#film: La Belle et la Bête 2014 | Explore Tumblr Posts and Blogs

batb-source · 7 months

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Léa Seydoux as Belle in La Belle et la Bête (2014), dir. Christophe Gans

#perioddramaedit #periodedit #filmauteur #userfilm #cinemaspam #dailyworldcinema #worldcinemaedit #adaptationsdaily #moviegifs #cinemapix #filmedit #chewieblog #la belle et la bete #lea seydoux #character: belle #adaptation: film #film: La Belle et la Bête 2014 #post type: graphics #*mine

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itsscatballou · 11 months

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I watched this movie for the first time today, and I’m not sure I’ll be able to think about anything else for the foreseeable future.

Please watch it as soon as possible - La Belle et la Bête 2014.

#beauty and the beast #la belle et la bête #beauty and the beast 2014 #im obsessed #this is going to be my entire personality now #I don’t even watch Foreign movies #movies #movie #french #filmgifs #film

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andtorturedhandssopale · 2 months

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enough fooling around, who's gonna be my love interest who i pin on the frozen surface of a lake while i yell at you "now you know who i am. tell me again that i disgust you. tell me." and as our faces get closer, the ice breaks and you go under. la belle et la bête (2014) style.

#it's been years since i last watched the film but that specific scene did something to my brain dare i say... won't be elaborating.#and the movie was so much fun it was so over the top and extravagant and creative and the chemistry between the leads was off the charts #la belle et la bête 2014

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danielle-b · 2 years

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La Belle Et La Bête 2014 🎬✨

DIR: Christophe Gans.

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lucy-ghoul · 1 year

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rewatched the beauty and the beast 2014 movie (the one with vincent cassel) and despite the aesthetic and sexual tension being great i still don't understand how exactly belle fell in love with this huge cat guy maybe she's just a monsterfucker

#it was a pleasant watch but still. the question stands #now i'm on a roll and i think i'll rewatch the jean cocteau one and panna a netvor #does anyone have other good recs? even stuff like legend (that ridley scott film where the only memorable thing is tim curry #playing the lord of darkness who falls in love with a princess. tom cruise whomst?)#uh. maybe i should rewatch labyrinth too #beauty and the beast #la belle et la bête 2014 #val speaks #txt

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goblins-riddles-or-frocks · 2 years

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🔥Beauty and the Beast, any version

If we’re talking about the literal story, I think my most favorite version is probably the Cocteau film? I absolutely love the line drawn between the Beast and Belle’s suitor. And also that the Beast isn’t really that volatile, there are just rules to the curse that he must adhere to. And the fairytale aspect of him asking her to marry him every evening is just very interesting. These are the things I would personally love to see expanded on and explored the most? So the Disney film becoming the de facto pop culture take and what people lift from in modern adaptations and retellings does get a little boring to me.

Generally speaking, variations that simply swap out an angry/abusive man for a literal beast just don’t interest me? It’s too literal of an allegory. I like explorations of abuse a lot! And I think Beauty and the Beast is an interesting vehicle to get into like captor bonding or fucked power dynamics. But if the extent of the depth is Beast = violence and Human= good husband then it’s just idk simple and boring to me and I dislike the implication that there may be an easy out like that for that kind of volatility. I just need a little more nuance to the metaphor there, if that makes sense?

Send me a 🔥 and a topic and I’ll give you my unpopular opinion on it!

#for this reason I also haaaated the 2014 french film #🔥 unpopular opinion meme #beauty and the beast #la belle et la bête #i ramble sometimes #all the bendy punctuations

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belle-primrose · 1 year

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Beauty and the Beast (2014 film) (French: La Belle et la Bête)

Léa Seydoux as Belle

Vincent Cassel as Bête (Beast)/Prince (Prince)

So this is the french version of Beauty and the Beast. It differs quite a bit so don't expect it to be like the Disney movie (or like the other french movie from 1946). Here they gave Belle a multiple dresses ( I will probably make a sperate post to show more of them), she also has brothers and sisters instead of just a father. Belle and the Beast have a sort of a magical connection in her dreams through which she finds out his past.

The movie is very pretty, probably the only weak point in it was the romance. To me it felt too rushed and not as believable. Regardless It's still great and I do recommended it.

#beauty #beauty and the beast #la belle et la bête #2014 #french movie #french #lea seydoux #vincent cassel #aestethic #fairtytale #favourite movies #movies #movie recc #movie recommendation #costume drama #new post #historical fashion #dress #book adaptation

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ladywatereton · 9 months

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🇬🇧“In joy or sadness, flowers are our constant friends. We eat, drink, sing, dance, and flirt with them. We wed and christen with flowers. We dare not die without them. We have worshipped with the lily, we have meditated with the lotus, we have charged in battle array with the rose and chrysanthemum. We have even attempted to speak in the language of flowers. How could we live without them? It frightens one to conceive of a world bereft of their presence.”

🇧🇷“Na alegria e na tristeza, flores são nossas amigas constantes. Comemos, bebemos, cantamos, dançamos e flertamos com elas. Casamo-nos e batizamos com flores. Não ousamos morrer sem elas. Cultuamos com lírios, meditamos com lótus, investimos em formação de batalha com rosas e crisântemos. Tentamos até falar a língua das flores. Como poderíamos viver sem elas? Aterroriza-nos imaginar um mundo sem a sua presença.”

💐O Livro do Ch�� | The Book Of Tea, Okakura Kakuzō (1906).

🎥Films: Anne of Green Gables: The Sequel (1987), Howard's End (1992), Pride&Prejudice (2005), Marie Antoinette (2006), Atonement (2007), Bright Star (2009), Anna Karenina (2012), La Belle et la Bête (2014), Emma (2020).

📺Series: North&South (2004), Anne With an E (2017), Sandition (2019), Bridgerton (2020).

📼Scenes: @greengableslover

🎶Music: Evergreen, Richy Mitch & The Coal Miners.

#ladywatereton #anne with an e #pride and prejudice #north and south #quotes #books #bridgerton #la belle et la bête #marie antoinette #emma #sanditon #period drama #period piece #period edit #aesthetic edits #aesthetic #atonement #anna Karenina

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demonscantgothere · 1 year

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. . . I may gotten carried away in making a moodboard/image set for Beasts of the Hill and Serpents of the Den.

All the art, save for the werewolf, is concept art from the 2014 film La Belle et la Bête.

#saurondriel #sauron x galadriel #galadriel x sauron #haladriel #galadriel x halbrand #halbrand x galadriel #my fic #beasts of the hill and serpents of the den

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lucaf2019 · 7 months

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Intervista rilasciata in occasione dell'uscita del film "La Belle et la Bête", regia di Christophe Gans, 2014

#léa seydoux #leaseydoux #lea seydoux #la belle et la bête #christophe gans #the beauty and the beast

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thirdrowcentre · 1 year

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2 years ago I decided I should watch at least two movies I’d never seen before a week. That year I managed 278 films. This year I have 346 first-watch-films, and so many more still to see. These are ones that stood out, in no particular order other than the order in which I saw them. Movies are magic, history and humanity, and how lucky are we to have them.

2022 FIRST WATCHES – STANDOUTS

January

Career Girls (dir. Mike Leigh, 1997), 4 January

Titane (dir. Julia Ducournau, 2021), 8 January at Prince Charles Cinema

La Chienne (dir. Jean Renoir, 1931), 18 January

Panique (dir. Julien Duvivier, 1946), 20 January

Undine (dir. Christian Petzold, 2020), 21 January

An Angel at my Table (dir. Jane Campion, 1990), 23 January

Drive My Car (dir. Ryusuke Hamaguchi, 2021), 29 January at Prince Charles Cinema

February

Parallel Mothers (dir. Pedro Almodóvar, 2021), 7 February at Rich Mix

Life is Sweet (dir. Mike Leigh, 1990), 18 February

March

Accattone (dir. Pier Paolo Pasolini, 1961), 5 March

In the Cut (dir. Jane Campion, 2003), 6 March

Phoenix (dir. Christian Petzold, 2014), 10 March

Outer Space (dir. Peter Tscherkassky, 1999), 16 March

Cleopatra (dir. Joseph L. Mankiewicz, 1963), 20 March

Inside (dir. Bo Burnham, 2020), 31 March

April

Scenes with Beans (dir. Ottó Foky, 1975), 5 April

High and Low (dir. Akira Kurosawa, 1963), 9 April

Una Mujer Fantastica (dir. Sebastian Leilo, 2017), 13 April

Women on the Verge of a Nervous Breakdown (dir. Pedro Almodóvar, 1988), 19 April

May

Chungking Express (dir. Wong Kar Wai, 1994), 2 May

Zazie dans le metro (dir. Louis Malle, 1960), 5 May

Three Colours: Blue (dir. Krzysztov Kieślowski, 1993), 11 May

La 317e Section (dir. Pierre Schoendoerffer, 1965), 28 May at Christine 21

La Collectionneuse (dir. Eric Rohmer, 1967), 30 May

June

Remorques (dir. Jean Grémillon, 1941), 1 June

Orphée (dir. Jean Cocteau, 1950), 17 June

Les plages d’Agnès (dir. Agnès Varda, 2008), 20 June

La belle et la bête (dir. Jean Cocteau, 1946), 21 June

Moonage Daydream (dir. Brett Morgen, 2022), 25 June at Showroom, Sheffield

July

Endless Summer (dir. Bruce Brown, 1966), 2 July

L’une chante, l’autre pas (dir. Agnès Varda, 1977), 12 July

Junior (dir. Julia Ducournau, 2011), 17 July

The Big City (dir. Satyajit Ray, 1963), 23 July at BFI Southbank

Andrei Rublev (dir. Andrei Tarkovsky, 1966), 24 July at Prince Charles Cinema 35mm

Flee (dir. Jonas Poher Rasmussen, 2021), 24 July

Salò, or the 120 Days of Sodom (dir. Pier Paolo Pasolini, 1975), 30 July at Prince Charles Cinema 35mm

August

Blood and Black Lace (dir. Mario Bava, 1964), 4 August

Happening (dir. Audrey Diwan, 2021), 9 August

Nope (dir. Jordan Peele, 2022), 15 August at Castle Cinema, 29 August at Vue Islington

Brute Force (dir. Jules Dassin, 1947), 16 August

Naked City (dir. Jules Dassin, 1948), 30 August

September

Gaslight (dir. George Cukor, 1944), 1 September

The Red Balloon (dir. Albert Lamorisse, 1956), 5 September

A Valparaíso (dir. Joris Ivens, 1963), 8 September

Raw Deal (dir. Anthony Mann, 1948), 10 September

Little Dieter Needs to Fly (dir. Werner Herzog, 1997), 25 September

October

The Killers (dir. Robert Siodmak, 1946), 8 October

Foolish Wives (dir. Erich von Stroheim, 1922), 9 October at BFI Southbank (London Film Festival)

One Fine Morning (dir. Mia Hansen Løve, 2022) at Odeon Luxe West End (London Film Festival), 14 October

Orlando (dir. Sally Potter, 1992), 19 October

7 Days in May (dir. John Schlesinger, 1964), 22 October

Seconds (dir. John Schlesinger, 1966), 28 October

November

The Rider (dir. Chloe Zhao, 2017), 1 November

Los Huesos (dir. Cristóbal León, Joaquin Cociña, 2021), 10 November

Fire of Love (dir. Sara Dosa, 2022), 13 November

Aftersun (dir. Charlotte Wells, 2022) 19 November at Castle Cinema

The Draughtsman’s Contract (dir. Peter Greenaway, 1982) 26 November at BFI Southbank

December

Sullivan’s Travels (dir. Preston Sturges, 1941), 3 December

Victim (dir. Basil Dearden, 1961), 8 December

Le Pupille (dir. Alice Rohrwacher, 2022), 16 December

The Queen of Spades (dir. Thorold Dickinson, 1949) at BFI Southbank, 30 December

Honourable mentions

Barry Lyndon (dir. Stanley Kubrick, 1975) at la Filmotheque du Quartier Latin, 8 May. I don’t like Kubrick but I think I liked this. Titane at the Cinematheque Francaise in Paris with Ducournau Q&A, 16 May. Top Gun Maverick at the Vue Leicester Square, 6 June, with my best friends. Jane (2017) at Sheffield DocFest, introduced by Brett Morgen. I had literally had 10 minutes sleep the night before. 26 June at Showroom, Sheffield

Moonage Daydream at BFI IMAX, while the Queue was ongoing. 17 September. Mrs Harris Goes to Paris (Anthony Fabian, 2022) at 11am on a Sunday at the Vue Islington. 29 October. Glass Onion (Rian Johnson, 2022) at the Rio Cinema in Dalston on a very uncomfortable date. 25 November

And rewatching The Third Man (Carol Reed, 1949) for the first time since I wrote my dissertation on it, six years ago.

#film #new year

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batb-source · 1 year

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Léa Seydoux & Vincent Cassel in La Belle et la Bête (2014), dir. Christophe Gans

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danielle-b · 2 years

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𝐋𝐚 𝐁𝐞𝐥𝐥𝐞 𝐄𝐭 𝐋𝐚 𝐁𝐞̂𝐭𝐞 🎬✨

DIR: Christophe Gans.

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yanncavell · 26 days

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Dans le film "La Belle et la Bête" (2014), les pillards d'un château décoré de statues aux yeux de rubis dérobent ces pierreries d'un rouge flamboyant, les arrachant à coups de masse et à la pointe de leurs coutelas.

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hellostarrynightblr · 4 months

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highlights of June-December

Favourite movies: The Farmer's Daughter (1947), Oppenheimer (2023), The Bourne trilogy (2002-2007), Gojira -1.0 (2023).

Decent movies I liked / appreciated but not loved: Highlander (1986), From the Terrace (1960), Mary Poppins (1964), Mission: Impossible - Dead Reckoning Part One (2023), If I Were King (1938), The Equalizer 3 (2023), No Way Out (1950), Robin Hood: Men in Tights (1993).

wtf movie/ending: Spider-Man: Across the Spider-Verse (2023) just because they ended it like an episode of a TV show rather than a part one of a movie. I knew it was part one and even I was sitting at the cinema confused once the credits rolled. Also, in the best way, They Won't Believe Me (1947). I was not expecting the film to end like that at all. AT ALL. Also, Caught (1949) has the most unsatisfying tonal shift in the end I probably have ever see. Up until that last few minutes, it was solid, dark, edgy even. Just the way I like my noirs to be. And then the resolution and it is just…. huh?

Best scenes: the Spider Men chase scene in Spider-Man: Across the Spider-Verse (2023); Alfred leaving Mary for good in From the Terrace (1960); the finale in They Won't Believe Me (1947); father's final walk to work in Mary Poppins (1964); the bomb / 'You will remember this day' in Oppenheimer (2023); saying goodbye to the 'daughter' in Gojira -1.0 (2023); the garage confrontation in Caught (1949).

Favourite genres: action, adventure, drama.

Favourite directors: Christopher Nolan (Oppenheimer, 2023); Joaquim Dos Santos, Kemp Powers, Justin K. Thompson (Spider-Man: Across the Spider-Verse, 2023); Robert Stevenson (Mary Poppins, 1964); Paul Greengrass (The Bourne trilogy, 2002-2007); Joseph L. Mankiewicz (No Way Out, 1950); Takashi Yamazaki (Gojira -1.0, 2023); Mel Brooks (Robin Hood: Men in Tights, 1993); Sidney Lanfield (The Hound of the Baskervilles, 1939).

Favourite actors: Robert Cummings (The Lost Moment, 1947), Susan Hayward (The Lost Moment, 1947 and They Won't Believe Me, 1947); Paul Newman, Joanne Woodward (From the Terrace, 1960); Ethel Barrymore, Loretta Young, Joseph Cotten (The Farmer's Daughter, 1947); Robert Young (They Won't Believe Me, 1947); Tom Cruise, Hayley Atwell (Mission: Impossible - Dead Reckoning Part One, 2023); Matt Damon (The Bourne trilogy, 2002-2007); Ronald Colman (If I Were King, 1938); Denzel Washington (The Equalizer 3, 2023); Sidney Poitier, Linda Darnell, Richard Widmark (No Way Out, 1950); Cary Elwes (Robin Hood: Men in Tights, 1993); Bob Hope (The Ghost Breakers, 1940); James Mason, Barbara Bel Geddes, Robert Ryan (Caught, 1949); Ryunosuke Kamiki, Minami Hamabe (Gojira -1.0, 2023); Cillian Murphy, Emily Blunt, Robert Downey Jr. (Oppenheimer, 2023); Julie Andrews, Dick Van Dyke, David Tomlinson, Glynis Johns (Mary Poppins, 1964). (Dick Van Dyke is an international treasure, I absolutely love this sweet, sweet man!)

Least favourite performances: anyone in Angels Over Broadway (1940) is pretty forgettable, Douglas Fairbanks Jr. in particular. I did not like Nine 1/2 Weeks (1986), so it might be affecting my perception of Mickey Rourke and Kim Basinger's performances as I know both of them are more than capable performers. George Sanders is pretty bland in The Strange Affair of Uncle Harry (1945). Vincent Cassel is bizzare in La belle et la bête (2014).

The most wasted cast: I don't think there is any particular cast that was wasted this time around. I didn't enjoy Angels Over Broadway (1940), so might be this one.

The best wasted premise: The Lost Moment (1947). It's not a bad film, but way too rushed. Had they taken more time, I think the film would have been much, much better.

Best premise: Highlander (1986); No Way Out (1950); Gojira -1.0 (2023).

Favourite cast: Oppenheimer (2023), hands down. Cillian Murphy, Emily Blunt, Robert Downey Jr., Alden Ehrenreich, Scott Grimes, Jason Clarke, James D'Arcy, Kenneth Branagh, Tim DeKay, David Krumholtz, Florence Pugh, Matt Damon, Dane DeHaan, Josh Peck, Rami Malek, Casey Affleck, Gary Oldman. At one point I just started listing every actor I know who's popped up in this, it got crazy.

Favourite on-screen duos: Robert Cummings + Susan Hayward (The Lost Moment, 1947); Paul Newman + Joanne Woodward, Paul Newman + Ina Balin (From the Terrace, 1960); Loretta Young,+ Joseph Cotten, Ethel Barrymore with literally anyone (The Farmer's Daughter, 1947); Julie Andrews + Dick Van Dyke (Mary Poppins, 1964); Tom Cruise, Hayley Atwell (Mission: Impossible - Dead Reckoning Part One, 2023); anyone in Oppenheimer (2023); James Mason, Barbara Bel Geddes (Caught, 1949); Bob Hope + Paulette Goddard (The Ghost Breakers, 1940).

Favourite on-screen relationships: my favourite is easily Larry Quinada and Leonora Eames from Caught (1949), but I have a few others. Alfred Eaton + Mary St. John (in a very toxic, unhealthy way) and Alfred Eaton + Natalie Benzinger (From the Terrace, 1960); Katrin Holstrom + Glenn Morley (The Farmer's Daughter, 1947); Bourne + Marie (The Bourne Identity, 2002 + The Bourne Ultimatum, 2004); Koichi Shikishima + Noriko Oishi (Gojira -1.0, 2023).

Favourite characters: Alfred Eaton, Mary St. John (From the Terrace, 1960); Mrs. Morley, Katrin Holstrom, Glenn Morley (The Farmer's Daughter, 1947); Jason Bourne (The Bourne trilogy, 2002-2007); Larry Ballentine (They Won't Believe Me, 1947); Mary Poppins, Bert (Mary Poppins, 1964); Ethan Hunt, Grace (Mission: Impossible - Dead Reckoning Part One, 2023); J. Robert Oppenheimer, Lewis Strauss (Oppenheimer, 2023); Jason Bourne (The Bourne trilogy, 2002-2007); François Villon (If I Were King, 1938); Robert McCall (The Equalizer 3, 2023); Edie Johnson, Dr. Dan Wharton, Dr. Luther Brooks (No Way Out, 1950); Koichi Shikishima, Noriko Oishi (Gojira -1.0, 2023), Robin Hood (Robin Hood: Men in Tights, 1993); Larry Quinada, Leonora Eames, Smith Ohlrig (Caught, 1949).

Favourite quote: Let no one laugh at our absurd design, but pray to God that he forgives us all. (If I Were King, 1938). I also love this exchange in From the Terrace: Mary St. John: You've touched me deeply. Alfred Eaton: But not in the right places.

Favourite fact discovered in 2023: James Mason asked to play the good guy in Caught (1949) because he wanted a break from playing bad buys in British films. Gojira -1.0 (2023) was made on a 15-million-dollar budget. Effective filmmaking if I ever saw one. Oppenheimer (2023), a 3-hour biopic, made around a billion dollars at the box office.

The most overrated film: Spider-Man: Across the Spider-Verse (2023). It was fine, the animation is great, but there are a few too many stupid and slow moments. Nine 1/2 Weeks (1986) is terrible. No Way Out (1987) is okay, but I prefer the original anyway. Almost everything Mission: Impossible - Dead Reckoning Part One (2023) is good except for the actual plot.

The most disappointing film: I didn't hold out much hope for any of these, so I wasn't disappointed.

The biggest surprise: Gojira -1.0 (2023).

Best cinematography: Hoyte Van Hoytema (Oppenheimer, 2023). Also, J. Peverell Marley (The Hound if the Baskervilles, 1939).

Best set design: Oppenheimer (2023). Also. I loved La belle et la bête (2014).

Best costume design: Pierre-Yves Gayraud La belle et la bête (2014).

Best music: I don't remember any. My guess is Oppenheimer (2023), but I can't remember any music from it either.

Best production choice: casting Julie Andrews as Mary Poppins (Mary Poppins, 1964); black-and-white sections (Oppenheimer, 2023), focusing on the human drama and survivor's guilt (Gojira -1.0, 2023)

Worst production choice: (randomly) killing Ilsa (Mission: Impossible - Dead Reckoning Part One, 2023).

Film of the month(s): Oppenheimer (2023), Gojira -1.0 (2023).

#highlights #2023 #months #best

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beaststreamingvf · 2 years

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Beast Regarder film en streaming gratuit HD 2022

Beast Regarder Film - https://beast-vf.blogspot.com/

Le scénario de The Beast ne cache jamais que derrière une histoire tendue et tendue de chasseurs et de proies (rôles interchangeables, d'autant plus dans ce type de cinéma qui a tout appris de The Evil Zaroff… et Predator) se cache une subtile métaphore du néant sur la figure du père protecteur, une espèce aussi menacée que celle du lion qui est aussi à sa manière un être blessé qui finit par se refléter (littéralement dans les pupilles des deux animaux opposés) dans son ennemi occasionnel.

La nature sera toujours imposante et, pour beaucoup de gens, terrifiante. La vérité est que si nous la respectons et n'intervenons pas dans ses processus, la coexistence sera toujours pacifique. L'espèce humaine ne devrait puiser dans son environnement que ce dont elle a besoin et ne pas le déranger. Ce sont les idées derrière le film Beast. En fait, cela ne nous dit pas quelque chose que nous ne savons pas, car il existe de nombreuses productions qui montrent les conséquences de la modification des lieux qui nécessitent de maintenir leur tranquillité. Pourtant, le groupe sait se différencier des autres productions ayant le même thème, en rendant visible un véritable problème environnemental qui afflige toute une région et qu'il est impératif de résoudre. Nous rencontrons le Dr Nate Samuels (Idris Elba), qui, après être devenu veuf, voyage des États-Unis vers une réserve située dans la savane sud-africaine avec ses filles, Mare et Norah (Iyana Halley et Leah Jeffries), afin que, en plus d'y passer leurs vacances, les adolescents savent où se sont rencontrés leurs parents. Bientôt, la marche de liaison se transforme en une situation de vie ou de mort, alors qu'un lion commence à attaquer quiconque s'en approche.

critique du film bête Il est rare qu'un thriller de survie soit produit dans lequel l'animal principal n'est pas contrarié. La tournure de la formule éculée «homme contre faune» est rafraîchissante. Le lion a une motivation palpable : montrer à un groupe de braconniers que, sur leur territoire, les membres de leur fierté ne peuvent pas continuer à mourir.

Il est clair que le but du long métrage est de faire connaître au public la gravité de la crise de la chasse en Afrique du Sud. Sur les plus de 200 000 lions d'il y a un siècle, il n'en reste qu'environ 20 000 aujourd'hui. Et les chiffres continuent de baisser. Avec intelligence, la bande parvient à éviter les clichés et ne marche pas sur le terrain du mélodrame. Le scénario de Ryan Engle (Non-Stop : Nonstop, 2014), basé sur une histoire de Jaime Primak Sullivan (Jersey Belle, 2014), suggère que la bête titulaire n'est pas celle avec la crinière et les dents acérées. Cette prémisse à elle seule pourrait être le carburant de toute l'histoire, et si les autres stars n'avaient pas besoin de quelque chose à faire au milieu du chaos, cela aurait pu rester. Mais ce n'est pas comme ça. De temps en temps, des scènes sont insérées qui auraient mieux cadré dans un drame familial, dans lesquelles les personnages de Halley et Jeffries discutent avec leur père du fait qu'il a été absent alors que leur mère malade avait besoin de lui. De telles discussions semblent déplacées et ne remplissent que deux fonctions.

D'abord, donner au personnage d'Elbe une sorte de rédemption et un instinct protecteur exagéré qui le conduiront à affronter, de façon improbable, les poings du lion. Il n'y a aucune raison pour que les proches se retrouvent immergés dans le plan de vengeance que l'animal a préparé pour les méchants chasseurs.

D'un autre côté, il y a le goût du réalisateur, Baltasar Kormákur, pour encadrer les relations humaines dans des récits de survie. Il a déjà travaillé sur un film choral avec Everest (2015) et livré une histoire d'amour avec Adrift (2018). Dans les deux cas, le mélange du conflit intime des personnages avec les catastrophes naturelles respectives est solide, alors qu'à cette occasion l'intention se perd et ne se rejoint pas.

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