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frc-ambaradan · 20 days

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A long time ago in a... well... galaxy full of ducks and mice

Hello there!

How should we celebrate Star Wars Day? Uhm... what about a ride along some italian Disney "parodies" of Star Wars? And I use quotation marks 'cause, it'll probably surprise you but, as of today, there is no real Disney parody of Star Wars.

There are, though, many stories that draw inspiration from some elements of Lucas' saga, starting from "Topolino e la spada di ghiaccio" (1984) amazing fantasy saga by Massimo de Vita that has nothing to do with Star Wars but gives us the first Disney character whose design's been heavily inspired by Darth Vader: the evil Prince of Mists!

The nefarious Prince of Mists from "Topolino e la spada di ghiaccio".

Scattered throughout the years there are many other stories inspired by Star Wars from Silvia Ziche's Topokolossal (1997):

Mickey Skyrunner weilds his legendary catalytic baguette as he faces off Pietro Galactus.

up to "Paperoga eroe dello spazio" (2013) a splendid, touching story by Roberto Gagnor and Claudio Sciarrone that culminates in one of the best plot twists ever on Topolino's pages (this story is the dream of any Galactic Empire fan ❤️).

Easy, Gorgius "heir" to Behlpost's throne... who do you think you are? Luke Skywalker? (Spoiler: you're not).

You may call it Behlpost, but that's Naboo royal palace for sure... with imperial guards as it seems 😁 (or are they forerunners of Operation Cinder sentinels? 🤔).

The only story (well, saga actually) that comes the most close to a real parody is Giorgio Pezzin's "Topolino e i signori della Galassia" (1991) which draws heavily inspiration from Star Wars expecially in the second episode.

The main character of this story is Goofy, who finds out to have inherited special powers from some old relative. Powers that make him the only one able to help the Galactic Confederation in their struggles against robots named "the Metals" led by general Titanio who seeks to eradicate every biological life form from the galaxy.

Jeez, Titanio's soldiers may be robots but their aim is as bad as Stormtroopers'... 🤣🤣

That's definitely the Battle of Hoth.

I know for sure there are also Star Wars inspired stories starring Josè Carioca out there, and McGreals' "May the farce be with you" (2005), but, unfortunately, I never had the chance to read them 'cause they've never been published in Italy.

But today's biggest obstacle to a Star Wars parody is Disney's auto-censorship. Yes, 'cause there's a strict rule at Disney that forbids authors to write parodies of other Disney franchises... so any parody of Star Wars (and Marvel) it's a very loud no-no. Sad :'(

We do know, though, that there are at least three finished legit parodies that never saw the light of day. One by Francesco Artibani that was supposed to be published on Topolino and two made-in-Egmont drawn by Cavazzano and Freccero.

Of the latter we can appreciate a beautiful illustration and a single page thanks to Freccero sharing them online a few years ago:

Alas, unless Disney change their internal directives (and there's no way it's gonna happen anytime soon) we'll never get the chance to see these or any other Star Wars inspired story in the near future.

But we can sure appreciate the older ones and if you wanna indulge yourself in something different today... these are the stories you're looking for ;)

May the Force be with you!

(And LONG LIVE THE EMPIRE!!! 💪)

#may the 4th #star wars day #disney parodies #mickey mouse #donald duck #darth vader #info dumb #star wars #disney comics #italian disney comics #disney ducks #disney mice #giorgio pezzin #massimo de vita #roberto gagnor #claudio sciarrone #silvia ziche #andrea freccero #have a great day!

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patemi-pk · 10 months

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Nuovo episodio delle Altre $aghe, questa volta dedicato al mondo dei Topi.

#c'era una volta in america #disney #comics #disney comics #fumetti #topolino #mickey mouse #giorgio pezzin #massimo de vita

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okaystoptellingmetomakeanaccount · 1 month

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Man you know what i would really want. Kind of like a site that could compare all duck media (or hell, all disney media would be cool too) and how much people like them. Like put the ducktales finale against a barks 10 pager and see which one people prefer, which one has a higher score. If the entire top 100 would be dominated by comics or if a few animated things would slip in too.

And you cant like compare imdb scores to inducks scores because 1 inducks has a weird rating system, and 2 the people voting are completely different audiences. It’s never gonna be a fair logical comparison. But imagine if there was like a site where they had both and where everyone was equally fan of everything and then they would fairly vote i just want to knowww.

Ratings are cool, but cross media ratings are even cooler. How does episode 3 of the this duckburg life podcast/audioplay compare to Paperino skipper from Giorgio Pezzin. I need to know. Has chapter 5 of totem decapitato a higher rating than the first ever episode of dt87? Do people like the ducktales lost lamp movie more than the solving mysteries and rewriting history book? Has the first story of PKNA more historical significance to the fans than Donalds first ever appearance in general? Will they go as far as rate Evroniani higher than The wise little hen?

These ridiculous questions about things that are impossible to compare but I just want to because it’s fun i need that. Because Duck Avenger: Shadow of venus is completely different from: Mickey Mouse Clubhouse: mickey gets sick (or whatever i dont actually remember any episode titles) or Mickey Donald and Goofy go on a roadtrip (whatever that cartoon was with the trailer its a fun one) but they’re somehow also all the same ‘mickey and friends’ franchise. I just think it’s interesting and i will probably now not rest until these questions are answered oh help

How does the Scrooge McDuck and money cartoon compare to the kingdom hearts manga? Is Donald Duck going quackers better than episode 7 season 1 of darkwing duck? Is Donalds appearance in who framed roger rabbit better than his orange juice? Is the Toontown in Disneyland Epcot a better experience than The Dark Side from MMMM? Would you rather be stuck in a room for an hour with only a donald duck colouring book from the zeeman or disney crossy road? Do the fans like the donald duck clock more than an extremely goofy movie? Is the Scrooge McDuck boardgame a better experience than that Donald Duck’s birthday childrens book? Did people get more enjoyment out of Sora’s super smash bros ultimate trailer or the Daisy Duck lego brickhead?? IS THAT BOOTLEG DONALD DUCK UMBRELLA FROM CHINA I GOT AS A KID BETTER OR THIS YOUTUBE VIDEO I WATCHED YESTERDAY ABOUT MICKEY MOUSE COPYRIGHT??? (both those last two things did not happen to me im sorry)

going a bit far there but thats because the general idea without all of the insanity just seems so incredibly fun to me. Even the brickhead and trailer comparison. Yknow what who cares about unfair voting. Just compile all the normal unweighted inducks scores, all imdb and letterboxd and rotten tomatoes and whatever more exists ratings, amazon reviews, to videogame ratings that you always see on wikipedia and just put them all together and see what the result is and also implement the inducks ratings because its a very easy and handy rating system and let people rate on the site on too of that.

Okay no dont do that that would be stupid but like all the cartoons and comics and audio things and games and boardgames and books and maybe not boardgames but everything that is a story and see which stories people like the most i just think that would be so cool.

I dont think im making sense i think Im going to bed now lmfao.

#disney comics #mickey and friends #disney #donald duck #duckverse #disney duckverse #DO PEOPLE PREFER THAT REDDIT POST ABOUT DUCKTALES #OR #THE HIDDEN MICKEY I SAW IN MY BREAKFAST CEREAL

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corrierino · 5 months

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Prigionieri volentieri Giorgio Pezzin e Giorgio Cavazzano Tratto dal Giornalino nº 8 del 21 febbraio 1982. Oggi sul blog.

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no-white-dress · 4 months

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Winx comic artists masterpost

Here are the credits listed in each issue in my collection.

I will not be including the titles as I'm not familiar with their English translations and I don't want to cause any confusion.

"Pixies Tales" is the name of short comics featuring the Pixies as main characters, before the Pixie Mag was born.

Issue 10

Script by: Giorgio Pezzin

Pencils: Matteo Giachi

Ink and color: Studio Meditars

Cover: Michele Lilli, Francesco Morici, Tania Boccalini

Issue 19

Script by: Rainbow/Manuela Marinato

Pencils: Maria Abagnale, Gianluca Cerritelli, Pierdomenico Sirianni, Giuseppe Manunta

Ink: Barbara Apostolico, Alessandro Battan

Color: Pamela Brughera, Michele Bizzi, Carlo Sandri

Cover: Barbara Graziani (lineart), Pamela Brughera (coloring)

Issue 21 (courtesy of @/evdizav)

Script by: Rainbow/Manuela Marinato

Pencils: Laura Carboni

Ink: Barbara Apostolico, Adriana Farina, Arianna Florean

Color: Pamela Brughera, Michele Bizzi, Carlo Sandri

Cover: Barbara Graziani (lineart), Pamela Brughera (coloring)

Issue 22

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina

Ink: Alessandro Battan, Arianna Florean

Color: Antonella Cossu

Cover: Angela Mazzoni (lineart), Pamela Brughera (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Antonella Cossu

Issue 26

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina, Federico Panella, Maria Abagnale, Pierdomenico Sirianni

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Serena Paccagnini, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Antonella Cossu

Issue 27

Script by: Rainbow/Manuela Marinato

Pencils: Laura Carboni

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Serena Paccagnini, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Antonella Cossu

Issue 28

Script by: Rainbow/Manuela Marinato

Pencils: Pierdomenico Sirianni, Federico Panella

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Barbara Di Muzio

Color: Antonella Cossu

Issue 29

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina, Pierdomenico Sirianni, Maria Abagnale

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Daniele Magrelli

Pencils: Maria Abagnale

Ink: Alessandro Battan

Color: Antonella Cossu

Issue 30

Script by: Rainbow/Manuela Marinato

Pencils: Laura Carboni, Pierdomenico Sirianni, Maria Abagnale

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Alessandro Battan

Color: Antonella Cossu

Issue 31

Script by: Rainbow/Manuela Marinato

Pencils: Laura Carboni, Adriana Farina, Pierdomenico Sirianni, Maria Abagnale

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Alessandro Battan

Color: Antonella Cossu

Issue 32

Script by: Rainbow/Manuela Marinato

Pencils: Felix Saborido

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Antonella Cossu

Issue 33

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina, Pierdomenico Sirianni

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri, Fabio Piacentini

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Alessandro Battan

Color: Antonella Cossu

Issue 34

Script by: Rainbow/Manuela Marinato

Pencils: Felix Saborido, Arianna Rea

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Tommaso Renieri, Carlo Sandri, Fabio Piacentini

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Matilde Scargiali

Color: Antonella Cossu

Issue 35

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina, Pierdomenico Sirianni, Maria Abagnale

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri,Tommaso Renieri, Fabio Piacentini

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Tommaso Renieri

Pencils: Tommaso Renieri

Ink: Tommaso Renieri

Color: Tommaso Renieri

What happened that month that he had to do it all on his own? Was everyone on leave? Did half the office come down with the flu? Sorry this is funny to me, just WHAT happened here?

Issue 36

Script by: Rainbow/Manuela Marinato

Pencils: Anna Baldoso, Pierdomenico Sirianni, Arianna Rea

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini

Cover: Angela Mazzoni (lineart), Tommaso Renieri (coloring)

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Alessandro Battan

Color: Antonella Cossu

Issue 37

Script by: Rainbow/Manuela Marinato

Pencils: Felix Saborido

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini

Cover: Tommaso Renieri

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Fabio Piacentini

Issue 38

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina, Pierdomenico Sirianni

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini

Cover: Tommaso Renieri

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Barbara Bargiggia

Issue 39

Script by: Rainbow/Manuela Marinato

Pencils: Anna Baldoso, Matteo Giachi

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini

Cover: Laura Scarpa

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Martina Cecilia

Issue 40

Script by: Rainbow/Manuela Marinato

Pencils: Felix Saborido

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Tommaso Renieri, Fabio Piacentini

Cover: Tommaso Renieri

- Pixies Tales -

Script by: Laura Scarpa

Pencils: Maria Abagnale

Ink: Arianna Florean

Color: Martina Cecilia

Issue 41

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina

Ink: Alessandro Battan, Arianna Florean

Color: Michele Bizzi, Carlo Sandri, Giovanna Niro, Fabio Piacentini

Cover: Tommaso Renieri

Issue 42

Script by: Rainbow/Manuela Marinato

Pencils: Lucia Balletti

Ink: Alessandro Battan, Arianna Florean

Inside cover: Pierdomenico Sirianni, Alessandro Battan, Fabio Piacentini

Color: Michele Bizzi, Carlo Sandri, Giovanna Niro, Fabio Piacentini

Cover: Angela Mazzoni (lineart), Tommaso Renieri (ink and coloring)

Issue 43

Script by: Rainbow/Manuela Marinato

Pencils: Pierdomenico Sirianni

Ink: Alessandro Battan

Inside cover: Pierdomenico Sirianni, Alessandro Battan, Fabio Piacentini

Color: Michele Bizzi, Carlo Sandri

Cover: Angela Mazzoni (lineart), Tommaso Renieri (ink and coloring)

From here until issue 59 they just stop listing who did the outside cover, for some reason. At first I thought it was because issues 44, 45 and 46 have Secret of the Lost Kingdom models as covers, but that wasn’t the case.

Issue 44

Script by: Rainbow/Manuela Marinato

Pencils: Matteo Giachi

Ink: Alessandro Battan, Arianna Florean

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Martina Cecilia

Issue 45

Script by: Rainbow/Manuela Marinato

Pencils: Félix Saborido

Ink: Alessandro Battan, Arianna Florean

Inside cover: Pierdomenico Sirianni (pencils), Adriana Farina (ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro

Issue 46

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina

Ink: Alessandro Battan

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro

Issue 47

Script by: Rainbow/Manuela Marinato

Pencils: Lucia Balletti

Ink: Arianna Florean

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro

Issue 48

Script by: Rainbow/Manuela Marinato

Pencils: Matteo Giachi

Ink: Alessandro Battan

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro

Issue 49

Script by: Rainbow/Manuela Marinato

Pencils: Pierdomenico Sirianni

Ink: Arianna Florean

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini, Giovanna Niro

Issue 50

Script by: Rainbow/Manuela Marinato

Pencils: Félix Saborido

Ink: Alessandro Battan, Arianna Florean

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini

Issue 51

Script by: Rainbow/Manuela Marinato

Pencils: Adriana Farina

Ink: Alessandro Battan

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini

Issue 52

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini

Issue 53

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Matteo Giachi, Adriana Farina

Ink: Alessandro Battan, Arianna Florean, Adriana Farina

Inside cover: Adriana Farina (pencils and ink), Tommaso Renieri (coloring)

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Issue 54

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Arianna Florean

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Issue 55

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Pierdomenico Sirianni

Ink: Arianna Florean, Alessandro Battan

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Issue 56

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Inside cover: Arianna Florean (pencils and ink), Federico Fieni (coloring)

Color: Michele Bizzi, Carlo Sandri

Issue 57

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Arianna Florean

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Fabio Piacentini

Issue 58

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Adriana Farina

Ink: Alessandro Battan

Inside cover: Adriana Farina (pencils and ink), Fabio Piacentini (coloring)

Color: Michele Bizzi, Carlo Sandri

Issue 59

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Inside cover: Pierdomenico Sirianni (pencils), Arianna Florean (ink), Fabio Piacentini (coloring)

Color: Fabio Piacentini

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 60

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Pierdomenico Sirianni

Ink: Alessandro Battan

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 61

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Arianna Florean

Color: Fabio Piacentini

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 62

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 63

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Luca Bonessi

Ink: Mauro Masi, Fabio Piacentini, Alessandro Battan

Color: Fabio Piacentini

Inside cover: Pierdomenico Sirianni (pencils), Arianna Florean (ink), Fabio Piacentini (coloring)

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 64

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Arianna Florean (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Laura Scarpa (pencils), Tommaso Renieri (ink, coloring)

Issue 65

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Color: Fabio Piacentini

Inside cover: Arianna Florean (pencils and ink), Fabio Piacentini (coloring)

Outside cover: Laura Scarpa (pencils), Luciano Ruben (ink, coloring)

Issue 66

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Pierdomenico Sirianni

Ink: Alessandro Battan

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 67

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan

Color: Fabio Piacentini

Inside cover: Arianna Florean (pencils and ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 68

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 69

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Luca Bonessi

Ink: Arianna Florean, Alessandro Battan

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 70

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Rosa La Barbera

Ink: Arianna Florean, Alessandro Battan

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 71

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Arianna Florean (pencils and ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 72

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Arianna Florean, Doris Messina, Alessandro Battan, Luca Cicchitto

Color: Michele Bizzi, Carlo Sandri, Fabio Piacentini

Inside cover: Rosa La Barbera (pencils), Arianna Florean (ink), Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 73

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Pierdomenico Sirianni

Ink: Alessandro Battan

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)

Issue 74

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Rosa La Barbera, Lucia Balletti

Ink: Arianna Florean, Luca Cicchitti, Raffaella Seccia, Paolo Ferrante

Color: Michele Bizzi, Carlo Sandri

Inside cover: Rosa La Barbera (pencils), Paolo Ferrante (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)

Issue 75

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Luca Bonessi, Pierdomenico Sirianni

Ink: Alessandro Battan, Luca Cicchitti

Color: Fabio Piacentini

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)

Issue 76

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Paolo Ferrante

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)

Issue 77

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Alessandro Battan, Paolo Ferrante, Luca Cicchitti, Raffaella Seccia, Maria Abagnale

Color: Fabio Piacentini, Licia Bordi

Inside cover: Pierdomenico Sirianni (pencils), Maria Abagnale (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils), Federico Fieni (coloring)

Issue 78

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Rosa La Barbera, Pierdomenico Sirianni, Lucia Balletti

Ink: Alessandro Battan, Paolo Ferrante, Luca Cicchitti, Raffaella Seccia, Maria Abagnale

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Maria Abagnale (ink), Fabio Piacentini (coloring)

Outside cover: Tridimensional s.r.l, Pamela Guadagnini

Issue 79

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Maria Abagnale

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Tridimensional s.r.l., Pamela Guadagnini

Issue 80

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Lucia Balletti

Ink: Alessandro Battan, Paolo Ferrante, Luca Cicchitti, Maria Abagnale, Raffaella Seccia

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Tridimensional s.r.l, Pamela Guadagnini

Issue 81

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Luca Bonessi, Lucia Balletti

Ink: Alessandro Battan, Raffaella Seccia, Luca Cicchitti, Paolo Ferrante

Color: Fabio Piacentini, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 82

Script by: Rainbow/Manuela Marinato Pezzin

Pencils: Félix Saborido

Ink: Alessandro Battan, Paolo Ferrante, Raffaella Seccia

Color: Michele Bizzi, Carlo Sandri

Inside cover: Maria Abagnale (pencils and ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 83

Script by: Rainbow/Manuela Marinato Pezzin

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Maria Abagnale

Ink: Alessandro Battan, Raffaella Seccia

Color: Fabio Piacentini, Licia Bordi

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 84

Script by: Rainbow/Manuela Marinato Pezzin

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Lucia Balletti

Ink: Alessandro Battan, Raffaella Seccia

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 85

Script by: Rainbow/Manuela Marinato Pezzin

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Luca Bonessi

Ink: Alessandro Battan, Raffaella Seccia

Color: Fabio Piacentini, Licia Bordi, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Fabio Piacentini and Licia Bordi (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 86

Script by: Rainbow/Manuela Marinato Pezzin

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Maria Abagnale

Ink: Alessandro Battan, Raffaella Seccia

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 87

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Félix Saborido

Ink: Alessandro Battan, Raffaella Seccia

Color: Fabio Piacentini, Licia Bordi, Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 88

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Lucia Balletti

Ink: Alessandro Battan, Raffaella Seccia

Color: Michele Bizzi, Carlo Sandri

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Michele Bizzi and Carlo Sandri (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 89

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Maria Abagnale

Ink: Alessandro Battan, Raffaella Seccia

Color: Licia Bordi

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Licia Bordi (coloring)

Outside cover: Luciano Ruben (pencils and ink), Federico Fieni (coloring)

Issue 90

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis, Valentina Cambi

Pencils: Luca Bonessi, Pierdomenico Sirianni, Lucia Balletti

Ink: Alessandro Battan

Color: Licia Bordi, Fabio Piacentini

Inside cover: Pierdomenico Sirianni (pencils), Alessandro Battan (ink), Licia Bordi (coloring)

Outside cover: Paolo Maria Frattesi (pencils and ink), Alice Rossi (coloring)

Issue 91

Script by: Rainbow/Maurizio De Angelis

Pencils and ink: Red Whale/Federico Franzò

Color: Red Whale/Giorgia Arena

Outside cover: Red Whale/Federico Franzò (pencils and ink), Red Whale/Giorgia Arena (coloring)

Issue 92

Script by: Rainbow/Maurizio De Angelis

Pencils and ink: Red Whale/Alessia Martusciello

Color: Red Whale/Alberto Pizzetti

Outside cover: Alessia Martusciello (pencils and ink), Alberto Pizzetti (coloring)

Issue 93

Script by: Rainbow/Nicola Venanzetti

Script supervision: Rainbow/Maurizio De Angelis

Pencils: Red Whale/Giorgio Pontrelli, Roberta Tedeschi

Ink: Red Whale/Michela Frare

Color: Red Whale/Edwyn Nori

Outside cover: Red Whale/Roberta Tedeschi (pencils), Red Whale/Michela Frare (ink), Red Whale/Edwyn Nori (coloring)

Issue 94

Script by: Rainbow/Alessandro Bilotta

Pencils: Pierdomenico Sirianni

Ink: Alessandro Battan

Color: Licia Bordi, Arianna Florean

Outside cover: Red Whale/Roberta Tedeschi (pencils), Red Whale/Sonia Matrone (ink), Red Whale/Edwyn Nori (coloring)

Issue 95

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis

Pencils: Lucia Balletti

Ink: Alessandro Battan

Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini

Outside cover: Roberta Tedeschi (pencils), Sonia Matrone (ink), Edwyn Nori (coloring)

Issue 96

Script by: Rainbow/Alessandro Bilotta

Script support: Maurizio De Angelis

Pencils: Félix Saborido

Ink: Alessandro Battan

Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini

Outside cover: Roberta Tedeschi (pencils), Sonia Matrone (ink), Edwyn Nori (coloring)

Issue 97

Script by: Rainbow/Nicola Venanzetti

Script support: Maurizio De Angelis

Pencils: Lucia Balletti

Ink: Alessandro Battan

Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini

Outside cover: Roberta Tedeschi (pencils), Michela Frare (ink), Edwyn Nori (coloring)

Issue 98

Script by: Rainbow/Vincenzo Perrone

Script support: Maurizio De Angelis

Pencils: Lucia Balletti, Pierdomenico Sirianni

Ink: Alessandro Battan

Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini

Outside cover: Red Whale/Marcello DeMartino, Roberta Tedeschi (pencils), Red Whale/Sonia Matrone (ink), Red Whale/Alessandra Bracaglia (coloring)

Issue 99

Script by: Rainbow/Alessandro Bilotta

Script support: Fabrizio Vecchi

Pencils: Laura Carboni, Lucia Balletti

Ink: Alessandro Battan

Color: Arianna Florean, Azzurra Florean, Doris Messina, Eleonora Carlini

Outside cover: Red Whale/Rosa La Barbera (pencils and ink), Red Whale/Edwyn Nori (coloring)

Issue 100

Script by: Rainbow/Maurizio De Angelis

Pencils and ink: Red Whale/Marcello De Marino, Rosa La Barbera

Color: Red Whale/Edwyn Nori

Outside cover: Red Whale/Marcello De Marino, Rosa La Barbera (pencils and ink), Red Whale/Edwyn Nori (coloring)

#winx club #winx comics #long post #artist appreciation #you can reference this with or without credit idc #this is anthology work anyone could do #if you have og Italian issues that aren't listed please reach out to me so I can add them to the post #especially for the first issues

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afnews7 · 1 month

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Smalto e Jonny (Vol. 1) di Giorgio Pezzin e Giorgio Cavazzano

Giorgio Pezzin e Giorgio Cavazzano realizzarono per la rivista Il Mago la breve serie dei due imbranati truffatori Smalto & Jonny, presentata integralmente in questo albo. A completare il tutto altre due storie “libere” disegnate da Cavazzano e scritte da Rudy Salvagnini e un ricco apparato redazionale… Il libro è qui: https://amzn.to/3QgitbA

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calisotadreamin · 5 years

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The Electronic House (scanlation)

I did another scanlation.

Read it here on Imgur.

Paperino e la casa elettronica

Inducks code: I TL 1503-C

Script:Giorgio Pezzin

Art: Massimo De Vita

The plot is that Donald wins a house in a lottery. The house is the first “electronic house” and it is run by a computer, which does everything from opening doors to cooking food. It is paradise for Fethry and Donald who move in, but of course eventually goes wrong, with catastrophic results.

Translator’s notes

This is a fun, if not particularly deep story. Although you could read it as a warning against relying too much on technology. It is actually somewhat of a stock script, but it is executed with a lot more imagination than usual. The main attraction is the house itself and it is a cool sci-fi contraption of the kind that scriptwriter Giorgio Pezzin is so fond of writing about. I especially like the concept of the automatic kitchen that gives precisely the food you should eat in order to achieve your ideal weight. It’s both a tempting and terrifying idea.

And Massimo De Vita’s art is quite nice. The splash panels of the sun room is especially impressive. In all, a good and enjoyable story: But I admit that while translating it, I realized it is not as great as I remembered it being from my childhood. The translation is as usual derived both from the Swedish and German publications. The scans are from a 2004 German printing.

#duck comics #scanlations #donald duck #fethry duck #giorgio pezzin #massimo de vita

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spettriedemoni · 5 years

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TOPO-CULTURA

Decenni fa su Topolino 1538 una storia scritta da Giorgio Pezzin e disegnata da Massimo De Vita introduceva il concetto di Personal Computer.

“Zio Paperone e la rivoluzione tecnologica”, una storia che analizzava costi e benefici della rivoluzione informatica in modo talmente articolato da avere bisogno di essere divisa in due puntate.

La storia fu pubblicata a metà del 1983.

Per capire quanto gli Autori fossero “avanti”, il primo Macintosh di Apple uscì nel 1984, un anno dopo la pubblicazione di questa storia.

Pezzin nel 1983 aveva previsto il personal computer in ogni casa, la rete che ci interconnetterà tutti, l’utilizzo fraudolento dei dati personali, l’abitudine a rinchiudersi in casa senza interagire col mondo virtuale, aveva ipotizzato persino il telelavoro e gli imprenditori che lo incentivano.

Giorgio Pezzin all’epoca era un ingegnere, aveva un approccio logico alla tecnologia e sapeva prevedere gli effetti sociali di essa.

E c’è ancora chi indica Topolino come fosse “robetta”.

Invece era (ed è) uno strumento di Cultura.

A guardarli oggi, dopo 35 anni, anche i disegni di Massimo De Vita erano attualissimi, artisticamente perfetti, così come l’argomento trattato era “avanti” di decenni, proiettato verso il futuro, e analizzava il modus per applicare le potenzialità della tecnologia e anche le varie implicazioni e controindicazioni che oggi conosciamo bene.

Questa è cultura , divulgazione, stimolo intellettuale.

Quantomeno un tipo di cultura, ma sempre di quella si tratta.

Andrea Cascioli.

Puoi farla con i paperi o con il teatro, puoi farla disegnando topi o con il cinema, puoi farla con i cani o con la musica, dipingendo gatti o con l’insegnamento, ma se c’è una scintilla, un’analisi, una stimolazione intellettuale, se anche 35 anni dopo ti sembra attuale, è quella cosa bellissima, che non ti lascia mai solo, mai disarmato, che risplende di Arte e che si chiama Cultura.

#i fumetti sono una cosa seria #topolino #computer #leggete fumetti #Andrea Cascioli

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darrencrissaddicted · 4 years

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nunopds · 7 years

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Para o dia 3 de outubro, está planeada a distribuição da revista Tio Patinhas 3 nos pontos de venda de periódicos. Como a capa, da autoria de Stefano Intini, deixa antever, neste número é publicada uma banda desenhada da série A História de Arte do Mickey, desta vez protagonizada pelo Tio Patinhas.

A Fábrica de Andy Duckhol é dedicada a Andy Warhol, o mais célebre expoente da Pop Art. Escrita por Roberto Gagnor e desenhada por Stefano Zanchi, o leitor irá encontrar inúmeras referências à obra de Warhol, entre as quais a própria Fábrica do título (Warhol denominou assim o seu primeiro estúdio em Manhattan) – que realmente chegou a ter as suas paredes forradas a papel de alumínio e verniz prateado -, os balões prateados, a lata de sopa de tomate, a serigrafia e as cópias em série, as capas de discos, a utilização do vídeo e, obviamente, os seus retratos de pessoas e personagens famosos (desde a Rainha Elisabete II a Marilyn Monroe, de Mao Zedong a John Lennon, do próprio Warhol a Michael Jackson, sem esquecer o Mickey).

A segunda BD protagonizada pelo Tio Patinhas chega da Dinamarca. Questão de Segurança tem argumento de Terry LaBan e desenhos de Romano Scarpa.

O Prof. Pardal tem direito a uma BD curta e muda da autoria de Enrico Faccini, com o Peninha a contribuir para os momentos hilariantes da mesma. Por seu lado, o Professor Terror é apresentado aos leitores nacionais numa história dupla do Superpato, que poderá ser lida na íntegra nesta edição.

Numa revista repleta de patos, o convidado é o Mickey com uma BD muito especial. Tendo sido realizado o concurso “TopoMistery”, a sugestão vencedora para uma BD foi ganha por Enrica Mannari, cabendo a Tito Faraci convertê-la no argumento da BD O Mistério da Unicolor.

Clique nas imagens para as visualizar em toda a sua extensão:

Tio Patinhas #3 Autores: Comicup Studio, Enrico Faccini, Giorgio Pezzin, Roberto Gagnor, Romano Scarpa, Salvatore Deiana, Stefano Zanchi, Terry LaBan, Tito Faraci Editora: Goody Páginas: 132 PVP: 1,90€

nota: imagens cedidas pela editora.

[sc name=”banner_flex”]

Tio Patinhas 3 #disney #bandasdesenhadas Para o dia 3 de outubro, está planeada a distribuição da revista Tio Patinhas 3 nos pontos de venda de periódicos.

#Antevisão #Comicup Studio #Dinamarca #Disney #Enrico Faccini #Giorgio Pezzin #Goody #Itália #Roberto Gagnor #Romano Scarpa #Salvatore Deiana #Stefano Zanchi #Terry LaBan #Tio Patinhas #Tito Faraci #Uncle Scrooge

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frc-ambaradan · 2 years

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So, about Lusky...

In the latest Topolino issue there's a little exchange between Lusky and Rockerduck that I've found interesting:

John: Here's another one! John: The Old Miser's vans are infesting the city! Lusky: While our shops, on the other hand, are struggling!

John: We must counterattack! How's our Rocksells.duck coming along? Chief technician: Almost done, boss! We also have our AI! Zio Paperone e la P.A.I.: Paper Artificial Intelligence (2022)

Lusky refers to RK businesses as "our shops"... and John doesn't correct him.

Lusky's not new in taking these liberties, but Rockerduck would usually slam him back in his place, expecially in front of other people, yet he doesn't. Interesting 🤔. I mean, it's pretty obvious he says "our shops" 'cause he identify himself with the company, but its not like Rockerduck to let it slide.

Maybe I'm reading too much into it, but it made me think.

In fact, I often wonder if Lusky has some menagerial role in the Rockerduck Industries... I'm entering fan speculations here, 'cause there's no evidence of this in the stories, only hints. First one that comes to my mind comes from "Paperino, Zio Paperone e una questione di piume" when it's Lusky who takes helm of the Rockerduck Industries while John's being held hostage by the Beagle Boys.

In the story he basically takes that role upon himself during five minutes of delusions of omnipotence (XDDD), but he wouldn't have done that if he has not the right to do it. He gives the press conference and the journalists present have no problem in inquiring him about Rockerduck's kidnapping and what the company's next moves would be: pretty weird if you consider Lusky to be just the secretary 🤨

Lusky: Alas! Poor Mr. Rockerduck! Journalist 1: You fear there're gonna be serious consequences? Lusky: I'm afraid yes! That's why I announced this press conference with such short notice! Journalist 2: You wanna launch an appeal?

Lusky: Better! I intend to announce that as Mr. Rockerduck's closest collaborator I'm gonna take his place as the leader of his empire, starting from today! Paperino, Zio Paperone e una questione di piume (2010)

While Quackmore's role as Scrooge's butler is well established, Lusky's role is a bit cloudy. He is officially Rockerduck's secretary, but he takes up so many positions and tasks that makes it difficult to call him a simple secretary. He actually has a say in the Rockerduck Industries' management being John's closest collaborator and friend and the only one he listens to... and he's universally considered Rockerduck's projection: if John's not available you talk to Lusky.

I don't know... it makes me think Lusky might actually be Rockerduck Industries' COO or executive vicepresident, whatever it's called in the US.

What do you think? Do you remember other stories where it is hinted that Lusky may have a much bigger role in RK Industries?

#am i reading too much into this?#lusky's one of the most intriguing duck characters #we don't know much about him #and I'd love to learn more! :D #lusky #jeeves #john d. rockerduck #rockerduck and lusky's relationship #giorgio pezzin #alessandro perina #fausto vitaliano #corrado mastantuomo #topolino magazine #disney ducks #italian disney comics

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patemi-pk · 9 months

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Ho iniziato una rilettura delle saghe pezziniane, che considero un po' l'inizio di un certo modo di pensare la serialità in Disney.

Sono partito dai Signori della Galazzia, una via di mezzo fra delle storie lunghe collegate e una vera impostazione seriale, per poi passare a C'era una volta in America, un grande classico e, forse la migliore del lotto, per la sua compiutezza.

Ora, grazie a Ebay, ho recuperato anche la vecchia ristampa delle Cronache della Frontiera.

#disney #comics #disney comics #fumetti #topolino #cronache della frontiera #giorgio pezzin

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geekbroll · 6 years

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LTB 234 - Walt Disney's Funny Paperback 234 (Lustiges Taschenbuch) - The Hunt for the Swamp Monster (Die Jagd nach Dem Sumpfmonster) - 1997 Egmont 1) The Duck Avenger (Phantomias) - Secret in danger! (Geheimnis in Gefahr!) - 43 pages - by Giorgio Figus and Paolo Mottura 2) Mickey and Goofy - The Golden Monastery (Das goldene Kloster) - 41 pages - by Giorgio Pezzin and Alessia Martusciello 3) Donald Duck - The Dread-Cure (Die Schreckens-Kur) - 29 pages - by Tito Faraci and Anna Marabelli 4) Magica De Spell - The Wrong Witch (Die falsche Hexe) - 33 pages - by Bruno Concina and Fabio Celoni 5) Donald Duck - Silly Symphonies - Comic Strips from 1941 - 16 pages 6) Fethry Duck (“Dussel” Iger) - Holiday Fun 4 (Ferienspaß 4) - 1 page - by Enrico Faccini 7) Mickey and Goofy - Visit from the planet Dingdong (Besuch vom Planeten Dingdong) - 41 pages - by John Blair Moore and Antoni Bancell's Pujadas 8) Donald Duck and Gladstone Gander - The Hunt for the Swamp Monster (Die Jagd auf das Sumpfmonster) - 30 pages - by Carlo Panaro and Fabio Celoni 9) Goofy - Realistic Painting (Realistische Malerei) - 5 pages - by Moreno Chistè 10) Donald Duck and Gyro Gearloose - The Pirate from the Bottle Ship (Der Pirat aus dem Buddelschiff) - 26 pages - by Silvano Mezzavilla and Lara Molinari #fethryduck #donaldduckcomics #donaldduck #mickeymouse #goofy #ltb #ltb234 #unclescrooge #hueydeweylouie #magicadespell #minniemouse #daisyduck #disneycomics #germancomics #comics #egmont #lustigestaschenbuch #dusseliger #peninha #thedepthsofcousinfethry #ducktales #ducktalesreboot #ducktales2017 #disney #waltdisneycharacters #waltdisney (at Portland, Oregon) https://www.instagram.com/p/BqQaHP9hm7q/?utm_source=ig_tumblr_share&igshid=wlygxgx371vc