The Snow Woman (1968)
“I decided that I will not kill you. But in return, you must not tell anyone about what you see today. Even your most intimate people. Even your relatives, your wife or your children. If you say even one word about me, I will kill you.”
Based on the Japanese Folklore of Yuki-Onna, it tells the tale of a sculptor, Yosaku (Akira Ishihama), who encountered a ghost on a stormy snowy night where his mentor was frozen to death leaving him as the only survivor.
Few years later, Yosaku met a beautiful woman named Yuki (Shiho Fujimura) when his mother offered her shelter from the heavy thunderstorm for the night where she befriends them both and admires his craftsmanship.
Over time, both Yosaku and his mother grew fond of Yuki and beg her to stay a bit longer to which she agreed. They eventually express their love for each other and got married, have a child and live a good life, which did not last long.
A priestess saw Yuki at the temple and knows who she really is, confronted her at her home but Yosaku does not believe it as he had seen a ghost before and Yuki is nothing like her. But Yosaku had forgotten the promise he made.
Having broke his promise he made on that stormy night, Yuki reveals her true self to Yosaku before killing him but her attempt was stopped by their child who was crying. Yuki had a change of heart and decides to leave them instead.
***
It’s a good story which shows you that the humans are much more scarier than ghosts as humans are judgemental and egoistical creatures.
There are many folklore versions of Yuki Onna depending on which part of Japan it originates, each prefecture has its own stories and legends.
For this movie, it seems that it is set during Kamakura period, judging by the clothes that they wear and the attitude of the “warriors”.
Yuki’s dressing and hair reminds me of the court ladies of Taira or Heike. She probably died while trying to flee from the war during winter.
But her spirits live on. Maybe the real reason Yuki did not kill Yosaku because he reminds her of her late husband who died in war.
At least that’s what I’d like to think. It’ll make the story more interesting when you include in some historical events.
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Poster for the Nemuri Kyōshirō film Sleepy Eyes of Death 8: Sword of Villainy (1966).
This time around everyone's favorite nihilist ronin discovers a plot by disgruntled Samurai to destroy oil refineries and burn down Edo Castle (and probably the rest of Edo while at it).
Will Nemuri and his fabled sword technique, the Full Moon Cut, be able to stop the plot and save the day?
This film is followed by six more in the series, so you tell me.
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Gemini | Shin’ya Tsukamoto | 1999
Shiho Fujimura, Masahiro Motoki
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The Snow Woman - Tokuzō Tanaka 1968
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Kaidan yukijorô / 怪談雪女郎 (1967)
AKA The Snow Woman, The Woman of the Snow, Snow Ghost, Ghost Story of the Snow Fairy, Ghost Story of the Snow Witch
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Lobby card for Night Flight (Hikisakareta Seiso,ひき裂かれた盛装), 1967, directed by Tokuzo Tanaka (田中徳三) and starring Shiho Fujimura (藤村志保) and Mikio Narita (成田三樹夫).
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