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#horror is amazing this ep
velvetart0v0 · 1 month
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The Magnus Protocol Ep.15 spoilers
AHHHHH THIS EP IS AMAZING
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THE WAY SAM AWKWARDLY BUT MORE CONFIDENTLY ASKS OUT CELIA FOR A 2ND DATE IS JUST SOO CUTE FOR ME OMG. I love how he keeps trying to get her to verbally say "yeah sure" in the dorkiest way possible, I MEAN COULD IT BE MORE CUTE.
AND THEN ENTERS MY BELOVED GIRL DISASTER ALICE DYER. I thought Sam asking out Celia for the first time was awkward BUT ALICE JUST PROVED ME WRONG AHHHHHHH!!!
But the thing is idrk who she was trying to get with during that moment, like was she trying to get Celia to hang out with her more or have Sam hang out with her alone again "like old times" AHHH IDK WHICH. I don't mind both tho >.>
I LOVE how the horror is starting to ramp up more!! The statement was tense and enticing! And I love the gore at the end of it OMFG THE HORROR IS AMAZINGLY DONE FOR THIS EPISODE.
THE HUNT, god what else can I even say other than it's soo GOOD. Like the end statement where the caterer's head gets blown off then we hear the hunt avatar AND THEN HEARING HER MORE CLEARLY IN THE OFFICE!!!!TALKING TO CELIA!!! OMFG
I saw a comment saying that they like how the hunt now has an avatar that embodies it like Simon Fairchild or Peter Lukas AND I CAN'T AGREE MORE. I hope we get to hear more of her in the future.
Another connection of a protocol character to an archive character is the drowned victim!! It sounds like by her first lines that she might be almost be like Jane Prentiss? But vast aligned rather than corruption. Or maybe the theory where all the fears are more connected is true thus trying to label them is just a red haring of sorts. Like how it doesn't matter. idk I'm not much of a theorist lmao.
AND ALICE BEING THE FIRST ONE OF THE ACTUAL STAFF TO HANDLE A FEAR ENCOUNTER, I hope she doesn't get framed for murder. But if she does, I need her to continue what Jon went through and just stay at Sam's house while she lies low for abit. I can imagine the tension now!!
If u probably can't tell by this post, but I am a huge supporter of Alice and Sam getting back together. But I also love Sam and Celia. So I'm just sticking to the trusted polycule of the office. I mean it's the only viable option when u can't bare to choose which one u like more right.
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funnybunnyfuzie · 4 months
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Susan Woodings and Charles Brook, 1973 - “Post-Shift Smoke”
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dragongeek1 · 1 year
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Midnight Mass Netflix is so fucking good oh my god, the show runners went “hey you know what’s got weird fucking text and subtext about blood and flesh? The Bible” and RAN WITH IT and knew exactly where to go with it, this is probably one of the best pieces of vampire media I’ve seen
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salmoncakepls · 15 days
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🪹
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madegeeky · 8 months
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31 Days of Horror Movies (?/31)
I WANT TO DEDICATE WAY TOO MUCH TIME TO HORROR, FUCK YOUR MOVIES, LET'S TALK TV
Okay, I know I said horror movies, but media would have been over-reaching (I'm not talking about video games or books, though do check out the Shining, it's amazing). And I'm not sure if there's any word that encompasses both movie and tv. (Watch, one of you assholes (affectionate) will tell me within 5 mins of me posting this.) But, I'm going to list some tv anyway, because it's my list and you can't stop me.
Inside No. 9: An anthology series in which each episode is a self-contained story and the genres range from drama to comedy to dark comedy to horror to black comedy. ... As with any other anthology that exists, there are going to be episodes you love, episodes you hate, and episodes that fall everywhere in-between. Most of the eps, for me, fall at least into the "like" category which is how it made this list. With only 6 eps per season and 2 specials, with each ep running 30 mins, for a tv show it's not a huge time commitment.
American Horror Story: Asylum: The second season of AHS follows the stories of "patients" and staff at an asylum in 1964. ... I made myself go with only one season of AHS and it was a no brainer that it'd be this one. The writers had really hit their stride with this one but weren't yet bogged down by all that had come before it (which was only one season). The characters are some of the best characters that have ever been written or acted in the series and the stories are some if its tightest. It's worth noting, though, that AHS is infamous for, as I put it, throwing everything including the kitchen sink into a story and this season is no exception.
The Haunting of Hill House: A fractured family confronts haunting memories of their old home and the terrifying events that drove them from it. ... If there's one show that you decide to give a try, this is the show you should watch. Some of the tightest writing I've ever experienced, amazingly acted, absolutely gorgeous character work, and the sixth episode, Two Storms, to this day takes my breath away. Definitely top 5 best tv shows I've ever watched. There is also another series from the same writer, The Haunting of Bly Manor, which is nowhere near as good but as some really amazing moments.
The Last of Us: A man must help a young teen girl get across a fungal-zombie filled United States. ... Man, if you'd told me that there'd be a zombie tv series on this list before I watched this series, I would have raised a very skeptical eyebrow at you. I tend to find zombies somewhat boring, all the survivors are always depressingly horrible to each other, and a tv show is long form which means that these two things are usually drawn out awfully long. But this show does it all right. The writing is amazingly tight, the character and relationships are great, the emotions are there and feel real and meaningful, and my only major complaint is a grudging one because this show is literally so well-written there's no way to change it without ruining the tightness of the script. So, insert "I guess" meme here.
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mariocki · 1 year
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Donald Sutherland steals the show as a disarmingly charming bank robber (turned convict, turned escaped convict), as John Wood in The Saint: Escape Route (5.14, ITC, 1966)
#fave spotting#donald sutherland#the saint#escape route#1966#classic tv#itc#followers of my faves spotted will know‚ as I've rambled about it in tags before‚ that prior to becoming a big screen legend Don spent#a couple of years in the uk as part of the rentayank crowd‚ making a couple of horror films and filling guest spots on genre tv#he'd already done a Saint (3.23 The Happy Suicide) which can be found if you follow my tag#mostly his uk tv roles were of one kind: creepy villains (or occasionally as in his prior Saint ep‚ a creepy red herring)#so this was honestly a delightful surprise; finally someone GOT Donald Sutherland‚ and he gets to play the kind of part#he'd be doing in cinemas in the following decade. he's fun! he's kooky! he's a bank robber‚ sure‚ but he's also just hugely#endearing. and that isn't just me‚ you feel like the script likes him too. damn it you feel like Simon himself wants him to get away by the#end (he bids him good luck with what seems like real sincerity)#hard to express just how adorable this hardened criminal is. in his first appearance he starts a fistfight in prison with Simon and as soon#as Simon gets carted off to solitary he's immediately like 'aww it wasn't his fault‚ i was the one being a dick'#he calls everyone baby‚ including the Saint‚ including numerous middle aged men#i mean SPOILER for the episode incoming but the escape route is so successful and nobody is ever found bc the bad guys are#murdering their clients (i guessed as much and was truly sad when Don got on the boat to get out of the country) which leads to an amazing#scene where Don's like 'Hey baby‚ where's the second boat to pick me up?' and when the gruff villain pulls a gun out he just says#'....baby?' as his final words. amazing. 10 out of 10 no notes performance
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skypiea · 1 year
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I Have really been enjoying trigun stampede on It’s own merits but it is getting hard for me to keep from comparing it to the manga… seeing great elements from the manga I love incorporated but in a really rushed and Surface Level way is kinda a bummer
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ok so like why did no one tell me how good the exorcist tv show is?!?!
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Guys i started tma and oh fuck its not overrated at all
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thecornchips · 9 months
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yaur i dont usually comment about ttrpg stuff here but,got gotdamn gotdampit brother im so
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TADC: Thoughts on Jax in Episode 2
Thoughts on Jax after Amazing Digital Circus Episode 2 Dropped.
Massive spoilers below the cut. Just watch the ep before you read.
Amazing Digital Circus had an amazing second episode as we're introduced more to what the adventures are like, and what NPCs are like and ofc the existential horror of being a living AI only created for a source of entertainment.
Also, I love the dream sequence at the beginning, because we actually get some deeper insight into Pomni's thoughts on Ragatha. Feeling like her helpfulness is the guise of like "man, you're not cut out for this like the rest of us" which is typically something a lot of people who have been bullied in highschool perceive genuine acts of kindness and engagement. (which I kind of suspect Pomni might have been, or at least, been a shut-in and didn't have a lot of friends in her human life. )
Jax wasn't really the main focus of the episode, but it wasn't really until the end of the episode I understood his behavior and what this episode is foreshadowing overall.
Since while Jax isn't the focus emotionally, he is definitely the plot device to push things forward. And I mean, a plot device in a very active and quite literal way. He's the one that causes Pomni to clip out of the map, takes advantage of everyone and is just... genuinely an unpleasant person.
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I actually really like this.
As, I know the first episode in the digital circus, many people (me included) could perceive or analyze Jax's actions as someone who is "helping" in a roundabout asshole way. Episode Two has none of that here. He just wants Bloodshed, And I love that we're getting additional context on his character.
It's hard to tell how much fan reception Gooseworx saw of episode one before episode two hit production, so I don't know how much of the fandom perception of Jax had an influence on the writing process, but I can't deny that might have been a factor in assuring us "no he's not secretly helpful, he's just an asshole" But I'm just going to assume that this has been part of his characterization from the start and it becomes way more clear as the episode goes on.
But there was something in his behavior throughout this whole episode that seemed off to me. Like Jax was taking up a majority of the B-plot, while Pomni had the A-plot. So I was wondering why Jax seemed to be the protagonist with the B-plot when Pomni was the A-plot when they seemed to be so disconnected with eachother in motivations and telling us things about the characters.
But then it hit me when the episode ended and the two plots merged together.
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"who... knows... what could happen..."
And then it hit me.
Pomni finds comfort in an NPC who is going through a similar experience to her and can emphasize, despite their being other humans who have gone through the same thing, due to her self-admitting to being a loner in her human life. Well, she didn't admit it outright, but from how she perceives Ragatha's kindness as an act, or patronizing, it seems like she doesn't have a lot of friends...
Meanwhile... Jax... He treats the adventure like a videogame. Why shouldn't he? He's trapped in a videogame, right? But it really goes beyond that.
The fellow humans that Jax is trapped with, he treats THEM like they're NPCs, while Pomni treats the NPC like they're human.
Jax says to Gangle "Aren't you supposed to be the suggestible one?" Which you wouldn't typically wouldn't say to a person, right? That's something you would say more about a character that you maxed out the dialogue trees in.
He calls Pomni "His Bridge" even.
They're his objects. His tools, his own npcs he's exhausted the dialogue options on.
Jax dehumanizes the players in a way that Pomni humanizes the NPCS.
These are two opposite ends of the spectrum but what really sold it for me was Jax's reaction to the funeral.
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And Jax is the one member out of the cast who doesn't even show up to the funeral. (aside from Caine and Bubble but they are AI.)
He does NOT want to think about the Players as real people. And showing that opposite perspective compared to Pomni I think is much as important going forward.
Jax was the plot catalyst of this entire episode, and served the thematic theme of the episode quite well, even if it didn't look like it on first glance.
I absolutely loved this episode and I can't wait for more.
Also... Poor Pomni can't have shit in Detroit
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ma1dita · 4 months
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love like a blister
the five stages of loving losing luke
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a ‘partners in crime’ installment - luke castellan x dionysus!reader
words: 4.7k 
summary: (post-tlt) set directly after lovers, or partners in crime; The one where you learn to mourn someone even if they're still alive. Loving him and losing him are one and the same; the aftermath of his betrayal. this work references a lot of previous works in the series! (Luke Castellan x fem!Dionysus!reader)
a/n: yeah… yall been asking for this so buckle up. luke is not present in this one, moreso you/trouble dealing with the after. i let annabeth breakdown a bit since ep 8 was amazing but felt choppy to me. this is not the end of the trouble!verse i promise!!
(posted 2/12/24, betaed by mootie lari @mrsaluado)
DENIAL - bursting under pressure
we grew up together, what do you mean you grew into a person i can’t love?
Annabeth and Percy find you standing at the edge of the forest clearing—staring at the space where you let the love of your life vanish into thin air. 
You let him leave. 
It’s almost harrowing when the three of you make eye contact, not a single weapon in your possession, only your dying lantern and heart bleeding with the confirmation of Luke’s betrayal. 
Knees shaking as Annabeth stalks over and her sword still raised with tears in her eyes, she’s no longer Luke’s little sister but a formidable warrior set on protecting camp—on protecting Percy.
And you failed in doing either of those things you promised yourself at the beginning of this summer because you ignored the signs of Luke’s behavior— until this very moment. There’s a pressure in your head that dampens your senses, overtaking the control you have over your being as you deny any knowledge of what happened tonight. 
Because in truth, you put the pieces together at the same time they did, just a little too late. She looks at you now with the fury she wasn’t able to project on the real traitor.
“You knew,” she grits her teeth, on the defensive as Percy scrambles up from the ground.
“Annie, I…”
Percy stares at you in horror, a few steps back with Riptide in his injured grasp, and suddenly he understands what it means to see you break. They both feel it instantly as your lantern goes out. Heavy despair drapes over all of you as the madness rips its way through your body, almost breaking through your skin as it emanates through the air. The two children had never felt anything like it before, swords shaking in their hands as they’re filled with the sensation until it bubbles over and they can’t do anything but watch you, their usually poised head counselor lose your grip on reality.
But this can’t be real. 
Out of all of the plans you both made, it was never deemed a possibility that Luke wouldn’t be there with you. Now you stand in the darkness of the forest, hands raised in surrender to a crime you didn’t commit.
There’s so much pressure and it hurts holding it all in, hurts so badly—everywhere until you scream.
“DAD!”
You stare at their small faces surrounding you in anguish, both of them talking but not a single word registers in your mind as you keep shaking your head and screaming for your father for the first time in your life. Before the words the words can form between your lips again Dionysus is there, not as an immortal god but carrying the wrath of a protective father, and there are no forces that can fight against that.
It all moves fast from there, black spots blurring your vision brought by the sheer strength of your tears. Though you don’t feel strong right now, instead there’s nothing that can describe the feeling but hurt as you’re frozen in pain.
The kids watch Mr. D check you for any injuries, but what they’ll never understand is that the wounds Luke left behind are on the inside, and you are bleeding. He shushes you, but the words fight their way out of your mouth, almost in disbelief. “Did I do that to him?”
Your father scoops you into his arms, godly strength and fatherly concern surfacing as he cradles you like a little girl like he should have all those years ago.
The haze clears as Mr. D quells the misery that reverberates through the air and it’s quiet again as your eyes fall shut. For a moment, Percy can’t help but wonder if this is another performance of yours, another way to throw him off of the traitor’s scent. But as your hand falls out from under Mr. D’s arm, he grabs onto it anyway. The son of Poseidon remembers how you and Luke always looked at each other like you were equals, and realizes that for once, the actress was outplayed at her own game.
ANGER - words leaking like an abscess
i never knew loving someone so much would be a crime
There isn’t a protocol set in place for when one of your cabin counselors and all-star campers defects with plans to wage war on the gods. There is even less of a precedent set in place for when the head counselor and daughter of the camp director is left to pick up the pieces, hands dirtied by the evidence he left behind. Perhaps your job description was never truly clear anyway.
All you know now is that you’ve been sitting in a rickety wooden chair in your dad’s office for hours now, tied up—for formalities. 
This must be your punishment from the gods for every way you were different. Maybe if you were braver, maybe if you didn’t force yourself to only see the good in him, maybe then maybe, he could’ve been saved too. Surely undoing all of that would be considerably less painful than being questioned by everyone you love about the one you love. 
For once you didn’t have any good answers.
“Like I said to Chiron. I didn’t know.”
“You didn’t know what? Use your big girl words. Just do the right thing, like you always say!” Clarisse barks in your face. The centaur tuts at the daughter of Ares, making her step back and cross her arms. The boys are more silent but still suspicious, and Lee asks if you really thought Clarisse was the traitor.
“I didn’t. I was the last one to know,” you grit, looking at Percy who surveys you with hesitant eyes, “I just thought Luke was leaving. I didn’t know why.”
“How do we know you’re not working for Kronos too?” 
One of them says it, you’re losing track as to who when you blink hard and long, but the words spill out of you like a festering wound— fast, acidic, and painful.
“Do you REALLY think I could turn my back on my home? My friends? Is that how you all think of me? After everything!”
“You’d do anything for that boy and we all know it,” Silena says with a scowl very unlike her, though you suppose everyone’s out of sorts from exhaustion.
“Not that. That’s where him and I are different. I would never be able to do that.”
You think you hear Silena bite back a sob as she turns away from you, not meeting your eyes.
Mr. D was unable to judge you since you were his only daughter. He’s been gone most of the night and you feel so alone even if the room is filled with familiar faces that don’t even want you here. Charles, Percy, Lee, Clarisse, Silena, Katie stand still as they judge you— Annabeth didn’t even come to the Big House, her mind probably already made up. 
Chiron says there will be a vote, the procedural way—like how you taught the cabin counselors how to handle disagreements, though they were never expecting to vote on your dismissal from camp. Tensions are high, some rightfully angry at the war looming over your heads, others looking at you with pity from the other corner of the room. All of them, your friends, still, you hope.
6 votes, since you and Luke didn’t count, and Annabeth’s abstention. They did it outside, away from your view and you sit in the silence of the office, angry at what’s become of you. Tainted and tarnished, you don’t bother to find out who voted what, knowing things won’t be the same after this. 
Your dad comes back a little before dawn, having asked a favor from Apollo to determine your innocence–to prove that you’re telling the truth. But by then, Charles and Lee are already untying you from your chair and you’re being let go. You wonder what changed once they were able to speak without being in your presence. Remaining seated and staring at all of them with your jaw set in stone-cold wrath, Percy thinks for a moment that you look like Luke.
The first rays of light shine through the window upon your sullen frame— a confirmation from the sun god that your heart was always pure. It still feels like a loss. There’s no medal or award for getting left behind, and winning has always been more of Luke’s thing.
You resign from the position of head counselor by the time sunlight spreads across the campgrounds.
BARGAINING - to make yourself new from the inside out
isn’t home the first place you learn to run from?
You catch Percy at the doorstep of cabin 3 before he leaves and your dad is yelling at all the campers.
“Okay! For those of you who are not staying for the full term… get out! You get out. Pack your bags. You’re going home!” Mr. D screams with a twinkle in his eye as he winks at you, patting you on the head before walking away to drive kids out.
“Didn’t think you’d be up,” he mumbles, adjusting his backpack over his shoulder. You’d been locked up in your room since the interrogation with almost no signs of life. He was worried about you—all of them were. They just didn’t know how to say it, after everything.
You stood in front of him in sweatpants and a shirt he’s sure he’s seen Luke wear to sleep before, exhaustion prominent on your face; usually you’re better at hiding it, but there’s no need for false pretenses anymore.
“Last day of camp. Had to end it on a good note,” you say softly, biting your lip, “I heard about what you did, Perce. You didn’t have to. I was going to quit anyway.”
Sometime in the past few days, Chiron came to your cabin to tell you they didn’t vote at all, which was a surprise to you. Percy convinced them not to, reminding them of your efforts as head counselor, and as a friend—the decision was settled quickly after that.
“I knew you didn’t betray us. I was just scared.”
You watch him shift his weight, not losing eye contact as he produces a half-smile. He seems older now after his quest, as many demigods do–though it’s only been a few weeks, he looks like he’s grown more sure of himself.
“That’s okay. I was too.” 
The silence between you is comfortable as both of you listen to the birds in the trees, the distant voices of chattering children, and your heart hurts at the idea of leaving this, even temporarily. As your eyes flicker back to Percy’s, you realize he feels the same way. 
“I hope your mom’s okay, especially after all of this. I just wanted to say goodbye.”
His sandy eyebrows furrow and it’s funny how Percy always looks a little confused.
“You’re leaving camp? I thought…”
“Well I’m not joining Kronos, if that’s what you’re worried about,” you laugh dryly, “It’s getting boring here. Gonna have to change it up soon, I think. See you.” you nod, waving a hand as you turn to walk away.
“Wait!” 
Percy calls your name, skipping down the steps of his cabin and meeting you halfway down the forest path. He’s digging through his jacket pocket, and pulls out two black clay beads with blue tridents etched on the surface as your body grows cold.
“I don’t know what to do with—” “We…the other counselors, this is what we ended up voting on. And I thought you should get an extra, just in case,” Percy mumbles, his voice edged with hope and your face contorts into something like regret. You can’t cry again, even if you wanted to. 
“I wouldn’t pray for something like that,” you whisper shakily.
“I thought you didn’t really pray at all.” 
The kid smiles at you and it makes you wonder what souls like him and Luke must’ve done in their previous lives to deserve fates like this—to fight wars that aren’t their own. To be doomed by the narrative is a treacherous thing, and it is so utterly unfair. 
“Yeah. That was more his style,” you sniff, taking the beads out of his hand, “but I still find myself with a lot of hope.” 
Hope, in a sense, is prayer too. Wishing that things will be better, manifesting and believing that it doesn’t have to end this way. You don’t think Luke will ever come home to you, not really, not all of him, but it’s nice to have something to hang onto. At his core, he was raised to be a soldier, and soldiers don’t always come home.
You decide to drive Percy down the opposite shore to Montauk. It’s a short ride, and he spends the time looking out the window to the sea, thinking of his father— when the car pulls up to the driveway of the beach house, you step out and give him a hug. Soon, he’ll be taller than you.
“Take care of yourself, okay? Need anything and I’m a call away,” you smile, but he sees that it doesn’t reach your eyes.
“Thank you. For being a real friend, even if it hurts you.”
You grab his shoulder to make him look at you, and the distant sound of crashing waves dampens the thoughts running through your head.
“Listen to me. None of this is your fault. I couldn’t save him. Luke’s my biggest failure.”
Your voice wavers and you swallow hard, pushing the tears back down your throat.
“You know, I knew you didn’t know anything about his betrayal because when we were in the forest, I’d never seen you like that before. I couldn’t figure out the feeling, and–”
“I’m sorry you had to see me like that, Perce. I couldn’t hold it in anymore,” you interrupt, but he shakes his head and continues.
“I thought you were sad. It felt like sadness at first, but then I realized it was hatred. And I knew even then that I could never hate you. So I realized that’s how you felt about yourself. I hope someday you don’t feel that way anymore.”
If a few tears slip down your cheeks, Percy doesn’t pay it any mind. He waves at you when he gets to the door.
DEPRESSION - healing takes thick skin
i knew to love would be to lose my mind
After the summer term ended, you spent most of it in bed, hiding away from the world. You wished to be more spontaneous, to up and leave the safe boundaries of the camp you call home, but you’re not quite there yet. The one good thing about this is your father. Dionysus was at your bedside every morning and night between the work him and Chiron had to do to keep camp running in your absence. His powerful fingers made themselves comfortable stroking your hair as you always find yourself staring at nothing. Your father cured you of what he thought was madness over your life being turned upside down by someone you love, but after the fog cleared, you were left feeling nothing. Numb to the touch, hardened by your hurt like a growing callous.
Impenetrable.
He thinks it’s bittersweet, getting to know you better as you chat late into the night when you can’t sleep, but it breaks his own heart to have the power of Olympus on his side and still not be able to fix you. He knows now what you must have been feeling these past few months, to some extent.
“Sometimes, I wonder if I’m dead already,” you mutter as your eyes stare blankly at the glow-in-the-dark stars on your ceiling. Your dad is sitting at your desk as he signs paperwork, and his eyes flicker to a pinned photo on you wall of you kissing Luke’s cheek in a photobooth. One of the pins is missing a memory, torn and stolen away. 
“Unfortunately, you’re not that lucky. I carried you out of that forest, I’d know,” he mutters, sipping on his Diet Coke. 
“Will it always hurt like this? Losing someone you…” Love.
You can barely even bring yourself to say it, so he sighs and nudges you to move over on the bed, his Hawaiian shirt an eyesore against your bedspread. It makes your lips quirk up to see the god try to fit himself into a full-size as he adjusts to get comfortable.
“Yes. Because if it hurts, it means that it mattered. There is no such thing as love lost if you gave it willingly. You know, your mother and I were never together, but I loved her too.” 
He tucks the duvet under your chin like he’s worried you’ll catch a chill. Your form is still unmoving under the covers as he continues.
“Love is a powerful catalyst. The actions humans do after are a product of that; it brings out the best or the worst in people, especially if you think it’s the only way. You love because you want more time with them. You love someone to life, not to death.”
“Silena said something at the Big House. She said that everyone knew I would do anything for him. Where does that leave me? What do I do now?”
Your eyes shut as you feel your dad grab your hand and he chuckles lowly. He knows a thing or two of doing anything for love. He’s gone to the underworld and back—twice, for his mother Semele and his true love, Ariadne. And he’d do it again for you, if he ever had to. “You’re not broken, kid. You’re in love. It’s the purest emotion the gods have bestowed onto humans, and it is a gift, even if it doesn’t work out. Love is insanity.  I think you and I know it best.”
“I guess I’m a lot more like you than I like to admit,” you scoff, leaning against his arm. 
“Don’t sound so excited, daughter of mine,” he says playfully, and he seems so human now as he laughs. The two of you have a gift of fixing people, but perhaps you were both blind to who needed it the most until this very moment. Sitting there in the quiet a little longer, it doesn’t feel so bad to be the favorite daughter of Dionysus. Maybe when you’re ready to get out of these walls, you’ll be able to say it with pride.
ACCEPTANCE - to be soft again takes strength
in another life, we would’ve mattered more than choosing sides
“He always hated it when you smoked, you know.”
You cough through a puff, boots slightly slipping in the sleet of the gravel driveway as you turn to face Annabeth. Besides the fact that her father’s house is grander than anything you could ever imagine yourself living in, there’s a large distance between the two of you as she stands on the steps, the box you left on the doorstep slowly being dotted with falling snow. You left the car running, thinking she wouldn’t want to see you after everything that’s happened.
“Well he probably hates a lot of things about me now,” you say grimly. 
It’s been a growing habit to want to feel something, the rush of nicotine through your bloodstream—even if it’s bound to rip years off your life. It doesn’t really matter as much anymore.
I hate a lot of things about me too, you think, remembering a white house on a hill even if it was a distant dream— these thoughts all go up in smoke as you watch her sit down on the stoop waiting for you to come sit down with her.
Your hands fidget as you find a place next to her, putting out the cigarette on the red brick as the ash falls onto your chipped nail polish. It burns, but Annabeth watches you, the both of you stone-faced.
“What made you drive all the way out here?”
She opens the box and tries to hide a shaky breath at it’s contents but the vapor in the air betrays her. You can still tell a thing or two about people acting, but you’re never too sure anymore.
“I got a few days off from class. Dad Iris messaged me, told me there were new kids in 11 who needed bunks, so… he thought it was time. It was sitting in my room when I got there.” She notices you call Mr. D your dad now, but doesn’t say much of it. She’s also getting used to calling her father that after all these years.
You pull out the quilt you gave Luke the night before you got claimed, a faded pink and purple pattern worn from the years of use and wrap it around her shoulders. It still smells like him, citrus and musk and something darker that hangs over your heads and she sniffles.
“So you’re a college girl now, huh? Never thought you’d do it,” Annabeth mumbles, still not looking at you as her eyes scan through what was hidden underneath the fabric. Luke never had much he held close to his heart, and it’s funny to think his two prized possessions were staring down into a box trying to find the meaning of it all.
“Yeah, me neither,” you sigh. It should’ve been an insult, but you know what she means.
Not without him. 
There’s a lot that you promised each other, but you find yourself doing it all alone–because you have to. The world does not wait for for anyone, even if you beg for it to.
“It’s not a big deal, I’m still on the Island, just…not at home. Just trying to keep myself busy.”
Her hand picks up a polaroid of the two of them—he’s smiling as she peers over his shoulder.
“I think it’s great. You’re too hard on yourself sometimes.”
Other memories are scattered in the box including a leather bracelet, a compass, unsent letters to his mom, and photos of happier days back when all of your hearts were softer. There’s not much to split between the two of you.
A black clay bead rolls to the inner corner, indicative of this year’s events and painted with turquoise like the eyes of a certain son of Poseidon that now crosses the both of your minds.
“Percy gave it to me before he left for the city, for him. In case.”
You swallow loudly, and you watch her braid it onto the leather cord and tie it around your wrist. Her fingertips are cold as she nods, “In case.”
“You’ve been looking for him, haven’t you?” The movement your head makes is almost imperceptible—not a nod nor a shake, but the daughter of Athena knows you too well by now. She knows you because Luke did too, once upon a time.
“Think I’m trying to find myself now. If he’s still a part of that I don’t know what that says about me.”
The two of you sit there on the stoop of the Chase mansion catching up on the past 7 months even if the both of you can still feel the wall of his memory between you. She doesn’t invite you in to meet her family despite the weather—hesitant to let her mother’s side of life bleed into the new normal she’s created for herself, and you can’t blame her one bit. The both of you have been at war with each other and with yourselves since the end of the summer, when in reality you both know what it’s like to protect the little you have to hang onto and what it feels like to be left behind. Survival mode, until the end.
“Why do you think he did it? I mean, I know why, but…”
Why weren’t we enough?
Annabeth’s mind has always been so brilliant, but sitting in the dim porchlight, you understand now that she’s growing up so quickly. Gone are her baby-soft cheeks, with her cheekbones more prominent as they frame her wise eyes. She’s a teenager now. But Annabeth looks at you like she did long ago, the only person besides Luke who would patiently answer all of her questions. Even if the answers weren’t always what she wanted, you had a way of telling her what she needed to hear.
“I think I’ll be asking the gods why for the rest of my life. And even if they ignore me like they did him, or give me an answer that’s worth the balance of the world, I’ll still never be able to understand it.”
The snow is falling harder now, but neither of you seem to notice. It’s stuck in your hair, dusting your eyelashes as you sit and stare out at the front lawn. She tells you about school, her family, Percy and Grover, and the things you’ve missed about her so deeply—and for a moment you feel like you can be her older sister again, someone who can keep her secrets. Partially, you left home because everyone either doubted you or thought you as fragile. Annabeth always tells you what she’s truly thinking— it’s a breathe of fresh air to let yourself just be.
“I’ve never not had the last word when it comes to him, y’know? I guess I have nothing more to say though.”
You both huddle together for warmth under the quilt, sharing secrets and memories of him, things others wouldn’t understand.
“You know that’s not true,” she scoffs, rolling her eyes, and her smile is as bright as the snowflakes in her ebony tresses.
“What I do know is that you know too damn much,” and you both start giggling softly, teary eyed and feeling what you’ve been keeping in for months now, from each other and the rest of the world.
“I’m sorry,” she mutters suddenly, and your name falling from Annabeth’s mouth sounds almost as unfamiliar as her apologizing. It shouldn’t have to have been like this. You’re not going to lose the only person who remembers him like you do, who hurts like you. 
“Me too.”
She leans her head on your shoulder like how she would when you used to sing her to sleep, and deep down Annabeth knows that she won’t let the only good part of her brother go either. What tore the two of you apart brings you back together, because if you don’t have him you still have each other.
The door to the estate opens up slowly, it’s well-oiled hinges silent like the two sad girls’ whispers. Dr. Chase steps out to see you two illuminated by the light of his home, hand in hand over a box of memories and wrapped in a pink and purple quilt that Annabeth will hold close to her like she does her mother’s hat. 
“You two ladies causing trouble?” he smiles, his eyes wild with a thirst to know more and it’s a look you’ve seen his daughter give you one too many times.
You can’t help but chuckle at the irony and though he means well, the all-consuming feeling that comes with the name, Luke’s name for you– ignites in your heart once more. No one will ever call you trouble again, not in the way he did. It burns like alcohol running through your veins almost unendurable and you want to will it away, but Annie’s patting your arm as she tries to stifle the flames with her cold fingers.
“Her?” she says knocking her shoulder against yours, “ Always.” 
Annabeth laughs, and that too, reminds you of him but it doesn’t hurt as much anymore, your body still warm in the winter Virginia air. You feel your chest shake and suddenly you’re laughing and it’s crazy and loud and maniacal and so you that you can barely see Annabeth through the tears rolling down your cheeks. It cuts around the dead skin that’s encapsulated your being these past few months, revealing something brand new—much softer, even if it’s still tender to the touch.
It’s still you, still hurting, but choosing to live despite it.
Because you have to.
“Loving you is the easiest thing I’ve ever had to do. Being loved by you is the hardest.“
- Ari B. Cofer
luke taglist (some won't let me tag, turn on my post notifs?): @kissingyourgrl @dorcas4meadowes @lorarri @andrewgarfldsgf @noodlesketchbook @10ava01 @poppysrin @ashisabitgay @timhalamet @liv1104 @leeknows-wife @mxtokko @bugcuti3 @luvvfromme @midmourn @2hiigh2cry @yuminako @niktwazny303 @lukecastellandefender @intergalactic-padawan @iliketopgun @annybah @dangelnleif @thegrinningghost @alyssajunelle @obxstiles @m00ng4z3r @visndcaitswhore @b0ok-lover @elegant-face-tree @this-barbie-is-having-breakdowns @amortencjja @idonevenknow1359 @maliaaaa @targaryenluvs @sakyira @dhdjdjjdhsjdiri @number-onekidqueen @nininehaaa @bradynoonswife @stevenknightmarc @hoodedhavok @happy-mushrooms @homebyeleven @anotherblackreader @too-deviant @liviessun @lilacspider @theadventuresofanartist @sucker4seresin @simpforsunwoo @zanzie @starrystormwritings
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somerandomdudelmao · 11 months
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Hey !! I hope you're doing well and taking care of yourself !!
So I'm a new reader (sorta, I've known of your work for a while now but only recently started reading your comic; plus I'm starting from ep 16 and going backwards) BUT I wanted to mention something I observed while reading the last few strips:
Usually in TMNT media, Mikey is always sorta perceived as the baby, right? The one that has to be protected regardless of how strong he is or how much he does but to me it feels like you've managed to make Mikey his own entity, like he's finally his own person outside of his brother's perception of him and it borderline hurts.
I'm so used to reading media where you kinda always know that, at the very least, Mikey is going to be okay because his brothers are right there. By his side, not letting him slip up- they're a safety net that's always there, regardless of anything but in your comic it's almost like that safety net is gone and at any moment the Krang could take his life just like Raph and just like Donnie.
It's almost like a horror story compared to the way most media of Mikey presents him. It's thrilling and I love it. I don't know if you perceive it like this or feel similarly, I'd love to know your thoughts!! I'm just getting into this whole universe you've created so I could be misinterpreted a lot but rn that's how I'm seeing things :0
Thanks for reading and for your amazing work !! <3
Oh I like that question. So!
About Mikey. There are two reasons
First off, I don't really understand the general tendency to make him a cute little kid with big puppy dog eyes (and endless therapy potential...I guess??). I mean, yeah, it's part of his image, but it's not his essence. In the canon he's a mischievous gremlin who is too trusting and straightforward and has a high level of empathy for his family (not always though haha) and almost zero for the rest of the world.
At least that's how I see him :)
Secondly, I have a younger brother myself. And "oooh he's so adorable and cute I need to protect him all the time" is NOT how I look at him. That's how our parents look at him. Not me
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rqbossman · 11 days
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hi! so sorry to be contributing to the flood i assume is currently flowing through your inbox.
i’ll be fully honest - i don’t know who you are beyond knowing vaguely that you’re involved with TMA/Rusty Quill, but i found this blog and you seem really cool!
any advice for a TMA listener on ep 4? i’m pretty much with no prior experience or influence as to what to think beyond some incredible fan art of characters i haven’t met yet! (one of whom i think you voice??)
so far the show is so cool and the community is amazing! obsessed with the cozy horror vibes so far <3 hope you have a wonderful day!
Hey! "Vaguely involved with TMA/Rusty Quill" pretty much sums me up. My advice at this point is just listen to the show. Don't try to get ahead of the story, don't do research on what you should or shouldn't be paying attention to. Just give it a listen and enjoy the ride. I guarantee you most of the people giving the advice would love to be in your position coming in from the cold for the first time again.
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italovision · 2 years
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As a gay man, I have to say I’m very offended with the infantilization of queer people and queer stories in the IWTV fandom, bc it looks like we only matter to you when it’s cute, sexy and funny and that it’s bullshit, Interview with the Vampire iT’S A HORROR SHOW with bad people doing bad things, and that it’s GREAT, we need more shows like this, that treats us with the same complexity as any other show with straight characters. WE CAN BE COMPLEX, MESSY AND VIOLENT just like any other person.
People, especially cis het white women, need to STOP fetichizing queer men, WE ARE NOT YOUR BABYGIRL. we are complex people. Ep. 5 was great, it was hard to watch? yes, but that it’s great television, give them an Emmy, you honor, THE ACTING, THE WRITING was amazing. Jacob, Sam and Bailey... we love you.
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flanaganfilm · 2 months
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Hey Mike! Huge fan of your work, and if I can gush for a second, that one-shot in Hill House ep. 6, HOLY FUCKING SHIT. I was practically jumping out of my seat when I first watched. Hill House may be my favorite piece of horror media. Well done, sir.
To my question, I'm curious if you've seen the film Possum directed by Mathew Holness. If so, I'd be very curious about your thoughts! You can cut the atmosphere in that movie with a knife, and how shots linger on that damned puppet, shivers. Big shoutout to the prop team on that one. The first horror film to give me nightmares in ages.
Cheers!
I absolutely loved Possum. I was so impressed with it that I started to research who made it, and was pleasantly shocked to discover it was Matthew Holness, as I was also a huge fan of Garth Marenghi's Darkplace. I was amazed that those two things could come out of the same brain.
I praised Possum as loudly as I could on Twitter, which led to Matthew responding. We started writing back and forth, and then met on a zoom, and I offered him a role in The Haunting of Bly Manor. He played Miles and Flora's doomed father, the brother of Henry Thomas' character. His performance is absolutely excellent.
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I'd love to find a way to support him as a director, as well, and over the years we've tried to find a project that Intrepid can produce for him. Matthew is brilliant, and Possum is exceptional.
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