Good Omens 2 Episode 1: what’s in a name
So I have just watched the first episode of season 2 of Good Omens, and I am going to write this post instead of watching the next episode right away for two reasons: one, watching tv for too long gives me a headache, and second, I refuse to let the streaming companies’ obsession with dropping entire seasons at once stop me from enjoying the journey, and enjoying the journey for me means stopping to think and write about things.
So this is my reaction to episode 1 of Good Omens season 2. Spoilers, duh.
The fil rouge that runs through the episode is the theme of names. We have Aziraphale who introduces himself by name in the flashback to Crowley, who does not reciprocate that kind of introduction, which paints a picture of where they stand in relation to each other, i.e. not exactly on the same page.
And then we have Maggie, who makes a gift to Nina based on her name (the Nina Simone record), but Nina cannot play it, which represents how they cannot be on the same page at all due to circumstances.
Of course we have James long for Jim short for Gabriel. And then we have Muriel, who is asked her identity so she has to say her name but also insists she’s nobody. Also, in the first scene with Michael and Uriel, Michael states their names out loud, which emphasizes how their identity is tied to their name, which highlights how Gabriel not remembering his name and then being forbidden from using it is an encapsulation of his struggle with identity. (There’s also the clothes - being naked is as far as you can get from the normal condition of angels with their pristine outfits, but that’s quite an obvious imagery trope.)
So this is an episode that deals with identity and how it relates to interpersonal relationships.
The first scene is absolutely lovely. They are immediately comfortable with each other - Crowley feels free to act nerdy, Aziraphale, despite his fear of saying anything “inappropriate” at all, expresses his concerns regarding Crowley’s attitude. But they’re not quite on the same page, due to their differences in personality. Crowley is nerding out about the nebula and doesn’t quite get that Aziraphale is trying to connect in a different way (exchanging names). So Aziraphale feels that Crowley doesn’t care about him, but then Crowley shields Aziraphale with his wing. Crowley is not the kind of person who likes to use words to express emotional matters, Aziraphale is (thus how he makes Crowley speak his apology out loud, complete with dance). Crowley’s love language is actions, not words, more specifically actions to protect Aziraphale.
An additional difference between them that is highlighted in the scene is how Aziraphale cares primarily about people, while Crowley cares primarily about nature (stars, ducks). Crowley is interested in the universe as a whole, and doesn’t have much affection for people in general. Aziraphale loves people. And that’s why one stayed up and the other went down, of course.
And of course the difference between their priorities is the source of their conflict in this episode, as Aziraphale sees a vulnerable angel (something he can relate to very much) and automatically decides to help him, but Crowley’s priority is Aziraphale’s safety.
Nina and Maggie are wonderful mirrors for our main characters, although way behind on the relationship process than Crowley and Aziraphale are. Nina needs to keep Maggie at a distance, due to her being already involved with another person and thus being unable to let herself connect with Maggie. Nina is perfectly capable of being affable and sweet, as shown with Aziraphale, so her curtness with Maggie can only be explained by the fact that she finds Maggie cute, and that’s why she cannot let herself get close to her, so she does her best to put up a wall between them.
Basically, Nina doesn’t have the player to play the record on - she does not have the circumstances to metaphorically let herself listen to Maggie’s music.
On the other side, Aziraphale has a record player, and has started listening to his beloved music, but Gabriel’s arrival interrupts him, just like Gabriel’s arrival creates a conflict between him and Crowley.
(The records are gay love, yeah.)
Crowley’s anger, though, forces Maggie and Nina to connect a little more - I would say something about anger not being a primary emotion, but stemming from love, but we were all here for Supernatural meta first, so it’s way redundant.
Speaking of Crowley being, um, smoking, let’s change the topic to fire/heat and light.
At the beginning, Crowley is trying to make a nebula happen, but forgets the first step i.e. “let there be light”, and Aziraphale helps him remember to do it.
Then there’s the empty box of match sticks in heaven. Out of place, because there should not be any material object in heaven. I’d say it represents a source of light and heat, but it’s empty, so it is and is not at the same time.
Conversely, Gabriel is naked and cold but then Aziraphale gets him a blanket and hot chocolate and he stops being cold. Not quite fire/light, but still warmth. So, again, heaven is coldness (but not quite in the right conditions to change, thus the match stick box being empty) and earth is warmth. (Hell is coldness too, of course, with its damp, dark spaces and ineffective neon lights.)
Then we have Crowley’s lightning and smoke, which makes the electricity (light) go off in the coffee shop, but then Crowley comes back and fixes it.
(A note: the box with the arrows pointing up - clearly representing “up up” is empty. Boxes are empty, heaven is empty, Gabriel is naked. Something something metaphor.)
Cinematographically speaking, the episode all revolves around sources of light, like the sun (I love what they did with the lighting when Gabriel gets to the bookshop). In case you missed it, in the flashback scene Crowley protects Aziraphale from being hit by the sun, which bounces off Crowley’s wing:
And then, insert something about lamps here that traumatizes Destiel people.
In fact there’s the quote on the match stick box:
[ID: partial screenshot showing the quote “Out of his mouth go burning lamps, and sparks of fire leap out - Job 41:19”.]
I’m sure the exploration of this theme is just the beginning.
I guess these are the things that stood out to me during my watch. I’ll conclude this post with a final consideration: this is it! Now we’re talking - it’s a queer comedy! It sets itself absolutely as a queer comedy. It goes straight to the point. It’s no longer a comedy with a queer overtone. It’s a queer comedy. I love it. I can’t wait to watch the rest. But still one episode at a time.
53 notes
·
View notes
I think there’s a decent chance that s3 opens with the Fall. But also, importantly, we’ve been watching the Fall the whole time.
Because this picture of the Fall as singular event, of pre-Fall Crowley as a doomed idealist, of everything resting on one big win/lose revolution — it’s propaganda.
The Metatron wants the Fall to be a closed book. Some angels tried to change heaven, and they failed. Past tense. Everything important has already been settled, nothing of interest will happen in the future, so let’s end the world.*
But the trouble is, those angels were PART of heaven. Gabriel was PART of heaven.** Aziraphale is PART of heaven. Clearly, heaven is changing.
The Fall hasn’t ended yet.
The engine is just starting to warm up.
*aka the “uwu you can’t stop climate change now, so pwease don’t regulate us” approach
**but obviously they left because they were never True Christians angels, so there’s nothing wrong with the institution as a whole (pwease don’t regulate us either)
214 notes
·
View notes