Hypothesis: Aziraphale HATES that Crowley is living in his car.
Supporting evidence:
The very first thing we see him do in the present is stop Maggie from moving out and making sure she feels welcome to stay as long as she likes.
He clearly knows Crowley’s unhappy before anything happens in the plot: “Does it calm you down?”. And also clearly feels helpless about it. Enter the conspicuous Eccles cakes: Aziraphale’s offer, which is rejected.
Crowley’s obviously, for all his hedging, spending a lot of time at the bookshop— so much that he has his own glasses perch and feels immediately comfortable removing them. See also: “Technically my bookshop but we both get plenty of use out of it”, “Why don’t you wait inside? You like waiting inside”.
It’s Crowley who immediately shoves the box of plants into Aziraphale’s arms after Aziraphale returns from Scotland.
Speaking of Scotland, why wouldn’t Aziraphale take the train? Why insist on driving the Bentley? Is it perhaps because he wants to get Crowley and his plants into the shop, and thinks if he creates a situation where Crowley has to stay there, maybe he won’t immediately leave again?
He’s got an empty bedroom and an apparently pathological need to make the person staying there very comfortable, creating cute little customized souvenirs like he’s an Air B&B host (displacement!).
He immediately jumps to having Gabriel stay with him— he didn’t have to. Arguably, both Gabriel and Aziraphale would be safer if Gabe stayed elsewhere.
That’s what I’ve got for now but I’m sure there’s more. Throughout the show, watch what Aziraphale gives to others and does for others, and it’ll tell you what he wants to do for Crowley. He’s living so deeply in displacement in makes him come across as manic and brittle.
(What probably happened is Aziraphale offered the spare bedroom and Crowley, who unconsciously didn’t want to be his roommate or sleep in a single bed with Aziraphale right downstairs because how could the poor lovesick boy cope with that, told him he wasn’t a “good deed” for Aziraphale to do and stormed off.)
Conclusion: Aziraphale asked Crowley to stay at his place, immediately and probably repeatedly. They had a row about it, and Crowley refused, and to this day Aziraphale doesn’t understand why.
And it hurts him.
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DP x DC ramble: Types of power
Now, in this particular fandom, there’s a tendency to make an OP Danny
That’s a neutral statement, a lot of people just happen to like and post OP Danny
For the most part, not my taste but it can be fun in some contexts, but overpowered Danny isn’t my default
Now, Danny is physically strong. His abilities are combat focused and he can hold his own in a fight. He probably has a little less physical strength than you’d think since he uses gravity nullification to lift heavy things, but it’s impressive regardless. He has a goodly variety of offensive and defensive abilities that make him formidable is a fight
But the strongest characters in DC aren’t necessarily strong in that way
Superman is physically very strong, incredibly powerful, but he’s still nowhere near the level of the actual strongest characters, because their power is a very different type
Like I’m talking reality manipulation, omniscience, abilities that involve power over people’s very souls (and a ghost is a human soul) and where they end up. Psychopomps and some much more. I’m talking about beings that can mold the flesh of humans to remove something like a cancer and repair damage with barely a thought
And they’re mainly held in check by rules, mostly just being polite, sometimes Divine laws
This is a type of power Danny is not equipped to handle
It’s a very different game than Danny is playing. He can physically throw down, he might have an army if it’s Ghost King AU, but this is “can kill you with a literal snap and the snap is just for dramatic effect” territory
Danny is playing high school American football, these characters are playing Professional soccer aka what every other country calls football
It’s a very different game, and if he’s trying to play with them, he’s going to struggle
And that’s fine, he can still be OP and not be playing on the same field as Lucifer, or the Spectre, or various demon lords and so on, because it’s a different kind of power
But just arbitrarily saying he’s more powerful really undersells why they are powerful. Being able to punch good is not the same as a character that can just send him to the afterlife. Someone being able to reshape Danny’s body at their will isn’t going to be concerned about his ecto blasts
A Tuna is a big fish, but the ocean is VAST and DEEP
All this to say you’d have to drastically alter Danny’s actual power set to make him able to compete, otherwise you’re just de-powering the actual strongest characters, which is less impressive since it missed the point of WHY they were strong
Just because you can solve a sheet of math problems doesn’t mean you’re going to be able to ace a three page essay on the poetry of Keats
This has been my thoughts on the matter, be sure to grab a souvenir from the gift shop
Also just going to sneak this in:
Danny should probably be more concerned about magic users
Magic clearly can affect him, just look at the Freak Show incident from season one, that’s not even getting into the reality gauntlet. Now add in the fact that there’s a variety of magic items/artifacts in DC and a slew other of magic uses and occultists that can summon and bind ghosts, spirits, and demons to do their bidding
Danny is firmly in the category of beings that magic specifically deals with, he should probably be a bit more concerned about magic users
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The more I watch it…
… I definitely think the reason the Nate and Eliot relationship gets overlooked is that it’s very tacit and unspoken. These are two guys who do not discuss feelings, at least not directly, instead they just steadily… Fall into a pattern, they develop a system. The trust and loyalty between them isn’t spelled out in long speeches or discussions; it’s in the way Eliot starts to look to Nate for a cue if he should engage; Eliot allowing Nate to pull him back; it’s Nate never trying to force details of Eliot’s past from him; the way Nate only ever doubts Eliot once and then never again; the way Nate looks at Eliot after being forced to take a drink in the Bottle Job, or any other time; their conversation about the bank robbery in the Bank Shot job; Eliot being willing to kill for Nate; no matter how far on a bent he is, it’s in Nate never asking him to; it’s in Eliot and Sophie worrying about Nate’s destructive behaviour and his drinking; Nate telling Eliot ‘get them to the chopper’ rather than ‘get to the chopper’; it’s every time Eliot speaks out about a play or choice he doesn’t agree w/ and calling Nate out; it’s them sitting in silence in the bar; it’s the way Eliot falls in at Nate’s shoulder, or shifts in front of him in case of threat; it’s Eliot doing things Nate asks even when he complains; it’s Nate honestly responding when Eliot confronts him; it’s the Zanzibar Job; Eliot being mad Nate (and the others) left the baseball game early; Nate trying to protect Eliot from being forced to do the fixed fight; his panic at thinking Eliot’s been shot for a moment; Nate sounding for all the world like a proud dad during the country music ep; the exchange at the end of the cheerleading ep; them both harping on Hardison to tip the messenger; Nate trying to curb Eliot’s flirting; watching sports together; it’s the tiny glances they exchange or they way they sometimes move in sync.
Leverage Inc has no hierarchy, not really, not in the usual sense, but they fill their own roles based on their strengths and personalities. There’s no outright decision, no official acknowledgement, but they don’t need that. Nate and Eliot settle seamlessly into not just the roles of a mastermind and his loyal, trusted, and competent lieutenant and enforcer, but also something reminiscent of a father and an eldest son. They are actually one of the closest bonds in the whole crew (which is comprised of very close bonds, to be fair, but hopefully you get the point), they just do it so naturally and almost in the periphery that it can go unnoticed/understood very easily.
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