A Night at the Opera, Part II
What to wear?
From The Art of Dressing Well: “The hair should be dressed as for a large evening party, and artificial flowers, jewels, feathers, ribbons, or any style of head-dress peculiar to the fashion may be worn.” “Jewelry must be worn according to the dress, but more is allowable than on most occasions, and the glittering gems are very effective in the brilliant light of a superb opera house.”
James Tissot (French, 1836-1902) • La Mondain (The Lady of Fashion) • 1883-85 • Private collection
There are myths about Victorian women's dress requirements that must be debunked. Firstly, only the ultra-rich could afford to have enough outfits to accommodate the many activities of a busy day. The reality was that women added and shed certain accessories for different activities, without changing their dress five times a day. If she was wearing an afternoon dress but going for a walk, she wouldn't necessarily run to change into a specific walking dress but instead find a hat and parasol and perhaps take off her shawl and replace it with a cape.
Likewise if she were to be invited to the opera. The dress she would choose wouldn't be one that could only be worn to the opera. Instead, the Victorian women would choose her most formal dress, add her best jewelry, and if she had them, wear an opera cape and bonnet. If she did not possess the latter, she could borrow them or make do with her best coat. That woman may not have been among the fashionistas in the audience, as described below, but maybe she enjoyed the opera and didn't care. I get a bit of pleasure imaging that at least a few women didn't give a toss about what others thought! This in spite of my interest in fashion history!
One source stated that it was typical for women (and perhaps men?) to dress according to where they sat but it was not elaborated upon. I assume the more expensive the seating, the fancier the dress.
“Well-dressed as well as handsome ladies are looked for in the audience of an opera, and it is out of harmony with the scene and surroundings to see sombre draperies, heavy bonnets, and dull faces. Ladies are supposed to be seen, as well as to see, and are often the most beautiful part of the display. They should not spoil the beauty of the auditorium by wrapping themselves in cloaks or shawls.” -The Art of Dressing Well
* Sorry, not all sources are cited, as I lost track by not keeping notes.
Part I is here.
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Teresita Montez modelling in 1950.
Teresita is pictured in Paris in September 1950 presenting the winter collection.
Photos 1 & 2: model posing in pants, short hooded jacket.
Photo 3: model posing in jumpsuit and with a scarf on her head.
Photo 4: model posing in checked pants and jacket.
All photos by Walter Carone/Paris Match via Getty Images. She's not credited at Getty Images website not the fashion designer...
Very special thanks to @74paris for sharinh these photos.
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