French School, Art Deco fashion illustrations, Feuillets de L'Elegance Feminine (Leaflets from L’Elegance Feminine), from fashion house Premet and Jean Patou for French Fashion Magazine Art-Goût-Beauté, October 1923.
Pipo. - Navy blue serge dress mantle with coloured cotton embroidery, by Madam Premet.
Fleur du Japon. - Red and black satin three-piece, embroidered with small flowers to match, by Jean Patou.
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Douglas Fairbanks, Mary Pickford and Charlie Chaplin on the cover of French magazine Cinea, December 15th 1922. The photo though from 1917, Mary Pickford in costume for her film “Rebecca of Sunnybrook Farm”.
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"This is how I do my makeup" by Claudia Cardinale:
♡ In her luxurious apartment in Rome and with infinite kindness and simplicity, Claudia teaches us her very personal makeup technique and revealed her small and simple beauty advice.
🌞 Light Makeup: For the day
☆ To prepare my skin I apply a light layer of moisturizer on my forehead, cheeks and around the eyes, then I refresh my face with a little cotton wool soaked in rose water, then I apply the foundation and a semi-fluid herbal cream that hydrates the skin.
☆ With a tissue I remove the excess cream with light touches on the face, then I apply a very light powder with cotton that gives the skin a natural transparency.
☆ The eye makeup is light; I highlight the upper eyelids with a black pencil and with a dark brown pencil I outline the eyes a little outside the base of the eyelashes. A touch of pink or soft red lips finishes the makeup.
Voila!
🌙 Heavy makeup: For the night
☆ Above all, you must prepare the skin so that it is soft. Again I apply my moisturizing cream and do a light massage, 20 minutes later the cream is completely absorbed, I lightly rub my face and neck with 2 cotton balls soaked with an alcohol-free herbal product. It's a little trick to keep your skin elastic, rested and fresh for several hours.
☆ I apply the foundation I use lightly, apply it to my forehead, cheeks and chin and then spread it all over my face evenly but without stretching the skin! The powder I use is colorless to highlight eye makeup.
☆ I line my eyes with black pencil, sometimes I use gel kohl: I draw a straight line on my upper eyelid highlighting the corners, I line my eyes in black a little outside the natural lash line, I fill in with dark brown pencil my eyebrows, before applying cosmetics to my upper and lower eyelashes I first powder them and then apply mascara. To shade the eyes, I have a very personal technique: I dilute a little blue or light green shadow with a little cream and spread this paste with a large, flat brush over the eyelids then apply powder on top. The lipstick is very light; natural pink color, this to highlight the eye makeup.
And ready!
Did you like CC's makeup techniques? I love the simplicity and naturalness of her makeup without so much contour, shine, 3 foundations or more. I certainly do the same as CC, less is more!
/Article and photos taken from a French magazine from 1962./
*I added 2 color photos from CC to show what the final result of the makeup would be like*
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Peter O'Toole and his camel
on the set of Lawrence of Arabia
Lawrence of Arabia (1962)
directed by David Lean
Peter O'Toole
as T. E. Lawrence
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