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#freedom on renaissance
bugstuff4ever · 22 days
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legolas would’ve loved beyoncé 😭💚
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dvktheartist · 2 months
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Ctrl+Alt+Create
Welcome to ‘Ctrl+Alt+Create,’ a collection where the Renaissance meets the digital age. Classical figures, donned in Renaissance attire, engage with computers, exploring the intersection of historical grandeur and modern technology. Beyond aesthetics, these artworks delve into a ‘Digital Freedom Fight.’ Similar to the Renaissance’s cultural rebirth, our era experiences a transformative liberation through technology. Smart contracts and crypto usher in a new epoch, breaking chains and empowering individuals— a modern-day struggle for autonomy. The collection synthesizes classical artistry with digital expression, challenging traditions. Each piece weaves a narrative celebrating the past while embracing the uncharted territories of our digital future. Step into a Neo-Renaissance, where the canvas extends beyond oil and pigment to the boundless realms of code and pixels. https://dvktheartist.xyz/ctrlaltcreate/
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free-mari · 2 months
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.·:*¨¨* ≈☆≈ *¨¨*:·. ☆.。. throw away the lingering regrets that have formed at your fingertips
SKIPPING STONES - TXT
#free-mari (진주) (★) # 1 0 : 3 0
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void-thegod · 3 months
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Humanity needs a spiritual Renaissance that is founded in freedom and self-determination. Where there is an enthusiasm for life and striving to live more abundantly - body, mind, and soul.
Humanity needs to look both inward and outward for all the truths and solutions that we've accumulated over our time on Earth.
I think if the most privileged, the most wealthy, the most intelligent, the most resourceful, and the most well connected among us come together that we can solve this issue of the human condition.
And by "solve" I mean create a world that is so unlike this in form and function as to seem fantastic and paradisical.
Where there is a will that strives for progress against all odds, there is a chance for the impossible.
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kultofathena · 10 months
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instagram
Today We are looking at Claymores differentiated by features and budget.
Good: Deepeeka Claymore with Twisted Wood Grip
Better: The Windlass Freedom Fighter – Early Scottish Claymore The Kingston Arms – Scottish Claymore
Best: Del Tin Scottish Two Hand Claymore
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outstanding-quotes · 2 years
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Langston Hughes, “I Dream a World”
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arakiincel · 1 year
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me when i want to talk about anything substantial in my ap lit essays but my teacher crosses it out as forbidden outside info...
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10868letsgo · 1 year
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Outrageous women of the Renaissance: Spain and Portugal
Gracia Mendes Nasi
Born to a wealthy and prominent Jewish family, Gracia Nasi spent her life helping her fellow Jews escape Christian persecution in 16th century Portugal. Together with her brother-in-law, Gracia established escape routes, set up a spy organization to warn fleeing Jews of danger, and provided ways for escaped refugees to retain their money and property. In her later years, Gracia settled in Constantinople and continued her charitable work by funding hospitals, synagogues, schools, Hebrew-language printers, and Jewish scholars and writers.
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khrused · 1 year
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headcanon: bailey ( age approx 6 in left  ,  age approx 19 in right ) 
since i’m thinking of her. hera and i love her so much! and yes she’s blonde. its bc of ✨ magic  ✨ bailey was also blessed by the gods after they took pity on hera, their creation. already pregnant, they decided to bless the growing infant with a kiss from eros, the god of requited love. bailey is pretty much the embodiment of love.
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mcmansionhell · 3 months
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we've found it folks: mcmansion heaven
Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.
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Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.
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It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.
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The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.
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It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.
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And then there's this kitchen for some reason. Or so you think. Everything the interior design tries to hide, namely how unceasingly peculiar the house is, it is not entirely able to because the choices made here remain decadent, indulgent, albeit in a more familiar way.
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Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.
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A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.
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Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.
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At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.
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And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.
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immaculatasknight · 2 months
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Soaring imaginations
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jtoddring · 3 months
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Beautiful.A note: The Death Of Materialism The Newtonian-Cartesian paradigm or world view of atomistic, dualistic, mechanistic reductionism, is a very recent, 400 year old delusion, a recent blink of the eye, and is now crumbling as an ideology, world view or paradigm. It is also by no means “scientific”. The evidence now refutes it. It is detritus, delusion, dogma, now refuted by quantum…
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joycrispy · 8 months
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One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.
I have a few different things to say about that. Let's unpack them.
As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.
Also: in the naked romanticism with which he views his stars.
We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'
...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'
Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.
Hm.
I'm also reminded of the M25.
The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.
That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.
Cumulatively gigantic, that is. Individually? Negligible.
But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.
It's some clever machinery. And he knows it, too:
The Unnamed Angel and Crowley are both proud of their ideas.
(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)
In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.
Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"
11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'
(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)
Hastur and Ligur don't get it, of course. That's also consistent.
Nobody ever knows what the hell he's talking about.
It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:
He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.
(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?
...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)
Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.
Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).
Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."
To me, at least, that suggests a level of attachment that seems to be rare for Crowley.
...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?
...Anyway.
There's also the matter of the crank handle.
This thing:
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This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.
The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.
He made stars with it.
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[both gifs by @fuckyeahgoodomens]
If you Google 'crank handle,' you'll get variations on this:
Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.
Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.
Stopping time. For instance.
(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)
I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.
(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)
Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?
He made stars. They didn't manage to take that from him.
Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.
Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.
...And yet.
It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.
In light of everything else I've said here, I think that's interesting.
Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?
Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?
What do we name the point to which Crowley loves Aziraphale?
...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.
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bratzforchris · 1 month
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Tumblr Girls, M. Sturniolo
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Summary: Matt can't help but to visit his favorite fuck buddy on tour, who just can't help but to tease him with her Tumblr posts. Songfic loosely based off of "Tumblr Girls" by G-Eazy<3
Pairing: Matt x feminine and influencer!reader
Warnings: Smut, unprotected p in v, marking, bondage, friends with benefits, fingering, oral (f), dom!Matt, choking, intoxicated sex (alcohol), dirty talk, belly bulge, no aftercare but fluffish (?) ending (i do not condone any of this irl!! it is *fiction*)
Word Count: 2.9k
A/N: Get your holy water ready girlies...
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Ever since you were a little girl, you had been enamored by the idea of being famous. Something about the life called to you, whether that be walking down the street and people knowing you, or simply realizing that you were having an impact on someone, somewhere’s life. Fortunately, you had grown up in the age of the Internet, allowing you to truly harness what you had wanted to do for so long. You loved having creative freedom, and you loved making a persona that was truly you. 
You had been making YouTube videos, doing a variety of Instagram influencing, and posting carefully crafted aesthetic photos to Tumblr ever since middle school. Whereas a lot of the girls had moved out of their Tumblr influencer phase, you never really had. You still loved the dark, “grunge” aesthetic of it to this, and had turned your account into a more mature, X-rated theme of what it once had been. You loved doing social media as your full time job for a variety of reasons, from the freedom it gave you to the opportunities. 
Perhaps your biggest “opportunity” was your fellow influencer and YouTuber, Matt. Your relationship with Matt was…complicated, to say the least. As much as you were a wholesome, loving duo on camera, you were filled with an almost primal need for each other off of it too. You and Matt had never discussed a true, established relationship, mostly because you were both so young and so busy, and the rough, hard fucking in itself was enough to satisfy the needs in both of your lives. 
Your careers had consumed both of you as of late, dragging Matt all over the country for the Versus tour, and leaving you back in LA with a variety of brand deals to film and photo shoots to arrange. There was one in particular that you were heavily looking forward to, mostly because you knew that it would drag Matt back to you, unable to help himself. In a fateful turn of events, you had been emailed about a Calvin Klein intimates shoot that would just so happen to drop on the day Matt was back in LA for a show. In an effort to bring back the Tumblr renaissance and the hold Calvin Klein had had during those days, you had insisted that the photos be posted to Tumblr before any other social media platform. 
Matt: i’m back in la tn 
You: oh i know ;)
Matt: ??? huh
You: no reason. just focus on winning tonight :)
You smiled to yourself as you closed your text messages out and migrated over to your photo gallery. Your manager had sent you the photos of the shoot to be posted this evening, and you’d be lying if you said you weren’t planning on fucking with Matt’s head using them. You had missed your fuck buddy, after all. The late night phone sex wasn’t the same as him in your bed, mumbling in your ear about how well you were taking it. 
The photos from the shoot were of you in a gray Calvin Klein bralette with a matching thong. The photos had been toned with a sepia overlay, highlighting the curves of your breasts and hips. Your hair fell back against your shoulders gracefully as your doe eyes stared up at the camera. The shots were nothing short of sexy, making you imagine how Matt would react when he got the post notification. Maybe he would be sitting backstage, getting ready to go on and trying to hide his growing boner both from his brothers and the fans, which only made you smile more. 
You and Matt continued to text back and forth for a while, until you suddenly stopped responding. This was part of your game with each other; to make the yearning so painful that it just made the sex more passionate. Once you saw that it had hit the fifteen minute mark until Matt was supposed to appear on stage, you hit ‘post’ on the Tumblr draft of your photos that you had planned out earlier in the day. The caption, come over 💋, was directly aimed at Matt, but no one else needed to know that. Sure enough, less than one minute later, you received a text from the brunette that had your heart racing and your thighs clenching. 
Matt: what the fuck, y/n?
You smiled as you typed out your own message, imagining Matt biting his lip and trying to conceal the growing tent in his pants as he studied the photos.
You: what? 
Matt: you know what
You: no i don’t 
Matt: that fucking post 
You: it’s part of my job, matt. quit being ridiculous. have you not heard about tumblr girls making a comeback?
Matt: watch it. i’m coming over and fucking that pretty pussy good tonight. 
You knew what your and Matt’s usual routine was, so you grabbed another cup from the cabinet and the bottle of whiskey, migrating over to the gray couch in your living room. You didn’t bother waiting for the brunette to start drinking. Matt had a key to your apartment and would definitely make himself known when he arrived. You slowly sipped at the amber liquid, feeling the heat rush to your cheeks and in between your thighs as you thought about Matt and how much you had missed the feeling of his skin on yours. 
Sure enough, the door swung open with a loud bang a few minutes later. In came Matt, hair disheveled and still in his blue Matthew jersey. His growing erection was obvious as he flopped onto the couch, lips immediately crashing into your own. Matt’s hands were all over you as you devoured each other; in your hair, running across your hips, grabbing your ass. 
“Fuck, baby. I missed you.” he panted, leaning back against the couch as you passed him a drink. 
“I missed you, Matt,” You smiled softly, tucking one of his curls behind his ear. “How has tour been?”
Matt took a large swig of whiskey, before placing the cup on the coffee table. “Good. But not as good as you looked in those goddamn pictures.” he practically moaned. 
“I noticed you have my post notifications on,” You teased, despite blushing at his words. “Catching feelings, Matthew?”
Matt rubbed your bare thigh, scooting closer to you so that he could suckle on the sweet spot behind your ear. “Do you know how hard it was?” he asked, leaving a hickey. “To have to go out on stage with my brothers and act normal when all I could think about were your tits and how I want to pound that little cunt to pieces? Huh?” 
You whined as Matt continued to trail hickeys down your neck, mumbling things like “missed you so bad” and “gonna fuck you so hard” after each one. You two fell back against the soft cushions of the couch, Matt holding you down by the hips as his lips caressed your neck, the curve of your collarbone, and the dip of your breasts. You went to reach for Matt’s ringed fingers, only for him to smack your hand away. 
“No,” Matt said harshly, moving one hand from your hip to your throat. “Tell me how fuckin’ bad you want it first,” he growled, squeezing your throat just enough to make the air catch in your lungs. “Tell me you wanna get off on my fingers like a goddamn bitch in heat.”
You gasped for air as Matt continued to squeeze, your arousal thumping through your veins. “P…please,” You whispered, eyes wide with lust as he continued to choke you just enough to get you going, but not enough to actually hurt you. “Need your fingers.” You whined, looking up at him through your lashes. 
“Good girl.” Matt hummed, alcohol hot on his breath as he moved his hands from your throat to practically rip your gray panties off. 
With your friends with benefits arrangement, there was no time for gentle caressing or sweet nothings. Matt began to finger you roughly, the cool metal of his rings brushing against your slick folds as he rubbed his thumb across your clit at a dizzying pace. He wasn’t stopping there, either. Matt immediately thrust his middle and ring finger inside of you, pulling you closer to him. It had only been a few minutes, and the ache to orgasm was already building in your lower stomach. 
“Matt,” You wailed, nails gripping his back. “Oh my god, Matt,” Tears began to roll down your face as the brunette continued to pleasure you. The combination of his fingers inside of you, the friction on your clit, and the added sensation of his rings were clouding everything in a lustful haze. “Need to cum.” You sobbed. 
“You’re fuckin’ crazy if you think you’re comin’ on my fingers instead of tongue.” he chuckled roughly. 
With that, Matt threw his head down and forced your thighs apart, burying his face in your pussy. He began to devour you like you were the last meal on earth and he was a starving man. His tongue ran across your slit and clit, before licking your hole. You had no choice but to let out little squeals and whimpers as pleasurable sensations attacked you from all angles. Matt ran the flat of his tongue across your clit and you lost it, sobbing as your hands found his hair. 
“Matt, please,” You begged. “‘M gonna cum.”
Your fuck buddy just nodded, still enjoying the taste of you on his tongue. You immediately took it as a sign to let go, releasing the tension that had been building in your stomach. You came all over Matt’s tongue, panting and breathing heavily as your body shook from the pure force of your orgasm. Matt pulled his head from between your thighs, licking his lips and fingers with a smirk, blue eyes hungrily grazing over your body that was still wrapped in the bra and flannel with your bare ass on display. 
“You taste so goddamn good, you know that?” he asked, pushing a strand of hair behind your ear as you panted. 
You smiled as Matt pressed a kiss to your pubic bone, but it was clear that the brunette wasn’t done yet. Matt slowly pulled the red and black material from your shoulders, smiling with more than just happiness. He had an intention and you could see it in the way he was toying with the fabric, eyes lighting up with lust. Matt didn’t speak again until he had removed your Calvin Klein bra, leaving you completely exposed on the couch as he stared down at you. 
“Hands.” he said. 
It was one word, but the command held an authoritative aire that had you thrusting your wrists to meet Matt’s own. Matt knew you better than practically anyone, which meant he knew all of your dirty little fantasies. Knowing you had a thing for bondage, the brunette quickly and expertly bound your wrists together in the flannel, giving it a tight tug to make sure it was secure. Your breath hitched at the pure filth of everything, but all you knew was that this alone was making your legs clench with need for another climax. 
Matt was straddling you on the couch, fully clothed, which just added to the dominance he had over you. You were completely naked and covered in blooming hickeys he had left earlier in the evening with your wrists bound together by a flannel. You truly looked like Matt’s little cumslut, but you couldn’t find the decency in you to care anymore. You just knew that you were at his mercy and that you needed him. Now.
The brunette could sense your urgency and decided to have a little ‘fun’ with you. Matt took his time removing his shirt, allowing you to bask in the glory of him shirtless, all tanned skin and tattoos, but completely unable to do anything about it other than whimper and let out breathy moans. He moved onto his jeans next, painstakingly undoing his belt and throwing his pants to the side. The boy left his boxers on for the time being, teasing you as he stroked his cock through the plaid fabric. 
“Wish that was you, huh? Strokin’ my dick and makin’ me feel good?” Matt chuckled, moaning when he hit a particularly sensitive spot. 
You whimpered and writhed against your bond. “Need you in me, Matt. Please.” You whined. 
Finally, Matt slid his boxers off and tossed them to the side, allowing his erection to finally spring free. His dick was practically touching his stomach, making your mouth run dry with a mixture of excitement and nerves. After so long apart and without truly fucking, you had forgotten just how big he was. Matt climbed on top of you once more, rocking his hips back and forth on your own without actually riding you. 
“Beg for it. Tell me how much you love my cock, baby girl.” Matt groaned at the friction of your skin against his own, becoming harder by the second. 
“I need you inside me. Need your dick, Matt.” You whimpered, the teasing growing straight to your nipples and cunt, making you almost ache with arousal. 
“That’s right. Good fuckin’ girl.”
Without another word, Matt slammed into you, making you take him to the hilt. You let out an involuntary scream at the feeling of suddenly being so full, your back arching against the couch cushions. The feeling of him inside you, bare and hard, was enough to push you to the brink of orgasm. Your second always came faster than your first, and right now was no exception. Matt was riding you at an ungodly pace, his balls slapping against your ass with every thrust as he straddled you. 
“Oh my god, baby,” Matt moaned loudly. “I missed your wet little pussy. So tight, just for me.”
The filthiness of his speaking, combined with your bonds and the feeling of him fucking you was pushing you over the edge. You wanted to tangle your hands in Matt’s hair or run your nails down his back, but instead you were unable to do anything that wasn’t taking his fucking like a slut. Matt pressed down on the bulge in your stomach from being balls deep, a smirk on his face. 
“You feel that, baby? Feel you takin’ me like the cockslut you are?” he chuckled. 
You whined as tears rolled down your face, bucking his hips up to meet his own. “Matt, I…I–need to, please.” You wailed, unable to form coherent sentences in your intoxicated and lustful state. 
“You gonna cum? Gonna make me feel appreciated?” Matt’s blue eyes scanned your face, enjoying the view that was you under him, tied up and sobbing. 
“Mhm!” You sobbed. 
“Then prove it.” he sneered, pressing on your stomach roughly again. 
You didn’t need to be told twice. You immediately let your climax take over, your cunt clenching against Matt’s cock. This caused the brunette to let out a string of curses as you came down from your high, your entire body shaking. He knew he was playing a risky game here, even though you were on the pill, but Matt just loved fucking you bare more than anything in the world. The brunette quickly pulled out, and before you knew it, your stomach was covered in thick and warm, white ropes of Matt’s cum. 
He laid down beside you on the couch, panting heavily as you both came down from your shared highs. Once your breathing had returned to semi normal, Matt kissed you roughly and undid your bonds, before rolling off the couch. Without another word, he pulled his clothes on, straightening his hair. Your fuck buddy kissed your forehead as he busied himself around your apartment, cleaning up the whiskey and cups and retrieving a warm washcloth to wipe down your body with. 
Once everything had been done, Matt tucked you in with a blanket, kissing your forehead. “I gotta go. We’re driving up to San Francisco tonight and I told Nick and Chris I would be back by two. I’ll see ya once the tour is over, yeah?”
You smiled sleepily as Matt slipped out your front door and into the night. Whereas you would’ve loved for the brunette to stay the night, you knew that you both had jobs to do and that right now, you were just fuck buddies and that was that. But as you drifted off to sleep, a warm feeling spread through your tummy that you and Matt wouldn’t stay “just friends” for long.
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tags ♡: @aemrsy @jake-and-johnnies-slut @mattsfavwh3re @suyqa @chrissturnswife @mbsbaby @herxyz @lovingchrissposts @caffeinatedscorpio @bunny-cotton @crazychrisl0v3r @sturnioloxlver @emmagirouard @athaliahxoxo @bitchydragonparadise @ilydeaky @soggyslugg169 @not-phone-guy @books0fever @stingerayyy2 @sunsetsturniolos @mimi-luvzyu @faygo-frog @oobleoob @runasvengence
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courageouslady · 1 year
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Woman with less wages
Last night i was introduced to a video director. He discussed all stuff related to shoot and revealed the script.At very first, I was amazed by his ideas. He said he want me to come at his location for the rehearsal and he would put dialogues of me in the film as per the women ideas, because he is a man so he doesn’t consider himself confident to writing about women’s ideas, so, he would done it only if i come to his place for rehearsal and finalising dialogues. I agreed with him and said yes that yeah i will come to your place and we will work together if you would pay me what I expect. Earlier he said he will pay me whatever i ask for. Yet, i asked the budget he considered for me. And then he said he will pay me only 2000 cents for two days shoot because i am a woman without experience in movie industry. And i was confused how he would have let me decide the dialogues of female role yet he was not interested in paying good and he offered cheap wages which would not be able to cover my travel expenses.
There are men and men and men in every field and they want women to hire for their work in cheap wages. And why they offer less wages because women are already working whatever they pay, cheap or less, which is injustice to we women’s hard work. So, it’s in our hand to stop this injustice.
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arijackz · 1 month
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PICK A CARD: What Era Is Your Beauty From?
☯︎ “A man should hear a little music, read a little poetry, and see a fine picture every day of his life, in order that worldly cares may not obliterate the sense of the beautiful which God has implanted in the human soul.” ― Johann Wolfgang von Goethe
Disclaimer: This is a general reading, take what resonates. I am not suggesting any of these descriptions are cannon to your ancestral history, these are just how my intuition perceived, and then presented your beauty’s energy.
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p1 → p2 ↙︎ p3 → p4
🂽 Pile One 🂽 (the devil, 2oC rev., ace of cups rev., 4oW, 3oC, king of swords, the tower, the world)
❖ Pile one, I feel like I’m watching the Game of Thrones out of context. Just flashes of people from around the Medieval 1400s living their day-to-day; singing, dancing, eating together, and then… not.
❖ The imagery I got when I asked what era your beauty came from, was very longing in nature. There was a lot of joy and celebration but it felt like I was watching the film through teary eyes and a heavy heart.
❖ The “movie” flashed between a thriving culture sharing tales of triumph and having happy, drunk sing-song moments together; and then those same people under a war-torn regime of a very cruel but powerful man. I sense themes of religious persecution, nationwide government-forced famine, and general desecration of the once-peaceful way of life. The population was going through collective mourning.
❖ People lamented over their unfulfillable desire to reconnect with their homeland and all of their loved ones. With the World card at the end of the spread and the Empress at the bottom of the deck, I get the clear image that your beauty is the physical embodiment of a large collective’s longing for the sanctity of their community. You invoke that feeling people get when they remember a bitter-sweet memory that hums fervor in their chest and gives them the fire they need to push forward.
❖ Your beauty comes from an era where the genuine smile and cheer of a pretty girl sparked a nation’s hope for reformation. You are the last remaining connection to long-lost celebration and the heart of a forgotten city.
How Do You Paint The Divine Image of Hope?
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🂽 Pile Two 🂽 (7oC rev., 4oP rev., full moon, leo, sacral chakra)
❖ WHOOOAAaaaaa Ammberrr is the collluuhhhhh of ya enneergyyy!! WHOoaaA, shades of gaawwllddd displayyy naturraalllyyyyyy…..
❖ Just know I was HOLLERING that. This is my hippie pile. My people. Yea that’s right, I’m talking the late 1960s - early 1970s.
❖ Your beauty arose at a time when society desperately needed color (specifically seeing some of you wearing a lot of bright colors or eye-catching jewelry or hairstyles). The world was bleak and the war’s aftermath on the overall mental and emotional welfare of the general public pushed people to radical ideals and birthed a revolution centered around liberation, pleasure, and community.
❖ Your beauty is all sunshine and rainbows. Psychedelics and organic food. The best music in human history (feel free to argue with me, but know that it is going straight out the other ear, mama) and week-long outdoor festivals full of peace, love, and vulnerability with total strangers.
❖ Your beauty brushes people with the chilling winds of shameless pleasure. The taste of unadulterated personal freedom that is almost a societal taboo. Your beauty is so purely liberating.
❖ Lmao, I imagine a guitar riff going off everytime you walk into a room.
❖ You are the physical embodiment of eccentric love and vivacious rebellion.
Play That Funky Music
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🂽 Pile Three 🂽 (The lovers rev., the High Priestess rev., Ace of Swords., 4oC. 7)
❖ Revolution is a running theme for all of the piles. This collective’s beauty awakens people.
❖ I’m seeing a brilliant man going mad at the lack of creative intelligence around him and pushing for societal rebirth. A complete cultural shift from the Dark Ages (pile one), to modernity. This is my Renaissance pile.
❖ You embody the mystical fusion of art, religion, architecture, and science. You are all the world’s intrinsic beauty rolled up into one figure. You are the art that attracts painters, inventors, and philosophers alike.
❖ You have the beauty of an all-around muse. You invoke the spirit of creative passion. It is like people see you and get a stroke of inspiration. Something that kicks them in the ass and tells them to go outside and create.
❖ This pile is very romantic. A classical beauty, like red roses and bottle poems. The universal innate desire to dream big.
❖ Shoutout to my Aquarians, 11th housers, and Shatabhisha natives.
The Medieval-Modern Muse
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🂽 Pile Four 🂽 (king of pentacles, 2oP, 5oP rev., 9oP)
❖ OKAY PLOTWIST?? I don’t know what era this pile’s beauty is from because it’s set in the future.
❖ It’s funny how the last piles were all set in periods of revolution (putting in the WORK) and your pile, the final pile, is set in a better world full of financial stability, the end of inequality, economic fairness, and universal abundance (the fruits of the labor).
❖ Dude, I was trying to read the message at first and was just scratching my head. I was like, “When has anywhere, literally ever been this good???” Then I saw the ace of wands reversed at the bottom of the deck and saw impending change and it clicked.
❖ I also saw some star semblance, and see that your beauty is a reminder to mankind that the “impossible” is already set in motion. The hell we have created will crumble.
❖ You are a physical embodiment of society’s future triumph. You radiate wealth and fairness. My Venusians, especially Libra. You also look regal, something about you makes people want to stand taller.
❖ You got the pride card, I see that you give people the feeling of victory. You are living proof of future triumph in a better world where greed and sorrow are eradicated.
❖ You are the harbinger of the next era.
Introducing The First Titanium Man On The Moon!
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