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#generous orthodoxy
kaurwreck · 3 months
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we all need to get a little more eastern orthodox about fyodor.
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torahtot · 1 year
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everyone daven for me i just got back from my brother's (yeshivish school) graduation and tomorrow night i have to go to Yeshivish Central for my cousins wedding
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communistkenobi · 1 year
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I’ve been thinking a lot about fandom recently, both as someone who has engaged with it regularly for over a decade on various platforms and also as someone who has increasingly become disenchanted with those spaces. Not only because of pervasive issues of (especially anti-Black) racism, misogyny, transphobia/homophobia, and the like, but the particular way those things take shape within fandom.
At the most basic level I think fandom has a fundamental methodological problem with the way it approaches texts, be they shows, books, movies, etc. What I mean is that people almost invariably approach fandom at the level of character, often at the level of ship - your primary way of viewing a text is filtered through favourite characters and favourite relationships, as opposed to, say, favourite scenes, favourite themes, favourite conflicts.
This is reinforced through the architecture of dominant platforms that host fan content, particularly AO3 - there are separate categories for fandom, character and ship, and everything else is lumped together in “Additional Tags.” You cannot, for example, filter for fics on AO3 by the category of “critical perspective” or “thematic exploration”. There is no dedicated space for fan authors to declare their analytical perspective on the text they are writing about. If an author declares these things, they do so individually, they must go out of their way to do so, because there are no dedicated or universally agreed-upon tags to indicate those things, and if your fanfiction has a lot of tags, that announcement of criticality gets mushed together in a sea of other tags, sharing the same space with tags like “fluff and angst” or “porn without plot.” Perhaps one of the few tags closest to approaching this is the tag “Dead Dove: Do Not Eat,” which doesn’t indicate perspective or theme but rather that there is, broadly, some kind of “problematic content” contained therein - often of a sexual nature, frequently as a warning about “bad” ships.
Now this is not an inherent problem, as in, it is not inherently incorrect to approach a text and primarily derive pleasure from it by focusing on a given character or relationship. And I think a lot of mainstream media encourages (even requires) audiences to engage with their stories at these character- and ship-levels. The political economy of the production of art (one which is capitalistic, one that seeks to generate comfort, titillation, controversy, nostalgia, or shock for the purposes of drawing in viewership, one that increasingly pursues social media metrics of “engagement” and “impressions”, one that allows for the Netflix model of making two-season shows before cancelling them, as well as a whole host of other things) enforces a particular narrative orthodoxy, one that heavily focuses on the individual interiority of specific characters, one that is deeply concerned with the maintenance of white bourgeois middle class values of property ownership, the nuclear family, normative heterosexual sexuality and gender, settler-colonial ideas about community and environment, etc. If you do not care about the familial drama surrounding Shauna cheating on her husband in Yellowjackets, for example, because you think the institution of monogamous marriage and the nuclear family is stupid and violent and heternormative, then you will have a difficult time engaging with the show in general. We exist within a deeply normative (and frequently reactionary) media environment that encourages us to approach art in a particular way, one that privileges the individual over other narrative components (settings, themes, conflicts, ideas, political and moral perspectives, structure, tone, etc).
All of which culminates in priming fans to engage with art at these levels and these levels alone, even when that scope is deeply inappropriate. A standout example I recently encountered was browsing the fandom tags on tumblr for the movie Prey - a movie that recontextualises the original Predator film by setting it in colonial America to make the argument that the horrific violence of white colonists and imperial soldiers is identical to the violence we see the Predator do to human beings. It is a movie that makes the argument that, despite this alien monster running around killing people, the villains of the franchise are these occupying soldiers and settlers, an alien force who themselves have just as little regard for (indigenous) human life.
And when browsing the tags on tumblr, what I found was dozens upon dozens of horny posts about how hot the predator monster was. Certainly there were discussion of the film’s narrative, and these posts got a good amount of notes, but the tags were heavily dominated with a focus on the Predator itself. People were engaging with this film not as a solid action movie with interesting and compelling anti-colonial themes, but as a way to be horny about a creature that is, ironically, a stand-in for white settler indifference to (and perpetuation of) indigenous suffering. And if this is your takeaway from an extremely straightforward film with a very clear message, this is not merely a failure to comprehend the content of a text, this is something beyond it - a problem that I think is due in part to the methodological problem of approaching all texts as vessels for bourgeois interiority, individual but ultimately interchangeable expressions of sexuality, perhaps best-expressed by the term “roving slash fandom,” a phenomenon wherein fans will move from one fandom to the next in search of two (usually white, usually skinny) guys to draw and write porn of, uncaring of any of the surrounding context of the stories they are embedded in, and consequently dominating a large sector of fandom discussion.
This even gets expressed in the primary ideological battleground of fandom itself, the ridiculous partitioning of all fan conflict into “pro-“ and “anti-“ shipping compartments. Your stance on engagement with fandom itself historically was (and still is) always first filtered through one of these two labels, describing your fundamental perspective on all texts you engage with. And both of these two labels are only concerned with shipping, as if all disagreements about art can only be interpreted through the lens of what characters you think are acceptable to draw or write having sex. Nowhere in this binary is space to describe any other perspective you might take, what approaches you think are valuable when interacting with art, what themes or stories you think are worth exploring. It’s not just that the pro/anti divide is juvenile and overly-simplistic, it is a declaration that all fan conflict must be read through the lens of shipping and shipping only - the implication being that any objections raised, and criticisms offered, is ultimately just bitching about ships you don’t like.
Which, again, I think is a fundamental error of methodology. It leaves no space for people to discuss the political and moral content of a work, the themes of a piece of art, the thorny issues of representation not just as expressed through individual characters but entire worlds, narratives, settings, and themes. You are always hopelessly stuck in the quagmire of “shipping discourse,” and even rejecting that framework will inevitably get you labelled as either pro- or anti-ship anyway - and you will almost invariably be labelled an “anti” if you express any kind of distaste for the bigoted behaviour of fans or the content of the text itself, again reinforcing the idea that this is all just pointless whining online about icky ships you personally hate.
And this issue is best perhaps epitomised by reader insert fanfiction, circumventing any need for you to project onto a character by literally inserting yourself into fiction, primarily in order to write/read about a character you want to fuck. This then intersects in particularly disgusting ways with real world politics, such as reader insert fics about Pedro Pascal going with you to BLM protests. Even if this is (incredibly over-generously) interpreted as a very poor attempt at being “progressive,” it still demonstrates that many (white) fans are often incapable of thinking about anything outside of a character-centric perspective, quite literally centring themselves in the process, and consequently they think it’s totally appropriate to do things like that. The fact that this is also frequently a racist lens is not coincidental, because again, a chronic focus on (fictional) individuality prohibits any structural perspective from entering the discussion, which necessarily excludes a coherent or useful perspective on systemic issues, where people come to the conclusion that the topic of police brutality is little more than a fun stage to enact whatever romantic shenanigans you want to get up to with a hot guy.
I will stress, again, that it is not a moral sin to have a favourite character, nor is it bad to enjoy reading about two guys having sex in fanfiction. I enjoy and do those things, I engage with fandom often through a character-centric lens (see my url) - because it’s fun! But I think that this being the dominant mode of engagement inherently excludes and marginalises all other approaches, and creates a fandom space where the most valuable way to talk about media is to discuss which two characters you most enjoy imagining fucking each other
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anyroads · 8 months
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I know I'm writing this right as shabbat is coming in and tbh I'm fine with that. I'm so tired of Jews saying that if they don't keep shabbat or practice Judaism in an orthodox way they're "bad jews" or "not observant." Um, no, that's not true. That's now how it works.
Reform Jews who use electricity on Shabbat are just as observant. Because Reform rabbis did the same work of Torah law interpretation, and came up with a different answer than orthodox Jews, but using the same process and approach to reading the text. They didn't go, "this is inconvenient so we're just not gonna do it." They said, "where orthodoxy sees electricity as something that may create a spark and therefore violates the melachot around making fire, we see it as a current, like water flowing, and just as it is permitted to use a faucet on Shabbat, so is flipping an electric switch."
If you choose to not be observant because it's not for you, that's fine. But orthodoxy is not the only way to be observant of Jewish practice. There's no line of what makes you observant and what doesn't, and that doesn't just go for Shabbat but it's the easiest example to illustrate my point. The Torah just says, "observe the Shabbat." That's it. If you look around on Friday night and go, "oh hey it's Shabbat, huh?" then tell me how that isn't observing the Shabbat? If you light candles and make kiddush and then go out to a movie, haven't you observed it? The Rabbis in the Babylonian era interpreted what Jewish practice looks like in a diaspora without the cultural/religious structure around a central temple, but that has been re-interpreted in every generation since and continues to be.
The real question is, are you making informed choices about your practice or are you just doing what works for you? Which is also fine, by the way. The thing that bothers me is when people think that only orthodox Jewish practices are "real" or legitimate. An orthodox friend of mine once started shit talking Reform Jews to me (why???) and how they aren't observant like she is. So I asked her if she tears her toilet paper on Shabbat and she said yes, of course. I pointed out that there are a lot of charedi Jews who would consider that a blatant violation of Shabbat and that, in their eyes, she wouldn't be considered shomer Shabbat. It's all a spectrum, there's no ONE right way.
My favorite Midrash is that the Temple had 13 entrances - one for each of the 12 tribes, and one for those who weren't sure which one they belonged to/didn't belong to any of them. Judaism is such an inherently pluralistic ethnoreligion, please stop buying into the brainrot bullshit that only charedim can do it correctly.
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apenitentialprayer · 1 month
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why do anglicans still exist like their entire church is built on the fact that some guy wanted a male heir. or do anglicans believe that this isn't rly why their church came about
Okay, I do love clowning on my Anglican friends, but there are a few angles (da dum tss) that we can look at in terms of why the Anglican Church is a distinctive tradition.
Theologically, the Anglican Church might have started off as "Catholic without the Pope," so to speak; the Anglican Church was essentially Gallican in nature, meaning that the head of the church wasn't the seniormost bishop, but the head of the state. But even if it started off simply being in schism with the Roman Church, it didn't take very long before Reformed theology started entering the Church through the efforts of Anne Bolelyn, Thomas Cromwell, and especially Edward VI. There were preceding documents, but the Thirty-Nine articles passed by Queen Elizabeth I in 1571 helped to solidify a distinctively Anglican identity.
But it's a little more than that, too, because in addition to this Protestantization of the Anglican Church, there have also been movements within to.... "Latinize" might be the wrong word, but to bring back some traditional Catholic elements. We see this, for example, in the Oxford movement of the 1830s; many of its members would end up converting to Catholicism or Eastern Orthodoxy, but those who remained behind started the Anglo-Catholic movement which still has a strong presence. (My girlfriend goes to an Anglo-Catholic parish, and our city has at least three other ones).
This kind of dual accommodation of Reformed and Catholic theological ideas has created a unique situation for the Anglican Church; Bishop J. Neil Alexander tries to articulate this by distinguishing the Anglican Church as a "pragmatic church," in contradistinction with "confessional churches" (Catholic & Lutheran, which focus on creeds and councils) and "experiential churches" (Baptist and other groups whose memberships require a born-again moment):
What, then, does it mean to be pragmatic? It means that within the generous capacity of the Episcopal [American Anglican] Church, we do not always agree on matters of biblical interpretation or theological definition. It means that we have all gotten here by way of hundreds of different and often unique experiences of God's presence in our lives. It means that those things which other churches depend to hold themselves together will never be a central feature of our common life. We find our life together driven by our willingness to stand together at the table of God's gracious hospitality. […] That, I believe, is the pragmatism at the heart of what it means to be an Episcopalian. We are a variegated tapestry of theology and experience, and we are all the richer for it. But no level of theological agreement or experiential commonality will ever be the basis on which Episcopalians will live together well. What is possible is that we will be pragmatic —we will keep our differences in perspective— and we will recognize that ultimately nothing will divide those who are willing to stand together before God's altar to sing, to pray, and to receive the gift of God's eternity.
Now, this is a very fascinating situation, because it means that the Anglican Church has a lot of diversity in religious thought and doctrinal opinion. On an official level, that means you will have bishops aligning with different theological orientations working side by side — and, in theory, the office of Archbishop of Canterbury is supposed to alternate between Anglo-Catholic and Evangelical holders. On a more personal level, I have found that the Episcopal clergy who I interact with have varying spiritualities and theologies; one priest I know has Catholic sympathies that are so strong that he was referred to as "the Papist" in seminary, while another clergymember I know doesn't think Confession is necessary and is ambivalent about her parish's practice of Eucharistic Adoration. And they work at the same church.
Liturgically, they are also distinctive. The current bedrock of Anglican prayer is the 1662 Book of Common Prayer, which is clearly inspired by Benedictine spirituality, but with continuing liturgical revision and innovation that kind of fits with the 'pragmatic church' mindset explained above. Some Anglican parishes even preserve pre-Tridentine traditions (remember, they split before the Council of Trent), like the Sarum Use.
The Anglican Church has had a developing liturgical patrimony for the past five centuries; one of the reasons why the Catholic Church created the Anglican Ordinariate was because it recognized that fact, and wanted former members of the Anglican Church to be able to preserve their traditions even after re-entering communion with Rome.
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So, like, the Anglican Church may have started off as a more-or-less Catholic particular church that was in schism with Rome, a schism orchestrated by a king who wanted fuller control over the Church in his country, but the Anglican Church has had five centuries of development. And, as much as I like to clown on my Anglican friends, I can definitely see why the Anglican communion has a deep appeal.
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transmutationisms · 3 months
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Feel free not to answer this ask so you dont have to step into this particular hornet's nest but do you have any thoughts about people sharing inaccurate science about COVID in order to push for more COVID regulations? I agree that COVID is being neglected and we need better policies but I'm also a biochemist so it pisses me off to see people cite research in a way that makes exaggerated and terrifying claims. Two years ago, I was warning my colleagues against this condescending "just trust the science" approach but now the same crowd pushing that has shifted to pushing "don't trust any of the positive science, only my catastrophic interpretations of it". Can't we mask without also trying to convince each other that COVID is a guaranteed one way ticket to death and permanent disability?
you must be new here haha i swing bats at this hornet's nest like once a month. yeah i think the current state of covid communication sucks a lot. i mean the truth is that "follow the science" is always a disingenuous sentiment; Science doesn't speak, and scientists disagree with one another. and it's naïve to pretend majority consensus is a reliable mechanism to identify truth—anyone who has followed the covid aerosolisation about-face will recall that although linsey marr was not the first researcher to challenge medical orthodoxy on airborne disease transmission, even well into the covid pandemic the idea of aerosol transmission was marginalised by global health authorities because it was politically inconvenient, out of favour with powerful established academics, and reminiscent to some of pre-pasteurian miasma theories of disease. those who would "follow the science" were not presented with a convenient dichotomy between reasonable evidence-backed expert consensus and fringe peddlers of heterodoxy; to evaluate these positions required actually, yknow, reading and evaluating the arguments and evidence from multiple competing positions, and deciding which had the greater explanatory power. which is good epistemological advice only insofar as it's so obvious as to be trite.
fundamentally a huge driving force of this situation is the social, political, and institutional forces that make expert knowledge (a generally good thing) all too often synonymous with inaccessible knowledge. i don't mean inaccessibility caused by knowledge being specialised; obviously this is inevitable to some extent simply as a result of the fact that no one person will grasp the entirety of human knowledge. but the fact that knowledge is specialised, specific, highly technical, and so forth doesn't automatically mean, for example, that it has to be monetarily gatekept from all but a select few with the resources to persevere through a highly punishing, nepotistic, hegemonic university system; this is a political problem, and one that additionally has the effect of enabling and sheltering low-quality work (see: replication crisis) behind the opaque walls of university bureaucracy and the imprimateur of the credentials it grants. in lieu of an ability to actually engage with, read, or challenge much of the academic research being generated on any given topic, the lay public is supposed to rely on signs of reliability like possession of a degree, or institutional reputation. what we in fact see again and again, and with particularly high stakes in the case of something like a pandemic, is that these measures are instruments of class stratification and professional jockeying that don't inherently ensure quality information: MDs can and do peddle anti-vaxx lies and covid / long-covid denialism; the CDC and WHO can and do perpetrate bad and outdated scientific advice, like that masks are unnecessary and isolation periods can be shortened for convenience. many of these are just blatant cases of kowtowing to political pressure, which arises from the capitalist logic that counterposes disease prevention to economic growth.
this all leaves us in a position where it is, in fact, smart and correct to evaluate the information coming from 'official' and credentialled sources with scepticism. the problem is that in its place, we get information coming out of the same capitalist state-sponsored scientific institutions, and the same colonialist universities; the idea that some chucklefuck on twitter is telling you the secret truth just because they correctly identified that the government sucks is plainly absurd. where covid specifically is concerned, the liberalism of academic and scientific institutions is on display in numerous ways, including the idealist assumption, which many 'covid communicators' make, that public health policy is primarily a matter of swaying public opinion, and therefore that it is always morally imperative to form and propagate the most alarmist possible interpretation of any study or empirical observation. this is not an attitude that encourages thoughtful or measured evaluation of The Science (eg, study methodology), nor is it one that actually produces the kind of political change that would be required to protect the populace writ large from what is, indeed, a dangerous and still rampant virus. instead, this form of communication mostly winds up generating social media Engagement and screenshots of headlines of summaries of studies.
meanwhile, actual public health policy (which is by and large determined at the mercy of capitalist state interests, and which by and large shapes public opinion of what mitigation measures are 'reasonable', despite the CDC repeatedly pretending this works the other way round), remains on its trajectory toward lax, open exposure of anyone and everyone to each new strain of covid, perpetuating a society that is profoundly hostile to disabled people and careless with everyone's life and health. this fucking sucks. it sucked that we have treated the flu like this for years, and it sucks that we are now doing it with a virus that we are still relatively immunologically naïve to, and that produces, statistically, even more death and disability than the flu. and it sucks that the predominating explanations of this state of affairs from the 'cautious' emphasise not the structural forces that shape knowledge production under capitalism, but instead invoke a psychological narrative whereby individuals simply need to be sufficiently terrified into producing mass action.
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skaldish · 1 year
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What is Norse Heathenry?
Norse Heathenry is a contemporary pagan spirituality derived from the beliefs, customs, superstitions, and folklore of the pre-Christian Norse people. It is one of a few different kinds of Heathenries, which include Slavic Heathenry and Teutonic (Germanic) Heathenry.
The word "heathen" means "of the heaths." However, it's not a word the Old norse people themselves used. They didn't have a word for their spiritual belief system, as they didn't distinguish this from all other aspects of their lives. Rather, "Heathen" was coined by Christian writers to refer to Scandinavian pagans (this is also why it's sometimes used interchangeably with the word "heretic").
Nowadays, Norse Heathenry is referred to by many names, which reflects different developing iterations of it. Amongst these names are Norse Paganism, Asatru, and Forn Sidr / Forn Sed.
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Where does Norse Heathenry come from?
Norse Heathenry comes from the Nordic countries of Europe: Norway, Sweden, Denmark, Iceland, and the Faroe Islands. These places are also known as the homelands of the vikings. But despite their shared origins, Norse Heathenry is not the religion of the vikings. This very large misconception has a very long, complex history behind it, owed to a combination of commercialization and fascist tampering. The Heathenry we see in America is extremely muddied from these influences. Fortunately, we now have the means to disambiguate it, thanks to increasingly accessible cultural exchange.
The following explanation is a product of ongoing anthropological, theological, and cultural research, in combination with what we know about the historical.
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Norse Heathen Beliefs
Unlike organized religions, Norse Heathenry is (and has always been) a decentralized belief system. This means it has no universal doctrines, no orthopraxy or orthodoxy, no holy texts, and no religious figurehead governing it. When you hear people say "There's no 'right' way to practice Heathenry," this is generally what they're referring to.
However, Norse Heathenry does have a distinct way of thinking about and viewing the world, and it's very different from what we usually see here in the US. If you're feeling stuck trying to figure out how to "do Heathenry," this would be why.
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Animism
A staple of Norse Heathen epistemology is Animism.
Usually, Animism is defined as the belief that all things have a spirit or vital essence to them. But this is only one definition of many, and not the definition that applies here.
The Norse concept of Animism is "the awareness that all things are part of an interdependent ecosystem." This changes how we engage with everything around us. We understand that when we interact with the forces of this world, they will interact back on their own merit. Our relationship with all things is a social one, and we're not spectators in our environment, but active participants at all times.
This stands is stark contrast to the way the USAmericans typically view the world: As a landscape to either test or be tested by, with the forces of the world acting as the means through which this is done.
Additionally, there's no separation between the sacred and the profane.
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Immanence
Faiths that focus on spiritual ascension, enlightenment, or attaining a good afterlife are known as transcendent faiths.
While Norse Heathenry has some transcendent elements, it's ultimately an immanent belief system, which means its focus is on living life for the sake of living, as opposed to living life to receive a good afterlife. A good afterlife is already guaranteed.
(Some Heathens may strive for a specific kind of afterlife, however, which do have certain conditions for accessing. But these are elective rather than required, and different as opposed to superior. It's all a matter of preference, at the end of the day.)
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The Norse Gods
Many people are already familiar with the Norse gods, such as Thor, Odin, Loki, and Freyja, but not many people are familiar with how they operate as gods.
In Hellenism and Religio Romano, the gods are divine lords who preside over different domains of society. It's a reflection of what the ancient Greeks and Romans highly valued in their civilizations: Law and political/civic involvement.
In Norse Heathenry, however, gods don't operate in a lordship capacity. Instead, they're more like celebrities in that they're celebrated figures everyone knows about.
While they don't rule over one thing or another, the Norse gods often act as allegorical representations of worldly phenomena. Thor is to thunderstorms as Loki is to "random-chance odds." SIf is to wheat-fields as Odin is to the old wandering beggar. Frey and Freyja represent masculine and feminine principles, Skadi the driven snow and foggy winter, and so on. The gods exist as worldly experiences inasmuch as they exist as ideas.
Lastly, but importantly, the Norse gods don't distribute rewards or punishments in accordance with on one's actions or deeds, nor do they tell us how we ought to live our lives. The way they interact with us depends on our individual relationships with them, which can be just as diverse as the ones we have with each other.
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Myths & Folklore
What people often refer to as the "Norse Myths" are stories found in two old Icelandic texts called the Prose Edda and the Poetic Edda. These texts are special because they're the oldest and largest collection of tales featuring the Norse deities.
However, these texts represent just one region's period-specific interpretation of Norse folklore. They also only represent a fraction of the tales that still circulate within Nordic oral traditions, so not only are they not "canon" in the usual sense of the word, they're also just a sample.
This is all to say that Norse Heathenry doesn't have a hard body of mythology. It certainly has a defined one, but its definition is built from local legends, fairy tale humor, songs, customs, superstitions, and family folklore in addition to what survives on runestones and parchment. The corpus of Heathenry is very much a living, breathing thing.
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Spirits
Norse Heathenry recognizes a wide variety of different beings, the likes of which can be found all around us. Some of these beings are like how we typically imagine spirits, in that they're incorporeal or otherwordly, while others are physical but may play tricks on you so you can't see them.
Like many things pertaining to Heathenry, there isn't a universally-shared classification system for Norse beings. But generally-speaking, beings are defined by their natures and the manner in which they relate to the rest of the world, rather than their morphology. For example, Trolls can take the appearance of rocks, trees, and also living people, but they can also be incorporeal spirits. This is all, however, the same kind of Troll, rather than being different types of trolls.
This is also why the lines between "spirit", "god," and "ancestor" can become very blurry at times. In English use, these are all typically labeled under the category "vaetter." Sometimes "wight" is used to refer to spirits of various types, but isn't often used to refer to gods.
Typically, the way people interact with spirits entirely depends on what kind of spirit they're dealing with, as well as their disposition towards human beings. Some spirits may enjoy a personal relationship, while others are best when left unbothered.
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Values & Morality
Because Norse Heathenry has no doctrine and is immanent in nature, it has no fixed value system. Just like the stories were decentralized, so were the Norse people's values.
This is a feature as opposed to a flaw, and a fact as opposed to a theory. But it also has a habit of making Americans very uncomfortable.
For this reason, Heathens sometimes choose to construct their own value system to observe as part of their practice. But what those values are is up to each individual, and individual community, if applicable.
Anyone claiming Norse Heathenry has a universal value system is either new to Heathenry, or selling something.
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Veneration
Heathen veneration is not just limited to gods, but also includes ancestors and even certain kinds of spirits, such as nisse/tomte.
Like most things in Norse Heathenry, what, who, and how a Heathen chooses to venerate is their choice to make. One popular observance across the globe is to craft altars, shrines, or similar sacred spaces for the entities one venerates. If a Heathen lives in a house that has a nisse (similar to a gnome), they might leave porridge (with butter) by the hearth for him, and he'll in turn bless the house with good luck and fortune.
Oftentimes, relationships with entities are very interpersonal. Heathenry's animistic and immanent nature means entities are rarely cold and distant, including the gods.
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Misconceptions!
A list of misconceptions off the top of my head:
The practice known as 'Odinism' is an invention of the Germanic Volkish movement, which was the social precursor to Nazi Germany. This is also, unfortunately, the first kind of "heathenry" to be brought to the US, back in the 1970's. It was spread through the country via one of the fastest-moving networks at the time: The US prison system.
The Black Sun is a Nazi symbol, not a Heathen one.
No, Norse Heathenry is not a closed practice.
No, you don't have to have Scandinavian heritage to practice Norse Heathenry. Blood quantum is not a thing.
The rune alphabets are old, but the method of runecasting is new.
So is the use of magical bindrunes.
Bindrunes are also different from Galdrastafir. The latter is actually a form of Jewish-Christian-Norse syncretism and needs to be taught orally since it's a mystery tradition. You can still slap the Helm of Awe on things and look cool about it though.
Norse Heathenry is not the same as being a viking, and Norse Heathens are not vikings. However, some Heathens partake in viking reenactment as an extension of their practice.
There's no good or bad gods in Norse Heathenry. All the gods are capable of great good and great bad, just like people. They're fallible, and that's what makes them relatable.
Odin and Loki aren't at odds with one another.
You don't need to wait for a god to pick you to start venerating them.
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If you're interested in learning more about any of these in-depth, check out the website I've built on Norse Heathenry, located in my pinned post!
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spriteofmushrooms · 1 month
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As Nie Huaisang poured their tea, Jiang Cheng rubbed his thumb against the carved wooden box in his lap and tried not to fret over what the other man was thinking. He knew what he looked like: the white streak at his temple announced it all. Jiang Cheng's cultivation was failing, and with the discussion conference tomorrow, it would be impossible to hide. Not even the reputation of Sandu Shengshou could shield him from being known now.
"Jiang-xiong, if you brought me a present, you have to give it to me," Nie Huaisang said behind his fan. His eyes seemed amused, at least, maybe.
"I know that," Jiang Cheng said, flustered and annoyed for being so. He placed it on the table between them.
Nie Huaisang tapped his hand with the closed fan where he hadn't yet pulled it away, and Jiang Cheng snatched it back to his lap. "It's a beautiful box, Jiang-xiong, but you can't keep it, either!"
"We're supposed to drink tea first," Jiang Cheng groused as Nie Huaisang's dainty fingers opened the lid.
"No, I distinctly recall the Gusu edict that states gifts are more important than anything," Nie Huaisang said. "If it's on their wall, you know it's orthodoxy itself. Oh, what are these?"
In his hands, the brilliant pressed ink cakes were even more beautiful. He was holding the azure bird, and his skin glowed against it. "One of the painters in Lotus Cove has... eccentric ideas. She's been experimenting with pigment and ash combinations. These are her more stable creations, but even then, they're not as permanent as standard ink. But, well." Jiang Cheng pulled a small book out of his sleeve and handed it over. "Here."
Nie Huaisang pulled his bottom lip into his mouth, darted a glance at Jiang Cheng's face, and then set the ink cake back into the box. "I don't have enough hands," he whined, but he took the book graciously. Page by page, his expression grew sharper; a slight flush brightened his cheeks. "A generous gift, Jiang-xiong."
Jiang Cheng swallowed. "She said the pink is especially fleeting, so you shouldn't hang anything with it in direct sunlight," he said gruffly. "Some of them have inclusions that make them act unpredictably in water. It's... You'll have to work with them a lot. To know how they'll perform."
"This kingfisher shimmers with true to life colors," Nie Huaisang murmured. After a moment of silence, he said, "I haven't painted in a long time."
"I know," Jiang Cheng said miserably. At the other's look, he added, "The fans from the last few years weren't your style."
Instantly, Nie Huaisang's fan was between them again. Jiang Cheng looked away, neck hot.
After a tense silence, Nie Huaisang said, "Jiang-xiong, would you tell me if something was wrong?"
"You know something is."
"Can something be done?" Nie Huaisang paused. "Gusu healers, perhaps?"
Jiang Cheng scoffed. "What Lan would help me? Hanguang-jun has never hidden his disdain for me, and Zewu-jun seems determined to live on darkness and silence forever. The Lans who would graciously ignore the feelings of one can't forgive me for being associated with Jin Guangyao and Guanyin Temple, for not noticing a-Ling's xiao-shushu was a treacherous minx who had beguiled the First Jade and would hurt his precious feelings later. As if I've ever picked up on anything like that before."
"How is Jin-zongzhu?" It was hard to read Nie Huaisang's tone, but that wasn't new.
Jiang Cheng fiddled with Zidian, tugging the chain. "He has his friends, his duties, and his shibo."
"Not his jiujiu?"
"You know how Wei Wuxian is," Jiang Cheng said.
Another pause. "I suppose I do." Nie Huaisang picked up and repositioned ink cakes for a moment before asking, "Does he know?"
"Unless the Jin spies defected, yes."
Nie Huaisang rapped his knuckles with the fan, and Jiang Cheng looked up at him. "He should have heard it from you."
"You don't get to tell me how to die," Jiang Cheng snapped.
Nie Huaisang looked bored. "Oh? Then why are you here?"
"This is why tea is supposed to be drunk first," Jiang Cheng said peevishly. "The entire pot is cold now."
Nie Huaisang draped himself over the couch and fanned himself. "You're a thorough person, Jiang-xiong. You must have an heir to announce tomorrow; likely, one of your usual retinue to these things. Not your head disciple, for as dear as that boy is, he doesn't have the head for politics, and politics and reputation have kept YunmengJiang safe. Chen Helin?" At Jiang Cheng's sharp look, he added, "I pay attention to you, too, Jiang-xiong."
"If you know everything, why ask?"
"No one can know everything," Nie Huaisang said gently. "I very often know nothing and must hope for the best. QingheNie hasn't fallen yet, which suggests even caged birds in pavilions aren't always prey." He looked at the box. "You want me to paint again. Why now?"
"After," Jiang Cheng started. He wasn't used to seeing Nie Huaisang's entire face. He wasn't used to seeing Nie Huaisang in soft, unembroidered robes. He wasn't used to seeing Nie Huaisang's hair down from its braids. "After," he repeated, "I didn't ask about your leg."
Nie Huaisang waited, but then murmured, "It healed."
Jiang Cheng swallowed. "I was selfish. I didn't want to think about it. I didn't want to think about Chifeng-zun's body or what seeing it in pieces would do to you, because I can't—things are better when you don't think about them. But you stopped painting when he died, Nie-xiong, and all I did back then was scold you for not knowing how to triage your sect in its grief. In your grief." Here, the traitor that used to be his body swelled, and the foreign wave of mourning filled him once again. "You should paint," Jiang Cheng said through tears.
"Oh." Nie Huaisang opened his mouth, and then he closed it, simply looking at Jiang Cheng. "Come here," he said, patting the couch.
Obediently, Jiang Cheng moved to sit next to him.
"Good, good. Put your face here, please."
Jiang Cheng hesitated, but was it wrong to seek comfort when invited? He hadn't asked for it. Nie Huaisang probably didn't know how much he needed it, so it wasn't like he pressured him into it. He fell forward and pressed his face into Nie Huaisang's neck. Engulfed by the complex herbal and spice blend preferred in Qinghe incense and Nie Huaisang's sweet, peppery chrysanthemum, he simply breathed.
"You helped me a lot back then, Jiang-xiong." Nie Huaisang was a little cooler than him, since their cultivation levels were so different, but it was refreshing on his heated cheeks. "Maybe you were stringent, but someone fussing at me to take care of my duties was comforting." His hand moved to the back of Jiang Cheng's head. "I'm sorry I didn't go to Lotus Pier and make a complete nuisance of myself when you needed one."
"I didn't expect you to."
"Why?"
"They said I killed your friend."
Nie Huaisang's hand tightened in his hair. "Weren't you my friend?"
Jiang Cheng didn't want to say that he didn't know, so he said nothing.
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thatsonemorbidcorvid · 3 months
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“Many of the women in Heterodoxy moved in corresponding circles and maintained similar beliefs. They were “veterans of social reform efforts,” writes Scutts in Hotbed, and they belonged to “leagues, associations, societies and organizations of all stripes.” A large number were public figures—influential lawyers, journalists, playwrights or physicians, some of whom were the only women in their fields—and often had their names in the papers for the work they were performing. Many members were also involved in a wide variety of women’s rights issues, from promoting the use of birth control to advocating for immigrant mothers.
Heterodoxy met every other Saturday to discuss such issues and see how members might collaborate and cultivate networks of reform. Gatherings were considered a safe space for women to talk, exchange ideas and take action.”
In the early 20th century, New York City’s Greenwich Village earned a reputation as America’s bohemia, a neighborhood where everyone from artists and poets to activists and organizers came to pursue their dreams.
“In the Village, it was so easy to bump into great minds, to go from one restaurant to another, to a meeting house, to work for a meeting or to a gallery,” says Joanna Scutts, author of Hotbed: Bohemian Greenwich Village and the Secret Club That Sparked Modern Feminism. Here was a community where rents were still affordable, creative individuality thrived, urban diversity and radical experiments were the norm, and bohemian dissenters could come and go as they pleased.
Such a neighborhood was the ideal breeding ground for Heterodoxy, a secret society that paved the way for modern feminism. The female debating club’s name referred to the many unorthodox women among its members. These individuals “questioned forms of orthodoxy in culture, in politics, in philosophy—and in sexuality,” noted ThoughtCo. in 2017.
Born as part of the initial wave of modern feminism that emerged during the 19th and early 20th centuries with suffrage at its center, the radical ideologies debated at Heterodoxy gatherings extended well beyond the scope of a women’s right to vote. In fact, Heterodoxy had only one requirement for membership: that a woman “not be orthodox in her opinion.”
“The Heterodoxy club and the work that it did was very much interconnected with what was going on in the neighborhood,” says Andrew Berman, executive director of Village Preservation, a nonprofit dedicated to documenting and preserving the distinct heritage of Greenwich Village. “With the suffrage movement already beginning to crest, women had started considering how they could free themselves from the generations and generations of structures that had been placed upon them.”
Unitarian minister Marie Jenney Howe founded Heterodoxy in 1912, two years after she and her husband, progressive reformer Frederic C. Howe, moved to the Village. “Howe was already in her 40s,” says Scutts, “and just got to know people through her husband’s professional connections, and during meetings and networks where progressive groups were very active at the time.”
Howe’s mindset on feminism was clear: “We intend simply to be ourselves,” she once said, “not just our little female selves, but our whole big human selves.”
Many of the women in Heterodoxy moved in corresponding circles and maintained similar beliefs. They were “veterans of social reform efforts,” writes Scutts in Hotbed, and they belonged to “leagues, associations, societies and organizations of all stripes.” A large number were public figures—influential lawyers, journalists, playwrights or physicians, some of whom were the only women in their fields—and often had their names in the papers for the work they were performing. Many members were also involved in a wide variety of women’s rights issues, from promoting the use of birth control to advocating for immigrant mothers.
Heterodoxy met every other Saturday to discuss such issues and see how members might collaborate and cultivate networks of reform. Gatherings were considered a safe space for women to talk, exchange ideas and take action. Jessica Campbell, a visual artist whose exhibition on Heterodoxy is currently on display at Philadelphia’s Fabric Workshop and Museum, says, “Their meetings were taking place without any kind of recording or public record. It was this privacy that allowed the women to speak freely.”
Scutts adds, “The freedom to disagree was very important to them.”
With 25 charter members, Heterodoxy included individuals of diverse backgrounds, including lesbian and bisexual women, labor radicals and socialites, and artists and nurses. Meetings were often held in the basement of Polly’s, a MacDougal Street hangout established by anarchist Polly Holladay. Here, at what Berman calls a “sort of nexus for progressive, artistic, intellectual and political thought,” the women would gather at wooden tables to discuss issues like fair employment and fair wages, reproductive rights, and the antiwar movement. The meetings often went on for hours, with each typically revolving around a specific subject determined in advance.
Reflecting on these get-togethers later in life, memoirist Mabel Dodge Luhan described them as gatherings of “fine, daring, rather joyous and independent women, … women who did things and did them openly.”
Occasionally, Heterodoxy hosted guest speakers, like modern birth control pioneer Margaret Sanger, who later became president of the International Planned Parenthood Federation, and anarchist Emma Goldman, known for championing everything from free love to the right of labor to organize.
While the topics discussed at each meeting remained confidential, many of Heterodoxy’s members were quite open about their involvement with the club. “Before I’d even heard of Heterodoxy,” says Scutts, “I had been working in the New-York Historical Society, researching for an [exhibition on] how radical politics had influenced a branch of the suffrage movement. That’s when I began noticing many of the same women’s names in overlapping causes. I then realized that they were all associated with this particular club.”
These women included labor lawyer, suffragist, socialist and journalist Crystal Eastman, who in 1920 co-founded the American Civil Liberties Union to defend the rights of all people nationwide, and playwright Susan Glaspell, a key player in the development of modern American theater.
Other notable alumni were feminist icon Charlotte Perkins Gilman, whose 1892 short story, “The Yellow Wallpaper,” illustrates the mental and physical struggles associated with postpartum depression, and feminist psychoanalyst Beatrice M. Hinkle, the first woman physician in the United States to hold a public health position. Lou Rogers, the suffrage cartoonist whose work was used as a basis for the design of Wonder Woman, was a member of Heterodoxy, as was Jewish socialist activist Rose Pastor Stokes.
Grace Nail Johnson, an advocate for civil rights and an influential figure in the Harlem Renaissance, was Heterodoxy’s only Black member. Howe “had personally written to and invited her,” says Scutts, “as sort of a representation of her race. It’s an unusual case, because racial integration was quite uncommon at the time.”
While exceptions did exist, the majority of Heterodoxy’s members were middle class or wealthy, and the bulk of them had obtained undergraduate degrees—still very much a rarity for women in the early 20th century. Some even held graduate degrees in fields like medicine, law and the social sciences. These were women with the leisure time to participate in political causes, says Scutts, and who could afford to take risks, both literally and figuratively. But while political activism and the ability to discuss topics overtly were both part of Heterodoxy’s overall ethos, most of its members were decidedly left-leaning, and almost all were radical in their ideologies. “Even if the meetings promoted an openness to disagree,” says Scutts, “it wasn’t like these were women from across the political spectrum.”
Rather, they were women who inspired and spurred each other on. For example, about one-third of the club’s members were divorced—a process that was still “incredibly difficult, expensive and even scandalous” at the time, says Scutts. The club acted as somewhat of a support network for them, “just by the virtue of having people around you that are saying, ‘I’ve gone through the process. You can, too, and survive.’”
According to Campbell, Heterodoxy’s new inductees were often asked to share a story about their upbringing with the club’s other members. This approach “helped to break down barriers that might otherwise be there due to their ranging political views and professional allegiances,” the artist says.
The Heterodoxy club usually went on hiatus during the summer months, when members relocated to places like Provincetown, Massachusetts, a seasonal outpost for Greenwich Village residents. As the years progressed, meetings eventually moved to Tuesdays, and the club began changing shape, becoming less radical in tandem with the Village’s own shifting energy. Women secured the right to vote with the ratification of the 19th Amendment in 1920, displacing the momentum that fueled the suffrage movement; around this same time, the Red Scare saw the arrests and deportations of unionists and immigrants. Rent prices in the neighborhood also increased dramatically, driving out the Village’s bohemian spirit. As the club’s core members continued aging, Heterodoxy became more about continuing friendships than debating radical ideologies.
“These women were not all young when they started to meet,” says Scutts in the “Lost Ladies of Lit” podcast. “You know, it’s 20, 30 years later, and so they stayed in touch, but they never really found the second generation or third generation to keep it going in a new form.”
By the early 1940s, the biweekly meetings of Heterodoxy were no more. Still, the club’s legacy lives on, even beyond the scope of modern feminism.
“These days, it’s so easy to dehumanize people when you’re only hearing one facet of their belief system,” says Campbell. “But the ability to change your mind and debate freely like the women of Heterodoxy, without any public record? It’s an interesting model for rethinking the way we talk about problems and interact with other people today.”
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A federal circuit court judge invited as a speaking guest to Stanford Law School last month was endlessly interrupted, shouted down, and harassed by Left-wing protesters as he attempted to address the students at the school. Stanford has since apologized for both the students and the misconduct of its own faculty during the incident, stating that this was inconsistent with its policies on free speech.
At the University Of Buffalo, Left-wing protesters attempted to shutdown another speaking event; this time by a Conservative political commentator who disagrees with contemporary gender ideology.
This has been the pattern of universities across the United States for years and years now. Increasingly we have an entire generation of young people who have no regard for the ideals of intellectual curiosity, intellectual diversity or rational deliberation. They believe that the purpose of education is personal affirmation rather than universal exploration. They think and speak in the language of dogma and heresy; endeavoring to both silence and destroy anything that does not conform to their established political orthodoxy. And no matter how new or recently fashionable an item of that orthodoxy is, it may not be questioned. How can the quality of American higher education be maintained if such trends persist? It cannot be. Once unconditional ideological conformity replaces open and sincere inquiry, education is dead.
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tamamita · 9 months
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Saw something that said there are 1.8 billion Muslims in the world and got curious and apparently there are (allegedly) over 2.6 billion Christians, which makes me wonder where the fuck they get the gall to call themselves oppressed or act like they’re the ones in danger of being wiped out, or especially to compare themselves to jews in any way (16mil)
Cunts, the lot of them
Because, taking branches and sub-branches into account, the population is way less. Christianity is not one large community of believers that adhere to one principle doctrine of the Christian religion and differ in many aspects, such as liturgy, theology, race, politics, culture, history and etc. For example, if we consider Christians in the Middle East, which consist of the predominately of Oriental Orthodoxy, such as the Copts and the Assyrians. then you'll realize that there are persecuted groups of Christians, as is the case with many Christians around the Muslim world. My assumption is that your prejudice stems from the filtered exposure of USAmerican Christofascism on this site.
As for Muslims, the same thing could be said there. 10% of the Muslim population are Shi'a Muslims and the fact is that they are institutionally oppressed in various Sunni Muslim countries. I think factoring these points and understanding the historical, political, social and religious context behind these groups, you'll see that it's way more complicated than generalizing two of the greatest religions into one homogeneuous group.
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um if this doesn't make you uncomfortable
i saw your hc lucifer as orthodox christian and i have an interest in orthodox so can i request some hcs of lucifer as an orthodox christian (like his daily activities as orthodox christian, etc.)
again, if you are feeling uncomfortable, feel free to ignore this, i know many dont feel comfortable with topic of religion
(if you want age confirmation, im an legal adult)
I'm not uncomfortable with talking about my religion, but there's this itty bitty problem that comes up when you discuss orthodox christian traditions. Every countries orthodox traditions are different because, unlike catholic christianity with the pope, there's no authorithy over the whole religion. (There's patriarchs, but they're authorothy over their respective region, not the whole of orthodoxy. It's complicated and I do not have the full understanding on how the orthodox hierarchy works either.)
That's a long way of saying that I'll be writing Lucifer as specificly a romanian orthodox christian because that's the one I'm familiar with.
Lucifer being orthodox on main
There's a day every year when Lucifer will wash the feet of all his nobles. Since he's at the top of the food chain in his country (and in general), he's the one that has to wash the sins away from all his nobles. He used to do it to the patience as well, but they're too many since the war began.
Paradise Lost is the only country that celebrates Easter, but it's during the correct date and not the catholic date.
Easter Eve night is spent at the church where Lucifer sings a specific prayer before leading the atendees around the church three times. Every atendent has to hold a chicken or rooster as they circle the church and at the end they sacrifice the birds to the lord.
Not an orthodox thing exactly, but Lucifer loves decorating eggs with beads, kind of like this
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During Easter everyone in Paradise Lost has to smash an egg with everyone else. (I have no idea how to explain it, just have a video. That's basicly it)
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After Easter he greats all his nobles with "Hristos a înviat" ("Christ has been revived" kinda, I'm not a professional translator) and his nobles have to answer "Adevărat a înviat" ("True, he's been revived."). This goes on for a month
Moving on from Christmas, whenever a patient dies, Lucifer rushes to their room and lights candle.
No noble in Paradise Lost ever dies (thank you, Gamigin) but Lucifer has a whole ass plan prepared for the possibility of them dying. I talking casket measurements, a list of their favorite foods so he may give it out as pomană, the prayer he'll honor them with, everything
Whenever something bizarre or unorthodox (haha) happens, Lucifer will let out a quiet "Doamne fereşte" ("God forbid") and look at an icon (he has those in every room).
He was given a cross necklace when he was younger by God and he never takes it off. Will hiss at anyone that even tries to touch it.
Lucifer only wears red underwear. It's to prevent people from putting envy curses on him. If he's praising someone a lot, at some point he'll do the "pu pu pu să nu te deochi" ("[spitting noise] may I not curse you")
He sometimes calls his brothers by their hebrew names, that's Gavril, Mihail and Rafail. Kind of preferes calling them by those names, but he can go with the latin version as well.
I'mma be honest, these were the hardest headcanons to write for. There's so many romanian words that have no direct translation and all of them are related to religion in some way 😭😭😭 I didn't even bring up the strigoi or jumping over fire. I've been told before that I kind of need to tone down the use of Romanian on my blog since not everyone is from here, so I tried my best with translations.
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mxtxfanatic · 1 year
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Another pro-reader tip for mxtx novels: they are all stories with clear-cut good guys and bad guys and a strong moral message, BUT you have to actually read what the story has to say about characters without taking anything at face value, relying on genre tropes, or using identities and statuses as shorthand to your understanding of the moral system and themes of the story. So no, most characters in her stories are not morally gray (though some are, most can be definitively categorized as either morally good or bad, and ALL of her main characters are definitively morally good), and no she does not write morally gray plots where “morality is just subjective!” If anything, the term I think people are looking for is “morally neutral” (meaning that the thing is not assigned a morality in and of itself) in many cases.
An mxtx character is never designated as good or bad based off their backgrounds or class: Wei Wuxian, Jin Guangyao, Shen Jiu, and Mu Qing all grow up outside of the elite class, but Mu Qing (eventually) and Wei Wuxian are unquestionably good guys while Jin Guangyao and Shen Jiu are unquestionable villains. Shen Yuan, Lan Wangji, and Xie Lian all grow up within the gentry class but are all good guys while Jiang Cheng, Jun Wu, and The Old Palace Master are bad. Likewise, life circumstances or tools don’t determine morality. In mdzs, the sword path (which is the orthodox one) is used to commit genocide by the general cultivation world just as easily as Lan Wangji wields it to protect the forsaken commoners. Wei Wuxian’s ghost path was created to protect himself before being used to protect others, but Xue Yang and the Jin Clan pervert it to cause mass destruction for their own wishes. In tgcf, Xie Lian uses his god powers to attempt to help the Yong’an people while the other gods simply collect worshippers to increase their power and oppress lesser gods. Every character I’ve listed minus the Old Palace Master has experienced intense trauma that has informed their lives and colors their morality, but it does not define why they have chosen to take on certain moral stances.
(This is not to say that mxtx doesn’t have certain tropes she dislikes, as she clearly hates the “dedicate their whole existence completely to another person” trope. Su She, a villain dedicated to Jin Guangyao, dies. Zhuzhi-lang, a sympathetic antagonist dedicated to Tianlang-jun, dies. Hua Cheng, A WHOLE LOVE INTEREST dedicated to the literal main character, dies a whopping three (3) times before he learns his lesson.)
Mxtx does not condemn those who stray from orthodoxy. In fact, every story she’s (currently) written is about the dangers of entrenched and unquestioned hierarchy and status quo giving way to corruption every time. She wants you to question the dominant narrative of the benevolent group who descend from on high to “save the ignorant masses.” She wants you to question the idea that the only people with the right of choice are those at the top of the hierarchy. She wants you to question the idea that even the smallest decision of “powerless” people does not matter in “the grand scheme of things.” She wants you to actually think about the story conventions that you accept as infallible and question whether or not it would make for good shorthand by which to understand well-written characters and story arcs (and also, hopefully, how society is structured at large). So if you find yourself reading an mxtx novel and siding with the mob characters or lamenting how x character was locked into making certain choices “against their will” or being unable to reconcile how a recognized trope led to an unexpected conclusion because “that’s not how it’s supposed to go,” then it may do you some good to stop and ask yourself “was this idea supported by the narrative that I read in the book, or is this an idea I’ve come to entirely from my own preconceived notions of how I wanted the story to turn out based on how other, similar stories have panned out?”
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yuri-alexseygaybitch · 10 months
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Liberal political orthodoxy in 2023 is literally just General Shepherd from MW2
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unbidden-yidden · 9 months
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Your blog might not be the place for this ask but could you maybe direct me to some Jewish blogs for ... Idk. Leaving orthodoxy to be queer?
Hi there!
I'm glad you felt safe reaching out to me, and I wish you much freedom and success in your path forward.
Without knowing your situation, I'm going to recommend a few different things you may wish to explore.
If you are wanting to first extricate yourself from orthodoxy and then work on finding like-minded queer folks, Footsteps is an invaluable resource and community. I'm not sure of an Israeli version, but I would be shocked if there wasn't one; if you want, I can ask around. As for Israeli tumblr blogs, I know a couple folks who might be able to point you in a better direction. If you want, I can reach out to them and see if they have ideas or would be willing to chat with you.
If you are wanting to explore liberal versions of Judaism that are institutionally welcoming to queer Jews, I would point you in the direction of Keshet. I personally know one of the rabbis involved and they are a phenomenal person. If you would like me to connect you with them, I would be happy to do so. But the organization as a whole is excellent if you want to send them a general message.
I don't know if you are at all interested, but if the only reason you are wanting to leave orthodoxy is because you are queer or questioning, you may want to talk to the folks at Eshel. When I was first exploring observant Judaism, they were able to connect me with a welcoming congregation whose most recent permanent rabbi had very publicly spoken about the need to include queer and trans Jews, and whose interim rabbi was actually in a relationship with a non-binary person at the time. Sunnie Epstein herself spent a full hour on the phone with me, telling me her story and helping guide me in the right direction.
I hope some of that might be useful; if you feel like sharing more about your situation, please don't hesitate to message me directly. I'd be happy to chat and connect you with whatever resources I can, or just be a listening ear.
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shut-up-rabert · 1 year
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Rant timeeee
Sometimes I feel like “open minded hindus” need to form a society of our own so to make sure that neither extreme left nor extreme right hijacks the religious movement and give people a wrong Idea of Hinduism.
The way local “Hindu” orgs push for more orthodoxy really scares me. Today I heard a debate on how only salwar kameez and traditional dresses should be allowed in the temple. What is a religious person like me who doesn’t wear trad clothing supposed to do? Not pray anymore?! Not go to temples despite being a god loving Hindu?
What about Vidur’s wife who ran to see Lord Shree Krishna and forgot to put clothes on out of excitement and had to be reminded by him, who was moved by her devotion? What about Mata Bhadrakali who dons skulls, limbs and blood of demons as garments? Are they not respectable women for you?
What the fuck do you mean when you speak of muslim women the way you do? You repay those who harm Hindu Women by doing the same to innocent muslim women? What the fuck do you think women are? What happened to Hari hi Narayani? What happened to us being your equals according to the sacred texts?
What do you mean when you say Lgbtq should be punished? You seem to think you know hinduism more than doctor bhagwat, the RSS chief who unconditionally accepts the validity of Queer existence? More than lord mercury (Budhha, not Budhhā) who loved his partner even tho he turned out to be a different gender than believed? More than lord Shree Krishna who let Shikhandi have his preffered gender? More than Shree Rama who was moved to tears by his Eunech devotees? More than the Narayan who created us all fully knowing what we were going to be?
What should the Queer people who revert to Hindu because of its acceptance do? Revert again? Would your convert hungry self want that?
Do these people not realise how much they are harming Sanatan by this? Not realise that our openness and tolerance to different practices is what makes us, us?
This is not how you preserve Sanatan. The clothes and traditions are a considerable part, but our wisdom and awareness are the major ones.
Protect it from any threat and enemies who want it gone, but don’t go about making enemies from your own people who practice in a different way or aren’t what you want them to be.
If you want to create awareness about Hinduism, learn to be calm and wise and the kind of person a Hindu is supposed to be. Read the sacred texts if you will. Valour plays a big part, but Knowledge and acceptance plays aswell.
*closes powerpoint*
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And this is why learned Hindus (and Sanatanis in general) need to speak up more. Thank you for coming to my Ted Talk. Your money will be refunded shortly. :)
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