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ma1dita · 28 minutes

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rattling at the bars of my enclosure thank you for your words of kindness AHHHH i missed you saf!!!

didn't get too specific with the references but i played around with the idea of trouble being compliant to luke's downfall and further actions (erm which will bite me in the ass and hurt me for the the next chronological installment) but continuing with that idea with how lady macbeth enabled her husband's actions and then also couldn't be rid of the guilt which will be a present theme

there's a mention of 'all your yesterdays'

Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player, That struts and frets his hour upon the stage, And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.

which reminded me of this except told by macbeth showing how everything we've experienced in our past leads to death due to fate :)))))

and scene

thanks for reading love <3

love me dry

a 'partners in crime' installment - luke castellan x dionysus!reader

words: 4.5k

summary: (post-TLT) The one where he meets you at his mother’s house, though both of you didn’t expect the other to be there. A glimpse into May Castellan’s perfect day (Luke Castellan x fem!Dionysus!reader)

a/n: sorry for the hiatus! been on the study grind and didn’t even notice, but i’ve been working on this for a bit! macbeth references (comment if you catch them/or ask and i’ll yap) and slight suggestive stuff under the cut—but anyways let’s just say the prophecy by taylor swift came out at the right time.

(posted 4/19/24, semi-edited)

—

The drive to Westport has become almost an afterthought in these past few years— in the way you unconsciously reach for your favorite hoodie on the way out the door or tuck in your chair before you leave a table, almost automatic but ingrained with a touch of care. With letters to May Castellan occupying your passenger seat instead of the boy who wrote them, you’d make the drive multiple times but stop short just before the property line. It took months of parking at the bottom of the hill and just watching the sun set on the little house, so clearly being able to imagine a smaller version of him running around and wreaking havoc.

Little Luke, with bandaged knees and feet that move as fast as his motor mouth, amber eyes glinting like windchimes in the summer breeze. His mom must’ve watched him play by himself through the bay window before calling him home when the clouds covered the horizon, wispy tendrils stretching over the rain gutter like how lovers hold hands. It must’ve reminded her a lot of his father, leaving nothing but the open air in his wake. Still, all of this was familiar to you too—despite having never stepped foot in the white house.

But knowing Luke meant knowing his home like it was a part of you.

The old hatchback’s engine gently rumbled against the quiet of the property each time you visited, and May would wait for you to come near— waiting for you to be ready to walk into a mausoleum of the boy you both once knew. You were familiar to her too, even as a blurry figure hunched over the steering wheel. She’s seen your face in the small glimpses between the shattering earth of her reality and the hazy foresight she lets herself succumb to remember what her son looks like. In every vision of him since he’s left, you’ve been there; and something about that quells the pain and anguish that it brings to her body when she sees it. But May Castellan is ever an observant woman, gift of prophecy aside. A mother always knows.

It also turns out that she makes excellent conversation over a plate of slightly singed chocolate chip cookies.

—

Luke Castellan is years older than the version of him that last sat at this kitchen table. He doesn’t know if he’s any wiser for it—wondering if he’s made a mistake in coming back here after all this time as he watches his mom hustle around the kitchen that’s suspiciously sparkling clean. A silver spoon clinks against the glass pitcher that May stirs mixed berry Kool-Aid in, his favorite, he remembers, and it makes him squint against the light that filters through the gauzy curtains of the windowpane above the sink. Luke could’ve sworn that there used to be badly patched rips in the fabric, but he attributes it to the dark corner of his memory he still hides away like a secret. Sitting there and taking it all in, he wonders what it would’ve been like to actually grow up here—to stay, for once.

But that’s something he doesn’t have the privilege of knowing. When his mom turns to hand him a glass with her shaking hands, wrinkles and laugh lines are mapped across the expanse of her face. He’ll never know how they got there. The wooden chair creaks under him, groaning under the weight that he carries and Luke once again feels uncomfortable in a place he once called home.

“Knew you’d come back. A mother always knows,” May mutters, voice disembodied like she’s floating just out of reach. Her hands clasped over his, rubbing her thumbs over the veins as if she’s checking his pulse (or the possibility of him being an apparition) and the crack in her smile mirrors his. But this isn’t the home he remembers—his frontal lobe was underdeveloped back then and the only plan it could form was the one to get him the hell out of Westport, there’s something different in the details. Tiny things, like the patio swing chain reattached to its post, a mended table leg, and ceramic tiles on the countertop unbroken and smooth. This is a home and a mother he once longed for as a kid, along with the feeling of comfort and safety you can only attribute to a place like this. Calculating eyes scan the perimeter of the kitchen, but no one knows he’s made the trip to Westport, not even his own crew. Surely nothing could mess this up for him, not here. This was his last step before his quest for redemption eats away at his physical body, and then it will all be out of his hands.

There’s not much left for me here, he thinks— there’s not much of me left here, either.

Then Luke hears you before he sees you—the sound of you humming under your breath mixed with the jingle of keys turning in the front door. With bags of groceries leaving marks on your arms and a soft smile he hasn’t seen you wear in ages, for once you look lighter again. For a moment, the thought crosses his mind that this must be what you look like when he’s not around. Nonetheless, he breathes easier when you’re near. Of course, you’re here, and the irony grips him by the neck almost as if to make it known why his home feels like home again.

“Yeah hon, I’ll have to call you back,” you laugh into your headphones before tapping them with one free finger to end the call. In a split second, your eyes meet. Staggering back at the sight of him sitting at the table and the absolute grin on May’s face, you decide to continue into the space ahead and start putting the groceries away like nothing is out of sorts.

“I see you have a visitor, Miss May. Is he staying long?”

Luke sips at his glass, juice extra tart just how he likes it. His lips pucker at the taste it leaves in his mouth and when he opens his mouth there’s a hint of blue. You try not to look too long.

“For the night,” he answers, even if you weren’t talking to him, but it makes May so vibrant with the notion of him not running again that she instantly hops to her feet and rushes to make the bed in his old room. “I won’t be in your way,” he swallows. You gravitate towards him like a moth to a flame, but move around his chair without touching him—further proving that Luke is, in fact, an obstacle you must overcome. He’s a stranger in his own home and you’ve found yourself at ease in it. You wonder if any of that will make a difference in the long run.

“She’s…”

“More peaceful. I’ve been practicing with my dad, so I do what I can to ease her fits but I’m not exactly equipped to lift a curse from Hades,” you mutter through a bitten lip. Luke stares at you but it feels nostalgic, like someone on the outside looking in. Well, shit. He’s been leading demigods to their deaths every summer and you’ve been trying to cure his mentally ill mother in the time you don’t spend trying to stop him.

“I don’t think I even remember the last time she made sense while talking to me,” he laughs hollowly. You purse your lips and shrug, “I visit her every two weeks. She still has her triggers, and she gets confused but she’s not in pain. Your letters helped.”

“Is that why you came here then?”

“Don’t shoot the messenger,” you joke feebly. It falls flat and yet he still smiles, even when you say, “They weren’t for me.”

“They were about you. All of them were.”

You know that too. May makes you read them to her before bedtime as you stroke her hair and send her off to Hypnos. You’ve relived your relationship with Luke a million little times, and he’s written about you and all of your yesterdays like it was the only glimpse of Elysium he’d ever reach. In those letters, you get to remember the good parts of being in love—laughing in the empty amphitheater, holding hands under the dining table, sneaking kisses in the strawberry fields.

You used to understand each other so well: every dream, every feeling. But there is nothing you understand about the man sitting across from you now. The both of you sit at the kitchen table and there is nothing more to say.

Luke doesn’t have to stay. While you were at the supermarket, he spent an hour trying to explain to his mother that he needed her blessing to swim in the River Styx. Through nuances and veiled simplicity in the words he weaved to convince her, there wasn’t much opposition in her half-empty, half-prophetic mind. May always knew that Luke loved to swim when she took him to the beach, and that was that.

There was nothing more to say.

—

He knows it’s too good to be true when moments later May’s screams carry through the halls of the little house, down the stairway you’re currently clambering up to reach her. By the time his boots reach the second landing, he finds the two women he loves most in a huddle against the linen closet, his mother’s glowing green eyes and empty groans rattling him to the bone. If he were any smaller, he’d be shaking. Even now he doesn’t know what to do— feet frozen as he watches you brush her curls away from her face and lull her to solace.

“Can’t find Luke’s sheets—he needs the Toy Story ones…” May mutters as she rocks on her heels, “My boy needs to be home…He’s meant to be home!” Her fingernails are cutting into your wrists and then she silences with a wave of your hand.

“He’s home, Miss May. He’s right there,” you whisper. When your eyes look at Luke, you watch him crumble—the cracks in his fortitude tumbling like fallen rocks at the sight of the two of you and then you see him. The boy you met at 14 who was angry at the world for making him run away from his mother and the hands of fate until it crept up to snuff him out for the sake of a prophecy foretold by deities who will never understand what it’s like to be human. But there are no second chances, and there is nowhere left to run. “He’s here for you. I’ll take care of him, don’t worry.”

“I see it, the two of you together. The worst will be over soon, and then it’ll all make sense,” she says breathily, licking her lips and straightening herself like nothing happened. Even after you send her off to prepare a basket for the beach, Luke doesn’t move when his mother pats his arm and walks around his body and towards the stairs. Neither of you speak until your fingers touch his jaw lightly, and Luke doesn’t know if you’re trying to help him or inspect him. He tilts down to look at you anyway.

“She thinks we’re still together.”

He blinks. Somehow that’s the most shocking thing he’s heard today. Fate is most definitely cruel and fucked up because he never expected it to be like this—once upon a time he hoped he could take you home to meet his mother when everything was said and done; no shackles from Titans or pressure from the gods. It was supposed to be different.

“The letters probably didn’t help as much as you thought they would then,” he mumbles, calloused hands guiding your hands over to his swiftly beating heart. You scoff, “Neither does bringing up my boyfriend. She thinks it’s you.” He’d believe anyone who’d say they watched you yank his heart out of his chest with that statement, everything bloody in your hands. It’s still yours, even if you don’t want it.

“Kit?”

You shake your head and shrug, “That was forever ago. But he treats me well.”

Luke wants to ask more but by the tension in your shoulders, he knows not to push. He’s not entitled to know anything more than what you give him. It’s not his place anymore. So his brow furrows at your next suggestion.

“Just pretend, Luke. For the day, so your mom doesn’t get agitated. I’m not asking for much here.”

It’s a terrible, terrible idea—even you know that. But you both have always been good pretenders. Liars, a voice corrects in the back of your mind. You reason that it’s for May and insist upon that fact, even if the heartbroken girl you left at Camp Half-Blood is raging at you from deep inside the recesses of your mind that you hide her in. What’s one day with him compared to the many you’ve gone without? You don’t need to know the rest of why he’s here, or what more he’s going to do— and you don’t ask.

Not knowing has always hurt less.

—

You’ve forgotten how good Luke is at playing the part of a good boyfriend. He offers to drive to the beach, carries the picnic basket and blanket for you all to sit on, and listens intently when May asks about your college classes. There’s no discomfort in the way he holds your hand as you walk in the sand or dusts your feet off before laying them across his lap. It’s easy to laugh at his bad jokes, it’s easy to act like the boyfriend you describe is anything like him (even if he’s the complete opposite), and it’s too damn easy to fall into the familiar rhythm that is you and Luke. The three of you lay down as the spring breeze covers you from the rest of reality, hiding away from the truth of a broken woman and two ex-lovers. By late afternoon, you find yourself enjoying it, and it’s cruel how the guilt isn’t rolling off you in waves, instead longing for him to follow you anywhere.

He meets you by the shoreline with both of you waist-deep in the water. May’s collecting seashells but she turns to look at you two every so often like she’s framing this memory in her fragile mind. Without saying it out loud, the both of you hope it will hold.

“She always talks about you, you know? Even without trying,” you mutter as saltwater pours from your fingers to the valleys made by the veins in his forearms. It’s like initiating touch without the consequences of actually doing it, and he immerses himself in the feeling as it spills over him, feet rocking against the tide.

“I do too. Can’t help it.”

When the sea ripples once more pushing you against the wall of his body, you end up holding on, and he doesn’t let go. You both smell like salt and sunshine, pressed together and nothing has made more sense. The silence goes on for a beat too long—he whispers, “You still talk about me? Your boyfriend must hate that.”

“Why wouldn’t I want to talk about you? For anyone to get to know me, they have to know you.”

Your shirt is stuck to your skin in the surf and Luke’s hands brush over the waistline of your underwear, daring to reacquaint himself with your touch and spur a reaction from you. You may be the best actress he’s ever known but anything is better than watching you be complacent with the false niceties of the day.

“There isn’t much worth knowing.”

“I’d never say that, Luke,” jaw tensing, you let out a breath when his hands encircle your hips, hidden in plain sight in the deep of the ocean. He chuckles and the sound tickles your brain to remind you it's the type of laugh he spits out when he’s hiding his anger, “There’s a lot we’re both not saying.” Your name slips past his lips, sneaking past your defenses and hitting you head-on like a bullet.

“Why?”

Why are you doing this? Why are you helping his mother, why aren’t you actively fighting and turning him in, why are you letting him hold you if he’s only going to leave again—there are too many questions and only one clear answer.

“Because it’s out of our hands, isn’t it, Luke? You love your mother but you wouldn’t have come here unless it’s too late. Annie told me you went to see her in San Francisco.”

He was never here to make amends or save face. There was no version of him that was going to ask you to run away with him because he knows you deserve more than always running from fate. He’d do it all over again as long as you got this— the life you’re living with your college degree, your boyfriend, and your happy family— and Luke has no place in that.

A dry laugh bubbles from his throat, sticking like seafoam when he says, “You hate San Francisco.”

You wouldn’t have come.

—

By the time you get home for dinner, your skin is sensitive and tingly from the heat of the sun. May’s tracing circles into the back of your hand as she leads you up the patio steps. There’s a sinking feeling in your stomach that makes you sway against the doorway.

“Too much time having fun,” she mumbles, patting your cheek, “Take a cold shower dear. Join us when you’re ready?” Luke’s eyes follow you all the way up the stairs and then again, he’s left to his own devices.

Most of the said shower was spent thinking about what your friends would say about you for playing house with the enemy. The guilt felt like ice along your spine, paralyzing you for wanting to be selfish, to choose what makes you happy even if it fucks the rest of the world. But looking in the mirror afterward was scarier—you recognized the girl that stared back at you as someone you thought you’d never see again. A version you left behind years ago, with her head held high and so sure of herself with your Luke by your side.

Surely, there’s no harm in indulging in this vice for the rest of the night. Not when you haven’t felt this relaxed in years.

Dinner is being served by the time you make your way back downstairs. It’s a simple dish you taught Luke how to make back at camp when you raided the kitchens at midnight. Nothing special, reminding you of your own home—but the fact that he remembered makes your smile widen as you take a seat and promise to wash the dishes. Luke chuckles the type that makes his eyes crinkle in mirth once he watches you dig into your meal, knees brushing under the table like old times.

Everything feels easier after that.

“Today was the best day,” his mother mutters as you tuck the covers under her chin. May kisses both of your cheeks before she shuts her eyes and you gently fold the letter she chose tonight back into her nightstand for safekeeping. This time, you read her the story of your first kiss with Luke sitting at the foot of her bed in the dim light of her room. It’s less scary here than he remembers, but maybe it’s because this time there’s no screaming and him running to hide in the closet. Your voice is much more pleasant than those suppressed memories, immersing you all in a more pleasant one— the both of you in the amphitheater kissing on the stage with his hands in your belt loops. Luke could recite every word on that page if it meant he could go back in time, not with Backbiter but with you, just to live through that moment again. I think I’m falling in love with her, is how the letter ended but by then he already knew. Writing it down to tell his mother always made it real.

This, you, right here—everything is real.

He’s silent even as he watches you smoke through the cracked window of his childhood bedroom, and you’re surprised when he steals a puff. His hands are shaking under the moonlight and suddenly it’s clear that he’s scared. Everyone feels fear, but in all the years that you’ve known him, Luke Castellan has never let you see it.

“Those things will kill you one day,” you mumble, watching him lean against the windowpane. It’s what he used to always tell you so that you’d quit, but old habits die screaming. It’s another vice you refuse to let go of.

“Wanted to try something new before I…” his voice drops off.

Lose myself.

Lose you.

Luke coughs as the smoke enters his lungs, a momentary rush hitting him brought by the nicotine. Your hands go to cup his jaw as you set your forehead against his, a silent plea for him to just be honest if there’s truly nothing left to lose.

“I’m out of time, trouble. It’s out of my hands.”

Shuddering at the feeling of him tracing every ridge of your spine, you think the way he says your nickname sounds like the way he used to say I love you. It’s raining outside now, the harsh pitter-patter of wet drops drowning out the sound of your voice, “What can I do? Is there anything left for me to do?” When his head shakes, your noses brush, and your breaths intermingle, almost magnetic. Perhaps the rain is getting in from the open window and you feel it hitting your cheek until you see the shine of his eyes.

“You think I did this because of you. I know you do, but you need to know I did all of this for you, trouble. I choose you and me. Every time,” Luke gasps, intertwining his fingers with yours, the both of you pushing and pulling in this embrace like the moon with the tide.

“Luke…”

You’re pressing yourself against him, face hidden in his shirt as your brain catches up to your heart, hasty breaths and every atom of your being screaming to be held together by him and then you’re on him, through tears and clenched fists tumbling towards the tiny twin bed. The only way he likens himself to his father is his yearning to be a true traveler, but what he knows best out of anything in this entire world is you. He knew this body once too— every birthmark, scar, and dimple. Who else has had the privilege to navigate the ridges of your spine, to know the pressure of your kiss? A tattoo peeks out to say hello at your hip bone. There are new stories and new marks, there are parts of you unknown to him now. Luke thinks that must be what hurts most about each time he leaves you.

But then why does this feel so good?

Warm palms caress your waist, nudging your shirt up in the hopes that this will be enough compensation for all his misdoings—the tears you’ve cried, the anger you’ve felt, the things you had to do and will have to do because of him. Luke is someone who’s gotten comfortable with manipulating time, but time has manipulated him and all of his plans for the both of you. Sleepy setback bedroom eyes meet his own that glow in the gentle light of the lamp on the nightstand. Maybe if you pretend again his childhood bedroom can turn into the star-speckled darkness of cabin 12. You can just lay down and tuck underneath his arms waiting for him to fall asleep. But he stays up this time, making you hiss at the feeling of his lips against your neck.

“We can’t… Angelface,” you say breathily, still leaning into the trail he marks across the valley of your collarbone, “We’re not together anymore.”

A kiss is placed on your pulsepoint, knocking against the cord of your necklace.

“We shouldn’t… I have a boyfriend.”

Another kiss rests against the warmth of your forehead.

“We’re on opposite sides of a war… You’re my enemy.”

Finally, his lips meet yours, for a moment as if to test the waters.

“Not tonight,” he says, and there is no other option but to agree. There is a lifetime to make up for in a night, and fuck it—they’ll crucify you anyway. You were never meant to be a hero, that’s what he always wanted. You just wanted him. Your head hits the pillow and he looms over you until you’re pulling him in for more than what’s necessary to accept an apology.

There’s nothing left to lose.

—

Before your mind can wake up dreading the consequences of last night, your socked feet take you to the kitchen to clean up the mess you’ve both left behind. The old floorboards creak underfoot and there’s a method in the way you’re washing the dishes, hot water and soap starting to seep through your shirt sleeve but you choose not to notice. Scrubbing at the dirt and grime left behind on the porcelain until your fingers start to prune, a lump forms in your throat before you can stop it. Maybe if you scrub hard enough at the glass that Luke drank out of last night it can eventually be clean. But it’s taking you longer than you thought, jaw tensing and fingers turning white at how hard you’re holding on. May appears behind you, guiding your hands away from the scalding water, and though you resist— the glass drops into the sink and shatters with a loud crack.

“Damn spot wouldn’t get out,” you sniff, turning away to look out the window and think of anything but him, but he’s everywhere even when he’s not here, so much so that it suffocates you. Guilt lines every shaking breath you take until lavender eyes meet amber at the sensation of her clasping your red and raw palms with a dishtowel.

You see him in her too.

“His fate is greater than the cards he’s been dealt with. You know that.”

It’s the clearest and most sensible May’s spoken in days. Perhaps when it comes to Luke, she’ll always know better. Eyes darting elsewhere to fight the tears that brim at your lash line, you look down at your swollen hands, palm up towards the heavens almost imploring, “Why couldn’t it be me?”

The question’s direction is unclear and you don’t expect to get an answer, turning away to grab some ice from the freezer and she remains standing there—staring at the windowsill at a compass that’s now found its home next to the faded picture of a man who’s left more times than there are reasons to stay. Just like his father, she thinks, a small smile quirking at the side of her lip where a scar would meet her son’s. Clicking it open delicately like how she used to hold his hand, there’s a photo of you and Luke resting against the cover ripped away from a memory frozen in time.

“It is you,” May says quietly, though you’ve already left the room.

A mother always knows, after all.

—

“Aphrodite,” I pleaded to the moon-drenched night sky. “Tell me; if love is meant to heal, then why does it destroy those who choose it?” From somewhere beyond the clouds, I heard the Goddess laugh. And I knew. -Nikita Gill

#feedback that made jo scream #thank you for reading my love ˚ʚ♡ɞ˚

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ma1dita · 1 hour

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ELLE GREENAWAY in CRIMINAL MINDS S01E12 — "What Fresh Hell?"

#zoo wee mama #elle greenaway the woman you are

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ma1dita · 1 hour

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🫢

#what a SLUT.#SO BABY GIRL

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ma1dita · 2 hours

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i'm a simple woman i see angst as a warning and i click read more

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ma1dita · 2 hours

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debatable

love me dry

a 'partners in crime' installment - luke castellan x dionysus!reader

words: 4.5k

(posted 4/19/24, semi-edited)

—

But knowing Luke meant knowing his home like it was a part of you.

It also turns out that she makes excellent conversation over a plate of slightly singed chocolate chip cookies.

—

There’s not much left for me here, he thinks— there’s not much of me left here, either.

“I see you have a visitor, Miss May. Is he staying long?”

Luke sips at his glass, juice extra tart just how he likes it. His lips pucker at the taste it leaves in his mouth and when he opens his mouth there’s a hint of blue. You try not to look too long.

“She’s…”

“Is that why you came here then?”

“Don’t shoot the messenger,” you joke feebly. It falls flat and yet he still smiles, even when you say, “They weren’t for me.”

“They were about you. All of them were.”

There was nothing more to say.

—

“She thinks we’re still together.”

“Kit?”

You shake your head and shrug, “That was forever ago. But he treats me well.”

“Just pretend, Luke. For the day, so your mom doesn’t get agitated. I’m not asking for much here.”

Not knowing has always hurt less.

—

“I do too. Can’t help it.”

“Why wouldn’t I want to talk about you? For anyone to get to know me, they have to know you.”

“There isn’t much worth knowing.”

“Why?”

“Because it’s out of our hands, isn’t it, Luke? You love your mother but you wouldn’t have come here unless it’s too late. Annie told me you went to see her in San Francisco.”

A dry laugh bubbles from his throat, sticking like seafoam when he says, “You hate San Francisco.”

You wouldn’t have come.

—

Surely, there’s no harm in indulging in this vice for the rest of the night. Not when you haven’t felt this relaxed in years.

Everything feels easier after that.

This, you, right here—everything is real.

“Wanted to try something new before I…” his voice drops off.

Lose myself.

Lose you.

“I’m out of time, trouble. It’s out of my hands.”

“Luke…”

But then why does this feel so good?

“We can’t… Angelface,” you say breathily, still leaning into the trail he marks across the valley of your collarbone, “We’re not together anymore.”

A kiss is placed on your pulsepoint, knocking against the cord of your necklace.

“We shouldn’t… I have a boyfriend.”

Another kiss rests against the warmth of your forehead.

“We’re on opposite sides of a war… You’re my enemy.”

Finally, his lips meet yours, for a moment as if to test the waters.

There’s nothing left to lose.

—

You see him in her too.

“His fate is greater than the cards he’s been dealt with. You know that.”

“It is you,” May says quietly, though you’ve already left the room.

A mother always knows, after all.

—

#thank you for reading my love ˚ʚ♡ɞ˚

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ma1dita · 10 hours

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saw something about how my venus in the 7th house means i'll meet someone through a friend of a friend or someone already in a relationship.

so you're telling me my social network is doing me dirty and everyones praying on my downfall. perfect!

#shut up jo!

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ma1dita · 2 days

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someone asked for my reasons for choosing the paintings!

The Sacrifice of Isaac, Giovanni Battista Piazzetta -> I found similarities between the story of Isaac and Abraham when thinking about Hermes and Luke; Abraham is chosen by God to sacrifice his only son that he had waited years to have for a greater purpose and to bless the Earth, whereas Hermes had to be compliant to a prophecy that was chosen for Luke to die as an eventual hero. Even if it wasn't portrayed as such, Luke is Hermes' pride and joy and he did truly love his son (he was just shit at showing it knowing there's nothing in his godly power that could change his destiny).

The Fall of Icarus, René Milot -> Luke has a lot of similarities to Icarus who is a boy who did not heed his father's warnings and flew to close to the sun. In some interpretations his wax wings melted, or he was badly burned, falling to his death due to his ambition and overconfidence. This is an act of self-sabotage, and the reality of it is that Icarus himself was a child who could not be tamed. Luke is similar because he had the makings of being a perfect demigod but was blinded by the coersion of Kronos and the idea of glory, which became his downfall.

Ivan the Terrible and His Son Ivan, by Ilya Repin -> Another reference for Hermes and Luke are Ivan the Terrible was a dictator and tsar of Russia who mortally wounded his own son in a fit of rage and arrogance. I think this is a good reference because of how Hermes, a god portrayed to be all-knowing and powerful does not realize how his actions affect Luke until it's too late

this analysis made me sad again but wtv

[CHARACTER STUDY: luke castellan]

son of Hermes, fighter, friend, traitor, human vessel of Kronos, prisoner of time— hero of the prophecy, doomed by the narrative...

[Ask Polly: Help, I'm The Loneliest Person In The World!, Heather Havrilesky; The Sacrifice of Isaac, Giovanni Battista Piazzetta; The Unabridged Journals of Sylvia Plath, Sylvia Plath; Dear Boy, Emily Berry; Herakles, Euripedes; The Fall of Icarus, René Milot; The Letting, Cathrine Goldstein; The Burning/Oculus, Venetta Octavia; Ivan the Terrible and His Son Ivan, by Ilya Repin; Phaedra’s Love, Sarah Kane; On Earth We’re Briefly Gorgeous, Ocean Vuong]

(guys i fear this was so fun to make)

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ma1dita · 2 days

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What is...

On every What is Wednesdays I will explain a trope, a rhetorical device, or a literary technique in a few sentences. Put in the comments what you would like me to explain next.

What is... a drabble?

What is... dead dove?

What is... archetypal characters?

What is… deus ex machina?

What is… whump?

What is... plot bunny?

What is... canon vs. fanon?

What is… a headcanon?

What is… a plot hole?

What is… retcon?

What is… WIP?

What is… a sequel hook?

What is… a crossover?

What is… crack?

What is… a rarepair?

What is… a red herring?

What is… fluff?

What is… smut?

What is… OOC?

What is… a missing scene?

What is… Coda?

What is… a trope?

What is… Alpha vs. Beta Reader?

What is… a cliffhanger?

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#jo's thinking cap is on ᕙ( •̀ ᗜ •́ )ᕗ

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ma1dita · 2 days

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to catch a thief

a 'partners in crime' installment - luke castellan x dionysus!reader

words: 3.7k

summary: (post-TLT, sea of monsters compliant/spoilers) The one where duty calls at Camp Half-Blood. Again. Your reunion with Luke is nothing you both could have ever expected. (Luke Castellan x fem!Dionysus!reader)

a/n: we’re so back trouble!verse ;) sorry for the post birthday hiatus on this, hope you like it! crack banter but err... she got a lil angsty

(posted 3/22/24, semi-edited)

—

When you wake up to the gentle rolling of the sea, it feels like a comforting embrace in a distant dream. Tangled within pristine white sheets, you could smell the salt through the small opening in the bay window–though this was a far cry from a fairytale conjured by your mind. This was your reality.

You wouldn’t call it a nightmare per se, but the circumstances were definitely less than preferred.

This is not the CSS Birmingham. No, that went up in flames. Retracing your steps to what led you to this—cushy cruise line of a prison, you reckon it’s been a few days now since you’ve become a stowaway, or a hostage. You haven’t quite decided yet.

Gods, this is what you get for passing up on that summer research internship.

Dropping off Percy, Annabeth, and Tyson at camp was supposed to be a fun walk down memory lane—until meeting with your dad, finding out Thalia’s tree had been poisoned, watching Chiron get fired, and essentially getting kicked out by the troll of a man who originally got sent to the Fields of Punishment for marketing the taste of human flesh made you remember that nothing at camp is the way it used to be.

Not like before, when you and Luke used to run it.

Your dad told you to go home and wait till you were needed. Home. Driving away from it this time around was harder than you thought it would be. You’d never been the patient type, and to drop everything just because a god told you to? Hilarious, really.

But almost a week later, after rejoining your friends on an undead ship that you let the kids commandeer, your vital mistake was thinking that Clarisse’s quest would be a breeze. Rookie move, since the last one you were on left you as scarred as Luke was. Even thinking of him now, you run your thumb over the rough patch of skin on your palm.

At the very least you hoped Tyson was okay. The last memory you have of the young Cyclops was watching him from your place on the ladder as he stopped the engines from overheating. Maybe it was the ex-head counselor in you, or your increased threshold to pain, but there was no way in hell you were leaving that kid behind.

The sound of voices from outside your door gets louder now, your throat feeling like you’ve been swallowing wads of cotton and a persistent ringing in your ear that hurts just as bad as when you watch Chris Rodriguez walk in with a plate of food. The last one he slid through the door bumps against his boot, still uneaten and he sighs.

“So what, you’re on a hunger strike now? I forgot how difficult you could be.”

You bark out a laugh. Thankfully it’s loud enough that it almost conceals the rumble of your stomach. Gritting your teeth, you mumble, “Wish it could be an idiot strike. I forgot how much of a bitch you are when it comes to your brother, Rodriguez. How long are you going to keep me here? It’s been days.”

Your former friend rolls his eyes at your dramatics like he doesn’t hold the key to your freedom.

“Three since you woke up, actually. Come on, you’ve gotta eat, or I’ll get my ass kicked,” he grumbles. You raise an eyebrow at that, walking towards the window to dodge the uncomfortable tension that fills the room. He plucks an apple slice off your plate.

“He couldn’t splurge on a balcony view? Monsters aside, it’s not like you’ve reached full occupancy.”

“There are more mortals here than you think. To be honest, he was worried you would find a way to overthrow us,” the tanned boy admits, placing the tray on the dresser. It was always a wonder to him how you and Luke were more alike than you think, even now—even when Luke hasn’t come to see you. Talking to you reminded him that you’re both pains in his ass, and Chris was still unsure of who to be more wary of, but he’s been in charge of watching you for the most part.

“Well tell your stupid captain he has no right to be worried about me. I’d much rather try to jump if given the opportunity.”

There’s no response, so you turn to face Chris who’s eating a croissant with a bashful grin.

“Seriously dude?”

“Listen, I’m hoping if I think of the right words to say, he’ll come in and deal with you himself. Opposite sides of a war and you’re still both giving me a headache. Just like old times,” he chuckles, flakes of pastry dotting across his chest plate. Your mouth quirks into a bitter smile. Old times, when Luke would shove you if he couldn’t think of a reply fast enough. When you’d punch him to get your point across if he wasn’t listening. How a kiss could end any waging war between the both of you.

You swallow, turning slowly to watch your reflection in the glass of the windowpane.

Why hasn't he come to see you? The first day, you remember spending out on the sea—treading water with no land in sight, calling out to your friends until your voice went hoarse, but you didn’t cry. You know better than to show weakness now, even when no one’s around. Chris tells you over a gulp of orange juice that you washed up next to the Princess Andromeda on the second day like it was fate. Though fate was never truly that kind to anyone; it felt like it was laughing in your face. Knocked out cold for two days after, and ignoring all of Chris’s attempts to keep you alive in the days that followed, you’ve been in this room ever since. You barely notice Chris’s departure.

Entering the ensuite bathroom, you splash your face and sip on water from the tap before stopping at the doorway. A shadow flits at the seam near your feet, someone standing just out of sight when you peer through the peephole.

But you know Luke’s there. Sons of Hermes have almost undetectable footsteps, however, Luke walking in and out of your life for as long as he has—there’s no inconceivable way to not know him. Perhaps you couldn’t hear the sound of his feet, but there’s a way the wind shifts your hair, your heart slowing in ease at his presence, and the scent of him reminiscent of skin kissed with the peel of an orange. The skin you used to kiss and greet and know like your own.

The shadow fades just as your hand reaches out towards it, leaving like he always does. Always out of reach.

Even as the Princess Andromeda continues to set sail upon the calm waters of the Atlantic Coast, you look out to the unending horizon and still feel like you’re drowning.

—

“Status report, soldier?”

Chris rolls his eyes, popping the last piece of apple into his mouth as he strolls into the command deck. The both of you had a flair for the dramatic—it serves as his reminder of why you two worked so well. Luke is sitting in his captain’s seat, watching the waves crash against the hull as the sun begins to set on the skyline.

“She’s angry. Anyone would be if they were locked up like that.”

“Well, yeah, but tell me something I don’t know. Something useful, Rodriguez,” Luke says, flicking his pocket knife closed. It’s still sticky with the juice of the fruit, catching onto his finger. He hisses, but then the sound of loud footsteps boom down the corridor, along with the sound of maniacal laughter as the door slams open. The two sons of Hermes look at each other curiously, knowing it all too well.

“You know, the next time you send a 9-year-old to stand guard, remember to not make it the one we used to throw into the lake,” you drawl, sauntering into the bridge and looking around until your eyes land on your ex, “and also remember that you taught me how to pick locks.”

Ethan Nakamura heaves behind you, hands on his knees before he stands to attention and salutes his captain.

“Sir, I was just following orders… and I’m not 9 anymore!” he snaps, glaring at you. Laughing at the absurdity of the situation makes it easier to get through. You thought being surrounded by the undead on the CSS Birmingham was scary enough, but standing in a room with ghosts from your past was somehow worse. Honestly, you learned a lot more by being in that room than if you were to jump ship like you wanted to.

“I taught you how to tie your shoes, Ethan. You’re always gonna be a little kid to me,” you scoff, brushing him aside and walking towards Luke, “your new digs are fancy, by the way. I could tell by all the teenage soldiers chasing me through the tourists.”

He stands up and meets you head to head, as the both of you inspect each other closely.

It’s been a long year without you.

You look thinner. You’ve lost the softness in your cheeks and your eyes are tired. He wonders what you chose to major in, who your roommates are, if you still think of him with a smile on your face. You’re still beautiful.

“You know me, I like to travel in style,” Luke says offhandedly, a half smile on his face. For someone leading a war against the gods, he’s calm in your presence.

“Back when I knew you, we traveled in a tin can that we also called a car.”

His clothes are nicer than anything you’ve ever seen him in. He looks really fucking good, for someone on the run. It’s almost frustrating to see how brawny he’s gotten, muscles rippling as he crosses his arms. You suppose he has nothing to do now but practice and spar (that or he’s definitely flexing for you). Pulling at the drawstring of the joggers you wear, you realize his initials are embroidered on the pocket. Pretentious fuck. Did he change you once you got on board?

Chris and Ethan suddenly get the feeling that they’re interrupting something—a reunion in a blockbuster romantic movie they’ve seen the mortals play out on the ship deck’s projector on Friday nights. The two of you stand there arguing like a married couple despite the fact you are no longer lovers and the bickering continues even when more of Kronos’ army files in. You laugh again at the sight of children walking in—some strangers, others you’ve sung to sleep in cabin 11, all still children, even back from the time before when laughter didn’t have to have a reason, light and airy in the summer sun.

“You’re sick, you know that? Did you just plan to let me rot in that room until it was all over? You didn’t even talk to m—”

“Classic, you’re more mad that I didn’t talk to you over the fact that you’re a prisoner,” he seethes, but you don’t stand down—not now or ever.

“Prisoner? I walked out and none of your Boy Scouts could do anything about it!”

His face is turning red now, jaw tightening at the angst but deep down he misses this—the banter, the thin line between hate and love you both tread on. You may be a damsel. But you were not in distress. To further prove your point, you swing an arm toward one of the boys in black (their uniforms were annoyingly corny), and they all take a step back toward the wall. Your eyebrows furrow, “What type of prison has guards terrified of the prisoner?”

He shrugs, “It was only time before you came and found me. I even gave you a bay window.”

That was not the right thing to say.

“I’ll fucking kill yo—”

“Sir? So do we try and detain her, or….” one of the demigods you don’t know interjects, and Chris Rodriguez sucks at his teeth before he responds.

“Alright. We’ve seen enough of the show. Everyone file out and let Castellan reunite with his girlfriend.”

“GIRLFRIEND?”

“Girlfriend…”

The both of you look at each other, one in anger, the other in sheepishness now that you’re alone. It's even funnier that neither of you deny it.

“You left me there in that room, and by the sight of things around here you prefer being in the company of monsters than being with me, so by the gods, what do you want, Castellan?”

You fall into the captain’s chair exasperatedly, watching him watch you.

“I’m giving you a choice,” he says simply. “You can stay here with me, or you can go.”

“A choice? You captured me to tell me I have a choice,” you spit, as if that was the stupidest thing he could say. “You didn’t give me a choice when you left me.”

“It was a matter of the circumstances. And I didn't capture you—are you mad that I betrayed everyone or not, because I can’t really read you right now, trouble…”

Your eye twitches and your hands are in fists across your lap. Another wrong thing to say.

“Keeping me here until I get the nerve to talk to you is not a choice, asshole. Do you think you could just hide me away until the bad part’s over? To save me until everything's good enough for you?” Your eyes catch onto the droplets of blood that fall onto the hardwood flooring near your feet. His hand is bleeding, and like it’s nothing of the sort you reach out for it.

Luke thinks that if he lets you your hand will still perfectly fit in his, so after a moment, he pulls his hand away out of your reach. Pulling a handkerchief out of your pocket (also embroidered with his initials—note to self, never let a son of Hermes have money), you stand to wrap it around his hand to stop the bleeding. You pretend not to notice his heartbeat increase through the throbbing of the cloth.

“Don’t let my actions make you believe that what we had wasn’t good, trouble.”

“Stop calling me that. Why are they all scared of me? Why won’t you let me touch you?” you whisper, putting pressure on his finger until the blood clots. It doesn’t even hurt, to tell you the truth. Not touching you when you’re right here in front of him is a pain he can’t find the words to describe. But what he’ll never understand is that he’s right. You two were good together. You’d have him through the bad too, if only he let you.

“Because you might think you can fix me.” Or worse, you might change his mind. You don't have to say you love him for him to know it. A part of him wishes he didn’t have to do all of this to prove to you he feels the same.

“Would you have left with me?” he mutters. A wistful look cuts through your anger and he knows he’s finally said something right. His pocket knife is on the control board and your hands drop to your side again when you realize that he may have forgotten to tell his battalion of who you are to him, but he still remembers how you like your apples cut. The silence is loud, even with the twinge that comes with the pain in your eardrum as you sway a little on your feet. Your body still knows it can relax with him, knees buckling with a false sense of security despite your willpower.

“I would've made it so that there was no other option for you but to want to stay.”

A soldier bursts through the door and apologizes for the intrusion, but the both of you have found out all you need to know. The moment is over and Percy Jackson has been captured by the army in his efforts of trying to save the day. There’s a look shared between the two of you that wonders if this will become a trend.

—

Licking your lips as your…Luke guides you out onto the main deck with your hands behind your back, you can taste the salt in your air. It’s almost as evident as the surprise in your friends’ faces when they see you alive. This time, they don’t question your allegiance but in the chaos that ensues, for a moment, you do.

For a moment, you wonder what would change if you decided to stay with him. Would the sky fall under your feet? Would the gods kneel like Luke said they would? Looking at him in your periphery, you realize it’s not what the both of you want, even if it’s the easier way out—to be together despite it all.

The two of you against the world instead of the world against the both of you.

But he won't even touch you—he’s holding you over the sleeves of your shirt, too scared of what you’ve become in his absence. You suppose you’re scared of what he’s become too.

The realization hits that you could defect from your friends, family, and home. You could undo everything that you and your friends have worked towards. But nothing he can say will change the fact that he didn’t choose you.

Luke was right, then.

You did have a choice, one that he still forces you to make as you nod at Percy to flip his last drachma into the open water, opening a direct line of communication to your father to catch the thief—of both lightning and the beat of your heart, in the act.

You realize that if the gods were the least bit grateful that you’ve kept their kids alive for the past half-decade, perhaps fate would be on your side and Luke would still be yours. But life has a funny way of working itself out when Luke admits to the open air of another crime to tack onto his list.

“Kronos was right. I should’ve killed you, Percy.”

The son of Poseidon goads Luke into another duel and you survey your surroundings for a way out. Annabeth burns holes into the side of your head and it gets you thinking, moving faster than you have in days as you walk towards her and Grover. At the raise of your hand, the demigods holding onto the pair drop to the deck, incapacitated with illusions of madness they will never comprehend. The more of them that surround you drop like flies as Luke’s eyes flicker between you and the boy he has at swordpoint.

You’ve gotten stronger in his absence—you never needed to touch him to use your powers after all. Just waiting for the right moment to strike, attacking when Luke finally let his guard down for you. He cracks his neck, knowing you’ve made your choice, so he makes his.

“Get them.”

The monster scrambles across the deck but it approaches you first, clawing at the wood and barely missing your feet as you scream for help, defenseless without a sword and you hear Luke yell your name in alarm before a punching glove-tipped arrow sends it hurtling overboard.

Your eyes lock with his again as you disembark with the Party Ponies, you with your crew as he corrals the mess you made of his. It has to be the salt air that makes your eyes seem a little misty.

Your fates have always been tied.

You protect your home, and he does what he can to protect you. Luke looks over your form like he’s checking if you’re okay, even from a distance— and it makes you wonder if this is how it's supposed to be. Someone leaving, and the both of you apart.

It’s weird to be the one leaving this time, but it isn't as easy as Luke makes it seem each time he does it. You avert your eyes once you see him put his hand in his pocket, him finding what you snuck in on the way to the deck. Luke pulls out a leather bracelet with a black camp bead, the one he missed in the year he’s been gone. He rolls the bead between his fingers, the thing you last touched before leaving him, an emblem of his archnemesis and the summer that changed everything—the consequences of his actions ripping you away from him. When he slides it on his wrist, it lightly clinks against the hilt of his sword, the lone clay bead a force of its own against Backbiter's reverberating power. He feels nostalgia for what could have been crawling through him—though Luke supposes he’s always been too vulnerable when it comes to you.

Is this what you’ve been feeling every time he walks away?

It starts to rain after you leave. Luke watches his crew take cover from the downpour, running in all different directions to hide away from the storm that ravages the Princess Andromeda.

But he stands still, looking up at the sky and hating it for how openly it’s able to cry. Luke is far away from home again—from you and it makes him wonder how much longer he’ll have to be away from you when being with you is what he truly wants.

The mission continues and the ship keeps pushing forward even as the rain washes over him, soaking through his armor and straight to the bone. Raindrops pelt through every crevice, though this onslaught is much kinder, more gentle, even when it’s angry. He closes his eyes and lets it touch his skin.

For a moment, it feels like you.

—

A hand penetrates the tide searching for yours, gripping onto your unconscious one. He’s spent hours ripping holes through time to try to find you, an advantage given to him in a dream by the Titan. The agreement, what keeps him from not running back to you is that you live—and as Luke pulls you out of the ocean waterlogged and turning blue, he wonders if it’s all a farce.

Losing you isn’t worth the wrath of the gods if you’re lifeless in his arms like this.

He shouts your name, pumping your chest with his fists and breathing life back into your lips until you cough out saltwater, head lolling against his knee. Luke’s fingers stroke your hair, touching you for the first time in a year. As life slowly brings the color back into your cheeks he silently thanks Hestia for keeping your flame alight. His soldiers call out to him from the deck, and he steels his resolve as he rows the lifeboat back to the ship. Still, Luke has to uphold his side of the agreement.

He wonders if you’d stay. Even if he knows the answer, Luke wonders if you would ever change it for him.

—

And they tell me you are evil and I answer: Yes, I know. –Patricia Smith

½ luke taglist: @kissingyourgrl @dorcas4meadowes @lorarri @andrewgarfldsgf @noodlesketchbook @10ava01 @poppysrin @ashisabitgay @timhalamet @liv1104 @leeknows-wife @mxtokko @bugcuti3 @luvvfromme @midmourn @2hiigh2cry @yuminako @niktwazny303 @lukecastellandefender @intergalactic-padawan @iliketopgun @annybah @dangelnleif @thegrinningghost @alyssajunelle @obxstiles @m00ng4z3r @visndcaitswhore @b0ok-lover @elegant-face-tree @this-barbie-is-having-breakdowns @amortencjja @idonevenknow1359 @maliaaaa @targaryenluvs @sakyira @dhdjdjjdhsjdiri

#hey friend did you miss this? <3

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ma1dita · 2 days

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love me dry

a 'partners in crime' installment - luke castellan x dionysus!reader

words: 4.5k

(posted 4/19/24, semi-edited)

—

But knowing Luke meant knowing his home like it was a part of you.

It also turns out that she makes excellent conversation over a plate of slightly singed chocolate chip cookies.

—

There’s not much left for me here, he thinks— there’s not much of me left here, either.

“I see you have a visitor, Miss May. Is he staying long?”

Luke sips at his glass, juice extra tart just how he likes it. His lips pucker at the taste it leaves in his mouth and when he opens his mouth there’s a hint of blue. You try not to look too long.

“She’s…”

“Is that why you came here then?”

“Don’t shoot the messenger,” you joke feebly. It falls flat and yet he still smiles, even when you say, “They weren’t for me.”

“They were about you. All of them were.”

There was nothing more to say.

—

“She thinks we’re still together.”

“Kit?”

You shake your head and shrug, “That was forever ago. But he treats me well.”

“Just pretend, Luke. For the day, so your mom doesn’t get agitated. I’m not asking for much here.”

Not knowing has always hurt less.

—

“I do too. Can’t help it.”

“Why wouldn’t I want to talk about you? For anyone to get to know me, they have to know you.”

“There isn’t much worth knowing.”

“Why?”

“Because it’s out of our hands, isn’t it, Luke? You love your mother but you wouldn’t have come here unless it’s too late. Annie told me you went to see her in San Francisco.”

A dry laugh bubbles from his throat, sticking like seafoam when he says, “You hate San Francisco.”

You wouldn’t have come.

—

Surely, there’s no harm in indulging in this vice for the rest of the night. Not when you haven’t felt this relaxed in years.

Everything feels easier after that.

This, you, right here—everything is real.

“Wanted to try something new before I…” his voice drops off.

Lose myself.

Lose you.

“I’m out of time, trouble. It’s out of my hands.”

“Luke…”

But then why does this feel so good?

“We can’t… Angelface,” you say breathily, still leaning into the trail he marks across the valley of your collarbone, “We’re not together anymore.”

A kiss is placed on your pulsepoint, knocking against the cord of your necklace.

“We shouldn’t… I have a boyfriend.”

Another kiss rests against the warmth of your forehead.

“We’re on opposite sides of a war… You’re my enemy.”

Finally, his lips meet yours, for a moment as if to test the waters.

There’s nothing left to lose.

—

You see him in her too.

“His fate is greater than the cards he’s been dealt with. You know that.”

“It is you,” May says quietly, though you’ve already left the room.

A mother always knows, after all.

—

#hey friend did you miss this? <3

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ma1dita · 2 days

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im alive 😃👋🏼

unfortunately

yap if you dare while i try to be productive today!! missed yall heehee not in a brain fog anymore 🤝

#shut up jo!

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ma1dita · 3 days

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1k party!! thanks for the love & the notes :))

anything you want

a 'partners in crime' installment - luke castellan x dionysus!reader

words: 1.6k

summary: (pre-established relationship) The one where you and him have your first kiss. It’s just Luke. He’ll do anything you tell him to, even if you talk too much. Luke Castellan x fem!Dionysus!reader

a/n: trouble is a yapper yall should know that by now. happy first kiss to you and luke!

(posted 1/25/24 unbetad)

—

“Come on, Castellan, we’re gonna be late if you don’t hurry!”

Your foot taps steadily on the forest floor, waiting for Luke to finish his demonstration of how to slay a chimera, and at the sound of your voice, he sheathes his sword and claps Chris on the back to finish up the workshop.

“Where you off to, man?”

“Gotta help our favorite head counselor set up for Greek Legends & Theatrics,” he says matter-of-factly, setting his battle armor to the side and making the walk up the steep hill towards the amphitheater to meet you like he’s following a siren call.

“Simp,” Chris mutters before his best friend slaps him across the head and jogs away.

“My hands are full, Rodriguez!”

“You wish!” Chris calls out as he picks up his sword, watching the slight blush rise on Luke’s pale cheeks as he almost trips over his own feet.

“Shut the fuck up!”

“Watch your fucking language,” you say sternly, which makes the both of you laugh when he finally meets you at the top of the hill. Instantly, you’re relinquishing everything in your hands: your water jug, the bag of costumes, a binder of scripts, and a ukelele. Luke’s juggling everything as best he can with no complaints, following your footsteps as he bumps the body of the uke against his hip to get a better grasp as he marvels at your excitement for your little drama club.

“What’re you teaching today, trouble?”

“Orpheus and Eurydice, and it’s gonna be great! One of my personal favorites! The kids should be ready for the performance at the end of the month,” you grin, walking backward as you descend the stone steps of the amphitheater.

You’ve both grown into your roles here at camp, finding places you shine and excel at and together you bridge what the kids, your kids, are lacking. But he can see how you let yourself thrive here, being the operative heart of Camp Half Blood, and you’re radiating as you beckon him to follow you.

Following you around has become a habit as of late, one that he’s only recently made himself aware of. Sure, he’s always loved annoying you and doing something stupid to get a reaction, whether it be a snide remark or a smile, but something in your dynamic has changed. You’re head counselor after all, and even though he’s only in charge of busy cabin 11, his hand is always extended to whatever you have to offer. Quite simply, he loves it when you look for him, there’s no other explanation for it.

You’ve always troubled him, his thoughts, his life— but Luke can’t define it, or deem it something he can live without. It doesn’t make sense, and now he often finds himself wondering what it would be like to be more than whatever you are; not enemies, not necessarily friends, but perhaps a secret third thing, something he admittedly holds sacred.

Luke trusts you with his life, but wouldn’t choose you to be his quest companion again he thinks, not after the scar only you deem pretty is an evident sign of his personal transgression. He stares at you for a second too long while you ramble, organizing your thoughts out loud that he doesn’t notice any of the actual words falling from your lips because he’s entranced by them. Slight worry crosses his sharp features as he realizes he could kill someone if you got hurt.

Fuck.

There’s a space he’s carved out for you in his heart that he reminds himself not to name yet and now you’re looking for him again, turning to him when you realize he hasn’t followed.

When did you get so close to him?

“Luke!” you exclaim, nibbling on your bottom lip as you snap your fingers in his face.

“Are you even listening to me? I need an extra hand setting up smores stuff for the bonfire later if you’re free, and then we have night shift after…” You’re leaning against the table with a delicate smile on your face and in moments like these where you rattle off your routine that he gladly picks apart— Luke feels a sort of elation better than any quest or glory he can achieve. Only you can make unpaid labor sound like Elysium.

He nods absentmindedly, eyes flickering to your lips as you continue to speak, and he can’t help but admire how the way the sun filters through your hair…

Maybe Chris was onto something…

“You okay? If you need a break you can sit and watch us, the kids should be coming soon to start.”

Your fingers graze his bicep, and he blinks at you, your eyes wide with curiosity and a fire that can’t be tamed. You drive him crazy. He probably looks like a lunatic, frozen in place as he stares at you, so he shakes his head lightly, albeit unconsciously as he furrows his eyebrows, scar crinkling with his eyes as he smiles at you. What a dork.

“Why’re you looking at me like that?” you laugh, your head falling onto your shoulder as you look at him sideways. You’ve noticed Luke is softer with you nowadays, hands always full when you keep him busy, and unlike the other cabin counselors, seldom does he fight you about camp duties. He’ll fight you about anything else though, just to get the last swipe at your attention, to make sure your eyes are on him.

And they always are, whether you can help it or not.

Luke steps forward, duffel bag still in hand and ukelele at his other side and suddenly he looks like he’s on a mission, his signature smirk stealing the air from your lungs as you forget what you’re saying.

“Like what, trouble?”

Nervous laughter bubbles from you at the increasing proximity. It’s the first time he’s spoken since you got down here. His cargos brush against the smooth skin of your legs as you nestle your hips against the table, and the smell of sweat, musk, and citrus infiltrates your nostrils with a shaky breath.

“Like you’re about to make a mess of something. I can’t really tell,” you whisper. Why are you whispering? There’s no one here but you two and the sound of birds in the spring air.

It’s just Luke. Luke Castellan, who you glitter bombed when you were 14, who shoves you around every chance he gets, and steals food off your plate at every meal.

“I might. Not sure yet,” he swallows as he looms over you, the bag in his grasp falling to the side and the ukelele making a dissonant noise as he sets it on the table.

When did you let him past your defenses? The wall around your heart was well protected after years of whims of what you thought was love felt like running headfirst into concrete.

But Luke’s always been there, watching.

Though as a son of Hermes, sneaking in without a sound is what he does best. Perhaps a little too well, the both of you not noticing it for what it was until this moment.

“What are we doing?” you ask, and his reply is to pull you in by the belt loop of your denim shorts, snatching you closer with a curl of his fingers.

“You talk too much, you know that?”

Then suddenly, finally—his lips descend onto yours stealing your breath away like it's second nature, almost thoughtless and without anymore questions. There's a moment where you both sigh as if it was a relief to finally be touched like this, no hidden meanings, no ulterior motives, and nothing else makes sense but to be here kissing him.

Luke’s calloused hand weaves under your jaw and into your hair, propping you up as your knees buckle slightly, so intense and gentle at the same time, lips forging the undeniable connection between you that’s gone unspoken for so long. His hands are full of you, and he tastes like the strawberries you snuck onto his plate at lunch.

Your hands slide up the front of his shirt, a featherlike touch to confirm that he’s there though the feel of his tongue slipping in makes you wonder how much time you’ve wasted arguing with him when you could’ve been doing this.

Everything about this kiss feels familiar in a way you can’t describe, but this embrace lets you learn about him what you thought you were already so sure of. It makes you wonder if you’ve been here before in a different life, and then you remember who’s in front of you.

It’s Luke, who likes it when he gets to fall asleep to the sound of your voice telling a bedtime story, follows you around even if his siblings tease him, and never ridicules you for your innate madness.

Perhaps he’s just as mad as you.

Your eyes flutter open, and he’s already walking away, nervously chuckling like he didn’t give you a life-altering kiss. When your heart finally feels like it’s in your chest again, you grumble loudly, shaking your head with his name still caught between your teeth—

“LUKE CASTELLAN! Don't you dare run away from me!”

He's quite sure he hasn't sprinted away faster in his life. But as he runs up the steps of the ampitheater to try and clear his head, he stumbles when he looks at you, turning around every few paces until he finally catches the unmistakeable smile on your face. Luke eats shit at the top, falling against a tree and he hears the sound of your laughter.

He thinks he’ll spend the rest of his life running away if it means he can look back and see if you’ll follow.

—

“I don’t know how it is you are so familiar to me—or why it feels like I am getting to know you and more as though I am remembering who you are. How every smile, every whisper brings me closer to the impossible conclusion that I have known you before, I have loved you before—in another time, a different place—some other existence.”

-Lang Leav

ask to be put on general/luke taglists!

luke taglist (some won't let me tag, turn on my post notifs?): @kissingyourgrl l @dorcas4meadowes @lorarri @andrewgarfldsgf @noodlesketchbook @10ava01 @poppysrin @ashisabitgay @timhalamet @liv1104 @leeknows-wife @mxtokko @bugcuti3 @luvvfromme @midmourn @2hiigh2cry @yuminako @niktwazny303 @lukecastellandefender @intergalactic-padawan @iliketopgun @annybah @dangelnleif @thegrinningghost @alyssajunelle @obxstiles @m00ng4z3r @visndcaitswhore @b0ok-lover @elegant-face-tree @this-barbie-is-having-breakdowns @amortencjja @idonevenknow1359 @maliaaaa @targaryenluvs @sakyira @dhdjdjjdhsjdiri @number-onekidqueen @nininehaaa @bradynoonswife @stevenknightmarc @hoodedhavok @happy-mushrooms @homebyeleven @anotherblackreader @too-deviant @liviessun @lilacspider @theadventuresofanartist @sucker4seresin @simpforsunwoo @zanzie @starrystormwritings

#back when they were happy lol

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ma1dita · 3 days

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this!!! lurked on this account for 8 YEARS!!! before posting writing on here last fall :) swhy i could never get mad at the spam likers bc i was one of them LOL

from a former ex-lurker: to all the lurkers out there, I hope you’re having a good night of reading 🥰

#shut up jo!

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ma1dita · 4 days

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really just woke up from a migraine to post about charlie and went back to bed.

my priorities >>>

anyways yall ive been mia these new meds are messing w my brain im fighting god as we speak

#shut up jo!

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ma1dita · 4 days

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I’m not really on instagram all that often so every time Charlie posts I hear about it from you before him. I honestly wouldn’t have it any other way LMAOOO

made me laugh but honestly im just lucky to have moots that sound the alarm when he does 🚨🚨🚨

glad to be of service in this so called chain of freethinkers

#જ⁀➴ jo answers !

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ma1dita · 4 days

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ohhh charlie looks so good in the pictures he posted… im ill…

well im PISSED (and bricked)

you're telling me the besties show up in casual fits and his fuckass shows up making everyone think its a photoshoot? gemini man behavior (i would literally collapse)

#જ⁀➴ jo answers !#mooties: frances ! (˶ ˘ ³˘)ˆᵕ ˆ˶)

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ma1dita · 4 days

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this literally blew me away--- genuinely had me immersed in this little world from beginning to end!!! so lovely <3

dance until we're bones

pairing: aaron hotchner x fem reader

summary: you and hotch both confront a lifetime of things left unsaid when a case forces your past into the light.

a/n: so i started this. two years ago. got 1k in and left it, came back now for some reason, wrote like a freak until it was done. lol. this is quite heavy and different than most things i usually write and it is SO much longer than expected but im very proud of it 🫶 i didn't really pay attention to the canon timeline so just know that reader and hotch were in their early and late 20s in law school (90s) and early and late 30s in present day (early 2000s). title from i lied by lord huron and allison ponthier

wc: 17.1k

warning(s): a lot of angst. typical bau case stuff, murder (familicide), implied/referenced past child abuse, reader and hotch go at it basically the whole time, character death, kidnapping, slight mention of drugging, injuries, mentions of blood. i wouldn’t say a happy ending but a hopeful one

Hotch can barely stay awake.

He got the call thirty minutes to 4 a.m, and if he hadn’t already been up, he would likely be in a much worse mood. He can only hope that the rest of the team has gotten used to rude awakenings at this point.

It’s poor planning on his part—he already got out late due to extra paperwork, and once he got home, he found himself staring at the wall, and then staring at the ceiling. If he’s lucky, he’ll get to sleep on the jet. If things go the way they usually do, he won’t be out until their first night in a hotel.

He started making calls to the team on his way to the office, but to no one’s surprise, he was the first one there. He had time to wash down a shitty office coffee and get started on a second one by the time everyone’s there.

Morgan, Prentiss, and JJ all have coffees—JJ comes prepared with her own thermos, but Morgan and Prentiss fall victim to the BAU’s supply—Reid is fighting back yawns as he tries to fix a hastily made tie, Garcia is slightly less energetic than normal as she passes out files, and somehow Rossi looks the same as always.

Hotch just hopes he’s put together enough to make the team feel better about being here at an ungodly hour.

“Welcome, welcome, welcome,” Garcia greets, setting down the last folder in front of Reid before taking her spot next to Hotch at the front. “As lovely as it is to see all of you this morning, I’m afraid that we’ve got a grisly one on our hands, hence the hour.”

“Great,” Prentiss mutters. “How bad is it?”

“Three married couples have been murdered in St. Louis, Missouri in the past two months, with the most recent one happening yesterday,” Hotch says, and Garcia grimaces as she clicks onto the pictures. “Mom and dad are killed, but the children are spared.”

“Awful lot of similarities between the parents,” Morgan says dryly as he flips through the folder. “Looks like our killer has some family issues.”

Reid nods. “The unsub likely stalks these families once they see the similarities. I’m guessing he was abused as a child, seeing as they kill the parents but keep the children alive.”

“Probably has a grudge against his father,” Prentiss remarks. “They make it out the worst every time.”

“There’s no method to the torture,” Morgan says. “It looks like he’s just trying to make it hurt as much as possible.”

“Our guy probably isn’t trained in anything, then,” Rossi says.

Reid flips to another page in the file. “Serial killers like to see their victims suffer. If he’s not torturing the mom physically, then he’s likely making her watch.”

“He doesn’t kill children, though,” JJ notes.

“Maybe he thinks he’s doing them a favor,” Reid says.

“The unsub sees himself in the kids?” Morgan suggests. “He’s doing what he didn’t get the chance to do.”

“Whatever it is, we have to keep a tight hold on this,” JJ says. “The press eats this stuff up, and the last thing we need is a terrified city making it harder to do our jobs.”

“Especially with families being killed,” Morgan murmurs.

JJ sighs. “I’ll draft something on the jet and make some calls when we land.”

Hotch nods and he closes his file. “Wheels up in thirty. I hope you’re all ready for a long day.”

The jet is silent the entire way to Missouri, full of sleeping agents trying to delay the inevitable—save for JJ scribbling down notes on a legal pad for the first thirty minutes, but even she knocks out sooner rather than later. Thankfully, Hotch manages to fit an hour in himself, though it doesn’t do very much for him. He spends the rest of the time reading through the case file.

The team settles in quickly at the city’s precinct, and Hotch takes charge as usual. The uniforms are just as tired as they are, but he makes it work. Soon enough, JJ is off to work with the local liaison to craft a narrative, Reid has situated himself in an empty conference room to get to work analyzing maps with Garcia, and Hotch and the rest go to check out the crime scene.

It’s brutal—much too brutal for this early, but Hotch forces the emotions out of it and gets to work questioning the present officers. Morgan follows suit, with Prentiss and Rossi going to investigate the rest of the house.

They don’t learn much from the officers that they don’t already know. This is the most recent crime scene—George and Marsha Springfield, undeserving of such a grisly fate. Their two kids, 8 and 9, were off visiting their grandparents in Nebraska when it happened, and though they avoided the same fate, they’re going to deal with a lifetime of guilt.

It’s all Hotch can think about as he examines the first body. The six children left to deal with the carnage, about their past and future marred against their control.

All he can think about is Jack, and the dreary fate that awaits him if his father falls in the field.

Hotch swallows his doubt and his guilt all in one and forces every thought out of his mind. He has to be unshakable for the team, for what’s left of these families, for a city on the brink of hysterics.

They’ll find whoever did this. That’s what gets him through it.

They spent early morning at the crime scene, collecting evidence and gathering information from the officers and trying to make sense of the killer’s motive. Progress is slow, partially because of the hour, but they make enough that Hotch feels comfortable moving onto the next job.

Their four a.m. start time was too early to go knock on doors and get interviews, but now it’s a more normal 10 in the morning. After a quick stop back at the station to share information with Reid, Garcia, and JJ and down a few cups of coffee, they get right back on the road.

Hotch and Prentiss take one van and Morgan and Rossi take the other, splitting up to get what they can from interviews. It’s difficult working with kids, especially with such recent trauma, so they hold off on it for now, allowing the local uniforms that have been with them for a bit longer to set things up before the BAU tries anything.

First they go to a neighbor’s house, then an alleged eye witness. They don’t get much other than personality reads, but it at least gives them the beginnings of a profile. The third place they hit is their earliest idea of a suspect.

“Lucas Hartford,” Prentiss reads off the file one of the local officers had put together. “Thirty-nine, born and raised in St. Charles, Missouri. High school degree, but never got to college because he was in and out of jail.”

“What has he been charged for?”

“Booked a few times for public intoxication and convicted three times for assault. Once was for third-degree assault, Missouri’s version of aggravated assault,” she says. “He got out of jail four years ago, and it looks like he’s been living in St. Louis for some of that.”

“Assault and drinking is a far cry from serial killing, even aggravated,” Hotch says. “What makes him a suspect?”

“Both parents are dead,” she says. “And from the looks of it, it was not a happy home while they were around. He’s got a sister, so it fits the initial theory of trying to replicate his family.”

Hotch lets out a loose breath and nods. “We’ll start there. Try and get a story from this guy, build a profile, see if it matches the one Morgan and Rossi have made for their guy.”

“And hope we pin something down before more bodies show up,” Prentiss murmurs.

They’re at their destination soon enough, and Hotch parks in an open spot on the other side of the road. His eyes dart around as they walk up to the front door, filing things away in the back of his mind.

The house number and last name—1432, Hartford—on the mailbox plagued with rotting wood. What there is of a yard is poorly cut, and a small garden of wilted flowers has their own corner, victims of the winter weather. One car is parked slightly crooked in a small driveway—there’s no garage, so at least he’s probably home. Two potted plants sit on either side of the door, thankfully alive.

“Remember,” Prentiss says as they come to a stop together, “be nice.”

“I’m plenty nice,” he murmurs, and she huffs the slightest laugh.

Hotch knocks on the door as Prentiss fishes around for her ID, and thankfully, they don’t wait long. The door cracks open after a few seconds to reveal a woman—certainly not their unsub, but something a whole lot more surprising.

You.

Your brows furrow at the sight of him, and Hotch has to hold back his shock.

You don’t live in St. Louis. And your last name certainly isn’t Hartford.

“Aaron?” you ask in disbelief, and he doesn’t even have to look at Prentiss to know the questions he’s going to get later.

He says your name, able to control his surprise with only the slightest crease of his brows giving it away, then corrects himself just as quickly. “Miss Hartford. My name is SSA Aaron Hotchner, and this is SSA Emily Prentiss. We’re here with the FBI.”

Your frown deepens as they show their IDs, and you actually take it from Hotch, skeptical eyes scanning over it for much too long. You glance back at him as you hand it back over. “What is the FBI doing here?”

Emily clears her throat as she puts her credentials away. “We’re here investigating the latest murders in St. Louis. Can we come in?”

“The murders?” you ask with exasperation. “What— what murders? And what do I have to do with them?”

Aaron notices the way your grip tightens on the door just the slightest bit, and a shred of sympathy strikes him before he speaks up.

“We’ll be able to explain everything if you let us in,” he says.

You swallow thickly in your throat, your gaze darting back to Aaron before you finally nod. “Okay. Sure. Why not?”

You move and Hotch and Prentiss walk inside, gesturing with a hand towards your living room as you shut and lock the door behind them. “Take a seat. Uh— do you guys need anything? Water, or coffee, or…”

You trail off, and Prentiss shakes her head. “Thank you, but that’s not needed.” She takes a seat on the sofa, but Hotch can’t stop himself from looking around the house.

It’s a small place, one story—likely rented, seeing how paintings sit on countertops and mantels rather than hanging on the wall. It has a certain charm to it, but something is off about it all.

Two styles clash—decorative pillows at odds with a filled and painted-over hole in the wall, an attempt at neutral tones ruined by dark articles of clothing scattered around, one person’s mess barely being held back by another’s cleaning efforts. You lived with someone else. Likely Lucas Hartford, possibly their unsub.

“Are you gonna sit down, Aaron?” you ask, snapping him out of his profiling haze. “Or do you want to look around some more?”

“I’m sorry,” he says, clearing his throat as he walks over and sits down in an open chair near Prentiss. “Just curious.”

“That makes two of us,” you say, and you cross your arms as you look at him. He notices that you don’t sit down yourself, and there’s still a coldness in your eyes. “You’re FBI now?”

He nods. “I had a change of heart.”

You huff a laugh. “Thought at least one of us would be a lawyer by now. I guess not.”

Hotch frowns, but Prentiss takes over before he can continue on that particular thread. “Miss Hartford—”

You interrupt by saying your first name, and it spurns something strange in his chest. It’s been over a decade since he’s heard your voice. “You can skip the formalities.”

Prentiss nods and repeats your name. “As you know, we’re investigating the murders that have been occuring in the St. Charles area.”

“And you think I have something to do with it?” you ask, the accusatory edge to your voice not lost on him.

“Not you,” Hotch says. “Do you know a Lucas Hartford?”

“He’s my brother,” you say, and your frown deepens. “You’re not saying—”

“No,” Prentiss interrupts, “we’re not saying anything. We’re just asking.”

And just like that, your entire stance, your visage, it all changes. Hotch can sense the walls slamming up around you, and he immediately realizes two things:

Getting information out of you is going to be much harder than planned, and you’re not anywhere near the same person you used to be.

Hotch doesn’t know what he expects, really. He graduated with the intent to prosecute for at least a decade—now, he’s with the BAU. It’s not fair to assume you’re that same girl he met in law school.

“My brother is not a murderer,” you state clearly.

“And we aren’t accusing him or you of anything—” she starts.

“Me?” you interrupt, and you let out a harsh laugh. “I’m a suspect too?”

“If you would allow Agent Prentiss to finish her sentences, you would be less upset,” Hotch says.

You glower at him, but you stay silent.

“We aren’t accusing either of you of anything,” Prentiss finishes. “We’re just trying to gather information with what little we know.”

“I know my rights,” you say, unflinching gaze still meeting Hotch’s. “I don’t have to tell you anything.”

Prentiss looks at him as well, but his eyes don’t leave yours. “That’s unfortunate to hear, Miss Hartford.”

“You know my name, Aaron. Use it.”

He does, and the letters feel strange on his tongue after so long. “This is a serious matter. This isn’t an accusation—we’re in the early days of this case and we need all the information we can get.”

“Ask away,” you say. “Doesn’t mean I’ll answer.”

“Lucas Hartford,” Prentiss starts. “He’s your brother?”

You nod. “He lives with me.”

He lives with me, not we live together. Makes him think that you pay for the place, he came knocking, and you didn’t have the heart to turn him away.

“Why is that?” Hotch asks.

You look at him, those scrutinizing eyes attempting to peer into his soul the same way they did all those years ago. But Hotch has changed since law school, and he’s much better at guarding his emotions. It seems you are, too.

“He’s a student,” you finally say. “He goes to community college. I’m giving him a place to live while he gets his associate’s.”

“Community college and living with his younger sister at 39?” Prentiss is trying to get information out of you, even if it isn’t in the kindest way. Your jaw clenches, and he knows her words have some effect. You’ve probably heard it more than once, the way things are going.

“He’s getting his life back on track,” you say defensively. “I’m the only one left that can help him, so I am.”

“What about your parents?” she asks. “Surely they’re a better option than this.”

“Both dead,” you answer. “And no one else cares enough to help him. Are you here to do anything other than dig up my past?”

Hotch feels Prentiss’s eyes on him, likely because it’s a step in the right direction for a really shitty reason, but he can’t look away from you.

“Really?”

He knows your parents are dead—it was in your brother’s profile, and by extension it applies to you—but it still hits him.

He met your mother, had countless lunches and dinners with her. Helped her move out of her old house. Spent two Thanksgivings and a Christmas with her.

And he didn’t even know when she died.

You shrug and wrap your arms around yourself, and for the first time you look something other than defensive or standoffish. You look— well… sad.

“Mom went a few years after you graduated,” you say, looking at Hotch. “Dad went five years ago.”

“I’m sorry for your loss,” Prentiss says.

You nod your thanks, the notion a bit numb.

“You never told me,” Hotch says with a slight frown.

“We haven’t talked in ten years,” you say. “Sorry that I didn’t know you still wanted updates.”

Hotch tries to think of something to say in response, but Prentiss starts getting a call and she stands up. “Excuse me.”

His jaw clenches for a moment as Prentiss ducks into a nearby bedroom, but he’s recovered by the time you look at him again. Your arms are crossed, but your expression is even.

“I take it this was as much of a surprise for you as it is for me.”

Hotch nods. “We came here looking for your brother.”

“Does your team know about our history?” you ask simply.

“No.”

“Do you want them to?”

“...No.”

You huff a laugh, your eyes narrowing a bit. “‘Course not. Probably counts as conflict of interest.”

You wait another beat, then ask another question. “How’s Haley?”

“Good, last I heard,” he says, and then he hesitates. “We’re… divorced.”

Your eyebrows shoot up. “Really?”

He nods. “This job isn’t easy for anyone.”

You look like you want to say more, but once again, Hotch is saved by Prentiss as she walks back in. Her phone is closed in her hand and she looks at him. “Morgan and Rossi have a lead. The chief wants everyone back at the precinct to go over everything we’ve found.”

Hotch nods again and stands up. Prentiss takes her card out of her pocket and holds it out to you.

“Thank you for your time, Miss Hartford. If you find out any information, or want to tell us anything else, please give me a call.”

“Pass that along to your brother, too,” Hotch says.

You reluctantly take the card, but you don’t look at it. “You can see yourselves out.”

Prentiss nods. “Thank you again. Have a good day, and stay safe.”

She leads the way, and Hotch follows after her. He fights the urge to look back before he shuts the door.

Prentiss looks at him as they walk back to the car, and he can only imagine what is going through her mind. But eventually she just shrugs and pulls out her phone again.

“Garcia?” Prentiss asks after she picks up.

“You’ve reached the office of all that is holy.” Penelope’s voice comes out through the speaker, and Hotch can’t help the smallest twitch of his lips. “What’s up?”

“Dig up everything you can find on Lucas Hartford,” Emily says, and her glance at Hotch does not go unnoticed. “And throw in his sister, too. He’s one of our only suspects, and we need to know if she’s in on it.”

“On it,” Garcia says. “I’ll call you back when I’m done.”

“You’re the best,” she says, and then she hangs up. They get back to the car, and it only takes Prentiss all of five seconds after they get in for her to start drilling him.

“Alright,” she says, buckling her seatbelt with a click before she sets her attention on him. “What was that back there? You two know each other?”

Hotch busies himself with his own seatbelt and starting the car, answering as casually as possible as the engine revs to life. “We were friends in law school.”

“Sure,” Prentiss nods. “The way you were around her, that’s not just ‘law school friend’ stuff.”

Hotch is once again reminded of how, sometimes, it was a downfall to constantly be around profilers. It was nearly impossible to keep anything a secret.

“It’s nothing,” he says as he pulls back onto the road. “We knew each other, we fell apart, we’re here now.”

Emily hums. “Is it too far to ask if you were together?”

“Yes,” he says sternly, maybe a bit too hasty. “It is.”

“Fine,” she says breezily, and she looks out the window. “But that tension was thick.”

Hotch knows what she’s thinking. Hasn’t he been with Haley since high school, what kind of history did you and him have, were you together, would he be okay to work this case—

He doesn’t really want to answer any of them. You were a part of his past he hadn’t expected to resurface any time soon—if Hotch is being honest, he didn’t know if he would ever see you again once he graduated. Not after the way he broke things off.

You’ve changed a lot. So has he.

And now your brother is a murder suspect, and you could be covering up for him.

That’s the only thing that should be on his mind.

“For the last time,” you huff as you storm down the stairs, “I don’t want to deal with this.”

“Because you know that Mia is a lying bitch!” Cleo exclaims, following after you. “I’m sick of you stealing my clothes!”

“I’m not stealing your clothes,” Mia scoffs in your wake, just behind Cleo. “They’re too ugly for me to want anyways. I bet I wouldn’t even fit into them.”

“You are! And you’re stealing my fucking jewelry, too!” she yells. “All of my shit is going missing, and I know it’s not Little Miss Law School, so it’s got to be you!”

Mia draws out a mirthless laugh. “You are not accusing me of this.”

“I don’t have anyone else to accuse!” Cleo shouts.

They both look at you, and Mia says your name. “You have to settle this before I kill her.”

“Oh, I’ll kill you first!” she hisses. “At least I’ll get all my stuff back!”

You clench your jaw as your nails dig into your palms, and you’re about to bite back when the doorbell rings. You don’t even try to hide your sigh of relief.

“That’s Aaron,” you say as you grab your coat and your bag from the table. “I’m leaving. If you kill each other, don’t get blood on the furniture.”

You don’t give them a chance to say anything before you rush to the door, open it, and shut it behind you.

“You have no idea how happy I am to see you,” you breathe.

“What’s going on in there?” Aaron asks, amused.

“My roommates are fighting again.” You roll your eyes. “It doesn’t matter. You’re much more interesting.”

“You know this is a study date,” he says wryly, and you cut him off with a kiss.

“Still a date,” you murmur against his lips. “And something seriously needed.”

Aaron chuckles as he wraps an arm around you, pulling you into his side, and the two of you walk to his car. “You’ve gotta get out of this house, honey.”

“I know,” you grumble. “But I can’t afford a place on my own.”

“Doesn’t have to be on your own,” he says as he opens the door for you. “It just has to be away from the girls that are making you miserable.”

“The lease ends at the end of the semester,” you sigh. “Just have to make it until then.”

“You know,” Aaron boxes you in against the car when you lean against the side of it, smiling softly at you, “I do live alone.”

“Oh yeah?” You ruffle his hair with your fingers and grin. “What are you proposing?”

He shrugs, letting his hands linger on your waist. “Just that you hate your roommates, and you don’t hate me. You could spend your time somewhere else.”

“Careful,” you warn. “You keep saying things like that and we might not make it to the library.”

“You keep saying things like that, and I might not mind,” Aaron muses.

You grin as he leans in and kisses you again, once, twice, three times as your back hits the side of his car and you card your hands through his hair. Mia and Cleo are probably killing each other inside, but you don’t really care at this point. They’ve made your life hell for a semester and a half—they can bother each other for once.

“Aaron,” you whisper against his lips, and he gets one more in between words, “I’ve got a test on Tuesday.”

“And today’s Sunday.” He nips at your neck and you laugh, your eyes falling shut as you lean your head back. “You’ll be fine, honey.”

“You have one on Monday,” you remind him, and he sighs. You feel his hot breath against your neck.

“Ruining our fun in the name of schoolwork,” he says. “No wonder all your professors love you.”

“Everyone loves me,” you correct. “Including you.”

You steal one more kiss before you open your door yourself and get in, and Aaron lets out a breathy laugh.

“You’ve got that right.”

He closes your door then gets in the other side, and you’re already rifling through the glove box full of cassettes. You pull out the mixtape you made for him for your six month anniversary and pop it into the player, and Aaron smiles as the first few notes of Stairway to Heaven come on.

“You’re a threat to my grades, y’know.”

“Maybe it’s all part of my plan,” you say. “Distract you with kisses to make sure I’m a shoe-in for this fellowship.”

“A dastardly plan,” he says with mock austerity.

“I’ve been told I have to be more of a shark,” you muse. “Consider this me taking down my competition.”

Aaron laughs, and you find yourself smiling just at the sound of it. You love the way his eyes crinkle at the corners, how they soften just so, how he acts like himself around you, and not some perfected or stoic image that he thinks he needs.

Falling in love with Aaron Hotchner has been the easiest thing in the world.

“Don’t let anyone know,” he says, and he reaches over to intertwine your fingers together. “But I’ll happily fall to you every time.”

“As long as you don’t tell everyone how whipped I am for you,” you tease.

“Looks like we’ve both got reputations to keep up.”

“Looks like it.”

You share a smile, yours just on the edge of a grin as you try to bite it back. You hold hands the rest of the way, just soaking in each other’s presence with songs from bands you introduced to each other floating through the air.

(It is a goddamn struggle to get any work done at the library with that face across from you the whole time.)

You had sky-high aspirations when you were younger.

Ones that would make your teachers offer a smile and tell you to shoot a little lower, that would make your friends’ eyes widen, that your father would scoff at and your mother would humor you on just to get you to move past it.

You didn’t listen. You’ve wanted to be a lawyer since you went on a class field trip to a courthouse in elementary school and saw all the attorneys hustling about, dressed to the nines, making last-minute deals outside the courtroom.

They were just… so confident. So smart, so stoic, always knowing the answer to everything. The good ones had money, sure, but more importantly they had the power to change lives for the better. And as a kid that had to cover up bruises before the school day, nothing sounded more appealing.

All you’ve ever wanted to do is help people.

And as you sit in a cold, empty interrogation room, you can’t help but wonder where the hell you went wrong.

You don’t want to be here, obviously. But you know the FBI won’t stop bugging you until you give them answers—you know Aaron Hotchner won’t stop bugging you.

Because god— what are the odds?

What are the fucking odds of your ex-boyfriend from a decade ago showing up at your door with a badge and an attempted case against your brother?

It’s ridiculous, and it’s such bad luck that you think it could only happen to you. You’ve thought about Aaron Hotchner more than you’d like to admit over the years, especially when you found your old GW crewnecks, and the box of school supplies you used for a decade, and those photo albums from what should’ve been your golden years.

It’s not like any of it matters, though. You only agreed to come in and talk because you want them off your back and you don’t want them poking around your house. You saw it in Aaron’s eyes—he was profiling you and your place the entire time.

If the cops want to invade your privacy even further, they can get a goddamn warrant.

Your thoughts are interrupted when the door opens, and you hold back a mirthless laugh, because of course it’s Aaron. He greets you with your name, and he has a file in his hands. You wonder if it’s on you or your brother. “Thank you for taking the time out of your day to come in and talk with us.”

“Well, you seem to think my brother is a murderer.” You cross your arms as you sit back. “I’m not really gonna let that stand.”

“I’m surprised you haven’t asked for a lawyer,” he says as he sits down across from you.

“I don’t plan to be here for very long,” you respond tartly. “But don’t worry—that can always change. I know my rights.”

“I’m the last person you need to tell that to.” Hotch sets the file down and looks right at you. Though he’s obviously older—more grizzled, more hardened; harsher, sharper lines that define his face; lips set in a taut, unflinching line—you still see that young man from law school. The passion, the care he puts into everything, the penchant for striped ties.

You wonder what he sees when he looks at you.

“Your last name wasn’t Hartford when I met you,” he says. “Why is it now?”

“Not one for small talk,” you remark.

“I never have been.”

“I remember.” You hold his gaze. “It’s my mom’s maiden name. I changed it to put some distance between me and everything else.”

You can practically see the gears of his brain working, neural pathways branching off with every word you say to make sense of it and reason a thousand different meanings from it. Aaron’s always been like that, but it’s tenfold now.

You suppose one has to be like that, to try and get anywhere with the types of criminals they face.

“How long have you been living in St. Louis?”

“Seven years. I’ve had that house for three.”

“Rent or own?”

“Rent,” you scoff. “I don’t make enough for a down payment, and I don’t want a place tying me down.”

“What inspired the move?”

“Close enough to home to be familiar, far enough to not be.”

“And home is?”

“St. Charles,” you say, and you purse your lips. “Shouldn’t you already know all this?” You nod at the file in front of him. “It’s either on me or my brother, and we share a lot of the same info.”

“We prefer to get our information from the source,” he says.

“Sources can lie.”

Aaron doesn’t waver. “And we can charge you with obstruction if it harms our investigation.”

Your lips twitch for a moment, not entirely without heart. “Ask your questions, Aaron.”

He opens the folder and slides the first picture over to you—your brother’s first mugshot, taken when he was only twenty-one. You still remember riding your bike to the station in the sweltering August heat to drop off his bail and pick him up.

You had to catch the bus home together, you had to pay his fare, and his bail drained everything you’d been saving from your waitress job. But your dad refused to pay it, and you refused to be alone in that house any longer than you already had.

You swallow the memory. It still tastes as sour as the day it happened.

“Lucas Hartford is our main suspect,” he says. “He matches our initial profile—in and out of jail since his twenties, his parents are dead and he has an unstable home life, and he’s got a sister.”

“None of those sound like questions,” you say.

“Where is your brother?” he asks firmly. He’s given you a bit of leniency, but you can tell he’s getting tired of you. Some things never change, you think to yourself bitterly.

“I don’t know,” you admit.

“You don’t know,” he repeats.

“I let him stay with me, and my only requirement is that he goes to his community college classes and stays out of jail,” you say. “He’s done both, so I don’t ask questions.”

“And you’re telling me you haven’t questioned it.”

“I called him the other day after you left,” you say. “He didn’t pick up, and I didn’t get a call back until the next night.”

Aaron’s eyes sharpen. “What did you say to him?”

“I called to see where he was,” you say evenly. “I think you all are wrong, but I wanted to make sure he was okay.”

“You didn’t tell him—”

“No,” you interrupt, “I didn’t tell him about your investigation. If I think you’re wrong, why would I need to let him know?”

He still has that look in his eyes, and you know you’re getting on his nerves with the constant interrupting, the constant backtalk. But he probably deals with much, much worse.

“Good,” he nods. “You could be putting lives in danger if you do—including yours.”

“Please,” you scoff. “He won’t hurt me. He never has.”

“Why do you let him stay with you?” Aaron asks. “You’re straight-edge, he’s a borderline alcoholic that’s been in and out of jail for years. You’ve got a law degree, he never made it past high school. You’ve got your life together, his is falling apart.”

“That’s why I do it,” you say. “Our parents are dead. I’m all he has left, and he’s all I have left. I want him to get better, so I’m trying my best to help him get there. How can Luke put his life back together if he’s got no support?”

“That’s an awful lot of faith to put in someone who hasn’t earned it.”

“I’ve gotten good at that over the years,” you reply.

Aaron stares at you, and you stare back. You let the moment linger. You hope it stings, even fleetingly.

“And you’re wrong, by the way.”

“About what?” he asks. Again, unshaken.

“I don’t have a law degree,” you say. “I dropped out.”

And for some reason, that is what gets him. He frowns, and you wonder what it means that this is the most unexpected thing he’s gotten out of you.

“Why? You were only a year out. You had stellar grades.”

“My mom got cancer,” you say. “Luke was serving his second stint, Dad fucked off to some corner of the country to drink himself to death a couple months before. I was the only one left to take care of her, and I couldn’t do that from DC.”

“I had no idea.” This is the first time he looks taken aback since you’ve met him again. “And she’s—”

“Dead,” you supply without waiting for an answer. “Went a couple months after I was meant to graduate.”

“...I’m sorry for your loss,” he says. He’s just repeating what his agent said at your house, but it feels genuine, at least.

“It’s been a decade,” you say. “I’m just sorry it was her instead of my dad.”

Aaron’s brows knit together again, and less work goes into covering it up this time. “You seem to have something against your father.”

You huff a mirthless laugh. “Excellent profiling.”

“Child abuse is common for serial killers,” Aaron says. “We find it’s typically the root of their problems later in life, or plays a part in their MO.”

You stare at him again. This isn’t just an interrogation with Supervisory Special Agent Aaron Hotchner—it’s revealing parts of your past that you never told your ex-boyfriend Aaron.

“Yeah,” you finally say. “Our dad beat us. Is that what you wanted to hear?”

“You know th—”

Aaron cuts himself off before he can finish whatever he wants to say, and he lets out a short sigh with a nod. “It’s valuable information for the profile.”

The room feels a lot colder all of a sudden. “Sure.”

He still looks like he wants to say more, but he bites his tongue as he takes the picture back and closes the file.

“I’ll be back,” he says. “Would you like anything? Water?”

You shake your head and remain silent. He takes the folder and stands up, and you watch him the entire way to the door. Just before he can open it, you find words escaping without you thinking.

“Look, Aaron,” you blurt out. He pauses, and he turns to look at you. “I know this is your thing, and this is your investigation, but I’m telling you—my brother and I don’t play any part in it.”

“The profile—”

“I don’t care what your profile says,” you interrupt. “He didn’t do it. He couldn’t have done it.”

“He’s rough around the edges, I know. In and out of jail isn’t good for anyone.” You hold onto the edge of the table as you continue rambling, needing something to do with your hands. “But he’s working to get better, and he is not the kind of person to do something like this. If you believe anything I say, believe that.”

“I suppose we’ll find out,” he says evenly.

He leaves the room, and your hands fall into your lap as your nails dig into your palms. You don’t mean to be desperate, but you feel it. You’ve been defending Lucas at every chance, but you’re terrified of being wrong. You’re terrified that Aaron might be right—that he might be behind all of this.

For his sake—and your sake, honestly, because you think you deserve to be selfish when he’s all you have left—you hope you’re right.

You have to be right.

The room feels even colder.

Your stare drifts to the one-way mirror, where you know his team is watching. You saw the way Agent Prentiss watched Aaron when they came to your house—he said he doesn’t want them to know, but you think they already do.

You wonder the kind of things they’ve come up with about you and him.

Morgan whistles when Hotch walks out of the interrogation room.

“She does not like you.”

“Did you gather anything else?” he asks placidly. He sets your brother’s file down so he can fix his tie.

“Abusive dad, dead parents, criminal background,” he says. “Lucas is looking like a stronger suspect. Oh— and she really doesn’t like you.”

“If you don’t want to go back to building a file on your suspect, move on,” Hotch demands.

Morgan shrugs, clearly unfazed, but he keeps his mouth shut. Reid, meanwhile, is still staring through the glass at you. You haven’t exactly relaxed, but you’re not as tense as you were while talking to Hotch. You pick at a loose strand of thread on your sweater, and when you pull it out, you let it fall to the floor.

“Her brother feels like a prime suspect,” Reid murmurs. “I feel like I could just figure it all out if I could talk to him.”

“I told Penelope to keep an eye on him,” Prentiss contributes. “She’s tracking his cards, the car registered in his name, even called the person in charge of the AA meetings he goes to to keep an eye out—everything. We’ll know if she gets anything.”

“Serial killers want to see the damage they’ve done,” Reid says. “Things are falling apart here—the whole city is terrified. He’s gotta be in St. Louis still.”

“You’re sure that he’s still in the running.” Hotch glances back at you, and he knows he has to at least ask, for your sake. He doesn’t want to put you through anything more than he has to—not after what you’ve told him.

And Hotch knows your past is your business—he just can’t believe you never told him.

He’s turned over your relationship in his head just as many times in these past few days as he did the months after he ended things.

“I’m sure, sir,” Reid says. “I’ve read over both their files, and Lucas matches with our preliminary profile. His stressor could have been his father dying last year.”

Morgan frowns. “Explain.”

“Family annihilators typically go after their own family for a myriad of reasons,” he says. “Paranoia, to cover up their lies, to free themselves from what they see as oppression, sometimes just pure jealousy.”

“He’s killing the parents but leaving the children alive,” Hotch says. “Sounds like a liberator to me.”

“That’s what I think,” Reid nods. “If Lucas has been banking on killing his father for that attempt at freedom, and then lost the chance?” He shrugs. “That could be why he started going for other families.”

“Other fathers to take his place,” Morgan realizes, and he nods again.

“You should talk to her, Spence,” Prentiss says. “You’ve got a handle on the profile, and you’re pretty good at conveying info. She seems like a reasonable person—just can’t accept her brother doing something like this.”

“It’s typical for someone to deny their family member’s involvement,” Reid says. “No one wants to think their sibling is a murderer.”

“If you lay it all out for her like that, with facts and the profile, I think she’ll listen.” Prentiss looks at Hotch. “She’s too closed off with you.”

“That’s how she is,” Hotch claims.

“Maybe,” she shrugs, “but it’s much easier to hate you than it is to hate Reid.”

Hotch glares at her, and Reid clears his throat to insert himself back into the conversation.

“I’d be happy to talk to her,” he says. “I know what it’s like to be in this kind of position—I can put her at ease, sympathize with her.”

They all look at Hotch, and he wants to say no. He wants to be the one to get this out of you—some part of him wants as much time with you as possible. But he decides to swallow his ego.

“Fine.” He nods, and he hands the folder to Reid. “I trust you to handle it.”

Reid nods too, far too many times, and he takes the file. “Thank you. Uh— sir. I appreciate your trust.”

“Yeah, yeah,” he says, but it has no bite to it, and Reid walks inside.

He says your name and sits down across from you. “I’m Spencer Reid. I know we’ve already said it, but thank you for talking to us. It may not seem like it, but it goes a long way towards figuring out this case.”

You nod. You already seem more at ease than you were with him, and it makes Hotch…

Not jealous, because that would be insane. But it makes him upset that he doesn’t understand you the way he used to—that he doesn’t hold that key to you anymore. God, it feels like he doesn’t know you anymore.

Hotch doesn’t get why a side of his brain still thinks this way about you.

“They sent a new one in,” you say.

“You looked like you needed a break from Hotch,” Reid says. “Don’t worry. We all do sometimes.”

You huff a slight laugh and your posture eases, your expression softens just so. Reid was right, as usual.

“I can imagine.”

He starts talking to you about the case, laying out all the facts, and though you don’t look happy, you don’t cut him off like you cut Hotch off.

“She’s pretty,” Morgan offers, glancing at Hotch. “And stubborn. I see why you like her.”

“Shut up, Morgan,” Hotch mutters.

He chuckles and holds his hands up, and focuses back on the interrogation.

The rest of it passes in silence, save for the occasional input from Prentiss or Morgan to elaborate on a point. You talk much more with Reid than you did with Hotch, and you don’t stare daggers at him the entire time.

Time doesn’t always heal all wounds, he thinks.

When Reid is finishing up inside with you, Morgan glances back at Hotch. “You think she’s part of this?”

He shakes his head. “No. She has no reason to kill, nothing to gain. She talks about her past too plainly—it hurt her, obviously, but it hasn’t taken over her life.”

“What about her brother?” Prentiss asks.

“The more we learn, the more I suspect him,” Morgan says.

She nods in agreement. “We just have to find him.”

Hotch isn’t sure yet.

But for your sake, he hopes his gut feeling is wrong.

Spring has finally sprung in DC, and you couldn’t be happier.

It’s hard to feel down on your walks to class when the birds are singing and the sun is beaming down on you, when you see students sitting on blankets reading and talking and actually enjoying life for once.

You’re two years into law school, and it feels like you’ve spent 90% of your time studying in either the library or your room. A bit of a sad existence, but it’s made better with Aaron.

You’re laying down on a blanket—one you crocheted yourself in undergrad—resting your head on Aaron’s head as he reads a book, the spring sun shining down on you. It feels like the first moment of relaxation either of you have had since classes started, and you chose to spend it together in the University Yard.

You should probably be studying or doing some kind of homework, but you don’t care. It has been too damn long since you’ve gotten to just sit around and exist with Aaron, and you’ve got at least a couple days until your next quiz. That’s far enough away for you.

It’s been a rough semester for both of you, between classes and endless homework, between your internship and your endless family issues—Luke is two years in, and his parole was denied, and your dad still insists on being the reason you stay on campus year-round.

You don’t think you’re pushing it when you say Aaron’s support has been the only reason you’ve gotten through it, your grades—and your mental state—relatively unscathed.

Aaron says your name, and you hum.

“Are you listening?” he asks.

“Of course,” you say.

“Your eyes are closed.”

“I don’t need my eyes to listen,” you say wryly. “What’s up?”

You feel him tense for a moment, feel him adjust his position slightly.

“I got a call from Haley,” he says carefully.

Your eyes open and you frown.

You know the name, but only in the way that you talked a bit about your past relationships while you were still getting to know each other. She was his high school girlfriend, and it was a big deal then, but they broke up before college because they both wanted different things.

It shouldn’t be a big deal now. But he’s treating it like one, and that makes you hesitate.

“Yeah? What’d she want?”

“…She’s in DC for the weekend,” he says. “Some conference for school. She asked if we could grab a coffee or something and catch up.”

You finally sit up, his hands falling from where he’d been playing with your hair, and you look at him.

“Your high school girlfriend wants to catch up.”

“An old friend wants to catch up,” he corrects. “I haven’t really talked to her since we graduated high school.”

“...Okay,” you say slowly. “Do you want to see her?”

He shrugs. “I thought it would be nice.”

“Do you think she thinks it’ll be more than nice?” you ask.

“I don’t know,” he admits. “I don’t even know how she got my landline. I think my mom might have given it to her.”

Your eyebrows rise. “Your mom gave your ex-girlfriend your number?”

“It’s the only way I can think of her getting it,” Aaron shrugs. “Like I said, I haven’t talked to her since graduation.”

You chew on the inside of your cheek, trying to think as you look at Aaron.

You’ve met his mom a dozen times. You’re insistent that she doesn’t like you, despite Aaron’s assertions towards the opposite—it wouldn’t surprise you if she gave this girl his new number in an effort to push him in a new direction.

But that train of thought feels a little crazy. You’re confident in your relationship with Aaron—you love him, and he loves you. God, he made an off-handed comment about marriage the other day. You’re not threatened by a girl from his past wanting to catch up.

“Go for it,” you finally say.

He frowns, like he was expecting the worst. “Really?”

“I trust you, Aaron,” you say. “You say she’s just a friend, I believe it.”

You lean forward to kiss him, your eyes fluttering shut, and it lasts much longer than it should. When you pull away, Aaron’s smiling softly at you.

“Thank you,” he says.

“‘Course,” you say, tipping a shoulder. “I’m known to be rational from time to time.”

He chuckles, and you smile as you lay back down on his chest. Soon after, you feel the weight of his hand on your shoulder.

“I love you,” he says. It feels more like a reminder than anything.

You entangle your fingers together and press a kiss to the back of his hand.

Sometimes you need reminders.

“I love you too.”

“Four more bodies,” Prentiss mutters. “God.”

“You can say that again,” Morgan murmurs.

Hotch is silent as he examines the father’s body. They’ve been so busy the past few days trying to nail down the profile, both on their unsub and geographically, that this happening again hadn’t been at the top of their list. There was a month between the first two, and two weeks between the second and third.

No one expected this to happen so soon.

The entire family was killed this time, and once again, the parents look similar to the other victims. It’s the work of their unsub, no doubt.

Hotch and the team had already been at the precinct for an hour going over all the information they’d found when they got the call at 8 in the morning, the bodies discovered by the family’s maid when she arrived for work.

An entire family, parents and children, senselessly slaughtered for one man’s deranged quest for liberation.

Hotch has been in this business for a long time, seen things that most people only imagine in nightmares, and he still has to take a step back when children are involved.

He sees Jack in every single one. He can’t help it.

Hotch took Prentiss and Morgan with him to the crime scene—JJ has a kid, Rossi had a kid, and he just didn’t want Reid to see it. They’ll all be more valuable working together back there anyways, and it’s imperative that JJ controls the narrative before this can break to the press.

Again, Prentiss talks to the officers at the scene and Morgan helps him examine the bodies. After all, there are double the amount.

“It just doesn’t make sense,” Morgan says as he stands back up. “Our guy is killing surrogate parents to get back at his own, fine. Dad was tortured again, mom was killed with a bullet. But bringing the kids into it isn’t his thing.”

He uses a gloved hand to gingerly lift the father’s arm away from his body so he can examine the underarm. “Look at this. He’s been stabbed at least ten times, and his arm’s nearly severed from his body.”

“And his neck,” Morgan mutters. “He’s half decapitated.”

Hotch sets the arm back down. “The unsub always wants the father to suffer, but this is a new level.” He looks up at Morgan. “I don’t think he has a reason for killing the children. I think he’s getting sloppy—he’s getting overwhelmed by his anger.”

“You think he’s devolving,” he says, catching on.

“Something tells me we’re coming to the end of the line,” Hotch says. “Whatever he does next, he’s going out with a bang.”

The mood in the precinct has fallen dramatically since the last hit. The uniforms aren’t happy that they’re working around the clock, the chief isn’t happy that the BAU hasn’t figured everything out yet, and the city isn’t happy that ten murders have been committed with what they think is no end in sight.

JJ and Rossi have gone out to bring in the suspect that he and Morgan found together for the sake of covering their bases—they still haven’t been able to find Lucas, despite Reid calling you every day to check in and upping police presence around the city.

The rest of the team sits around a conference table, over a dozen coffees between them, going over everything and racking their brains for information.

“This just isn’t matching up,” Reid complains. “Lucas has just been at home for the first two, but for the third and the fourth he’s got alibis.”

“What are they?” Hotch asks.

“He was on the road all night when the third happened,” Reid says.

“And how do we know?” Prentiss asks.

“Garcia picked up his debit card being used a couple times from Des Moines back to St. Louis when the third set of murders happened,” Morgan contributes. “Must’ve been a road trip, because there are stops at a gas station, a restaurant, and a rest stop.”

“The last one happened during an AA meeting he was supposed to attend,” Prentiss says. “I called the leader and she said he was there.”

“Do we have footage from any of those places?” Hotch asks. “We need to make sure.”

Reid nods. “I asked her to check it all this morning, including the AA meeting. She must still be going through it—I can’t imagine it’s easy to get all that access.”

“What about a second unsub?” Morgan suggests.

Hotch shakes his head. “These are all meant to be personal for liberation—catharsis. Involving someone else would take away from the feeling.”

“What about your suspect?” Prentiss asks, looking at Morgan. “Could he be the unsub?”

“Patrick Fenton,” Morgan says, and he shrugs. “He fits it—dead parents, jail time, child of abuse. But he’s got two sisters, and his parents died when he was in his twenties from a car accident. I don’t see why he would start killing almost twenty years later.”

“Maybe we’ll figure something out in questioning,” Reid says hopefully.

Morgan’s phone suddenly goes off, and he hits the button to answer. “You’re on speaker, babygirl.”

“I found the security footage from those three places, the ones that Lucas was at on his supposed road trip when the third family was hit,” Garcia says, voice slightly tinny through the phone.

“And?” Hotch asks.

“I was getting there,” she says. “Lucas wasn’t there. He wasn’t on any of the footage—his sister was.”

Hotch frowns. You?

“You’re sure?” he asks.

“I’m always sure,” Garcia responds. “And I don’t know if Spencer is there, but he also wasn’t there at the AA meeting—I combed through the whole meeting, and he didn’t show up at any point. Just another guy that looked like him.”

“And you’re sure about that, too?” Hotch asks again.

“What is with this questioning of my abilities?” she asks, offended. “Yes. I’ve stared at so many pictures of Lucas Hartford over these past few days that I’ve got him burned into my brain.”

“Thanks, babygirl,” Morgan says. “We’ll call back if we need anything.”

“And you’re always welcome in this house of miracles,” she muses. Morgan chuckles before he hangs up.

“Lucas gave her his card,” Reid realizes. “It’s an easy alibi, but it falls apart when you look into it even a little bit.”

“Probably seemed solid to him at the time,” Morgan says. “He doesn’t seem like a detail oriented guy.”

Prentiss frowns. “That means he’s back on the chopping block. We can put him at the scene of every murder.”

Hotch leans over the table and grabs Lucas’s file, and he pulls out the page compiling his family. “His father died five years ago from liver failure. Hartford got out of jail four years ago.”

“If he’s been plotting some elaborate murder of his father for years, just to get out of jail and find out he drank himself to death?” Morgan shakes his head. “He’d snap. It doesn’t feel like justice.”

“He thinks he’s saving the kids of these parents that he kills,” Reid says. “He sees himself in them—he can’t look past his own childhood, and he assumes those kids must want their parents dead too.”

“He’s trying to get back at his dad,” Prentiss says. “We know that.”

“But that’s not his main goal,” Reid insists. “If his dad died when he was a kid, the abuse would have stopped. His mom wouldn’t be the battered wife anymore, and he wouldn’t be the battered kid.”

“His goal has always been protection,” Hotch realizes. “Yes, he’s getting his revenge by killing his father over and over, but ultimately, he’s trying to save himself.”

“But he didn’t anticipate the kids being home this time,” Prentiss says. “He had to kill them too.”

“If he‘s seeing himself in these children, recreating what he never got to do, then that means that he effectively died in this scenario,” Reid says.

“He didn’t get what he wanted,” Morgan says. “That’s gonna take a toll on him.”

“He’s coming to the end of the line,” Prentiss nods.

Hotch’s brain is working overtime as they work information off of each other. They’re so damn close—they just need the last piece of the puzzle. If they find Lucas’s next victim, they find him.

“His next crime will probably be his last before he goes out himself,” Reid says.

“You think it’ll be a murder-suicide?” Morgan asks.

“It’s common with family annihilators,” Reid says. “Hell, it’s common with anyone who sees no future beyond their murders. It’s their way out.”

And then the answer hits Hotch like a ton of bricks. Reid is still rambling next to him.

“If his dad was still alive, I’d say he would be the target. But the only one left—”

“—is his sister,” Hotch grits out, and he’s dashing out of the conference room before anyone can stop him.

“Hotch!” Morgan yells, and he turns to Prentiss with wild eyes. “Where the hell is he going?”

“The last victim,” she says as she starts following him. “The one person he never managed to save.”

“Goddammit,” Morgan curses, and he grabs his phone from the table, dialing Garcia as fast as she can while he runs. Reid is close behind him.

“What’s up, sugar?” she asks. “Got anymore leads?”

He laughs dryly. “We’ve got a big one, babygirl. Lucas has finally reached the end of the road — he’s going for his sister. I need you to call JJ and Rossi and—”

“Send them the Hartford address and fill them in on everything?” she interrupted, and he could hear her fingers flying across the keyboard. “Already on it.”

“What would I do without you?” he asks.

“Be half the man and twice as sad,” she says. “I’ve got to call JJ. Be safe, my love.”

“Always,” he responds, and he hangs up.

Hotch distantly registers Prentiss stopping by the chief to alert him of what’s going on, because he’s in the fog of a rampage. He’s in the driver’s seat before he knows it, starting the car, and he sees Prentiss, Morgan, and Reid running out after him.

Prentiss takes shotgun and Morgan and Reid file into the back, and they’ve all got Kevlar vests in their hands. He didn’t really think of that through his haze.

“We’ve got an extra one for you,” Reid says, reading his mind.

“Thank you. I— I know what you’re all thinking—” Hotch starts, but Prentiss shakes her head.

“Just drive.” Her lips set themselves in a taut line. “We’ve got a murder to stop.”

And he does.

You sit on the curb, surrounded on either side by a box of your things. Packing up everything made you realize how little you had at his place. You thought you’d integrated yourself into his life fully, but it really just took an afternoon while he was in a lecture to disappear.

Summer has fully turned to winter, and you’re as morose as the weather. This side of town looks so depressing without the warmer months to pick it up—the sidewalks are lined with dead trees, the grass is shriveled up and yellowing, and you feel like you’re living in grayscale.

A shiver runs through you, the weather only partly to blame.

Amy is supposed to pick you up, but as usual, she’s running late. You don’t know if it’s a personal issue or DC traffic has just struck again, but it doesn’t really matter. Either way, you’re stuck here, and your bad luck seems intent on making it worse, because you watch a familiar car pull around the corner.

It parks a distance away—there’s no space in front of the complex, and he always complained that they didn’t do assigned spots—and you have to hold back a scornful scoff.

Of course you have to deal with this now.

Aaron picks up his pace when he gets out of the car, surprise—and what you think is shame—painted on his face. He says your name when he slows down.

“You’re already packed.”

You shrug. “I’m nothing if not efficient.”

“I could’ve helped you with all this,” Aaron says, frowning.

“Why do you think it’s done already?” you ask.

His throat bobs and he opens his mouth, but nothing comes out.

“Let me save you the pain of chivalry,” you say. “I’ve got a friend coming to pick me up. I’ve already found a place. I called your property manager the other day and argued my way out of the lease, but I still paid my next month. You’re welcome.”

“You didn’t have to do that,” he says.

“You know what they say about a clean break,” you intone.

“I’m sorry,” Aaron tries again. To his credit, he looks like he means it. Against his credit, it’s about the fiftieth time you’ve heard it from him in the past two weeks.

“I shouldn’t have let you get that coffee,” you say with a grim smile, “should I?”

His lips pull into a taut line. “I didn’t cheat on you.”

“I know,” you say. It’s the one thing you do believe. “I just don’t think you ever fell out of love with her.”

Mercifully, you see Amy’s car pulling up in the distance. She’s your only friend with an SUV, so at least your boxes will fit.

“My ride’s here,” you say as you stand up, and you pick up one of your boxes. Amy throws on her hazards and she gets out to open her trunk.

“I’m so sorry I’m late,” she breathes. “Traffic was awful, and Jake has been so annoying—”

“Don’t worry about it,” you say with a slight smile as you put your box in the back. “You’re already doing me a huge favor.”

“I want us to still be friends,” Aaron calls. When you turn back, he has your other box in his hands, his expression shamelessly desperate. Amy glares daggers at him.

“Why?” you ask innocently. “So I can go without talking to you for ten years, ask you for a coffee when I’m in town, and then get you to leave Haley?”

“That’s not what happened,” he says, but you’re already shaking your head.

You take the box from him and smile thinly.

“Have a good rest of your life, Aaron. I hope it doesn’t involve me ever again.”

You let out a noise of frustration as you struggle to get the key into the lock, gritting your teeth as you try to fit it in. It’s always been finicky, but you just don’t have the energy to deal with this tonight. Thankfully, just when you start getting annoyed, you get it open.

You get a few steps in before your eyebrows rise, the sight of your brother at the kitchen table a surprise. He’s got his head in his hands, and your surprise turns to concern.

“Lucas,” you say with a slight smile, shutting the door behind you, “I didn’t know you were gonna be home tonight.”

His attention shoots to you immediately as he says your name, and he looks slightly out of it. “I was wondering when you were gonna get back.”

“Stole the words right out of my mouth,” you say wryly, and you ruffle his hair with your free hand as you walk past him. He swats your hand away in brotherly protest, and you snort. “This place has been quiet without you. Well— except for the cops. They were pretty loud.”

“They haven’t been back, have they?”

You look back at him and notice his leg is bobbing up and down insanely fast, and he keeps scratching at the soft wood of your table with his nail.

Your smile fades. “Don’t tell me you’ve been drinking.”

“Of course I haven’t,” he insists, but you turn on the kitchen light, then move closer to peer into his eyes against his protests.

“At least you’re not high,” you murmur, taking one last look before you pull away. “And stop ruining the table. I need it to last for the next ten years.”

He huffs, and you can practically hear him roll his eyes, but he stops.

“Did you go to class today?”

“You don’t have to act like Mom,” Lucas says, crossing his arms again with another huff.

“And you don’t have to act like a child.” You roll your eyes as you set your tote bag on the countertop and begin unpacking the groceries you bought. “I’m asking you about your day—that’s definitely not acting like Mom.”

“Yes,” he mocks. “I went to class.”

“Good.” You glance back at him. “I’m proud of you, Luke. You’ve been making progress.”

His smile is a bit thin, but he nods. “Thanks. How was work?”

You scoff and shake your head as you put a couple things in the pantry. “Don’t even get me started. I swear, Marie’s going to get me fired someday if she keeps her bullshit up.”

“She’s still on it?” Luke asks, and you can’t help but smile a bit.

“Don’t act like you know what I’m talking about,” you say. “Just agree with me.”

“I agree with you,” he says.

“That’s it,” you muse.

Your eyes fall back on your bag, and you’re reminded of what you meant to do next time your brother showed up.

“Oh—” You go back over to the kitchen table for your bag and pull out your wallet. You slide a debit card out and hold it out to your brother. “Thanks for letting me use it while I was up in Des Moines. I finally got my bank to get rid of the freeze on my card.”

“...Of course,” he says, and he takes it back. “Glad I could help.”

“I’ll pay you back, obviously,” you say as you get back to your groceries. “I just have to wait to get paid again.”

“Don’t worry about it,” he says. “And uh— you never answered me. Did the cops come by again?”

You huff a mirthless laugh and shake your head. “You have nothing to worry about, Luke. I think they finally realized they were barking up the wrong tree.”

“…Good,” he says. “I can tell they’ve stressing you out.”

“Like that looks any different than my normal state,” you say wryly. “Besides, it wasn’t that bad.”

You recall the shock you felt when you opened the door to Aaron, and how nervous you were on the drive to the precinct. It’s almost been a decade, and yet he still has an effect on you that he has no right to.

“You remember that guy I dated when I was still in law school? Aaron Hotchner?”

“I think? I was in jail, so.”

You roll your eyes. “I know I told you about him when I visited you while we were together.”

“I remember you telling me how he broke your heart,” Luke says.

“That’s not what I’m saying.”

“Then what are you saying?”

“That he’s with the FBI now. The BAU,” you enunciate, and you huff. “He’s one of the guys on this case, coincidence that it is. They came here—they even brought me in for an interview.”

He frowns. “What’d you say?”

“The truth.” You pull your cutting board and a knife out of a drawer and get to work washing your vegetables. “That I didn’t know anything, and neither of us are involved in either way.” You shake your head with a sigh. “They must believe it, because they haven’t come back.”

“What have they said about me?” he asks.

“I’m not supposed to say.” You roll your eyes. “I think you’re innocent, but I could get charged with obstruction, and I really don’t feel like dealing with that…”

You trail off into a sigh as you finish washing the peppers and set them on a towel. “I hope they find whoever’s doing it, though. It is freaking me out that there’s a murderer out there.”

You pick up your knife and start cutting them up—they’re not the freshest, but it’s all Kroger had after work—and you glance back at Luke. “You really shouldn’t be going out so often with this going on, y’know. I don’t want you getting hurt.”

“Don’t worry,” he says. “I’m careful.”

“I doubt that,” you say wryly. “Still, though. I worry about you.”

“Shouldn’t it be the other way around?” he asks. “I’m your older brother.”

“I worry about everything,” you say. “It’s my thing.”

You hear him huff a laugh and you smile a bit to yourself. You get through your first pepper before you remember what’s been nagging at you your whole ride home.

“Oh— can you get the TV?” you ask. “Channel 8, I think. Marcy is getting interviewed for something with her nonprofit, and I told her I’d record it for her.”

Lucas doesn’t respond, though you hear the scrape of the chair as he gets up.

“Thank you,” you say. “I think they have a fundraiser coming up or something…” you trail off and shake your head as you scrape the cut peppers onto a plate. “God. I need to start paying attention in the break room.”

Another few seconds pass, and you don’t hear the television switch on. You huff and turn your head slightly. “Luke, I’m making dinner tonight. This is the least you could do.”

“I’m sorry.”

The words come out as a murmur, but you can tell he’s much closer than he was before.

You don’t even get the chance to turn around before something crashes against your head and your vision goes dark. You feel yourself fall to the ground, and your head hits the floor hard.

Then, there’s nothing.

Hotch has been breaking every speeding law there is.

The station isn’t too far from your house, but it’s still too far. All he can see is your body, crippled and lifeless just like every other victim they’ve had to look at.

It should never have gotten to this point. Lucas has been a suspect for the first day, but they looked to other suspects, got caught up in statements from neighbors and the kids of the victims.

If Hotch just found him and booked him on the first day, this wouldn’t be happening. Your life wouldn’t be in danger.

His hands tighten on the steering wheel.

“I seriously think we’re looking at a murder-suicide if this gets to play out,” Reid speaks up from the backseat. “This is his way of ending this for both of them—the ultimate protection of his sister.”

“No one can hurt her if she’s dead,” Morgan mutters.

“Hotch,” Prentiss starts, treading carefully, “are you sure you’re okay to lead this?”

“Yes,” he says, though he wants to say what kind of question is that?

You were together a lifetime ago in law school, yes, and he might still have feelings for you that he didn’t even realize were there, yes—but he’s an agent and a professional before all of that.

It doesn’t matter that you have history. It doesn’t matter that you likely hate him.

It doesn’t matter that he thought he was going to marry you one day, and then was watching you drive out of his life after he got back with his high school girlfriend another day.

Aaron Hotchner is not going to let you die. It’s as simple as that.

Hotch’s phone rings and he picks it up and flips it open immediately. “Talk to me, Garcia.”

“JJ and Rossi are on their way,” she says. “Are you headed to their place?”

“Yes,” he says, and he puts it on speaker. “I’ve got Prentiss, Morgan, and Reid with me still.”

“Do you think there’s anywhere else he could be?” Morgan asks. “If he’s going to kill her, he might not want to do it in this house.”

“Already a step ahead of you, my love,” she says, and he can hear mouse clicks through the phone. “They grew up in a house in St. Charles—it’s abandoned, from the looks of it, some place on the outskirts. Never got another buyer after the past owners moved out. I’m sending the address to Emily right now.”

Prentiss gets a buzz on her phone and she nods in confirmation after flipping it open. Hotch immediately switches lanes and makes a U-turn, his jaw clenching.

“Tell me how to get there, Prentiss,” he says. “He’s there.”

“You need to get on I-70,” she says, and then her brow furrows. “How do you know?”

“He’s killed everyone else in their homes because he sees it as the source of it all. His sister’s rented place isn’t personal enough.” Hotch shakes his head. “Why wouldn’t he want to go back to theirs to end it all?”

“Hotch.” Penelope’s voice rings out in the car, and he doesn’t even realize he forgot to hang up.

“What?”

“Be careful,” she says, and he rushes to turn it off speaker and press it to his ear. “I… I know how important this is to you.”

Hotch’s throat bobs and his eyes burn with the beginnings of tears. He blinks them away—he can’t be weak now. He can’t let his team see him be weak now. “Dare I ask how?”

“I found an article about GW’s mock trial team,” she says. “Kind of went down a rabbit hole from there.”

Somehow, he huffs the slightest laugh. It feels like a lifetime ago—it honestly is, at this point. Before he saw carnage and gore on a daily basis and tried to solve it, when he thought the DA’s office was the endpoint, when he came home to your smiling face every night.

And now…

Hotch’s spine somehow stiffens, and he knows the other three in the car are watching him. He can’t decide whether he cares or not.

“Thank you, Garcia.”

“No problem,” she says, and he can almost hear her blink in the pause. “Uh— for what, exactly?”

For the memory, he wants to say. But he doesn’t. He can’t, not right now, so he tries his best to snap out of it.

“Keep a watch on the patrol cars,” he says instead. “Update JJ and Rossi on our plan, but tell them to stay on their path. I’m sure I’m right, but we need to cover our bases.”

“Of course, sir.” He hears her fingers flying across the keys. “I’ve got yours and the squad cars’ locations up—I’ll call them now.”

“Thank you,” he says.

“Good luck, Hotch,” Garcia says softly.

Hotch hangs up before he gets too emotional. Penelope has a way of bringing that side out of him.

“We’ll get him,” Prentiss assures. She’s been watching him this whole time, he can feel it—she’s been attuned far too keenly on this entire part of the case involving you and him. “And we’ll save her.”

His knuckles go white around the steering wheel, and for once, Hotch can’t find the words.

It feels like your head is slowly being cranked in a vice when you eventually wake up, a dull but insistent pain. Your arm stings too, but you don’t know why.

You blink a few times as you try to figure out where you are, a low groan slipping out as you fully come back into consciousness, and you move to rub the grogginess out of your eyes.

Your arms don’t move. You try again, panic spiking your heart for a moment, and that’s when you realize you’re in a chair—tied to a chair, your wrists bound together behind you and your ankles bound to the chair legs.

Now the panic fully sets in. There’s a murderer in St. Louis, but you don’t fit the victimology from what you’ve seen, but does any of that fucking matter when you’re stuck in something out of a horror movie?

Lucas was the only one there with you. So either he’s in the same situation, or he—

“You’re finally awake,” a voice murmurs. When he comes into view and sits down across from you, your heart stops.

For a moment, all you can do is stare at your brother with wide eyes. You see the gun in his hand through your peripherals, but you don’t look away from his gaze.

“I was worried I was too rough,” he says softly. “But you’ve always been resilient.”

“Lucas,” you breathe. “What the fuck is this?”

“It’s finally going to be over,” he says, ignoring your panic. “We’ve been hurting our whole lives because of that bastard of a father, and I can finally make it all stop.”

Your brother is fucking crazy. He’s fucking crazy, and he’s going to kill you.

You’ve spent two weeks telling Aaron he was crazy and your brother was innocent, and now he’s going to be proven right when he finds your dead body.

You try to tamp down on your panic. You don’t have a law degree, sure, and you never officially practiced, but you’ve been a good speaker, a persuasive one, all your life.

And if there’s ever been a fucking time to be persuasive, it’s now.

“You don’t have to do this,” you whisper. “We— we can talk if you want to talk.” You tug at your ankle restraints. “This is unnecessary.”

He shakes his head. “I know you. You’d run.”

“Come on.” You manage as much of a smile as you can. “I’ve always been there for you, Luke. Why would this be any different?”

“...You’ve always been too nice,” he says, and he sets the gun down on his leg. At least he doesn’t have his finger on the trigger. “Anyone rational would’ve kicked me to the curb when I asked you for help.”

“You’re my brother,” you whisper. “I— I love you, Lucas. I’d never do that to you.”

“Family’s supposed to be everything, right?” He shakes his head. “You were the only one of us that understood that. You were there to pick me up every time my sentence was up.”

“I’ve always believed in you,” you say.

He huffs a monotone laugh as he stares at the ground. “You’re definitely the only one.”

You shake your head. “That’s not true.”

“Mom didn’t care enough to stop anything,” he says, leaning back in his chair. “And Dad wished I was dead every goddamn day. He didn’t have the guts to do it himself, but he definitely tried.”

You can’t defend your parents. Your dad’s a piece of shit, and your mom didn’t stop anything he did—but you could never find it in yourself to fully hate her because he hurt her too, with more than just bruises.

“I’ve dreamt of killing our dad every day for twenty years,” Lucas says. “And that old bastard had to fuck me over one last time and die while I was in jail.”

You remember when you got the news. You were next of kin—your mother had divorced him by then, and your brother was incarcerated—so you got the call from the hospital. You deliberated for hours before you bought a plane ticket to Montana—apparently that was where he fucked off to drink himself to death—and you don’t know if you’ve ever felt more numb than when you were sitting in some lawyer’s office, listening to him drone on about his will and how his estate would be divided.

“So you killed all of those people?” you asked. “Because you didn’t get to kill our dad first?”

“I was saving those kids!” Luke yells, and you shrink in on yourself. “Saving them before their parents could fuck them up like ours did to us!”

“You don’t have to do this,” you repeat. “You’re just letting Dad win. Proving every shitty thing he said about you.”

“And that’s the zinger, isn’t it? Luke laughs and shakes his head. “He was right. We’re a whole family of fuck-ups. An alcoholic abuser, a battered wife, a nonstop jailbird, and you…” He shakes his head with a sigh. “You should be out there prosecuting people like me.”

“He ruined us,” Luke murmurs. “And I’m finally going to fix it.”

All you can do is stare at your brother, wide and teary eyed. You can’t find the words, but you don’t have to.

Police sirens begin to filter through the air as they get closer, and Luke huffs. “Of course.” He eyes you. “Don’t go anywhere.”

“I wouldn’t dare,” you say weakly.

When he leaves to peer out the front door, you take a second to look at your surroundings. It takes a second because they’re so decrepit, but you could never forget.

Luke brought you back to your childhood home—the place in St. Charles, rotten down to its bones. It’s abandoned by now, but the atmosphere is nothing less than oppressive. There’s a reason you graduated high school a year early, why you never came back once you got to college—except with Aaron, to help your mom move her things out.

You refuse to die here. Even if you have to claw back through the gates of Hell inch by inch—you will not die here.

You hear footsteps, and when Lucas comes back in, he has a crazed glint in his eye. He shakes his head as his finger returns back to the trigger, and you can’t help but flinch. He won’t. Not now.

“Looks like your friends the FBI are here,” he drawls. “You said you didn’t tell them anything.”

“I didn’t,” you insist. “They’re profilers—they figure things out.”

He shakes his head. “They don’t realize that I have to do this.” Luke kneels down in front of you and takes your chin in an iron grip. “This is the only way to end our pain.”

He lets go of you then stands up, moving behind you—you want to protest, but you don’t get the chance. He presses his gun to your temple and then the door is broken down. Four agents rush in, guns at the ready. Aaron leads them, and he’s got fire blazing in his eyes.

“FBI,” he barks. “Hands up.”

Lucas doesn’t seem fazed, his breathing staying the same. You stare right at Aaron, unfiltered fear in your eyes, and you feel torn bare. He’s going to watch your brother put a bullet in your head.

“I’m afraid I can’t do that,” he says smoothly. “This is a family matter.”

“Put the gun down, Lucas,” Aaron says.

“You know my name,” he says. “I know yours too, Aaron Hotchner. My sister told me you were with the feds. She also told me you broke her heart.”

“Put the gun down,” he repeats.

“I don’t think I will,” Luke says. “You see, I don’t go around just kidnapping people for fun. I have a purpose here.” He tilts his head to the side. “But you know that, don’t you? You’re all profilers.”

“You’ve been targeting families that look like your own,” he says. “You think that killing them will end the pain inside you, and protect those kids in a way that you never got.”

“I don’t think it,” he bites, “I know it. If my dad had been shot thirty years ago, we wouldn’t be here right now.”

“This isn’t going to bring you peace,” Aaron says. “Your sister has been the only person to stay by your side through every part of your life. Do you really want to lose that?”

“Trust me,” Luke says. “I’m not losing her.”

He flicks the safety off and you flinch. He’s going to kill you.

“Put the gun down,” another agent warns.

“If you all don’t leave right now, I’ll shoot her.” Your whole body stiffens as he presses the gun harder into the side of your head, your breathing going off kilter. “Except you, Aaron Hotchner. You can stay.”

“We’re not doing that,” the woman says. Agent Prentiss, you think.

“Really?” Luke chuckles. “You think you hold the cards here?”

“It’s okay,” Aaron says. “Go.”

Agent Prentiss frowns, and the other two men look different levels of puzzled. They obviously doubt the decision, but they don’t doubt Aaron, because one by one, they leave.

“Wow,” Luke muses. “They really trust you.”

“Because I know you don’t want to hurt her,” Aaron says. “Deep down, you know you’re not protecting her. Not by hurting her.”

“I’m not hurting her,” he says. “She’s always been the one to keep me safe over the years—I’m finally paying the favor back. I’m finally taking her pain away.”

“You were abused as children. Both of you.” Aaron looks at your brother. “Your sister always tried to protect you, but it never worked. It just made it worse for her, and it made you feel worthless. You’re her older brother. You’re the one that was supposed to protect her.”

“My sister said you’re profilers,” he says, and though his tone is lazy, you know your brother. You can tell it’s starting to get to him. “Is that what you’re doing right now? Profiling me?”

“You would never be good enough for your father, and your mother would never do anything to stop it,” Aaron continues. “All you had was your sister, and even that wasn’t good enough—you hurt her just as much as your dad did. At least your dad didn’t think he was a good person.”

Luke growls, and he puts a hand on your shoulder to pull you closer to him. “Shut up.”

“Your sister has told me you can be more than this,” he says. “And I think she’s right. You’re better than this—better than living between the margins and jail.”

“I’ve had a hole in my chest since I was born,” Luke mutters. “And I’ve tried to stop it, but it’s just grown and grown and grown. This— this aching pit of pain, and he caused it. You’ve got it too— I know it.”

“I— I do,” you say. And you’re not lying. You’ve had a pit of despair in you for as long as you can remember. The only difference is that you’ve fought every goddamn day of your life to keep it from consuming you. “And it hurts, Luke. Trust me, I know. It took me so long to even be able to deal with it, but I know how to. I can help you—we can both walk out of here.”

“No,” he whispers. “No—we can’t.”

“Yes, we can,” you plead. “I love you, Luke. I’ll spend every day of the rest of my life helping you if that’s what it takes to get rid of that hole.”

For a moment, he doesn’t say anything. For a moment, you think you’ve gotten through to him. Aaron never takes his eyes away from you.

“I’ve never been able to protect her,” Luke murmurs. “Not from our dad, not from the world, not even from you, Aaron Hotchner.” He presses the gun harder than ever into your head, like he wants to bury the metal in your skull along with the bullet. “But that all ends now.”

You screw your eyes shut. You don’t want to see Aaron’s face when your brother kills you.

And then it happens so quickly you barely process it.

There’s two gunshots, almost at the same time. You scream, first because of the gunshots, then because of the sudden roaring pain in your side. There’s a thud next to you, your eyes shoot open, and you see your brother’s lifeless body fall to the ground.

You scream again—you can’t even control it, it just rips out of you at the sight of the hole in his head and the blood pooling beneath it—and Aaron drops his gun to rush forward. The rest of his team thunders in after him, all in guns and bulletproof vests, and they’re talking, but you can’t focus on a single goddamn thing because your brother’s dead body is right next to you.

Aaron pulls out a pocket knife and begins to cut through your restraints, and the instant he finishes you collapse. He catches you without a second thought, and you immediately wrap your arms around him.

Torrential sobs wrack your entire body as you bury your face in the crook of his shoulder, every part of you shaking as the reality of it all hits with full force.

Your brother is a serial killer. He killed ten people, he tried to kill you. And now he’s dead.

The only part you had left of your family—gone, just like that, with four other families ruined in his wake.

Aaron’s soft voice in your ear is the only thing bringing you back from the edge of hyperventilation, his own hold on you the only thing keeping you from collapsing.

“I’m so sorry,” he murmurs and he shrugs off his windbreaker to wrap it around your arms. “You’re safe now. You’re safe.”

“He’s gone,” you choke out, voice muffled as you speak into his chest. “He’s gone, and he tried to—”

A fresh round of emotions hit you, unable to get the words out, and you fully break down in Aaron’s arms.

“I know.”

Aaron’s fingers linger on your side and you feel some dull pain, but you feel his breath still for a moment.

“You were shot,” he says with your name. “We have to get you to a hospital.”

You don’t even feel it. God, you don’t feel anything. There’s a distant ringing in your ears, an insistent pain in your skull, and you finally realize Aaron is right when you pull away and see the blood on his fingers.

But black spots start to fill your vision. You may not feel it, but your body holds the score. The pain intensifies in your side as your adrenaline starts to slow down, and you collapse against Aaron.

“Get an EMT in here!” he yells, keeping an arm wrapped around you. “We’ve got a GSW— she’s losing blood fast!”

You can feel Aaron’s rapid heartbeat, can feel his steady arms as he keeps you propped up. You feel the warmth of his body, feel the warmth draining out of yours.

“Aaron,” you whisper, your strength fading. You don’t think he hears you.

He helps you up and you’re suddenly hoisted onto a stretcher, and he’s beside you as the EMTs run you out of your childhood home. The night is a blurry canvas of red and blue lights, and your eyelids feel like they’re made of concrete.

“Aaron,” you try again, and you have enough left in you to grasp his cheek. “Thank you.”

And as the world goes black around you for the second time, you see his lips form your name.

It’s not a bad thing, you think before darkness overtakes you, for Aaron Hotchner to be the last thing you see before you die.

You wake up in the hospital alone.

You don’t know what you expect. You have few acquaintances, fewer friends, and the last part of your family is dead after he tried to kill you.

The real surprise is that you wake up at all.

Lucas is dead.

He tried to kill you. You thought he succeeded.

You let out a slow, even breath, accompanied only by the sounds of beeping machines. It still doesn’t exactly feel real.

You’ve spent the last two weeks defending your brother against every accusation, and you ended it in the hospital—well and truly alone for the first time in your life.

You look at the television. Some muted soccer game is playing, and you’re thankful. You were worried that you and your brother would be the topic of the day.

Who are you kidding? You’re going to be the topic of the year. He killed ten people. He tried to kill you, and you think he nearly did. He shot you, after all.

You let your head fall back against the pillow. All of your limbs feel insurmountably heavy, your side aches like hell, and you’ve got the worst headache of your life.

And you can’t stop playing it all over in your mind.

He was going to kill you.

Your own brother, your flesh and blood, the only person you had left, tried to kill you and would have killed you had it not been for the BAU.

Had it not been for Aaron Hotchner.

The door opens and someone walks through, your eyes following the movement, and when he sees it, he pauses. And so do you—apparently the devil appears even when you think of him.

“You’re awake,” Aaron says after a moment. It’s the third time he’s sounded surprised since you’ve met him again. Seeing you, finding out your mom is dead, seeing you.

But there’s relief there, too.

He has a coffee in his hand and his tie is undone, the sleeves of his white undershirt rolled up to his forearms. It makes you realize his suit jacket has been slung over the back of the chair near your bedside.

“How long have you been here?” you ask, your brows furrowing ever so slightly.

Aaron closes the door and sets his coffee on the table before he answers you. “Three days.”

“And how long have I been here?”

“Three days,” he says. “You suffered head trauma, they discovered drugs in your system, and… you were shot. You had to go into emergency surgery.”

You frown, and he answers before you can ask any of them. “…Your brother. After he knocked you out, he used something to… keep you out. And after I shot him, he still got one off—thankfully, as he was falling. The bullet hit you in the side instead of the head.”

“How bad was it?” you ask.

Aaron glances away. “You died on the table. They managed to bring you back, but…”

“I guess Luke did succeed,” you say absentmindedly. Aaron doesn’t laugh, and you glance away too. “Sorry. Bad time for jokes.”

He shakes his head. “If anyone’s allowed to joke about this, it’s you.”

Your lips twitch for a moment, but then you look back at him as he takes a seat at your bedside again. He looks— god, he just looks tired. Tired and ragged and downtrod, and you can’t imagine you look much better.

“You were out for two days after,” he explains. “This is the first time you’ve woken up.”

“Why are you here, Aaron?” you ask quietly. “Why have you been here?”

Aaron frowns. “Where else would I be?”

Your throat feels like it’s closing up, and you feel the telltale pinpricks of tears. You blink them away before they can start.

“My brother was a serial killer, Aaron.” Your hands clench into fists as you stare at the wall. “He killed ten people while he was living with me and I— and I didn’t even fucking notice.” Your gaze moves back to him. “I went against all of you because I thought I knew him, and look where it got me.”

“It’s not a crime to want to see the best in people,” he says. “Especially your family.”

“It’s a crime to fucking murder people,” you huff, and it’s only slightly unhinged. “I— I thought I knew him, and I didn’t. And if I did, maybe none of these people would’ve had to die.”

“Don’t blame this on yourself,” Aaron demands. “Lucas was lost. Mentally ill. He was on a path for revenge, for his deranged idea of protection—nothing you could have said or done would have stopped him.”

You shake your head. “It might be easy for you to say that, Aaron, but I— I can’t. He’s my brother. I gave him a place to live, I gave him easy access to families— god, I fought with you all for two weeks about his innocence, all while he was planning his next fucking murder!”

“It is not your fault,” he repeats, slower and enunciating the words. “He was the only member left of your family, and you loved him. You were just stubborn, and that’s nothing new.”

“I just don’t know what to do.” You’ve had these walls up for so long, especially this past week, and now that everything’s come to a head and you’re in the hospital and your fucking brother is dead, the floodgates have opened. “I have to plan a funeral because I’m the only one left to plan one, but— but does he even deserve one? He’s a serial killer, and he tried to kill me for god’s sake, but he’s my brother and even though he’s gone he’s still all I have left and—”

You break off as you suck in a huge breath of air, the notion shaky as you clench your hands into fists to keep the rest of your body from doing the same.

“And I just don’t know what to do,” you repeat, barely a whisper.

You meet Aaron’s eyes, almost desperately. You feel like you’ll shatter into a million different pieces if you even breathe wrong and he might be the only solid thing in your life.

“Whatever you do,” he says, “you don’t have to do it alone. Not if you don’t want to.”

“Aaron,” you start shakily, but he continues.

“I know what you think, and that’s not what I’m suggesting.” Aaron pauses for a moment, and it’s obvious how carefully he’s crafting his words. “I’ve… always regretted how we left things. And I regret losing touch with you. This isn’t the way I would’ve liked to meet you again. But I’m thankful I have.”

He pulls a card out of his shirt pocket and holds it out to you. You realize it’s his business card, and it’s got his number.

“I’m sorry for the formality,” he says dryly, “but I don’t exactly go around prepared to give out my number for purposes other than work.”

You take it without giving yourself the chance to think about it. You run your finger around the sharp edge of the cardstock, pressing the pad of your thumb against the corner.

“Years ago, you wished me a good life, and that you didn’t want to be involved in it,” he says, still treading carefully. You can’t believe he remembers the last thing you said to him. “But— but a lot has changed since then, and I hope that has as well.”

“I’d like you to be a part of my life again,” Aaron finally says, “if you want to be a part of mine.”

For a moment, all you can do is stare at him. Two and a half years of law school flash behind your eyes—coffee shop dates and endless hours spent studying at the library. Movie nights cuddled on his couch, hauling boxes out of your house at an ungodly hour to get away from your roommates. An unhealthy amount of all-nighters immediately followed by going out to celebrate a miracle of an A on an exam. Getting through every soul-sucking part of earning a J.D. together, falling apart before either of you could make it to the other side, and somehow…

Somehow, you’ve ended up on a completely different side together.

“My life isn’t going to be easy,” you say faintly. “Especially… moving through this.”

“My life isn’t easy either,” he says. “I’m divorced with a kid and I try to solve murders every day.”

“It’s not a contest.” An attempt at a joke, but it falls flat for you. Aaron’s lips still quirk at the edges the slightest bit.

“Getting through this certainly won’t be easy,” he agrees. “But I have more experience than most in these sorts of things. So if you ever need anything, call. Please.”

“I imagine you’re pretty busy,” you murmur. “Unit chief and all.”

Aaron shrugs. “I make time for the things I care about.”

Thankfully, you don’t have to figure out how to respond to that, because there’s a knock on the door, and a nurse walks in after you call a come in.

“It’s good to finally see you awake, sweetheart,” the nurse says with a smile. It warms you from the inside out.

“It’s nice to be awake,” you say. Her smile widens and she moves over to the computer in the side of the room—to add some things before she makes her checkup, you assume.

“I’ll give you some time alone,” Aaron says.

Before he can stand up, you grab his hand. It’s fully on instinct, and he looks just as surprised as you feel.

“Don’t go,” you plead, and it’s almost a whisper. “I— just— please.”

Aaron stares at you for a moment, that shock glinting in his eyes before it transforms into something a lot warmer. He nods and sits down.

“Okay.”

And he stays.

This time, he stays.

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