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#god is this coherent?
hmshermitcraft · 1 month
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Joel always has to be sure everyone involved is ok with anything that could make people uncomfortable. Etho however, has a hard time saying no.
This often ends up with Joel not knowing if Etho's actually fine with it, and having to ask again.
Joel is known for being a general nuisance since he joined the server, and he is aware of this. But he doesn't want to be an actual nuisance. Especially not to Etho.
Etho does not see him that way, and tries to reassure him that he's okay with him being more touchy or teasing as he seems to be. Etho just gets easily flustered and embarrassed saying yes to things he wants just as much as he has a hard time saying no to things he doesn't want. It's a delicate balancing act that only select hermits understand, and Joel is dedicated to becoming one of them.
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nerdpoe · 2 months
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Dani loves traveling, but she loves the sea the most.
It's just so wild, so untamable. She loves it!
In fact, when she takes a trip into the Zone, she seeks out Youngblood to reminisce about the sea. But Youngblood's never actually been to it.
He thinks it sounds super cool though!
In fact, his old ship, The Caleuche, still works beautifully as a Ghost Ship and a Proper Ship! Since it used to be his, he should be able to visit if she uses it! She just has to figure out how to get it out of the Zone.
So she tests a theory. Is The Caleuche ghost enough to get souped?
Yes. Yes it is.
She soups The Caleuche, leaves the Zone, and heads to the Pacific.
The Caleuche is great; she steers herself when it gets rough but follows orders, she can submerge but the interior is still dry and doesn't appear to run out of air, and whenever she surfaces she's so brightly lit and fun looking that recently deceased sailors like to come aboard and party before deciding to move onto the Ghost Zone through the natural portal in the Brig.
Dani thinks she may be making Youngblood's crew larger, but that's Danny's problem.
Not all ghosts go. Some stay on the ship. There's a doctor in a really old uniform, Mikhail, who can only speak Ghostspeak and Russian. There's a lady pirate, Jacquotte, who would rather spend her afterlife partying on the seas than going with the rest of the Ghosts to the Zone. There's a chef that wears some modern sort of chef uniform that only speaks Ghostspeak and Korean, Eun-Woo, who insists on making sure she eats a balanced diet. A big, growly sailor dressed like he's from the mob like in the movies, Frankie, but he just sits around and whittles wood or intimidates the meaner Ghosts into backing down so she doesn't have to fight.
They're her crew! Sure, it's way less than Youngbloods, but she likes it that way.
Sometimes she comes across humans doing stupid stuff, or getting in trouble, or even Atlanteans getting in trouble, and she saves them from their own mess.
One time she found a man with tattered green and black suit, with a very pretty ring, unconscious and floating on some weird metal wreckage.
So she hauled him aboard and let the doctor treat him, ordered The Caleuche to submerge, and dropped him off at a busy port.
What Dani doesn't realize is that she's getting Deified by sailors across the world.
A laughing child that saves those who can be saved, and reaps the ones who can't. A benevolent Goddess of the Sea.
That when she dropped off that Green Lantern at The Metropolis Harbor, videos caught a brightly lit, vaguely see through ghost ship rise from the waters. Recordings of laughter and music aboard, with the people on it very clearly dead and wearing uniforms from all walks of life would make the rounds.
That she herself, decked out in her new pirate gear, flickered into existence from nothing and gently laid the Green Lantern on the ground before disappearing.
Then the ship went back underwater.
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aromantic-diaries · 7 months
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Hello I am an aromantic who doesn't wanna do platonic cuddling or platonic kissing or any typically romantic gesture with platonic intent. Me and the aromantics who do like that are shaking hands from a respectable distance
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katabay · 6 months
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ALEX CASEY
—I remembered dying in this alley in a dream I had. He was just gonna keep killing me here, loop by loop."
fucking obsessed with what's going on with Casey, in both the narrative and the game play. most immediately, tho, it's just the way that he Has To Die in order for Wake and You the Player to get a gun and a flashlight. sometimes the narrative-gameplay requires a sacrifice-body! feed it your creation, Alan!! except. that's not entirely your creation. there is some 'the things we create when we're scared and want to be rescued' happening re: Alan with Casey. also. the dark presence. the way it gets a hold of Casey is less like a possession and more like a violent penetration or infection. turning these thoughts around in my head like they're on a microwave plate.
also this too
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The Scapegoat, Rene Girard (trans. Yvonne Freccero)
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
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okay i don't know how wild of a take this is, but hear me out.
cassandra is not the god. kristen is.
now, in terms of game mechanics, that's not true. cassandra is very clearly a god, and kristen is her cleric and follower. kristen gets her powers from cassandra, cassandra gets worship from kristen (and presumably other people who kristen is recruiting).
but that's not how their relationship works.
gods also get power from their followers, you know? they get power from the worship they receive. except kristen isn't really doing a lot of worshipping right now. but you know who is? cassandra. she is begging, praying, for kristen to talk to her, to take time out of her day and all her responsibilities, to listen to the person that has put their faith in her. as much as kristen has faith in cassandra (even if she isn't actively recognizing it), cassandra has faith in kristen.
You don't have to be sorry. Hey, not too many people believe in me, but I believe in you. You brought me back, and I know you've been having a hard time, but when you're in the dark, I'm there holding your hand, okay?
in the last couple episodes, we've seen a lot about how kristen (and maybe craig) are the only ones keeping cassandra from oblivion. normally, it would be well within a god's power to strike down, to smite, anyone they wished, including one of their own followers. but if cassandra hurts kristen, she dies. meanwhile, kristen holds a very god-like power in her hands. she's already killed one god by rescinding her worship. she could very easily kill cassandra.
I see what you're saying. Yes, we are holding you from oblivion, and we're just kinda not doing a very good job right now. That's what you're kinda trying to tell me.
gods are busy. they try to listen to prayers, but they're so very busy and important. all cassandra has right now is kristen. that is her sole focus (aside from maybe not dying). kristen is busy. she ignores cassandra. cassandra texts kristen's friends to try and get kristen to talk to her. in that first episode or two, cassandra is desperate to be heard, to have a conversation, and kristen, who holds all the power, keeps shutting her down.
20 texts in a row saying, "Is Kristen mad at me?" From a goddess.
it isn't that kristen doesn't care. of course she does. gods always care. but her domain is mystery and doubt. she doesn't have all the answers. she isn't omnipotent. she is a teenager who has been thrust from clericdom to sainthood to godhood and she doesn't even know it.
kristen isn't the one bleeding red light. cassandra is.
if you're a cleric, and you let your god die, that's a failure. if you're a god and you let your cleric die, what is that?
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dandylovesturtles · 5 months
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havin' all these Splinter and Leo thoughts. augh.
this is partly the fault of @/turtleblogatlast's post about Leo just wanting to make Splinter proud.
post-movie
...
Seven days post-invasion, and Leo is feeling (relatively) pretty good. Sure, he's still on a truly ridiculous amount of painkillers and he can't walk two steps without collapsing, but he's able to stay awake and talk to his family and considering where he thought he would be right about now, well... that's everything.
So yeah, he's feeling pretty good. He just finished his lunch of soup and a protein shake, warm and a little drowsy while he listens to April talk about some of the more ridiculous conspiracy theories that have started spreading on the surface. Donnie's tinkering with one of his smaller inventions while he listens, Mikey is nestled in Raph's lap, and everything is calm and cozy in their makeshift medbay.
And then his dad walks in and says, "I would like to talk to Blue, please. Alone."
And suddenly Leo doesn't feel so good anymore.
"Aha, wait," he says quickly, reaching out and grabbing April's sleeve just before she rises from her chair. "Whatever it is, you can say it in front of everyone, right?"
Splinter shakes his head. "This is a conversation I think it is best we have in private." He makes a shooing motion at the others, and April pulls her sleeve from Leo's fingers with a helpless shrug.
"See ya in a few, Leo," she says, then walks out. The others look from Splinter, to him, then back to Splinter, and one by one they each get up and shuffle out, too, with their own hasty farewells.
Traitors, every single one of them.
The door closes, and Leo finds himself alone with Splinter for the first time since coming back from Staten Island. Or at least, the first time he can remember. He was pretty out of it the first few days; most of what he remembers is muddled and confused. And embarrassing. He cried a lot more than he'd care to admit.
Splinter hops into chair April was sitting in and pulls it closer; he has to stay standing to be anywhere near eye level with Leo. He wishes he could read Splinter's face, but his expression is giving nothing away. Sometimes it's easy to forget he spent a not-insignificant part of his life as an actor, until something like this happens.
Leo decides to speak before he can. Head him off at the pass, or something.
"If you're going to yell at me, just remember my eardrums are already damaged."
Which is true - turns out being 1, too close to an exploding alien spaceship and 2, getting punched in the head repeatedly by an alien very mad about said exploding spaceship is bad for the ears, even when you don't have outer ears like a human. So super loud noises are a bad idea right now, and thus Leo cannot be yelled at. Flawless logic; maybe he can keep using that every time he gets in trouble.
For the first time, his dad's expression shifts, just a little. A deeper frown, a heavier set to his brow.
"You think I came in here to yell at you?"
Leo feels his stomach twist. Does he have to spell it out? "I mean, didn't you? That's usually what kicking everyone else out is leading up to."
"I see..." Splinter is still unreadable, looking a little too intensely at Leo. "And what do you think I want to yell at you about?"
He really does want it spelled out. Leo suddenly realizes that there won't be any yelling because this is his punishment: to admit everything he's done, to speak all his sins for his dad's ears. Lay it all out in his own tongue and show that he understands, really and truly, the depths of his screwups.
Oh, he understands. He understands it so well he may choke on the words.
"...For losing the key," he says finally, and it stings on its way out. He hasn't talked about it since it happened; every time he tries to say anything to the others, they shush him, saying, "It's okay, Leo, everything is fine now."
It's not okay, and everything isn't fine, and this is when he finally hears about it.
Finally, an identifiable emotion on Splinter's face: horror, dawning clear and present. And Leo doesn't understand that, because doesn't Splinter know he lost the key? He was there for that conversation, wasn't he? Leo's memories of that day have grown a little hazy between the drugs and the recovery and the fact that thinking about it for too long makes him go fuzzy around the edges, but he's pretty sure he remembers Splinter being there. He flicked popcorn at Leo's head. He probably should have done more than that; maybe then Leo wouldn't have made such a mess of things.
Splinter doesn't say anything right away, just stares at Leo with that horrified expression, and the silence is so scary that Leo starts filling it without even thinking.
"I was kidding about the whole... not yelling at me thing. I know I deserve it. I mean, I was fooling around, doing what you and Raph told me not to do, and I doomed the whole world doing it! Some leader I am, right? And I know I'm not exactly your favorite son to begin with, and that's fair, because I keep letting you down, but this is definitely my worst screwup to date, and you yell at me when I don't close the fridge door all the way or throw balls around the TV room so why wouldn't you yell at me for destroying the planet, right...?"
His voice peters out at the end, too hoarse to continue. That's the most words he's strung together over the last week, and for the first time he's glad for his injuries, for stopping him from spewing any more embarrassing word vomit just to fill the air.
Splinter is still looking at him with that same horrified expression. If anything, he just looks more upset, which means that Leo at least accomplished his goal.
Leo's waiting for the yelling to start, but when Splinter finally says something, it's, "You think I have a favorite son?" throwing Leo for a loop once again.
"Uh, yeah?" he says, because that's all there is to say. He's always assumed it's Donnie - the "funny one", the one who fixes Splinter's TV when it's broken, and the only one of them likely to get a real job and move out of the house. But even if it's not Donnie, it's gotta be Mikey, or Raph. His brothers are amazing and talented, and all Leo has ever been good at is winning the Lair Games.
Splinter closes his eyes a moment, and when he opens them his face moves back to a more neutral expression. "I do not have a favorite son," he says, firm and serious. "I love all of you just the same."
Leo thinks that can't be true - if it is, he feels bad for the other guys. But he doesn't think he can just say that, so he says, "Yeah, Dad, of course," instead.
Splinter looks a bit crestfallen. "You don't believe me?" he asks, and shoot. Leo has no idea how to respond to that.
"...I know you love us," is what he says. And that's true, it is! He just doesn't know how his dad could like him as much as the others.
Splinter's expression turns sad. He reaches out and lays a furry hand on Leo's arm, careful of his bandages and all the many wires he's hooked to. "You think you doomed the world?"
"I lost the key," Leo repeats. "It was all my fault. It's why I had to..." His voice fumbles over the words, and he revises. "It's why it had to be me."
Splinter's mouth twists. He climbs out of the chair and onto the mattress, careful not to jostle Leo as he settles down on his knees.
"Blue," he says softly, gently palming Leo's face this time. "None of this was your fault."
Leo's stomach twists again. He thought he was being punished, but somehow this is worse.
"Yes it was," he argues. "I lost the key," for the third time, "and... and I ignored the order to retreat, and got Raph captured, and and and, I ignored the guys and tried to force our way into Metro Tower, and it was me who told Donnie to try to fly that stupid ship, and because of me Mikey had to-"
"Leonardo," says Splinter, sharp, and Leo goes silent. His dad looks devastated, but he keeps his hand on Leo's cheek, brushing with his thumb, and for the first time Leo realizes his skin is wet. Splinter sighs heavily, his entire frame seeming to droop with the weight of it.
"Leonardo," he repeats, softly this time. "You did not doom the world."
"But-"
A furry finger on his lip quiets him.
"You did not doom the world," Splinter repeats, once again firm and serious. "You did not take the theft of the key seriously, because you did not know what it was, the threat it represented. But it was the Foot Clan who chose to use that key, fully knowing what evil it would unleash. That is not on you, my son. The responsibility falls squarely on them."
Leo doesn't know how much he can believe that - isn't it their job to stop the Foot Clan? But Splinter looks so sure as he says it, and his hand is still tender on Leo's cheek, and for the first time a little bit of doubt seeps into Leo's heart, telling him that maybe, just maybe, this wasn't all his fault after all.
But still...
"Even if that's true," he says, with heavy emphasis on the if, "everything I did after that-"
"You are young," his dad interrupts. "You are inexperienced. You are learning. And the amount of growth you showed us all, even over just that one day... You shined as brightly as I know you can."
Again, Leo's stomach does a twist - but it's a happier one, this time. Splinter's voice is sincere, leaving no room for doubt, and Leo can almost, almost believe that this is true, that his dad has believed in him from the very beginning. Has seen something in him, whatever it was that led him to make Leo the leader, that lead to him putting trust in Leo.
He just wishes he felt like he'd done more to earn it.
"You did not doom the world," says his dad again. "You saved it. But, it never should have been like that to begin with. You should never have been facing down such a fierce foe so young, especially as alone as you boys were. And you-"
His voice becomes choked up, and Leo's heart lurches.
"You... sacrificed yourself to save us all. I... I am your father, and I... could not protect you."
He's crying. His dad is crying, and Leo feels panic, reaching out to try and stop this.
"Dad-"
"No." Splinter holds up a hand, giving his head a hard shake. "All I ever wanted for you boys was to save you from the sacrifices asked of our family. And yet I could not - and for that, you paid dearly. You almost paid the ultimate price, and we almost lost you forever."
A thick knot forms in Leo's throat, and he can barely get out, "I'm okay, Dad, I'm here."
"Yes you are." Splinter squeezes his shoulder desperately. "You are here. You are safe. But that doesn't change that it should not have been you to begin with."
Leo watches in dawning horror as Splinter steps back, then kneels over on the mattress.
"This is why I came in here, Blue. Not to yell at you. To apologize."
He presses his forehead against the sheets.
"I am so sorry that I could not protect you."
He's crying. So is Leo, openly now. He reaches out for his dad, fumbling for his shoulders and urging him to straighten up.
"No, Dad... This wasn't your fault!"
"But-"
"No! It was just... it was just a really, really shitty thing that happened, okay? It was the Foot Clan, and the Krang, but it wasn't- it wasn't..."
Splinter raises his face and looks at him, and suddenly the words he's been trying to get Leo to believe for the last several minutes barrel into him and Leo crumbles.
"...I didn't have to do it," he says.
"No." Splinter gets up, coming closer. "You had nothing to atone for. You did it because you are brave, and you are kind, but this was never yours to fix."
Leo sucks in one harsh breath, then another, and then he's sobbing harder than he ever has in his life, and his dad hugs him tight, his arms warm and his fur soft where Leo buries his face in his shoulder.
All the feelings he's pushed aside - the ones he didn't think he had the right to feel, because he'd had to do it, he had to make up for his mistakes - bubble over, gripping him with grief and despair but also relief, that he's still here to cry and be hugged by his dad.
"I was so scared."
"I know."
"I thought I wouldn't see you guys again."
"I know. We thought we had lost you, too."
"I just... I didn't know what else to do... I couldn't let him... I couldn't..."
"Shhh, it's alright. It's over now. We're all safe."
Leo hugs his dad back, as tightly as he can with his injuries, and sobs and sobs until he's all out of tears. And all along, his dad tells him he is safe, he is good, and he is loved.
Later, Leo feels even better than he had before.
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houseswife · 4 months
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I love how neferiously hugh laurie delivered his lines in that 5x1 scene where house is blackmailing wilson. because the dialogue could’ve been conveyed in a manner that was obviously facetious and unserious (like the way RSL was playing the scene: “You’d jeopardise a patient—? 😒🙄) but he literally chose to go “If it keeps you here😈👹” in the most deadass, diabolical tone. so the result is that we have house sounding like a genuine psychopath as he threatens to let a woman die and then wilson proving he’s an even BIGGER one by responding with, like, mild exasperation at best. 10/10 dynamic no notes
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girlgerard · 7 months
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genuinely love how gerard has gotten observably worse at speaking coherently over the past few years cause that’s just what unmasking is like baby
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creekfiend · 1 year
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I love Jews
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scribefindegil · 1 year
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Every character in Mob Psycho is so lonely at the beginning of the series, but they all express it in different ways so they don’t realize they’re all dealing with the same problem!
Mob makes himself small and quiet and blends in and does his best to never make a scene and never ask for anything and never think about what he wants. Reigen makes himself big and loud boisterous and takes up as much space as possible--but it’s all show, it’s all slight-of-hand, it’s a magic trick so everyone looks where he wants them to and he doesn’t have to risk anyone seeing through him. Ritsu makes himself perfect and dutiful and studious and pours himself into the mold of A Good Son, A Good Student, A Good Brother, and thinks that if he buries himself deep enough no one can touch him. Teru makes himself sharp and brilliant and frightening and puts himself at the top of the pyramid and convinces himself that it’s a feature that no one can get close to him. Dimple does the same thing--makes himself into a god and a monster, someone who only sees humans as pawns. Never equals. Never friends.
Everyone has walled themselves off from genuine connection, convinced themselves that there’s an important reason they’re alone that isn’t just that they’re afraid, and the series is about all of those walls being torn down, bit by bit. There are a million ways to be lonely, but the solution to all of them, every time, is vulnerability and kindness.
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pokimoko · 7 months
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The fact that Main-verse Ooo is as good and as kind as it is (relative to the other universes shown so far, at least, it's obviously not perfect) all because of the same character that starts off as the OG series' antagonist, the person we were made to see as the bad guy (albeit an often ineffectual one) for several seasons, is making me lose my mind.
Imagine finding out the guy you spent your childhood beating up and saving princesses from is in fact a driving catalyst behind you being able to exist, and not only exist but also live in a world that knows what kindness is. All because that man, the same man who you've witnessed do terrible things, once met a little girl and taught her how to be good.
Simon's story really shows us that even if you lose your way and forget how it is to be good yourself, the world keeps the memory for you. That act of love Simon showed Marcy by protecting her and seeing her as more than the monster she thought herself to be created ripples upon ripples, small at first but eventually enough to help give their wreckage of a world—a world that easily could have been forsaken, its goodness overlooked because of its inhospitable remains—a chance to grow into something beautiful. Because of those very same ripples Simon created, the people of Ooo grew up in a world where they know enough about kindness that they were able and willing to spare the 'bad guy' some, to see beyond the wreckage and allow him to grow too.
In saving Marceline, Simon helped to not only to save the world, but also himself.
#fionna and cake#fionna and cake spoilers#adventure time#simon petrikov#ice king#marceline abadeer#simon and marcy#meta#this was just a phone note to get thoughts out of my system but then it came out semi-coherent#so welp guess i'm writing meta now. i'm really in the deep end now. but yeah...Ice King and Simon's story being about the power of kindness#A cruel world requires constant cruelty to be maintained. But kindness? That reaches across time. one act of kindness sparks another#'I need to save you but whose going to save me?' That act of love and compassion is gonna save you ya dingus....eventually#In a less kind world finn and Jake could have watched those tapes about Simon and still decided IK was a hopeless cause.#That he was too far gone to be saved. But they didn't. They chose to treat him nicer and actually be friends with him.#One thing i always loved about IK's story is that he didn't have to completely change himself for people around him to treat him better#They changed their perspective and were kind to him and it was THAT that helped him change. to grow beyond the 'antagonist' role#to quote my go to and all time favourite good place quote:#'the point is people improve when they get external love and support. How can we hold that against them when they don't?'#Arrgh sorry I just always loved Ice King's arc in the show. From pesky antagonist to the person Finn dived into a chaos god to save#(the world's new beginning and its near ending being all because of simon. he has such main character energy and boy does he not want it)#And now we're getting Simon stuff and I'm so normal I'm so normal I'm so normal (<- has never been normal about this character)#(i...i have many MANY drawings of ice king and simon from 2015 and the years after. i was doomed from the start. F&C was the final straw)#(as was reading marcy's secret scrapbook recently...and here i thought i'd truly reached the capacity of hurt i can feel about these two)#Going insane over these last two episodes. 'she didn't have a me'. Fionna and Simon bonding. Gumlee kiss. PETRIGROF BACKSTORY#and the implication that Simon isn't remembering it accurately? Their sweet sounding love song actually foreshadowing their issues?#I am clawing at the walls. thank you AT crew you are enriching the enclosure that is my brain
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crescentfool · 8 months
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p3 reload box art + the art book cover!
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emil1863 · 3 months
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Luffy is pretty destructive, even when there is a good reason. He has never done paperwork a day in his life.
Gonna expand on this au a litte right here. Koby calls Luffy, 'Luffy' because I'm kinda rolling with the whole "names have power" thing. So calling Luffy 'Nika' is pretty intimate/usually only used in specific situations. Such as followers praying to their respective Gods. But also Luffy could care less about that.
For the sake of making my drawing process more fun, Luffy doesn't use 'real' words but rather a form of speech that can be left up to viewer interpretation. Of course, Koby knows exactly what he's saying so maybe we'll see him fully translating some of what Luffy's going on a out later.
Overall, just kinda having a fun time and playing with this idea. I know it doesn't really do a good job of establishing where they are, but it's kinda just some random marine base. Luffy doesn't spend a whole lot of time around Marines, and prefers to keep the Straw Hat crew company (I'll expand more on that later). But he comes to see Koby a lot, much to Helmeppo's dismay.
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allthisloveforyou · 5 months
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oh me? yeah, i'm fine. just sitting here thinking about how ki-ho said that the one time he regretted changing his identity was the day he and his brother found mok-ha bc all he wanted was to greet her as her friend, as himself, and he couldn't even do that. but he still bought her a new pair of shoes – just like he'd told her that he would back when they were teenagers and they both were terrified yet tentatively hopeful that they might successfully escape their fathers and leave the island behind them. he couldn't tell her the truth then, but he could get her new shoes to replace the old ones. this small act of kindness was the one thing he could actually do without giving himself away
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cookinguptales · 1 year
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So… last week I made a vent post about an accessibility issue I’d had with some podcasters. I really only meant for the post to be read by my followers (who to my knowledge aren’t familiar with the podcast in question) which is why I put minimal tags on it and didn’t name the show.
But… the post got legs that I wasn’t expecting, and eventually a lot of people asked for the name of the show. I hadn’t intended on creating a whole big thing, so I was kind of reluctant, but I did see the logic in what they were saying — as a disabled woman myself, I would also want to know if I were supporting podcasters whose values did not align with mine. So I told people quietly in the notes that the show had been Old Gods of Appalachia.
Things… did not stay quiet.
Frankly speaking, one of the reasons why I don’t write as many posts about disability and ableism these days is because I got tired of people writing to me and telling me that people like me should be dead. So you can imagine what kind of fucking week I’ve been having since all that blew up. It’s been a very high symptom week, too, so I’m just. Very tired and stressed rn.
Personally, I’d be happy to never talk about it again and try to get back to my everyday life, but I did think it was important to note that the creators of OGOA must have gotten wind of the post, and they did contact me.
I won’t post the whole email here, but it was a good response. Since seeing my post, they’d tried getting in contact with the venue and realized very quickly why I’d been so frustrated. They ended up needing to go through their booking agent to get any kind of answers — so like, to the people who sent me a thousand messages telling me I was an entitled idiot who just needed to contact the venue, please know that none of you were remotely helpful.
Again, I’m not going to post the entire email, but I did think it was important to be fair and use the same platform that I used to vent to tell people that they seem committed to doing better in the future. They told me that they would be making sure that they have all this information going forward and that they would no longer allow it to be such a barrier to entry for disabled fans.
They invited me back to the show and… god, I’ll admit it. I really had to think about my answer. Not to sound ungrateful, but after the week I’ve had, even thinking about the podcast, the podcasters, and that damn live show has me stressed af. I had to really consider whether I even wanted to go.
But in the months since I first contacted them, they added a show that’s a lot closer to where I live, so rather than a weekend trip, I could just take a single bus. And it’s near one of my favorite Japanese restaurants in the city, so if all else fails, I can at least have some good katsudon. So I will be going to the Philadelphia show.
(Though for fellow disabled fans, Terakawa Ramen is not wheelchair accessible. 🙃 Most days I can do the two steps into the restaurant, but not always. Philly, I love and loathe you.)
Anyway, I wanted to reply to them before I made a post here, but… yeah. We’ve worked things out, I think. Only the future can tell what they'll do going forward but they do seem committed to doing better.
To me, there are always two goals when I write about disability and ableism. The first is that disabled people will feel seen. That is always, always my primary goal. It’s so easy for us to feel invisible and unimportant, and I always want to make you all feel seen, just like I want to feel seen. The second is that able-bodied folks will listen and learn and do their best to support their disabled peers in the future.
So… I think that my post managed to fulfill both of those goals. A lot of disabled people have reblogged that post and have talked about their own experiences, and a lot of them have explicitly said how much that post makes them feel seen. And the podcasters in question seem to have really reflected on their actions and seem to want to do better going forward.
So as incredibly fucking stressed out as I’ve been, I guess I can’t regret making the post. It’s always good to know that your words can have impact. The post has long since moved out of my friends circle so I assume it’ll just keep circulating and I’ll keep getting shitty anons and chat messages, but I’m just gonna focus on what good has come from it. I’m hopeful that my post will make life tangibly better for at least a few disabled people, and I’m encouraged by the fact that podcasters who I’d formerly liked do actually seem to want to do the work needed to improve.
And uh I’m not answering any more messages from people who just wanna swear at me. I’m tired. Leave me alone.
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heartslobbf · 2 years
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people will be like ‘yeah it’s really relevant that utena is an orphan haha’ and then not even recognise how utena being a character without living blood relatives is hugely significant in a show where almost all of the most atrocious relationships are ones that have been spurred on by the notion of familial/blood obligation. and utena herself clings so tightly to what is essentially a romantic ideal of ‘the family’, ‘the blood relative’, telling anthy she’s jealous of her relationship with akio, insisting to nanami that she should persevere with her relationship with touga because you’re still siblings. in ohtori, family is something you can only be born into. in ohtori, family is the way you gain power. i mean for the love of god it’s right there, revolutionary girl utena is a family abolitionist masterpiece and it makes me claw at the walls!!!!!!!!! read the palace perspective!!!!!!!!!!!!!!!!!!! engage more with these aspects of the show!!!!!!!!!!!!!!!!!!!!!!!! kill any and all people who go ‘why are there so many weird sibling dynamics i only came for the lesbians’ her NAME is kiryuu nanami and she does both!!!!!!!!!!!!!!!!!!!
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