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little hand tugs on his clothes, young child grasping for his attention. only when he turned to face her did she hold up a little baby rat. "gaius ratticus." / copia from julia
@antiquelic / / random ask
"si, si bambina! -- it is a wonder that i get any blessed work done around here, with all of your, eh --" arm pulls inward, to peer over it at the tell-tale tug, on his red suit jacket. elbow bent, with a dramatic sway of his head & lean of his upper body. somewhat natural, & somewhat for the young girl's benefit. lip open, adorned by mustache & sharp angles pointed downward. making up a handsome, if not extended side-profile. routine, at this point - gloved fingers resting over each other on the same hand, over his sternum. [...] "-- oh..."
he sees the small rat in her palm, & his brows narrow in concern. fingers now rubbing together, like the legs of noisy crickets. turning eventually to fully face her, as the same wrist is able to roll in a stalling, gesticulatory manner. "caligula, ah?" he asks, wrist stilling before falling limp. proceeding his shortening himself to extend that same hand for the rat. "& what has gaius ratticus done to deserve such a.... dignified title?"
like,,, on one hand i should probably like,,,,Do Things but on the other,,,,,im trynna haul my life into a relatively intact & functional thing (aka find a job now im Done™ with uni)
i think i can be excused for only really having miranda muse rn
so like, as per, am open to gesticulatory explanations and hammering out a way for her to interact ( she has a modern verse as well as her canon age of sail verse and im willing to consider variations ), but y ea the poINT IS hmu im a mess and miranda is vaguely put-together
I realise I really do love to communicate
and only fear of misunderstanding and rejection makes me hesitate.
Whether written or spoken or gesticulatory
I love that they're means for me to express me.
//when you talk to God
keep one eye open, one eye closed.
let Her in, keep Her out.
carve your body with the trail Her fingers left
and make love to your partner at the right hour.
DON'T BLINK AND
you'll only ever see Her exist from the back
snake like a spine
and gesticulatory
muscles
contracting
shy
and
hungry//
‘ i swear it, i’m not kidding. ’ stumbling down the damrak, the girl waved her arms as she spoke in her usual gesticulatory fashion., red-slicked lips shaping into a wide grin. the street was as quiet as she could imagine it; that is, not at all, and between the strings of lights draped across bar awnings and the confused tourists disembarking the safety of the train, the vibrancy of the midnight streets never seemed to settle. ‘ i need STARS, jude. i couldn’t find the sticky ones, so i bought this wacky glow in the dark paint, and i am going to paint them myself when we get back. with your help, of course. ’ no was not an answer in the girl’s vocabulary. ‘ i’m starving, though; you fancy a pizza ? ’ // @kjudes
In this video I am experimenting with glitches, and noise using my found sounds. Using DAW systems to process live I time stretched and transposed my sounds. By using the computer track pad as an interactive instrument I was able to improvise experimenting with human feel within a highly computerised environment. During this process I thought about what I believed could make such an electronic and computerised sound appear to have a sense of life and humanised feel to it.
My reflection; the ‘slides’ on the track pad where a sense of release and the sudden ‘clicks’ on the keyboard were representative of the reaction to my own quick thought process during which is reminiscent of the sound of glitches within a process. The two physical responses would seem to be a contrast and literally gesticulatory of how humans may portray these feelings.