feeling steven's blue eyes on him. "what?" he asked the shorter man. when steven looked away, feeling a little stupid for staring for so long, axl smacked izzy in the arm. "quit scaring him, dickhead. nobody's gonna wanna be in the band if you keep doing that." 'oh, great, so he's in the band.' steven thought. izzy just walked off, not paying much attention to the gingers words to which axl rolled his eyes. "anyway, sorry about him. that's izzy, he plays guitar. he's really not that scary, he just looks it." that didn't help console steven at all, but he nodded anyway. after a while, steven went out to smoke, leaving axl inside to do whatever he pleased. just as he was about to leave, izzy followed, yawning, "i guess i'll go smoke too." steven knew that really nobody liked to smoke alone, unless they were upset, so he tried not to get too paranoid over it; yet, he still couldn't push the feeling away. when he opened the door, it was pretty dark outside except a little beam of light from a streetlight. from the little streetlight, he could tell it was an alley way and that there was a dumpster. steven walked out, holding the door open for izzy and stepping into the alley way. just as he was about to light his cigarette, it was knocked out of his hand as he was turned around quickly and roughly pushed into the dumpster, his back pressed tightly against it. he looked up to be met with izzy's face. holy shit. "do you have a fucking problem with me?" just as those words slipped out of his mouth, steven felt something sharp poke his side. he was gonna die. he was about to be brutally murdered and he knew it, his mouth going dry. "no, no, no, no, not at all!" steven quickly said, trying his best to be calm. "i think you do. i might have to cut you up and put you in the dumpster." izzy got in his face, the same plain expression, but now his eyebrows were slightly furrowed. steven trembled, his knees almost buckling. "i swear i don't have a problem! please?! i don't wanna die!" steven's breathing quickened as he felt his eyes start to burn from tears threatening to spill. suddenly, izzy started laughing. steven looked at him, a little confused. 'is he laughing at my vulnerability?' steven questioned, still looking at izzy with a horrified expression, letting a tear slip. izzy leaned back up, laughing, and steven felt the weapon that poked him ease up. he was genuinely scared and confused until izzy held up what was in his hand, showing in the street light, the cigarette pack that axl handed him earlier. steven sighed, he had really cried because someone pressed the corner of a cigarette pack to his side. izzy clutched his stomach, laughing. "it's not funny." steven rolled his eyes, looking at the ground. after a minute or two, izzy's laughter died out and he put an arm around the drummer, "you're easy to scare. i like fucking with you, blondie." steven still looked at the ground. he was completely embarrassed that he, a 20 year old man, just cried. izzy noticed that tension and felt a little bad.

“you're kickass too..you know? i think you're good for the band." now steven looked up, "really?" "yeah, man. come on, let me make it up to you." izzy started leading steven down the street. "how?" "you want icecream?" "sure." "then ice cream it is."

☆ they share clothes sometimes but don't actually agree on sharing, it just happens and they go with it.

slash was going through the clean clothes, trying to find his shirt, but he just couldn't. he asked izzy and he had no idea, same with axl and duff. slash huffed and just grabbed another t-shirt, slipping it over his head. "slash! hurry! we're leaving soon!" duff called down the hallway. slash met his four bandmates in the kitchen, taking a seat on the counter as everyone talked for a little. slash was going on about something to steven before stopping. "what?" steven asked, confused by his sudden halt in words. "that's my shirt. i was looking for it all morning." he noticed that steven was wearing his led zeppelin shirt. "oh, i can go take it off." steven started for the hallway but slash stopped him with his leg, lifting it from his spot on the counter. "no, it's alright. it's a shirt." slash shrugged. "you sure?" steven looked up at him. "yeah, it's fine." slash nodded. as they were leaving, duff knocked his shoulder into slash's, noticing he looked a little down, "you okay?" "no, i really wanted to wear that shirt." "he said he would change." "i know, but it's whatever." slash huffed. duff laughed.

☆ ☆ slash's mom and dad loved them all as their own and his mother would intentionally be more affectionate towards izzy to try and get him more used to those feelings rather it be hugging, pinching his cheek, kissing his cheek, etc. even though sometimes he looked annoyed, she would brush it off and try again next time. he would eventually get used to it, but it was only okay when she did it and no one else. (except hugs every now and again when he pushed back his "tough guy" thing and gave one of the other members a hug when it's needed).

☆ ☆ whenever a car gets too crowded, slash is always the one who has to sit on the floor. he doesn't even hesitate anymore because everyone usually agrees on him sitting there anyway.

☆ ☆ slash is always the one who says he's fully ready to go but as soon as everyone's about to leave, he rushes to the bathroom cause he has to shit.

☆ slash and duff stay up later and stuff their faces whenever they can. they make a lot of noise too.

"dude, be quiet!" duff whisper-yelled to slash, trying to hold back laughter. slash was trying to get a pan of leftovers out of the fridge, but kept banging it into other stuff and when he finally had it on the counter, set it down very loudly. "i'm tryin'." he whispered back. "like hell you are." the blonde rolled his eyes before uncovering the leftovers; it was green beans. "man, I was really craving those yesterday." duff said, grabbing two forks from the drawer; one for him and one for slash. "pregnant?" the curly haired man joked, taking the fork. "probably." duff shrugged and started eating the green beans with slash. after they ate they put their forks in the sink—except slash stood across the kitchen and threw the fork in the sink, getting a laugh from himself and duff. their laughter was cut off as they heard footsteps, their heads snapping towards the hallway. "do you two dumbasses know what time it is?" an annoyed izzy stood in the hallway, his hair a mess. slash tried to hold back his laughter as duff looked at the stove, "uh..4:27." "4:27 in the fucking morning. you guys woke up the monster and he made me come in here at four. twenty. seven. in the. morning." "we're sor-" "go. just go." slash and duff trudged into their shared room, trying their best not to make eye contact so they don't burst out laughing.

☆ sometimes steven can be so indecisive that it takes him hours to get ready to the point where axl picks out his clothes for him and tells him to change before they literally leave without him.

☆ slash has to stop whenever he see's an animal, causing the rest of the group to get annoyed and impatient—except steven.

☆ slash will literally piss axl off on purpose, knowing how easy it is to set him off and then be genuinly confused what the problem is. bro will be like "what did i do?" while axl's screaming at him.

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- 𝐝𝐞𝐚𝐧 💿🎸🎥👽🎱🎧🥁🎫

Now that it’s been a minute and I hopefully won’t get “kys” comments on my posts, something to say.

I love Ed with my whole heart but he had no business crying when Izzy was dying. And no business crying because he’s his “only family”. For someone who tried to kill him twice himself not weeks ago.

Another thing, I love ofmd with everything I have and I thought season two was amazing, yet I’ll still say the ending sucked. We got a half assed burial for a crucial character that we were forced to fall in love because of all the character grow, and after that immediately the wedding and no one really even seemed to be that fucking affected.

The whole ending was about how much everyone loves Ed. I get that it was a private moment between him and Ed, which Ed had no privilege to have to begin with, but not a single person said good bye or even remotely let him know he was also loved. Because he was, they’re a family, they love each other. Izzy is the father that tried to protect them from Ed as much as he could, even from himself (hence saying “your feelings for Stede Fucking Bonnet” because with Edward constantly being high he might have just fucking shot himself. And Izzy wouldn’t let that happen).

I’m not saying that because of all the growth he did his death meant it didn’t matter, not at all. I’m saying it was poorly handled and made purely for shock factor and just to make it easier. Because in third season we have Stede and Ed and then Izzy doesn’t mix into the equation anymore, does he? With him being in love with Edward letting him go must’ve been a happy ending for them with “no interruptions”. That’s just my opinion. They didn’t even get a chance to sort anything out, to talk about anything except “sorry for your leg” scene. He got literally no closure, something I see often mentioned on here as well.

Izzy got the briefest time to feel actually happy. Imagine becoming a pirate at 16, scraping your way through life with so much violence, then working your ass off for Blackbeard and then here, you find a crew that lets you to just be, well, you. And he didn’t even get to feel that fully.

It was badly timed, the whole thing felt off, and once again, for someone who tried to actively kill and harm Izzy, Edward had no business bawling his eyes out how he’s his “only family”. A few weeks ago you discarded him like trash and didn’t even blink when you thought he was dead. Not saying people can’t change but holy shit balls is that a huge ass change for such short time.

I love Ed, don’t get me wrong, when you live among violence for so long it’s difficult to adjust your moral compass to something WE think is morally wrong or right. However I am saying it simply didn’t make sense.

And I love ofmd I thought second season was amazing, but the ending was not. And I think it’s okay to express something you didn’t like, just because I love it to death doesn’t mean I have to look at it like it’s the hand of god and I can’t be upset about anything.

I don’t think going forward I’ll make any comments on Izzy’s untimely death again, it’s just beating a dead (haha) horse over and over again, I’ve seen these things pointed that already but I talked how his death was fitting (in a way, it was) so now I wanted to say what was poorly handled. Because it was, in my opinion.

If you disagree, please don’t say that I deserve to lose a leg or “kys”, I really don’t think you should be watching ofmd if that’s your reaction to someone online criticising anything. And for that one lucky person who did say that, lucky to inform you, I already walk with the cane, so, half way there!

That’s it. That’s my final comment on this situation, I am slightly disappointed in how it ended but then again it’s just my opinion that means nothing in grand scheme of things. Moving forward I’m no longer commenting on this, only memes and good times.

Take care of yourself and most importantly love your fucking selves.

so.. i sure feel like i invested a lot into a show just for them to not care in the end. and this isn't a 'wah they killed of my fave character so show bad'.

the pacing felt weird, right? i wonder if they wanted 10 episodes but the network only gave them 8? or maybe they just didn't know how to end the show. maybe they're scared they won't get a season 3 and so rushed the end of season 2?

but to build up izzy, to have him talk about belonging to something... only to have him die without anyone telling him they love him. yeah ed said they're family but like. the whole thing felt so sudden, from him being the one with richard to getting shot to dying and then to suddenly haha the silly guitar music is playing guys its funny joke time. like. ed was upset as izzy was dying but then it seemed at his burial that no one really cared. it would have been more impactful if his death had been the final scene of the season.

but wouldn't it have been much better to show izzy finding a family? to have him captain the revenge? to contrast with season 1 and how the crew hated him when he was in charge. to end season 2, end the show, with him captaining the crew and having their respect and their love?

because it really didn't feel like he died for the crew, for his family. because he push someone else out of the way to save them he just got outsmarted by richard (since when is izzy that stupid or not strong enough to hold onto a man?) and got shot. like idk you could have had him die protecting ed or stede or the crew. how on earth could izzy not hold onto a man who's physically weaker than him and how the hell did he let someone else grab his fucking gun. or wait im re-watching it looks like richard just.. grabbed a gun out of his own coat.. i.. did no one search this man and take his weapons off him.. what the fuck.. no im sorry there's no excuse that doesn't make sense for no one to have taken his weapons away that just seems like bad writing.

if you were going to kill him off he deserved a better death.

but he deserved a better ending than this. what's the point of him having this arc of finally caring about people if he dies and it seems no one really cared other than ed and fang?

omg i just read as i'm writing this that jenkins does have a plan for a season 3. okay so now it's only acceptable if con wanted to leave the show so they had to kill off izzy but they still should have done it better. have him fending off the english so the crew can escape. have him taking a bullet for ed. something that means something. omg.

and ed and stede... i don't feel like they're ready for this yet. the only way they should be living together is the end of the show. not the end of a season. they literally only just got back together they need time to grow together.

you really said its a show about people finding love and happiness and then killed off the queer disabled character who got to die while telling his abuser that he loved him. the ending feels like the show saying 'actually not everyone deserved love, if you were an izzy fan you were right to get hate' like. he deserved to be loved by the crew, to be told that they cared. but he didn't get that.

also um?? the crew dont love ed. he literally only just finished torturing them, some of them have ptsd and trauma from what he did to them, and even if they want to forgive him they certainly do not love him yet. they cared much more about you izzy than they did about ed.

and then to have him shot in the left side, the place that ed showed in season 1 was a 'safe place' to get injured i. what.

where the fuck was roach? just watching? not trying to help? does he either not care or not think it's worth trying to save him??

IM SORRY BUTTONS CAN TRANSFORM INTO A BIRD, AUNTIE CAN SURVIVE AN EXPLOSION, JACKIE AND SWEDE ARE IMMUNE TO POISON, BUT IZZY GETTING SHOT IN HIS LEFT SIDE UH OH THAT'S DEATH SORRY.

i love the crew, i love zheng. i like stede and ed's romance but they're never the reason i watched the show. but i found izzy's arc the most meaningful to me. and i. i really don't think i'm going to watch a season 3 if there is one. not just because izzy's not there, but that last episode just felt like they don't care or don't know how to write anymore in a way that i enjoy at least.

to see someone like izzy (who's backstory i thought we would get, at least who the ring belongs too that he wears around his neck but no okay) he disliked because he has to be, he doesn't know how to be soft and be loved or how to love others. to show that a person who has been hurt so much and built themself so hard and buried their real self so far below.. to see that person be able to find themself again, to love others, to let themself be loved, to others see who they are. that meant so much.

so much for this being a happy queer show. for a lot of people he felt like this representation of an older queer man who's just coming out of the closet, exploring himself, there's not another character like that. the disability representation with him this season i've seen has meant a lot of people. his arc isn't the same as any others and a lot of people have found something very personal to connect to in that and i think they have a right to be upset.

to say it makes sense for him to be killed off for the narrative because ed needed to let him go... sounds cruel? izzy is a person, he's not a narrative object to make ed feel better about himself. to have ed abuse izzy, physically abuse him, and then izzy's arc ending with him apologising as if it was his fault (yes he encouraged blackbeard, but please let's not victim blame, let's take male victims of abuse seriously) and saying he still loved ed i just..

to say it makes sense narratively for him to get killed off for other reasons i don't fully disagree, but i think it was too soon, and i think at least it should have been in a way that made sense like him protecting the crew, not allowing richard to STILL HAVE HIS GUN ON HIM DID NO ONE CONFISCATE HIS WEAPONS?? or did he take izzy's gun in which case HOW how would izzy allow richard to take his gun. he's smart and a capable fighter what is this.

i saw someone else say izzy's death had no meaning and no consequence. and they're right. the crew moved on straight away and forgot about him (apart from fang, shout out to fang), and seemed like they didn't care. they aren't seeking revenge. they aren't angry. so it's for.. ed and stede to get together? izzy deserves more than that. and they could have still gotten together anyway... if it's for ed to move on then fuck that. an abuser doesn't get to move on from the abuse he caused because his victim fucking died.

i'd been looking forward to this episode all week after i really terrible week and well. should have known nothing this week was going to plan.

I think my biggest problem with Izzy's death (aside, from, you know. Izzy is dead) is that it felt completely disconnected from the rest of the story. So many things in this episode felt like they had branched from an alternate universe season 2, or maybe a planned season 3 and they'd just squeezed the ending to that in. Which may actually be what happened; why they'd think it was a good move, I have no idea.

In the death scene, Izzy said things about needing Blackbeard to exist because it was both of them, that he had been encouraging Blackbeard to exist for years, etc. That's interesting and everything but where is it in the text? You can extrapolate from season 1 that some of this may have been happening, but then instead of expanding on it in season 2 to make Izzy's apology really hit hard, they went in a completely different direction. Season 2 Izzy wasn't preventing Ed from being himself and he didn't seem particularly invested in Blackbeard existing. In episode one, he had been pushed to his limits and tried to get through to Ed as a friend, and when he couldn't try with Ed anymore he focused on protecting the crew and mutinied. Then he spent episodes 4-7 trying to move on and strengthening his bonds with the crew, and only started interacting with Ed at all in the last few episodes. Ed, similarly, has been trying to figure out what he wants and who he wants to be. Where exactly is the emotional impact in Izzy ~finally~ encouraging Ed to just be Ed when the last episode had a scene where Izzy encouraged Ed to follow the feeling he had when he threw his leathers away, and then Ed went off to try and become a fisherman?

Izzy's death representing the death of the Blackbeard role and also the golden age of piracy, etc, is fine I guess. I'm not going to pretend I'd like it but if it had been set up as those arcs driving the season for Ed and Izzy, that's a different story. But looking at what actually happened in Season 2 and the Ed/Izzy arc in it, it was more about grappling with what had happened in the first two episodes. So following from that arc, what does Izzy's death symbolize? Ed being free from accountability and guilt over what he did to Izzy?

Don't get me wrong, that's not what they were going for at all. I actually don't think it symbolized anything and was just (unsuccessful and badly done) emotional manipulation, which is what happens all the time with characters dying. But it really does make Izzy's death far more upsetting, and not in the weirdly enjoyable way that you can love a tragedy. They went so far with Ed's actions in the first two episodes, and at the time I loved it! But it's become clear that OFMD doesn't really have the emotional range to handle a storyline like that. So they just didn't, for the most part.

So now we have a story arc where Izzy got mutilated repeatedly, got shot, got his leg amputated, attempted suicide, started to heal and move on and form meaningful connections outside of Ed while adjusting to his disability, and then dies. While spending his entire death scene apologizing to and reassuring Ed, and while the whole crew he'd been bonding with just sort of stand around looking vaguely sad. And mind you the timeline of this whole season has been like two weeks.

"oh but it was satisfying! izzy went on a healing journey and got to die happy!"

again i'm very sorry for being feral about an old man named izzy hands. but i am NOT SATISFIED

(1) the whole point of izzy's healing journey is that he learns to be okay with being himself and being queer and being a part of a community that genuinely loves him. and learning who he is outside of who he has to be in a toxic relationship. he doesn't have to bear ed's burdens anymore and he SLOWLY learns that's okay and that he doesn't have to stay that same person.

only to die when he FINALLY internalizes all of it!! the whole point of his healing was that he learned to change and be loved for who he is!! and then he died after only getting to experience it for maybe 20 minutes!! i don't care that him sailing off into the sunset with the rest of them wouldn't have been closure, because it would have been a much better ending to his story.

(2) it is NOT SATISFYING that his LAST WORDS were basically to further ED'S story arc. he literally dies reassuring ed that his found family loves him when the whole point of the story was that the found family loves IZZY. it was a very sweet moment and yes ed deserved to hear it and yes i did cry over him calling them ed's family but damn. he STILL HAD TO CARRY ED'S BURDENS. his death scene was not about him at all.

it's very sweet that ed and stede stayed with him but the whole point of izzy's journey was that he doesn't have to be a piece in ed's story and now he has to be just a piece in ed's story forever??

(and yes i'm a slut for edizzy so i did appreciate what they were doing. yes it was very special. yes i sobbed. but JESUS was it upsetting now that i'm actually thinking about it.)

(3) he could have lived and it would NOT have undermined anything else. he could have been dying and telling ed the same things and it would have been just as meaningful if he had lived. imagine an ending scene where he's almost dying, says all that stuff, then is brought to a bed to recover. it cuts to the exact same wedding scene and stede/ed scene with the house and the crew being happy. then it cuts back to izzy waking up and smiling or something and that's the last shot.

stede and ed would still have their happy ending and it would have been JUST AS meaningful if izzy had lived and gone off on the revenge. if not MORE so because then there's the aspect of izzy finally being happy with himself and being okay with stede and ed's relationship and being okay with distancing himself from them!! when he says dying is what he wants it's literally that same sentiment, just cheap and rushed and UNSATISFYING.

(4) the entire beautiful fucking unicorn metaphor they spent the whole first part of the season developing is totally tossed out the window!! izzy becomes the literal figurehead and protector and guiding light of the revenge in a metaphor that could not have been more obvious. and he is HAPPY ABOUT IT. he GENUINELY SMILES and CRIES about it. it is what he WANTS TO DO and it made NO SENSE that he said he was ready to go. what was the point of all of that if they were just going to kill him and not let him actually do that duty in the way he wanted. he only got to be the figurehead when it meant protecting everyone from ed.

(5) this is maybe a silly argument but it literally would not have been unrealistic if he survived. like a week prior he got shot then got his leg cut off then shot himself in the head, then walked upstairs in the middle of a hurricane hours later. and was fine. by the show's logic he could have been fine from ONE bullet wound to the side. what the hell happened to "indestructible little fucker"!

tl;dr izzy was very special to me for reasons that would constitute another 700 word post and he was done so FUCKING dirty by that literal TEN MINUTE scene that went against everything we've been doing the entire season (AND SHOW AS A WHOLE) so far

Since grandmaster honorary queer man David Jenkins taught us all that things like genre and tone are apparently irrelevant now, I’d like to bless you all with my first ever attempt at writing fan fiction. I present to you:

The Night is Dark and Full of Muppets

Stede threw his arms up. “You can’t blame Izzy every time you smash something when you’re upset, Ed!”

“There’s a darkness inside me,” Ed said from the dining room table, glaring daggers at the broom handle lying in two pieces on the floor; he’d broken it against his knee when Stede had mentioned wanting to talk about his anger management issues. The broom had been in his hands because he’d been sweeping up a broken kettle, which he’d broken because it had been ‘giving him a funny look’. “Izzy won’t let me be Ed. He wants the Kraken. You wanted me to be Blackbeard. Remember when you said how fugly I looked without my beard?”

Stede rolled his eyes. “I did not say that. Come on, Ed.”

“Your eyes said it. They looked at me and said, ‘you look so fugly, not-Blackbeard.’ It’s Izzy’s fault I broke the broom.”

“Really, Ed? I don’t know if you remember, but we buried Izzy. It quite literally cannot be his fault—”

“Then it was Pop-Pop’s fault.”

Stede did a double take. “Who is Pop-Pop?”

“My fisherman dad. He and my fisherman brother—I never gave him a name because I never actually had a brother—took me in when I left you at the docks. For a time, I was happy again, loved, content.” Ed’s eyes watered. “I was Ed.”

Stede scoffed. “Ed, you were gone for a night.”

Ed banged his fist on the table. “I was Ed! Pop-Pop made me go get my leathers!” Ed sobbed. “Pop-Pop made me!”

Stede’s face crumpled into a very muppet-like expression. “What?”

“You just don’t want me to be Ed, do you? You think Blackbeard’s better! Pop-Pop told me to go do the only thing I was good at, so I had to go be Blackbeard again! It’s all your, Izzy’s, and Pop-Pop’s fault that I can’t be Ed!”

“I want you to be Ed, I just don’t like when you throw all our things at the wall!”

Ed snapped, “I wouldn’t throw things at the wall if they weren’t there when I get mad! Maybe we just need a maid!”

“Christ, Ed! We can’t afford a maid because we bought too much fishing equipment—”

They both stilled as lightning split the skies beyond the window of the shitty inn by the sea, darkness falling like a heavy shroud. The candles went out in a hissing puff.

Stede glanced to the door. “Do you hear that?”

Something on the porch. A footstep? No, something thumping. Strange. That had almost sounded like…

The door creaked open.

Silhouetted against the moonglow, a man stood clad in black. A seagull perched upon his shoulder with knowing, very hex-filled eyes.

A voice that sounded like someone was whispering cigarettes said, “The night is dark and full of muppets.”

Stede glanced at Ed. “That isn’t…?”

Ed swallowed, taking a step toward the door. “Izzy? Is that you, man? How? We buried you!”

“You took my ring. You took my cravat. You took my leg. You took my redemption arc. You took my family.” One gold-painted unicorn hoof slid forward as a familiar face loomed from the darkness. “Now, I’m taking it all back. Edward Teach—born on a beach—prepare to taste lead!”

Izzy whipped out an AK47 from the darkness. A maelstrom of bullets thundered through the inn, peppering Ed’s body until he was flailing back and forth like Kermit the Frog. Meanwhile, Stede hurled himself to the floor and scrambled under the table as Buttons shot laser beams from his beady seagull eyes, destroying the remnants of a porcelain vase that Ed had hurled against the wall only just the night before, when Stede had yawned too loudly for his liking.

The whisper-cigarette voice said, “Stede Bonnet, you fooken twat. Get up, muppet. We got a ship to catch.”

Stede crawled out from the table, staring up at Izzy with wide eyes. “What are you, oh, sea prince who was promised?”

“Me?” Izzy pulled out a pair of sunglasses, put them on, and said, “I’m the motherfooken unicorn.”

No, I will not be taking any critique, you media illiterate cretins. This is 100% plausible because DJ never actually said that seagulls in this universe can’t shoot laser beams from their eyes. Also, the fact that Izzy knows a song from the 1940s is in fact proof that he’s also a time traveler, therefore the AK47 is officially canon appropriate. In fact, this is so plausible—remember, genre and tone are no longer important—that it’s basically just the new ending.