wheres that tumblr post about splatoon songs? how they sound silly and absurd on paper but they just somehow work.

because thats how i feel about the souvenir tracks (1, 2, and 3) in side order

maya angelou saying the funniest thing anyone has ever said about editing, which i can never let myself forget EVER AGAIN [x]

What do you think of Rook's savanaclaw card? <333

I didn't get him (and I need to save my keys for Silver's birthday, sob) so I looked up his groovy, and I'm not over how incredibly dramatic and epic and cool it looks in direct contrast to the absolutely ridiculous context. just look at that dynamic action and his majestic sparkling tears and keep in mind that this is pretty much right after a bunch of characters have been dance battling for his soul.

and then even the actual moment of the groovy is just like

this is NOT a negative in the slightest, I love it all, this truly was an incredible update in so many ways

the thing about labru vs kabumisu is that both of them have the same core appeal to me, specifically from kabru's side of things: kabru being someone who is constantly agonizing about social rules and putting on the right mask, and meeting this Weird Fucking Guy who does not (cannot) care about all those things, and so kabru slowly allows himself to be more genuine. they're both such good relationships (whether you view them romantically or platonically), why must there be so much hostility between enjoyers of these ships?

[id: a colored, digital drawing of zelda from spirit tracks. she inhabits the phantom armor, holding up her shield and holding the sword out to her side with narrowed eyes. behind the armor, in her ghost form, she trails around the posessed armor with a confident grin on her face. zelda is black, her curly hair bleached blonde with dark brown roots. end id]

this was supposed to be a halloween drawing. uhm. happy (very very late) halloween!

OOH YEAH BABY! PARTY TIME BABY! MUSIC! DRINKS! SOCIAL PRESSURE & A PSYCHEDELIC BREAK DOWN! WELCOME TO VAMPIRE SOCIETY MOTHERFUCKER! ARE YOU SCARED? DO YOU UNDERSTAND YET? ITS OKAY IF NOT. FIRE DISSOLVED IT! ITS ALL GONE NOW. HAVE FUN!

Late to the party, first time watching DD completely, not in bits and pieces.

Ya know, thinking about it, in TRT, you've added ANOTHER parallel to Fisk and Matt.

They both fall in love with women who enable them.

Vanessa reassures Fisk that he's doing the right thing, that he's not to blame for what happened as a kid.

Jane reassures Matt that he's doing the right thing, that he's not to blame for what happened as a kid.

They both calm the raging fury that's inside of them.

I'd love to see Venessa and Jane have a conversation, just one. Just to see their personalities bounce off of eachother. I have a feeling Jane would start to show her teeth and Venessa would start to show her second face by the end of it.

(Not fully caught up with trt)

YESSSSSSSS! And that's the thing, like - the parallels between Matt and Fisk have always been an amazing piece of writing for me in canon. They set it up so beautifully, weaving in all these layers where you see how similar they are, but also slightly different: their first drink with their father (Matt while stitching up his dad, Fisk trying to please his dad), their father's deaths, the rage, trying to 'fix' the city, etc. And so it felt right to show something similar with Matt and Jane versus Fisk and Vanessa who, spoiler alert: I also fucking love as a couple.

Both are arguably healthy (ish) relationships in their own way. Supportive, loving. Like you said, they encourage or enabling the other depending on the circumstance/where you're standing: you're doing the right thing. I believe in you even when no one else does. You can do this. You're not to blame for what happened then. They're kind to their partners. And neither of them are as innocent as Matt and Fisk initially think.

But much like Matt and Fisk, there are slight differences, showing the different ways the wheels can turn even in similar people, namely in the way Vanessa leans into that personal darkness, and Jane is, at least for now, trying to lean away from it. Because Vanessa's very comfortable, confident with strolling through that darkness, as is fitting for a villain power couple. Jane meanwhile is more like someone who's trying for the second time to cross a Decent Person wire above a darkened I Want To Murder Many People canyon but she slipped and is now hanging onto it upside down, holding onto that rope with her teeth, fingers, and toes all while Circumstance butters her fingers and Matt desperately uses his balancing pole to swat at Circumstance from the nearby wire Matt himself is barely walking labeled 'Violent Catholic Vigilante Issues'.

ANYWAY, I agree. I think Vanessa and Jane would have a lot to talk about, and the push and pull between them both would be really interesting! Because there's so much they agree on, and yet, there's just enough different that ooooh... that slow build in tension would be delicious. How long before the masks fell, and they both got a true sense of the other? Only time would tell.

another one where that fucking face is either innocent or concerning~🎃

uncle professor obrien is trying his best, god damn it

2009 Japanese Grand Prix - Sebastian Vettel

the way having proper meals makes you feel like such a wannarexic lol

if wriothesley doesn't appear in any quest once we get to remuria, what even is the point?

the parallels between wrio and king remus are crystal clear. remus who descended upon meropis (a name very familiar to anyone who knows of the fortress of meropide) in his golden fortuna, the legendary ship of remus that is also called the bringer of civilization and glory (wrio who built a ship to deal with the misfortune upon fontaine) is an example of it.

wrio also has connections to hades with the cerberus motif as guardian of the underworld. it's curious that the tower in remuria is described not only as not built to receive heavenly oracles, serving as a guide to ships traveling between islands, but also as a border of reality and dreams. if this is not necessarily literal but a metaphor or allegory, it could fit very well with the idea of a portal between domains or realms, like life and death.

wriothesley also parallels another character in the genshin universe and that person is arlecchino. they were brought up as orphans, taken in by an institution with corrupted leaders, which they reformed and achieved a leading position of. and funnily enough, she has ties to purgatory (a place for punishment, much like the fortress). as i have said in another post, purgatory has been described by dante as a tower leading to heaven. but we also know that celestia in the genshin world is associated with the demon realm - archons being named after ars goetia, an anonymous grimoire on demonology. although the concepts aren't the same in theory, is it impossible that the game has used elements of both? wriothesley and arlecchino's themes are similar enough to overlap. even though i don't expect wriothesley to be lore revelant anymore, i do think his ties to remuria and his role as someone who punishes others for their sins, much like arlecchino, is very much purposeful.

i wish i could push through and beat XC1 because every single screenshot i see from it makes me lose it. It seems so up my alley, but i just don't like the gameplay all that much :(

There is so much nuance to the ep 6 scene between KJ and Lauren, I can’t get over it.

the motion older!KJ makes as they walk out, reaching for Lauren, realizing just in time that they are, in fact, in her hometown in Ohio and cutting short before she can land what was probably going to be an instinctive kiss

KJ coming in hot with the world’s most polite “hello!” and managing to make what must feel lightly like small talk for thirty seconds before dropping her voice to this shy, slightly-terrified question

the inability to hold eye contact. the faltering, wordless noises. the way she blinks like she’s seconds from just passing out in the middle of this theater--that is exactly how it feels to come out to someone for the first time. the edges of your vision go a little fuzzy, your heart is in your throat, you genuinely feel shaky, and all of that is so present in this performance

the sense of mild defeat in how she just lands on “movies” instead of “girls”, like she’s embarrassed she can’t just say it

the gentle ah hah expression on Lauren’s face as she realizes what this petrified kid is trying to ask her, and how smoothly she doesn’t correct her--just rolls with this safe code word

KJ’s nod and very tiny “uh-huh” without moving like any part of her face. like she’s reverting to standing as still as possible, protective coloring coming up in every inch of her frame

Lauren actually taking a minute to think about it before answering. and and then not giving the answer KJ asked for--”how did YOU know”--but what KJ actually needs to hear. what any kid in her position would: not everyone will get it, but everyone’s journey is their own, and there is no rush

(again, this is why I’m so delighted they wrote it the way they did--KJ and Lauren, not KJ and older!KJ, because older!KJ would have a definitive answer to give. it might be “I always knew, in the back of my mind” or it might be “when I was eighteen and kissed a girl for the first time”, but whatever the answer, it would cement KJ back into a box. this is your future, immutable, and there is no journey you could take that I haven’t already gone on. I’m so fucking glad they didn’t do this, that they let her have the reassurance that any timeline is the right one if it’s hers.)

again, that flutter-blink/quick breath combo that looks like she’s gonna pass out--but this time, there’s relief in it. it’s less “how do I say this Huge Thing” and more “oh thank god, she knows what I’m asking, she knows without me saying, and she’s being kind”

It is beautifully put together, such a gentle way of saying to this baby gay, “Nobody can tell you who you are except you, but whoever that winds up being is so okay. Listen to yourself. Trust yourself. You will be happy, I promise you.” It is a critical bit of advice so many queer people just don’t get, and to write it into KJ’s story is one of the show’s biggest kindnesses.

I have this scenario in my head where because Kell is such a dumbass there would have been a time (probably not long after he introduced Lila to Kay) where they were fucking, and she moaned out Kay because he was wearing the mask or they were roleplaying etc, but Kell forgot for a moment because Kay was so new and was like ‘I’M SORRY WHO????’

...