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#I hope it makes sense
awakefor48hours · 8 months
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I'm really glad that it was stereotypical Barbie in the movie that went through her identity crisis because I think it shows just how hard literally every women has it when it comes to beauty standards.
Stereotypical Barbie is supposed to be this absolute beautiful woman but her body is going through changes (pretty minor ones at that) that make her sad even though she's still very beautiful. The movie itself even makes a joke about how having a character played by Margot Robbie call herself "not pretty" was a bit ridiculous. The beauty standards that all women have to go through are really extreme and even women like Stereotypical Barbie can't achieve them.
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thediamondarcher · 7 months
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sometimes i think of how the world would be so much better if being aroace was seeing as something completely normal/common. If being aro was much more normalized, it wouldn't be settled that you're looking for a romantic partner and annoying questions like "oh you don't have a partner yet? that must be so sad" are asked to both aro and allo people and it's really annoying for both of them. If asexuality were much more normalized, things like using the words "virgin" or "slut" wouldn't actually be a thing because, if being ace was normalized we wouldn't be pressured or mocked about being active or inactive sexually.
I'm not talking about aroace being seen as "the norm", but if being on the aroace spectrum was a lot more normalized it would be much more easy and not just for us.
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nieves-de-sugui · 10 months
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A Quick History of BL
As someone who wrote a thesis on this very subject a few years ago, here is the short version of how BL has evolved throughout the years. For the new comers ❤ 
a minute of silence for the original form of this post that tumblr decied to not save right after I saved it
I am going to go with a chronological approach. Unfortunately, I cannot put everything in one post so if there’s any questions about this or that aspect of the history of BL that you want to know and it’s not talked about here, you are welcome to ask me directly :)
Context and influences - Japan in the 60′s
Before the US forced Japan to open its borders to the outside world in the 1800s, homosexual practices were common place between budist monks, samurais and kabuki actors. During the Edo period (1600s to 1800s) there was a very rich amount of poetry, art, books (such as Nanshoku Okagami (The Great Mirror of Male Love) by Ihara Saikaku) and codes of conduct about how to have a good master/aprentice relationship, kinda like the greeks if you know what I mean. However, with the arrival of western influences, in order to become a more “civilized” country, it was all put in the closet. 
Yet, in the 60′s Japan started to pick it up again through literature about young androginous beautiful boys (aka bishounen). On one hand, in 1961, the novel Koibitotachi no Mori (A Lover’s Forest) by Mari Mori was published. It tells the story of a young and beautiful 19 year old worker and a half french half japanese aristocrat, and their tragic romance. On the other hand, Taruho Inagaki wrote Shounen ai no Bigaku (The esthetics of boy-love), an essay on aesthetic eroticism (of which he wrote a lot of). All this was know as Tanbi (lit. aesthetic) literature. It generally refered to literature with implied homosexuality and homoeroticism such as works by Oscar Wilde, Jean Cocteau, etc. And of course, Mori and Inagaki. 
In chinese tanbi is read as danmei (term used to refer to BL novels in china today, ie: The Untamed it’s all connected friends).
From the birth of Shonen Ai  to Yaoi - 70′s to the late 80′s
Around the beginning of the 70′s, shoujo was being revolutionized by the Year 24 Group, a generation of women manga authors (mangaka) who started to explore new themes. Among them, their interest in tanbi gave birth to a new subgenre: Shounen ai. 
Their most known manga were:
Kaze to Ki no Uta (The Ballad of the Wind and Trees) by Keiko Takemiya, and Toma no Shinzo (The Heart of Thomas) by Moto Hagio
Their stories are characterized by having suffering eurpoean bishounen in boarding schools, living an idealized perfect love (meaning passionate) that, despite the tragic end of one of them, lives forever in the other. 
As this genre starts getting popular, more and more fans of these stories start making their own self published manga, aka doujinshi, of the genre. It is around this time that the term Yaoi is coined. Meaning “YAma nashi, Ochi nashi, Imi nashi” (no climax, no fall, no meaning). Basically PWP fanfiction, for the most part. Doujinshis could be considered an equivalent of fanfiction in manga form.  It is also here that the term Fujoshi (aka Rotten Girl, for liking rotten things) starts being used to refer to women readers of yaoi. 
With this rise in popularity come the start of the commercialization of the genre. Which meant the publication of magazines dedicated solely to yaoi/shonen ai/BL. The most popular yaoi manga magazine at the time was June. The common trait of their stories being the therapeutic power of the love between the mains. The traumatized character would heal throught this newfound love.
Most of the stories at this time happened in the West (Europe or the States) as the exploration of these dark themes intertwined with homosexual romance and homoeroticism still feel safer to explore as a foreign concept. One example would be Banana Fish (1985).
Commercialization and Yaoi Ronso -  90′s 
As more publishing houses pick the genre up, the term Boys Love is used to include every type of manga about homosexuality made for women. 
The increasing amount of BL series sees a changes in its themes: 
the start of the “gay for you” trope where one mantains their heterosexuality despite being in a homsexual relationship, 
the uke/seme dynamic (mirroring hetero realtionships) also relating to physical appearence (one being more feminine, the other being more masculine), 
the use of rape as an act love (sexual violence has always been present but here it becomes a staple),
anal sex as the only type of sex, 
older and more masculine men start to appear 
they now happen in Japan
Good examples of the presence of these themes in manga are Gravitation (1996) or Yatteranneeze (1995).
However in 1992, Masaki Sato (a gay activist/drag queen) wrote a letter in a small scale feminist magazine attacking yaoi and pointing out how it “represented a kind of misappropriation or distortion of gay life that impacted negatively upon Japanese gay men”. The female readers of yaoi responded, defending the genre as a means to escape gender roles and explore sexual themes that was never meant to represent the realities of gay men. This is know as the Yaoi Ronso (Yaoi Debates).
The debate ended with both sides understanding more of each other, with mangakas starting to include queer views in their works. It also started the academic reasearch of BL. 
Yet, it is a debate that has been restarted more than once, as it is still relevant despite the evolution of the genre.
more on this on another post
Globalization and coining of BL - 2000′s 
By the beginning of the 2000s BL is being sold all over the world (like all manga), and has become a stable industry. We could say it has finally become it’s own genre. 
Some of the most well known manga series, to us (in the west), of the time are:
Junjou Romantica 2002 Koi Suru Boukun 2004 Love Pistols 2004 Haru wo Daiteita 1999
all of these have anime adaptations for the curious ones
We also start seeing short anime adaptations or special episodes of the most popular series, with questionable themes, such as: adoptive father x adoptive son  (Papa to Kiss in the Dark 2005), father x son’s friend (Kirepapa 2008), etc... 
However the themes remain more or less the same. Junjou Romantica’s love story starts with a non-con sex scene by the older one (masc, seme) to the younger one (more feminine, uke) addressed years later in the manga btw. Koi Suru Boukun’s love story is triggered by aphrodisiacs and rape. They’re still very present in the stories but slowly going away. A mangaka that represents this era could be Natsume Isaku (Candy Color Paradox 2010).
Change is slow in Japan. Even though the voices of LGBT+ people started to be taken into account in the genre it is not until later that we see it reflect in the mangas themselves. However, we can already see the start of this in Doukyusei (Classmates) (2006) by Asumiko Nakamura. Also Kinou Nani Tabeta? (2007) which is actually part of a more mature genre: Seinen.
It is my personal (subjective) theory that the BL of this era was the one that got popular outside of Japan, which is why we see lots of references to the themes, tropes and dynamics of this time in today’s BL series. 
The LGBTzation of BL and the rise of webtoons - 2010′s to 2020′s
Slowly but surely LGBT characters and themes enter the scene of BL. Existing simultaneously with the previous tropes and themes, we start seeing a shift in these stories. We now see:
characters that identify as gay or some type of queer
discussions about homophobia
more mature themes about life and romance
At the same time as we get the usual love stories with the usual themes, a new trend starts to take over. And we get simultaneously, cute, sometimes questionable but light love stories:
Love Stage 2010 Ashita wa Docchi da! 2011 Kieta Hatsukoi 2019
More profound stories and darker or more complex themes:
Blue Sky Complex 2013  Saezuru Tori wa Habatakanai 2011 (mafias) Given 2013 (suicide) Hidamari ga Kikoeru 2013 (deafness)
And others that adress the queer experience in a more mature way (which might actually fall into the Seinen genre)
Itoshi no Nekokke 2010 (slice of life, queer characters) Smells like Green Spirit 2011 (two ways to deal with a homphobic society) Strange 2014 (relationships between men) Shimanami Tasogare 2015 (an LGBT group helps a closeted gay) Old Fashioned Cupcake 2019 (you know this one 😉) Bokura no Micro na Shuumatsu 2020 (the end of the world)
As queer stories are explored, BL mangakas and mangakas from other genres start to consider more stories about queer people such as the Josei Genderless Danshi ni Aisaretemasu (My Androgynous Boyfriend) (2018) by Tamekou, or the Shoujo Goukon ni Itarra Onna ga Inakatta Hanashi (The story of when I went to a mixer and there were no women) (2021) by Nana Aokawa. 
Still, we can see two realities live side by side. Doukyuusei gets adapted into an impactful animated movie in 2016, meanwhile Banana Fish gets an anime adaptation that keeps the homoeroticism but not the homosexuality.  
For those who might be interested. Here are some of the authors that represent the first half of this era, where they start to include newer points of view:
Scarlet Beriko, HAYAKAWA Nojiko, KURAHASHI Tomo, OGERETSU Tanaka, Harada, KII Kanna (Stranger by the Sea), etc...
And authors that while keeping classical themes break the stereotypes in a subtle manner:
CTK, ZAKK, Jyanome, Cocomi, Hidebu Takahashi, SUZUMARU Minta, etc...
Mangakas also no longer stick to one genre only. They explore whichever of them they want, from BL to Seinen to others. 
ie: Tamekou, 
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or Asumiko Nakamura
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The curious case of Webtoons
With the digitalization of mangas, throught Renta and Lehzin, it has become easier (and more expensive) to access these stories. Korea makes and appearence with their webtoons. Through the lack of piracy protections and the majority of them being digital, manhwa (korean webtoons) sees a rise in popularity. Through the digital medium the influencee can be the influencer.
However, like many other East Asian countries they have consumed BL, without hearing about the conversations about BL. So they end up mantaining the older themes and stereotypes that newer BL is trying to leave behind. Therefore, we end up with a mix of old and new, ie:
Killing Stalking 2016 Cherry Blossoms After Winter 2017 Painter of The Night 2019
Additionally, it is also thanks to the easy access to internet that Omegaverse, with its higher dramatic stakes (that parallel hetero dynamics), enters the mangasphere in 2016. It has grown in popularity ever since.
With the Thai BL Boom of 2020, Japan rediscovers its own BL market and starts investing in it more. Which is why we get live action adaptations of BL manga that was popular years ago (Candy Color Paradox was a manga from 2010), the more recent ones (The End of the World With You) or new anime adaptations (Saezuru Tori wa Habatakanai in 2020). 
more on this in my japanese live action BL post
What has it become now? is it BL? ML? or Seinen? Or is it all just gay manga?
It is clear that Shoujo manga (with BL, Josei and Seinen) is exploring queer themes such as gender and sexuality more and more. Japan is interested in this conversation, not only in manga (Genderless fashion). Which brings up the current question in BL studies: Does it make sense to keep these categories?
As a response to BL, ML (Male Love), which is made by gay men for gay men, started happening (around the 70s too). And Bara (gay manga porn) in response to Yaoi. However both gay men and women read BL and ML. We also see other themes being explored through BL, such as friendship (in BL Metamorphose), food (in Kinou Nani Tabeta), male relationships of all kinds (in Strange), and different queer views on life and its challenges (in Shimanami Tasogare). More and more what is LGBT and what is BL is merging, the line is blurred. 
Conclusion
BL has been in my life for longer than it hasn't. It is through shoujo and BL that I have come to understand people and romance.
It is flawed, like everything else this life, but it's flourishing in many ways.
The genre feels old and new at the same time. 
We can still find shounen ai/tanbi elements in more modern manga (All About J). Or the gay for you in a new light (Itoshi no Nekkoke). Or more educational manga on queer issues (My Brother’s Husband by Gengoroh Tagame). BL has around 50 years of existence but it is also being born anew in Thailand and Korea. 
BL manga will continue to evolve in acordance to Japanese tastes, as it is still a local market. Hopefully the korean webtoons that get popular will be the more daring ones in their themes. Who knows where it will go from here? The only thing we know for sure is that it will continue to change. Isn't it exciting?
A post on the evolution of live action BL in Japan is coming, to complement this post.  As well as a more detailed explanation of the Yaoi Debates and gay manga.
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hidedino · 3 months
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i can see it so clearly that Q!Fit doesn't actually want to get a confirmation of how Q!Pac feels about him because then he'd be forced to think about the real possibility of pac reciprocating his feelings and waiting for him to confess.
i can recall two instances confirming this, first when ramón and bad had a conversation about fit and pac's feelings and fit had purposefully moved out of their volume radius. the second one was yesterday when fit was trying to distract sunny so neither of them could spy on the conversation between ramón and pac.
and this leads me to another thought.
i'm wondering here if maybe pac realises that fit does reciprocate his feelings, but doesn't want to confess first because he knows that fit is still not ready for a relationship. and of course, pac might not be fully ready either, but it currently seems like fit is further behind. he's still in that phase when he's worried that pac might become put off by fit seeing him in a romantic way, confirming this by telling ramón that "he doesn't want ramón to scare pac off" after ramón's confrontations.
listen, i know the most common explanation is that they're both scared of confessing because of their insecurities about whether the other will reciprocate their feelings. but there's just something about pac's interactions with ramón which is making me believe he may know more than we're giving him credit for.
when he was answering ramón's pushes at how they should start dating and get married, his answers seemed to be of someone who's perfectly aware that there are mutual feelings which are most likely eventually going to turn into something more than friendship. he was saying things like "maybe in the future i'll really become your dad" and "it is going slow, hopefully we can start progressing faster". and the biggest surprise was that he'd even insinuated he isn't actually sure what their relationship status is, but they're probably just good friends for now (because they haven't talked about it yet).
so pac kind of considers them to already be more than friends in the way they interact with each other. which means, he has to know about how fit feels because otherwise he wouldn't confess all of these things to ramón. also he obviously knew that fit was inviting him on a date even if fit was so worried about admitting said fact to pac. he was fully aware that their entire day together was meant to be romantic.
tldr: seeing that pac seems perfectly aware of fit's feelings, i find it more likely that he's waiting for fit to process them too instead of simply worrying that fit doesn't like him like that.
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cametotheshowinsd · 5 months
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feeling so Gatsby for that whole year;
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yourmomsahira · 7 days
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pardon my french but louvrè lage padè hai.
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ghoostrash · 3 months
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Dating your Ghost roommate is kinda weird sometimes
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Thinking about Prime calling C-137 simply 'Wife Guy'/'Dead Wife Rick' despite C-137 being the first Rick to actually escape the goo trap and find Prime and the only other Rick to invent portal travel and I was reminded of that scene in Pickle Rick where Rick is fighting the big rat:
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"By the way, you might notice that in spite of your numerous distinctive features, I never gave you a name like Scar or Stripe or Goliath. That's because, to me, you aren't special. You were special to rats. Now they're dead. I guess it was me you should have impressed. God damn it, I love myself."
Prime really did think of himself as so far above every other Rick but also had the desperate need to prove that to the very Ricks whose opinions he claims to be above. He definitely was the 'Rickest Rick', not for the reasons C-137 thinks but because of his massive ego and need to prove himself.
C-137 is making progress towards being different from Prime in terms of accepting and admitting to his vulnerabilities and flaws, which I think is very evident in JuRicksic Mort ('you don't get to be so smart that you remove yourself from everybody'). Now that Rick has killed Prime, he's left to confront all the things about himself he hates. His hunt for Prime really is the perfect metaphor for Rick dealing with the fact that he's a bad person - his whole quest to find Prime was ultimately just another Pickle Rick situation where he used the guise of sci-fi adventures to avoid confronting his real problems in therapy. Unmortricken was a massive turning point for him because, for the first time since his Beth and Diane were killed, he finally has to face himself and put in the hard work and long hours to actually confront and improve his flaws.
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crystallinestars · 10 months
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To Make a Mechanical Heart Beat (Android AU)
In a highly technologically advanced world where human-like androids exist to serve humans, you lived a cushy life as the child of a successful CEO of a large biotechnology company. You grew up in a large manor surrounded by android maids and butlers that served you family’s every need and looked after the estate. Androids were a part of your everyday life, and it was easy to treat them the same as humans. They looked just like ordinary people save for the green power button located under their clavicle. You even made a few friends among the staff and cherished the android nanny you had as a child.
As an only child, your father had high hopes for you to inherit the family business and keep it thriving. Once you became of age, your father purchased you your very own android tutor who would teach you the ways of managing your family’s biotechnology business. The day you received your tutoring android Alhaitham, you were awed by his beauty. Alhaitham was the most handsome person you’ve ever seen—human or android. He had a well-defined muscular build that went surprisingly well with his smooth and youthful face. His pretty facial features were framed by ash-colored hair that looked soft to the touch. He was dressed in a sleeveless black shirt and black pants, complimented by a teal cardigan. His appearance was completed by a pair of what looked like gold and teal headphones to which several cyan wires were connected to, leading down somewhere behind his back.
When you pressed the green diamond-shaped button under his clavicle, Alhaitham powered on. As his systems started up and ran a diagnostic test, the android slowly opened his eyes to reveal the most striking pair of eyes you had ever seen. They were turquoise with orange pupils that seemed to stare right through you. He stared back at you, silent and expressionless to the point that it unnerved you a bit. You were used to the android servants in your manor acting cheerful and friendly as was a part of their programming, but your future tutor seemed to lack such a function. Even so, you were still intrigued by the handsome android, and agreed to have him as your tutor.
Once your tutoring sessions began, you quickly learned that Alhaitham was an excellent tutor. He explained tricky concepts clearly and made sure you understood the material down to the last detail. Even when there were days where you struggled to understand a certain topic, Alhaitham was calm and patient with you, trying out different ways of explaining the material to see what method worked best for you. He carried out his role perfectly, never doing anything more nor less than what was expected of him.
During your time together, you also learned that Alhaitham was a bit different from most androids you had met throughout our life. You were used to the friendly smiles and cheerful attitudes of your house servant androids, and those you encountered out in public such as cashiers and receptionists. Alhaitham was unlike them in that he rarely smiled or imitated any strong emotions for that matter. He spoke bluntly and factually, preferring to avoid pointless conversations and spent his free time in solitude.
You discovered that if you wanted to talk to him outside of your tutoring sessions, your best chance of finding him was to look in your family’s library. Alhaitham could oftentimes be found there, quietly perusing through physical copies of books instead of relying on his in-built computer to browse digital novels. When you inquired why he preferred physical books, he responded by saying he simply liked them better than digital ones, though you suspected he enjoyed the novelty of reading on paper rather than looking at a digital screen or downloading the novel to his memory storage.
To get to know your antisocial tutor better, you occasionally joined him in your family’s library during breaks. You two would read in silence at first, but as you got used to these joint reading sessions, you gradually asked Alhaitham questions, curious about this android’s opinions on various things, be they books or real-life events you saw or experienced. Upon learning he preferred non-fiction, you wanted to try and get him to try fiction for fun, so you recommended him some of your favorite romance novels and asked for his opinion on them. To your disappointment, Alhaitham seemed indifferent towards love stories, and expressed no interest in them but he at least was willing to give them a try for the sake of experiencing something novel. He didn’t seem to understand the appeal of the genre, but you supposed that was to be expected of an android.
Aside from reading in the library, you also invited Alhaitham to your outings. At first, he turned your invitations down in a polite albeit blunt manner, but eventually you managed to bribe him with promises of visiting a bookstore during one of your shopping trips. Alhaitham accepted your invitation then and followed you around the city without complaint until you found the time to visit said bookstore with him. The handsome android seemed enamored by the place—or as enamored as someone as aloof as him could look. There were minuscule changes in his facial expression—the slight curve of his mouth as the corners of his lips tugged up in a small smile. The relaxed arch of his brows and lowering of his shoulders. They were very small things, but after all your time together, you were able to pick up on these changes in him. Something about seeing him so happy made your heart flutter, so you invited Alhaitham to more book shopping trips, and even sometimes to science museums and exhibits he expressed an interest in.
As the months wore on, Alhaitham began to notice that something was off with him. He found himself looking forward to spending alone time with you in the library or going on one of your joint shopping trips to the city. Usually, he would decline such invitations if they came from anyone else in your family, but he always made an exception for you. When tutoring, he stood closer to you than he had before, catching himself analyzing the features of your face despite having seen you every day for months. His synthetic heart beat slightly faster when he was in your presence.
Alhaitham is confused at first by this unusual desire for your attention and time. He ponders why he felt this way. This type of behavior isn’t a part of his programming since it has nothing to do with his role as your tutor. The more he analyzed his symptoms, the more he was reminded of the romance novels you recommended to him a few months back. At the time, he didn’t understand the logic behind feelings of affection and romance described in those stories, but now… now something seemed to click in his mechanical mind. These behaviors and desires he felt because of you… could this be what humans called love?
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posletsvet · 7 months
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Something about the stories of Trigun & Hadestown
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Something about the story of Orpheus and Eurydice being retold for generations. Something about the story of Trigun getting to be told in three different versions (four, if you consider that there are two mangas).
Something about red flowers being the key symbol in Hadestown, with Orpheus singing dead trees to life and bloom in a gesture of undying hope. Something about Rem's sacrifice turning the blossom of a red geranium into a symbol of determination and kindness.
Something about the lost gentleness and bliss of spring. Something about the lost paradise of the once prosperous Earth, which forced the mankind to eplore the frontiers of distant galaxies.
Something about the souls of the dead in Hadestown living with their heads bent down, silenced by their own fear and indifference. Something about the people of Gunsmoke doing the same, believing there's no other choice but to succumb to violence and afraid to raise their voices and speak out against it.
Something about both stories commenting upon how humanity is sacrificed for the sake of survival.
Something about Hades, the King of the Mine, being crippled and blinded by his greed and loneliness and despair and jealousy untill he can't see nor recognise anything other than the needs of the Underworld, but really just his own. Something about Knives being driven by the fear he hides deep within himself, only caring about Vash and their sisters and claiming it's the good of the plantkind that he aspires to achieve, but in actuality just nurturing his own old hurt.
Something about them both loving to the point of obsession and suffocating the ones they love with how they portray what is best for them.
Something about Persephone being blinded by a river of wine, living in an Oblivion and trying to drown her sorrow in alcohol. Something about Vash's issues with alcoholism deteriorating upon the realisation that him going to confront Knives is a march made towards ruin and despair, his goals as good as suicidal.
Something about the Fates always singing in the back of your mind, defining the outlines of people's lives. Something about Knives and Vash's sisters in a hive mind deciding on the fate of humanity in relation to their kind at the end of the story.
Something about each of the two narratives showing how life and love endures, even in trying times.
Something about hunger and biting the hand that feeds because you're starving for more. Something about taking what you can get and making the most of it. Something about the people of No Man's Land pushing the plants to their physical limit and sentencing them to agony of the last run because they see no other option.
Something about 'What you gonna do when the chips are down, / Now that the chips are down?' Something about the pods of the project SEEDS crash-landing on a barren and desolate planet.
Something about the chorus singing 'Cast your eyes to heaven / You get a knife in the back!/ Nobody's righteous, / Nobody's proud, / Nobody's innocent'. Something about how Wolfwood dies the instant he finally commits to Vash's ideals, for the first time in his life choosing to believe.
Something about Orpheus teaching Eurydice that there's still hope for the better. Something about Wolfwood starting to regain his trust in humanity through Vash.
Something about Orpheus being capable of seeing how the world could be, in spite of the way that it was. Something about Vash stubbornly refusing to stop believing there's inherent goodness in every person's soul.
Something about how Eurydice is destined to die in each telling of the myth because the story is non-existent without Orpheus' loss of her. Something about how Wolfwood is doomed by the narrative, being a dead man walking since the very beginning.
Something about Orpheus leading his one true love out of Hell. Something about Wolfwood leading Vash in instead, guiding him to his end.
Something about Orpheus singing 'Wait for me!' on his way down under the ground. Something about Vash rushing to that smoking ruin which the Hopeland Orphanage became in order to help Wolfwood, fearing that he's late.
Something about Orpheus looking back. Something about Vash bringing his century-and-a-half long run from every and all attachments to a hault and finally stopping to look at the person before him, for the first time in his life allowing himself to believe in a future spent together with someone.
Something about Orpheus losing Eurydice the moment he turns to cast a glance behind him. Something about how the next thing Vash learns after admitting that he wants to spend his tomorrows with Wolfwood by his side is that Wolfwood is dying.
Something about Orpheus reaching the end of the road out of the Underworld all alone. Something about Vash ending his journey the same way.
Something about knowing how the story ends and still beginning to sing it again, as if it might turn out this time. Something about how 'far from here, in a distant time and place, the same song of humanity... still sang'.
Something about love. Something about grief. Something about tragedies.
Something about how, after all, we're still singing.
There's something profoundly meaningful to be said about all this, and maybe some day I will be insightful and witty enough to put my scrambled thoughts into neatly-organised, clear-cut sentences, but for now it will be like that.
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micia-posts-stuff · 7 months
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Donovan's power speculations and other stuff
This is a SpyxFamily theory that I've been wanting to write down for a while.
So Donovan was probably experimented on since he has scars on his head right? Probably in the same project Anya was involved in. I don't think he has telepathy like Anya (just like Bond was the only dog that could see the future) but he definitely has some sort of power (or more than one). I think one of his power is to block other people's powers. This is kinda random but I have a specific reason for thinking he has this power and if it turns out I'm right I want to write it down first.
I believe there is a deeper reason why Endo made Anya fall asleep when Twilight met Donovan, more than just comedic purpose. Other than the fact that Anya being there would have distracted from the two main interactions Damian-Donovan and Twilight-Donovan, what if the reason is that she would have figured something out had she been there? What if she would have noticed she couldn't read his mind and therefore understood he was involved in the experiment? Also it makes kinda sense for him to make sure to be immune to the powers of the people he was experimenting on, so that they couldn't go directly against him. It would also tie well with what he said about people not being able to understand each other. Twilight couldn't understand him, so what if his power prevented even the literal telepath from reading him, an 'inscrutable person'.
Anyway, aside from Donovan hypothetical power, I really think that fact that Anya fell asleep is important somehow. If she was relevant enough in the experiment, it's possible that Donovan might have recognized her. Or if he can sense these powers somehow (maybe that's his power idk) he might have perceived her. It's kinda ironic to think that if he was closer to his son he would have actually found Anya already. It would tie with the theme of family, the fact that he is distant from his family is what is making him fail in retrieving the kid that escaped.
I really think whenever Anya and Donovan will meet something big will be revealed. Either she figures out he was involved in the experiments or he recognize her. Granted, this will probably happen towards the end of the story so I'm really getting ahead of myself here ahah. But I can't stop thinking about the fact that, since Donovan was experimented on and was involved in the project, Anya being removed from that first encounter is significant.
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snapesmorningcoffee · 6 months
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“And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you”
Cat!Snarry AU
Still trying to figure out how to draw but this is a gift!! Happy early birthday to @loneamaryllis !
You are sunshine to our fandom, always inspire me, kind and sweet i love you! 🎂🥳🎉✨
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jasminocano · 7 months
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i can't really explain it but winter soldier looks like enter sandman by metallica sounds
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thediamondarcher · 6 months
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Lucas Ryan = Mastermind and Dear Reader by Taylor Swift
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medschoolash · 2 years
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My two cents on Daemon and Rhaenyra's Sexual encounter
I'm nobody but I have a lot of thoughts about what went down between daemon and rhaenyra and the motives on Daemon's end so I'm just gonna put it all down here because why not.
So I've come to the conclusion that Daemon's actions are not abusive (contrary to what the creators said), not about a quest for the throne, and not completely without malicious intent.
I think to truly understand it all and how it fits into the story you have to understand a few key things:
Daemon has psychogenic erectile dysfunction ( more on that later)
Daemon has an unending desire to upset Viscerys but he actually does love him
Daemon cares about Rhaenyra deeply and always has
Daemon is sexually attracted to Rhaenyra
Daemon is impulsive and manipulative but he's not a complete idiot
When you combine all of those character points for Daemon his behavior this episode makes a lot more sense to me.
(if you know me from other fandoms you know I'm long winded so proceed at your own discretion lol )
Let's go back to the very beginning of the episode. Daemon returns from the stepstones. He's now a war hero. He's known as the dragon that conquered the narrow sea and saved the realm a headache. This is the most praise and adoration he's gotten in a long time. He makes a show of giving up his crown to Viscerys and pledging fealty to him once again and he smugly looks at otto when he's embraced by his brother again.
To me this is important because I believe Daemon's actions here are genuine at that moment. The creators said in this scene Daemon seems like a changed man to the audience which I can see on casual viewing BUT is he truly a changed man? The narrative proved that to be a huge no and really that was the only conclusion when none of his actual gripes with Viscerys have been resolved. Plus what's so different about Daemon now? When has Daemon ever not supported Viscerys's claim as king? When has he ever publically done anything but swear loyalty to his brother since he was crowned (no comment on dead baby aegon, he got no love from daemon lol). Nothing about it truly screams Daemon is changed so why does he do it? My opinion is that it shows he didn't actually go there to be duplicitous. He didn't return pretending to be someone he's not to deceive everybody. That's important in the bigger picture.
So Daemon hasn't changed BUT something has in fact changed in King's Landing. Rhaenyra.
Rhaenyra is happy he's back. She actually follows him in the throne room. She wants to see him. In the garden, she approaches him first with the giddy but tries to play it cool presence of someone with a huge crush. She is starry-eyed in his presence and is eager to engage with him. Daemon looks at her walk away in the garden. His eyes are on her in part because he's curious (he noticed her stiff interactions with her father) and because it's the first time he's seen her in years and she's a woman now but he doesn't follow her. I think they deliberately showed us that in most ways that matter before the sexual encounter Rhaenyra is the chaser, not Daemon. That matters. Later Rhaenyra finds him again and he's soaking in the air in KL, another indicator that Daemon is possibly relieved to be home and is not here to cause chaos. Rhaenyra even straight up asks him why he's there because she knows him, she knows he likes to play games with her father so there has to be an agenda but is there? He says the comfort of home. I personally don't think there is one on his mind at that moment. The key part is he acknowledges her maturation for the first time and he discusses it in the context of physical appeal. She's blossomed into a beautiful young woman entering the stage of courtship. He notices. She realizes he notices.
They've always had a bond. She's always had a special hold over him and she's always looked at him like he hangs the moon but it was never something with any real clarity for Rhaenyra and never something that Daemon would ever acknowledge or act on but that's changed it has been 4 years. She's at least 18 now. She's at the stage of life where romance and sexual curiosity makes a bit more sense now even if she's still unsure about how to navigate that as a woman in westeros. So yeah It's different between them. Rhaenyra has changed and most of all they are both curious about what this tension is between them and how far it can go.
Before I move on to my next point I want to make sure I'm not misinterpreted here. I'm not saying Daemon has been creeping on her this whole time just counting the days until she's of age. I don't think he's ever said to himself "when she's 18 I'm totally gonna have sex with her". I don't think he has the thought to go there sexually with her until the moment he actually sees her again after she's matured.
That brings me to their one-on-one in the garden. This is an important part because I feel like Daemon's intentions after this conversation can make his actions somewhat within reason or absolutely horrible. Rhaenyra is very candid with him about her frustrations with having to marry. She feels like a broodmare with no sexual autonomy at all, just a pawn to be sold to the highest bidder for the use of her womb and her title. She feels like no one cares about what she wants, what she wants to do with her body. She's so averse to the idea that would prefer to live a life completely alone over having to marry and have all of her stripped away for duty. Daemon tries to assure her that all is not lost for her. Yes, it's a political contract but he basically tells her she does have power and autonomy within the confines of a marriage. She can do whatever she wants. She can control what does and doesn't happens to her. Having this power is clearly important to her. He also genuinely tries to alleviate her fears about having the same fate as her mother. He was there, he knows her grief and pain. She wants to take that trauma and become a recluse. He doesn't want her to fear a fate she can not truly control because it prevents her from ever experiencing the better parts of life. Solitude is lonely. He himself is married and he's still lonely. He doesn't want that for her. We can say it's familial affection or something even more but the key is I do not think that any part of this conversation, especially the last part, is a manipulative game to him. He's comforting her and trying to guide her in the right direction for her own good just as he's done several times before.
So this is the entire lead-up to their night out and sexual encounter. What part of this feels well planned? what part of this feels like a scheme or anything but a simmering curiosity and moment of honesty between two people who up to this point have only had a familial connection? The answer is none of it feels like a well-planned manipulation, not even in retrospect and it doesn't feel that way because in my opinion, it wasn't.
The first moment you can make a real argument that Daemon has done some plotting is when she arrives in her room and finds the clothing and the note. But even then the question becomes what exactly did he plan and why did he plan it? The more cynical perspectives floating around suggest that everything was daemon manipulating Rhaenyra to open her up to the night on the town, then he planted the clothes and the note to lure her away with the full intention of ruining her reputation for his own ploy for power. To me, this falls apart very quickly as an explanation despite what the creators implied (I'll get to that in a second).
As mentioned above hours ago they had a conversation where Daemon tries to tell Rhaenyra there is a lot more to the world she can enjoy versus resigning herself to solitude and misery. The truth of the matter is Rhaenyra is very green. She has been sheltered in the red keep her whole life. Her mother died at a crucial age. She has had no one to guide her through the confusing developmental aspects of adolescence. Daemon sees his role as a guide to help her reach a new level of understanding of the many forms of sexual expression and freedom that will ultimately liberate her from the confines of her gender and her station that she's been desperately fighting against this whole time. But why does he want to do this? Does he want to do it because her sexual awakening can be used as a tool to rise to power or does he do it because he actually cares about her and want her to actually feel empowered in this important way and he can conveniently also explore his sexual desire for her as well?
This is the most important question to ask in this entire analysis but this is also where the waters truly get murky making it difficult to answer the question. To me the most obvious answer is the latter but this is seemingly contradicted by the creators and by Daemon himself. I would like to argue that it actually wasn't.
Up until the point, he enters the brothel with her Daemon has been a comforting source of familiarity to Rhaenyra. He has shared vulnerable conversations with her. He tenderly held her hand at every moment and took her through the city watching her in amazement as she saw things she's never seen before. He has allowed all of this to go on while maintaining anonymity, which is crucial because it gives her freedom she otherwise would not have had. At no point did he ever come off as if he wanted to coerce her into something, he or was guiding her in a certain direction for a plan. It all seemed spontaneous and about exploration and most importantly they did as much as she wanted them to do. He is fascinated by her curiosity. He is enamored with her enthusiasm. Why behave like this if this was all a power play? if it was because he really really wanted to manipulate her then why would he stoop so low to hurt someone he clearly cares about for a throne he has never actually said he wants?
I've seen several takes that try to connect him taking her disguise off when his plan to expose her but even that falls apart quickly. He doesn't do it until they are deep into the brothel where they are less likely to be discovered. He also takes his own disguise off exposing himself. If he wanted to ruin her reputation all he needed to ensure was that she was seen in a brothel with someone. Making that someone actually him actually works against him in a long game. Even Viscerys points this out later with alicent. There was a small chance that daemon would be able to say "whoops I slept with her she's ruined not I have to be heir" or "whoops I slept with her and she's ruined not we have to marry" but remember my bullet points?Daemon is impulsive and manipulative but he's not a complete idiot. The much more likely outcome was enraging Viscerys who he has only been on solid footing with viscerys for a few hours, not even a whole day. Enraging viscerys would get him absolutely nothing. The only thing he gains is hurting Rhaenyra and Daemon cares deeply for Rhaenyra so it wouldn't be in character. Like I said even Viscerys acknowledges this and he's not the sharpest tool in the shed.
So if he gains nothing why is he doing this? How is this a power play for him and a power play he would be willing to engage in at the great expense of the only person he seems to actually care about? Maybe he just doesn't actually care about her that way. Maybe his care is not outweighed by his lack of morals and boundaries or maybe it's none of the above. Maybe there is a much simpler explanation for this entire ordeal.
I believe Daemon fully intended to push her sexual boundaries once they were in the brothel but I do not think his desire was to see her exposed while in that brothel to ruin her. I think he was just caught up in his own sexual desire for her and thrilled by the prospect of her liberation so he was callous about the entire thing and didn't care if she would be exposed because there is no real harm that can come. I don't even think he consciously thought about her being exposed in the moment but once presented with the issue it's never was a big deal to him. He even outright says this to viscerys. People whore, sure not women but Targaryens do. They are the blood of old valyria, they are dragon riders and rulers of the realm. They are above everyday conventions in society. They bed family members because they can. They whore because they can. They start wars because they can. The world is theirs for conquering and every aspect can be bent according to their will, including the truth and the truth is whatever viscerys says the truth is. Viscerys can decree his daughter is a maiden and whoever disputes it is treasonous and no one can defy him because well they have dragons. So no It was not calculated, it was just callous which fits into Daemon's personality perfectly and the difference between those two things is important when you're trying to put his actions into context. Also, if Daemon's plan was in fact to use Rhaenyra to gain power why did he even tell Viscerys he can just make it go away before the idea of a marriage even comes up? See the math isn't mathing.
This brings me to the most controversial part of their sexual encounter but the part that I think it the most fascinating. When Rhaenyra asks what is this place Daemon tells her it's where people come to take what they want. This is important for her because she's never seen sex as something that she can take for herself or as an act where she has power but Daemon takes her to a place where she can. Where they both can. This tells you that this experience is meant to be empowering for both of them but especially Rhaenyra. Being there empowers Daemon to cross a boundary he had not crossed before. He gets to take Rhaenyra. Being there for Rhaenyra empowers her to take control of her sexual expression and seek control, seek pleasure, seek passion, seek something that's purely about want and need and about nothing else. He outright tells her that this is what sex is for men AND women. This directly contradicts the idea that Daemon cares nothing about her awakening and it's a plot.
You could argue he says these things to manipulate her into an act but why chose a form of manipulation that plays into her gaining the most instead of him? A sexually empowered Rhaenyra can navigate her duty much more effectively than before. She can make smarter decisions and stop the tantrums that are holding her back. A sexually empowered Rhaenyra that is bold and unafraid and enlightened can form alliances that will strengthen her claim to the throne. We actually see this happen by the end of the episode when she agrees to marry Laenor without dispute and forces Viscerys to get rid of Otto as his hands. This Rhaenyra does not serve a Daemon who only wants to control her and use her for power, it does the exact opposite.
let's look at how the acts even take place for some ideas about his motives. He doesn't try to overwhelm her. He doesn't hungrily attack her even though he is hungry for her. He also doesn't dominate her completely. She's as into it as he is. She doesn't move a pace beyond where she is comfortable. He doesn't rush her and aggressively try to get into to submit to him. He doesn't overwhelm her with pleasure he gradually builds her up and lets her chase it. They passionately but tenderly kiss. He caresses her hair and her body. She pulls him close for more and doesn't shy away from her. Yes he's the one who turns her and moves towards the wall but she walks with him keeping up with her pace perfectly. Even when she is pushed against the wall she is excited and challenges him, she's not overpowered. He doesn't yank her clothing off he sensually exposures her. One of the best moments was when he takes her pants off. SHE ACTUALLY HELPS HIM DO IT. Her hands move to remove her own clothing and they actually do it together. He does not flinch when she initially changes position, it's AFTER that he pulls back. He's still into it when she turns and kisses him and nothing about the power dynamics in that kiss changed from their previous kisses.
This is the entire reason I don't agree that Daemon ends their encounter because he no longer had control of the sex act which is what pretty much everybody thinks the creators mean when they speak on this part and why he ended it. Is he shocked that's shes so responsive? Yes but I don't think that shock has a negative impact on the moment because he never actually had complete control of the sex act and he wanted her to feel powerful. That was never the point to begin with. Rhaenyra is supposed to take control of her sexual encounter, she's supposed to be an equal participant. She's supposed to seek pleasure and take what she wants. She's supposed to give him as good as she gets. That's the lesson. That's the whole point of the awakening. This entire thing is about empowering them both, not just him. This empowerment is important for rhaenyra for all the reasons I mentioned above and Daemon knows this. He had an entire conversation with her about this. He comforted her about her lack of all these things earlier. We even hear Rhaenyra tell alicent that her hundreds of suitors don't actually want her, they want her name and her valyrian blood. Daemon is supposed to be the exception. He intentionally wants to make himself the exception. So having Daemon have a motive of wanting to dominate her sexual encounter and being unable to do so which makes him abruptly abandon then sell her out to ruin her for a title her would make this scenario even worse than it already is because it means he wanted to completely disempower her all so that he could have a shot at the iron throne that he was never going to get. It's literally making her worst fear, the source of all of her teen angst for the last 4 episodes come to life. This interpretation colors every single one of their interactions with darkness from the very moment he has a full conversation with her this episode and gives him a level of villainy that completely takes away his nuance as a character because this act with this motivation requires selfishness and callousness towards her that crosses a line. Ultimately I just don't think this characterization well supported by the narrative and It would also make it difficult to even sell a later romance between the two of them.
So the math ain't math'n so how can we make it all add up? That's what this entire analysis boils down to based on what I've already demonstrated:
Daemon didn't set out to manipulate rhaenyra and this was not a well-plotted plan to ruin her. He wanted to initiate her sexual awakening for her own good because he cares and for his own selfish desire to have her sexually
He loves viscerys but still has resentment towards him leading to an unending desire to upset him when the opportunity presents itself. He was well aware that his actions would potentially stick a knife in Viscerys's back if he found out about it and he relished it but it was not merely a ploy to piss him off.
He did not go out of his way to ensure viscerys found out about it. He just didn't care about the consequences if Viscerys or anyone else found out. He had no connection to the spy at all. The spy was Otto doing the whole time with the help of mysaria.
He actually enjoyed her having control during the encounter, it made him desire her even more because he has always been enticed by her moments of self-assuredness. It makes him crave her instead of wanting to reject her.
The only reason he could not complete the sex act with her is because Daemon has psychogenic erectile dysfunction for reasons that are yet to be revealed.
Daemon did not pre-plan asking for Rhaenyra's hand. It happened at the moment because for the same reasons he was unable to get an erection.
If you watch the scene just before he leaves the brothel Daemon is very much still into engaging with Rhaenyra when she turns around to kiss him. As I said before he was actually relishing her show of control, not shying away from it. The problem is at the point in the encounter where she turns around he has already kissed her, caressed her body and he has already stimulated her vaginally.
(You can see his hand move from her hip further down when he has her against the wall. It was clearly meant to stimulate digital stimulation but it was purposely obscured by shadows and angles to focus on Rhaenyra's pleasure versus the actual physicality of the act)
When she turns around the next escalation in their sexual encounter is actual penetration. She wants it. He wants it....only Daemon can not get an erection. That's why he pulls away and looks at her for so long. He is hoping her desire, her look of hunger, her hair, anything will get his penis to stand up but it doesn't. She pushes to continue but he can't to he pulls away every time. He even attempts to push through it but giving in to her again but he still can't perform. That's when he finally reaches peak frustration which is both embarrassing and inconvenient so he leaves her to nurse his wound on his own. That is why he see that he ended up passing our drunk somewhere and Mysaria has to retrieve him. The control the creators were speaking about wasn't control of the power dynamics of the act, it was about control of his ability to perform aka exert his power ultimate during the acts.
Daemon has psychogenic erectile dysfunction. He had this issue before Rhaenyra since we saw him in the middle of sex with Mysaria, someone he clearly enjoys but he was unable to maintain his erection and reach a climax. That's why they even showed us that scene. Daemon is not physically impotent, he has no vascular issues preventing erection, and he has no neurologic issue preventing erection. It's purely psychologic. When he retreats from Mysaria he is clearly preoccupied with several thoughts. He is chaotic as hell but he is extremely emotional. The emotions we see most often are just petulance, anger, and resentment. His encounter with Mysaria established that when Daemon has too many emotions and thoughts in his head it interferes with his ability to sexually perform. I don't when this started but that is exactly what happens with Rhaenyra.
Daemon sexually desired Rhaenyra but I think once he started the actual act of being with her sexually he completely lost control of his emotions and his thoughts NOT the power dynamics that that's what rattles him. Maybe a little bit of guilt for attempting to have sex with his young niece in the middle of a brothel kicked in, after all until this point he has only known her as family and despite the familial history of incest he himself has never actually engaged in it before (that I know of). Maybe he feels something because Rhaenyra completely trusts him and that trust is why he's about to take her maidenhead in the middle of a brothel even though that is not how her first time should actually be. Maybe he feels an overwhelming emotional connection to her at the moment that caught him off guard because this was supposed to be about sex. It's probably all of the above really but the idea is these thoughts come up and he can not control them and because he can not control them he can not get an erection to actually do the one thing he truly set out to do which is have sex with Rhaenyra. He also can not tell her this because she has no idea what erectile dysfunction is and he can not explain it to her without being humiliated. He is supposed to be the one giving her a sexual awakening not a lesson on men with broken penises. So he leaves her there when under any other circumstances he would never do that to her.
That knowledge makes the entire puzzle come together because it gives his reaction at that moment some context that fits with the lead-up and that makes his later actions make some sense.
When he is confronted by Viscerys he straight up lies to enrage Viscerys and to cover for his own humiliation. Those are literally the only real things he can gain from telling that lie. Unbeknownst to us all and Rhaenyra, Daemon also had an awakening with Rhaenyra and that's why when the opportunity presents itself he seizes the chance to take her hand in marriage. Through his humiliation, he discovered that he desires Rhaenyra in a way that is bigger than he realized. He doesn't just want her sexually he wants her fully and completely. He wants her laugh, her childish curiosity, her determination, her ability to see right through him, her bravery, her stubbornness, her petulance, her anger, her beauty, her valyrian blood, her claim, her everything. I mean he straight up tells Viscerys he will take Rhaenyra just as she is. That was about so much more than a reputation. It firmly makes Daemon the opposite of the men Rhaenyra hates which actually fits the narrative but makes it even more interesting because Rhaenyra is unaware of all of this so it gives them so much more to explore and play with for the characters and their relationships later.
So no he didn't plot to marry her, it isn't until Viscerys himself presents him with the opportunity that he decides that's what he wants to do. It solves the problem of her reputation and gets him what he wants which is Rhaenyra and the restoration of his house to a level of glory and admiration that he feels Viscerys has sullied with his weakness. That's why I think it's important to acknowledge that Daemon was being truthful about his motivations when he says he can restore his house to glory. That is definitely a part of it. Sure it makes his intentions less pure but it makes them authentic and that's what matters the most. If this wasn't spontaneous he would have tried to end his own marriage before he even brought it up to make it more likely to happen. Instead, he never asks to end his marriage, he only suggests taking a second wife because at that brief moment where viscerys has him at knifepoint it's the only reasonable way forward. He didn't have time to actually think about a more seamless way to have her hand in marriage.
Finally, Daemon actually does accomplish his goal. Rhaenyra leaves their encounter and she feels fully empowered so much so she feels comfortable propositioning Criston for sex AND she takes the dominant position placing her own pleasure above all. Her view on sex and relationships and her own power have completely changed thanks to Daemon. This is further solidified by the fact that when her father tells her she's marrying Laenor she doesn't fight him. She will actually do her duty now because she gets what it fully means and no longer feels like she will be a prisoner in a marriage. She even feels so empowered she challenges Viscerys to get rid of Otto, a man he has been loyal to for decades AND it actually happens. Rhaenyra can now effectively navigate her future because of one intense experience with Daemon that shifts her perspective and I think that's pretty awesome for Rhaenyra and for Rhaenyra and Daemon as a pairing.
So in summary: Daemon Targaryen is a chaotic man with chaotic feelings but he is sprung on rhaenyra targaryen and he is not a cold-hearted master manipulator. Rhaenyra is now a boss bitch. Thanks, Daemon. The end lol
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cametotheshowinsd · 11 months
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THE ROARING TWENTIES (1929) | Written + Directed by Taylor Swift *ALL-TALKING PICTURE* Flapper Clara falls in love. With a Princeton sophomore. Every night they spend together feels like a dream. All the social occasions, the scent of wine she tasted on his lips, dance floor reflecting broken mirrorball lights, tossing pennies in the pool, sneaking in campus, night walks around the Nassau Hall, joking about school dorms, long dinner that seems never end and sophisticated conversations. His innocence and passion. Her wide-eyed gazes. Breathes that felt too close in the dark. Finally, one day, the kid went down on his knees and pulled that damned rock out of his pocket. Will Clara say "yes"?
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