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#for the sake of ugliness
mcroutfits · 2 months
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8.9/10 famous aesthetics: frank's "I ❤️ Gerard" shirt
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kalopsic-lagomorph · 3 months
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thinking about trolls hair genetics
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pissfartboy · 6 months
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from Trials of Fatherhood ch 3 :) ao3 & wattpad by my favorite person Maxfox Jimininii
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arttsuka · 2 months
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That one meme but I drew them sleeping. Also fuzzy socks for Spock.
The 'reference':
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kim-woonhak · 28 days
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HANGYUL BAE173 ✧ 240327 ‘Fifty-Fifty’
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braimin · 2 months
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I haven't reached the wci arc yet, but I've accidentally spoiled enough of it for myself that I know some of the headcannons I have must have gut wrenching effects on Sanji's psyche. Like the unconditional love Zoro shows him, the endless patience he has the care he shows both through words and actions.
It must make Sanji so happy and yet so scared of the possibility of loosing it all.
Sanji is the type of partner that's like "Taking care of me if rotten work." and Zoro will always say "Even if it is, it'll be worth it if it's you."
Sanji spent so long being told he was a failure, worthless, being alone. And now he's got a group of people who love him so deeply, who see value in him simply existing. He has a partner who holds him as if he's a treasure to be kept safe. He's loved by people who will tell him so whenever they want or whenever they think he needs to hear it.
The fear of loosing it all must be damn near torture. The more time passes, the harder it's gonna be for him when the other shoe finally drops.
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dennisboobs · 5 months
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some of you should not speak on dennis until you've rewatched sunny in full instead of just the macden-centric eps.
#literally not even a matter of like. different interpretations it's just some of y'all forget literal canon events that disprove shit#i get schooled by people abt den too i have my weaknesses w writing him#but like oh my god#some of y'all would be better off if you looked at him outside of a macden context#he's not evil incarnate#he's fucked up and he does awful shit#but that is a little boy wearing an adult face#to just make him evil for no reason completely removes any interesting bits of him.#one of the keys to sunny's writing is that#rcg always makes sure that motivation is understandable *in that character's eyes*#dennis has a very specific purpose for everything he does#he isn't just cruel for no fucking reason#he's 'brutally honest' because he thinks its his duty to break the news#he's absolutely entitled and arrogant and misogynistic#but he doesn't set out to be Mean just for the sake of it#den thinks he is doing good. he thinks he's in the right. its not him it's everyone else.#he's doing you a favour by saying you're ugly (and propping up his own decimated self esteem)#that being said he's also not innocent pookie either#but i would say its like. in a lot of ways he IS oblivious to the reality of what hes saying/doing#part of that is his privilege as a white man who grew up being supported by and continues to be supported by his parent's wealth#but the gang enables the shit he does just as frank financially enables him#they are so insular it's like impossible to break out of the gang and interact with normal people#because if they don't get it then dennis is going straight back to the gang to feel validated and to hell w everyone else#on some level he knows shit is unacceptable but he's never learned Why and never will because theres no reason to#like when mac is completely fucking shocked by den talking abt the implication dennis CANNOT let that go unchecked#he needs mac to understand him because he's realizing that it's *actually* fucked up. bc even mac thinks so.#and when dee calls what happened with klinsky Rape everything IMMEDIATELY crumbles for him#dennis is introspective but he will justify shit and compartmentalize until his friends challenge it#he looks to media; tv and movies where the protagonist gets away with shit because its schlock fiction#and dennis DOES see himself as a protagonist. it's all justifiable bc he's the good guy.
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frogisanut · 5 months
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anyway i redesigned my design of terezi yeahhhh!!
shes. shes a deer... kind of... theh have a deer tail!! and ears!! and hooves!! actual hooves though.. /gen
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ducktracy · 8 months
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he needs what us city folk call "a bath", but my vintage cartoon collection grows as i accidentally drown myself in more pigs because nobody made any Daffy merch in the 40s
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swine shrine
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dreadnotau · 3 months
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Happy three years everybody! As always, there’s a lot to say on the occasion, so pop in at the end of the post for the tl;dr if you don’t have time for my detailed diatribes, haha
Boy, time flies, huh? Feels like the second anniversary was just yesterday, but maybe that’s just the several long hiatuses getting to me. I’ve been scarce on uploading anything anywhere for a while now, even though I promised I’d actually pick up the slack this time around. What gives? Well…
For one, college hell, and for two, a lot of unfounded anxiety about putting my art out there. Allow me some theatrics for a moment and I’ll actually get back to the comic at hand… I’ve never had an exceptionally supportive environment for making art. It wasn’t suppressive, not in the slightest, but it also wasn’t… encouraging. It was always treated as a hobby or a distraction rather than something I was allowed to be fully proud of, especially because a lot of my art focused on more cartoon-y and fantasy ideas, rather than still life studies and painting (which people generally outside of the art sphere tend to value more, arbitrarily). Couple that with a childhood full of being bullied over minute shit you hadn’t even considered could be an issue before, and you get a teenager hellbent on never sharing his interests or ideas with anyone, mostly due to the fear of rejection.
I’ve grown, thankfully, but that paranoia and fear doesn’t go away overnight. As I’m sure you all know, Meowchela was the one who originally encouraged me to post this comic, and the only reason she succeeded was because she was the first person in a long time who listened and engaged with my interests and my art in a meaningful way. It’s kind of obvious her friendship had a profound impact on me, and I’d cite her as one of the reasons I was even hopeful enough to apply to an art college in the first place! This comic, and that bond with another person, proved that maybe these things I’m so passionate about weren’t duds, and weren’t something I had to keep to myself.
So, fast forward a few years. About three years, in fact.
During one of my classes, right before this hellish two weeks of exams started, one of the class assistants talked me into showing my comic pages to one of my professors. He’s generally a pretty open guy when it comes to new mediums, but I’m always… apprehensive about showing my less “traditional art”-y things to professors, but, he ended up being genuinely proud of it. Specifically, I showed him pages 85-87 (because they’re my favourites) and, he didn’t read the text, just the visuals were enough for him to say “good job, keep it up” (which is HIGH praise from that guy). When I mentioned I’ve been meaning to simplify the visuals because I didn’t have time to work on the comic very often because of college and classes, he dismissed it on principle. I was honestly caught off guard. Heavily paraphrasing, he suggested that worsening the visuals for an arbitrary deadline was counterproductive to making something that’s Good™.
That’s kinda stuck with me. For a good few years now I was more focused on optimisation rather than visual improvement for the comic, and though it HAS contributed to better visuals in some ways (cutting corners sometimes makes for a less pointy and jagged end result), it’s kind of weird I’m treating an art project that way, isn’t it? I set a lot of… arbitrary deadlines and standards for myself, in the form of expectations and what I “should” or “shouldn’t” be doing at certain stages in my life. I’ve thought of Dread Not as a passion project second and a stepping stone first, if I’m being honest. As if it was too… fandom-y and derivative to be treated with more gravity than that, like it’s an immature project because I was still a child when I came up with it. As if it was something I’m making to Build Up to Something Else, something Bigger and Cooler and More Important, and… the more I think about the future of Dread Not, and even my future career options, the more I realised that’s, ironically, a really immature way to think about it.
If there’s one thing going to this art college has taught me, is that there’s no “right” way to make art, and there’s no “right” way to success as an artist. There’s no clear-cut paths, just more commonly treaded roads, but even those are heavily overgrown. Why should I try to box myself into thinking I have to make things from complete scratch to be taken seriously? What’s so bad about Dread Not as a story and as a comic that’s caused me to vaguely keep it under wraps when conversing with people in my day-to-day life? Why wouldn’t I put all these skills I’ve acquired to improve and expand this project that’s Right There, WAITING for me to finally get off my ass and get pages out there again?
I wish I could say I’ve used all this time away in a particularly clever way, but I really haven’t - at least, it feels like I haven’t. My art has undoubtedly improved over time (though admittedly the art for this post was Very rushed, fuckin exams), and while I’ve been working on projects in the background, chipping away at them in a VERY disorganised way, I haven’t been posting that progress anywhere, and I haven’t made any good progress on my biggest project, Dread Not, because of the other ones. And, honestly? Admitting that kinda stings. This comic means a lot to me, and I wish I actually gave it the time and attention it deserves instead of letting it sit out hiatus after hiatus because I keep failing at structuring my time.
So, my new plan is a little more abstract: find a way to work Dread Not into my school schedule, and slowly build a habit of working on it more often. No clue how long that’ll take, but I think it’ll be worth it to consider it as an option, and hopefully finally end these long, drawn out hiatuses with short bursts of uploads in-between. HOPEFULLY. Building habits was never my strong suit, so please bear with me while I figure this out in what will probably be the most hectic upload schedule in this comics history, which is: no schedule at all.
From now on (until the end of Act 1), I’ll upload pages when they’re ready, and depending on how the weeks go and how complex the page is, they could be weeks or days apart from one another. Hell, some might even take a month to finish if school stuff gets REALLY hectic (god knows Hellish Exam Week number 1 and number 2 won’t be giving me much time to work on the comic), but I’m determined to do this. I want to be able to put my all into this project again!!
(And hopefully finish Act 1 by the end of this semester…)
TL;DR: College is giving me life lessons I didn’t expect, and because of them I’ve decided to give myself a non-existent upload schedule for Dread Not: Pages will be posted when they’re ready, and the spacing between pages could wildly vary depending on circumstances and the actual complexity of the page itself.
As always, thank you for being here, thank you for reading, and thank you for being patient!
If all goes well, there will be new content very, very soon.
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hanako-san · 9 months
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Special edition with booklet the collaboration cafe Bakeneko Ryokan Hanakotei and prequel Genkaii Detective Agency
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mamawasatesttube · 2 months
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you guys i have so many thoughts about tdr. i have so much to say. like i don't want to be super mean but dude that comic fucking sucks and i can't lie i think it made me kind of homophobic actually
#my stance up to now has been that i don't really care about tim/ber but now that i have read this. dude...#it sucks that they gave a canon queer tim narrative to someone who uses homophobia as shock value and virtue signaling points#and who actively tears down characters who don't like her special little uwu flawless oc (kate im so fucking sorry)#there's no substance to this relationship i don't see why they even like each other#bc she keeps just stating oh they're perfect they make each other so happy but she doesn't like. show that at all#and i HATE the shock value homophobia like i cannot overstate how much i hate it#oh these random cops are homophobic (that's how you know they're BAD!)#oh bernard's parents are homophobic (that's how you know THEY'RE bad too!)#it's so hamfisted and it reads like such. cheap storytelling#especially bc tim as narrator doesn't even get to have ANY thoughts on his own queerness or seeing this homophobia in the world around him#and then she can't go more than two pages without being like BTW BERNARD IS THE BEST EVER AND TIM CAN'T STOP THINKING ABOUT HIM#while against this ugly backdrop of shock value homophobia#there's no substance to this relationship. why do they even like each other. it just falls apart if you examine it at all#because she just is fundamentally incapable of writing either of them as people with character flaws#for fucks sake she can't even be consistent with tim's BASIC character tenets. ''i always dreamed of being batman'' false lmao#but then to follow it up with ''i never wanted to be batman i always wanted to be my dad''#and then on TOP OF THAT to make the Only mention of Jack drake and his impact on tim's life ABOUT BERNARD AGAIN.#yeah sorry im a hater now. this was shit tier#rimi talks
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feldsparite · 6 months
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all-out attack...?
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fear-no-mort · 5 months
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i like the thought that had this episode took place before the hunt for prime ended or even before season 6, rick would’ve saw that morty was up in space somewhwre and he would’ve just inserted himself into the situation, even if it meant severely fucking things up, just so he could be there with morty. after rick started focusing on prime again he’s really kinda taken a step back and went Ok maybe i should stop being so insane about my grandson and killing people and whole planets and creating whole new pocket dimensions and species for him. and yeah i do think a huge factor for why things literally went SO well and everybody got a completely happy ending in this adventure is because rick wasn’t there, and also because morty WAS there
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tsubasagirl · 1 month
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My seventh photo featuring my 3 fav edge lords
(Also an attempt at making a funny photo ‘3’)
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bttf-dork · 9 months
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Headcanon that after the events of A Fistful of Dollars, Blondie/Manco/Joe finally ends up buying a ranch with some of the money he’s accumulated over the years and (somewhat) settles down.
And then people from his past inevitably start finding him and he wakes up one morning to see Tuco and Col. Mortimer having a showdown on his front porch.
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