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#exploring Mayan ruins
accomtour · 4 months
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Discover the Magic: Best Place to Travel in Mexico in February
Best Place to Travel in Mexico in February – February is an ideal time to explore the rich cultural tapestry and diverse landscapes that Mexico has to offer. Whether you’re a beach enthusiast, a history buff, or a nature lover, Mexico has something for everyone during this month. In this article, we’ll unveil the best place to travel in Mexico in February, ensuring an unforgettable…
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illustratus · 1 year
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The Temple of Tulum in Yucatan, Mexico by Hubert Sattler
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lutnistas · 1 month
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Tikal Mayan Ruins ( Guatemala )
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jounetyfinder · 10 months
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Riviera Maya Vacation Travel Guide | Expedia
Riviera Maya – From frothy drinks on stunning beaches to guided tours of ancient ruins, the Riviera Maya has it all. Check out the … source
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thefreedomchasers · 9 months
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Your Complete Guide To Visiting Chichén Itzá Mexico (2023)
One of the activities that stuck out the most on our recent trip to Mexico was visiting Chichen Itza (chee-chen eet-sah). We love diving into the culture and history of the countries we visit and Mayan culture was one we were super excited to learn about. There are so many great Mayan ruins in Mexico you can visit, by far the most popular being Chichen Itza. Whether you are visiting Cancun or the…
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Trekking al Mirador. Parte 2: Nakum
El 1 de abril me desperté temprano para salir junto con Adriana, William padre e hijo, Thomas, Leonardo y Juan hacia el Parque Nacional Yaxhá-Nakum-Naranjo. William hijo había comprado una nueva camioneta 4x4 y la usaríamos para llegar hasta Nakum, 14 km de terracería más adelante de Yaxhá.
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Paramos a desayunar pasando Ixlú, aunque yo no comí nada, acostumbrado a desayunar poco y más tarde, prefería no sentirme pesado. Llegamos a la entrada del parque nacional un rato después de que había abierto, paramos en el centro de visitantes para pagar la entrada y registrarnos. Yo pregunté a uno de los guías del lugar sobre la entrada a Nakum y nos dijo que si teníamos cuidado seguramente podríamos llegar hasta ahí; así es que emprendimos el recorrido por nuestra cuenta.
El camino estaba bastante dañado, más tarde nos enteramos que fue por culpa de vehículos de rally que habían pasado poco antes. En muchas secciones la llanta de refacción, bajo la parte trasera de la camioneta, rozaba con el piso; sin embargo, todo se encontraba seco, por lo que nunca hubo peligro de quedar atascados, aún así la marcha fue muy lenta, ya que William manejaba con mucha precaución.
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Una vez que llegamos, nos registramos con los custodios y comenzamos el recorrido por el impresionante sitio de Nakum, comenzando por la plaza central, donde nos encontramos con un juego de pelota y la estructura C, un templo al estilo de los de Tikal, aunque solamente su parte superior muestra arquitectura parcialmente en pie, el basamento está convertido en un montículo, frente a ella se encuentra una estela con grandes glifos muy geométricos.
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A partir de ahí nos separamos, yo subí por la estructura D, un palacio muy alargado que da entrada a la acrópolis sur del sitio. Este conjunto es impresionante, ya que sobre una plataforma se encuentran 10 patios rodeados de edificios. En el primero, al lado oeste, se encuentra la bella Estructura E, una de las más vistosas del sitio, con su base que tenía cuartos ya derrumbados y un templo superior en forma de "C". Al fondo, en el sur del mismo patio está la Estructura G y detrás de la misma se encuentra la imponente Estructura Y, la que alcanza la mayor altura y en su explanada superior conserva restos de un palacio y otro basamento con cuartos que aún muestran grafitis prehispánicos.
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Ahí arriba me encontré a casi todos mis compañeros y a Adriana, con quien realicé el resto del recorrido. Bajamos por el oeste y pudimos apreciar desde arriba la Estructura N, una de las más restauradas del lugar. Una vez ahí nos encontramos con un complejo edificio con varios cuartos, algunos restos de un friso del que solo quedan los colmillos de serpientes, y un par de detalles inusuales: un cuarto pequeño con una gran ventana circular, y unas bóvedas de cañón internas. Entre las estructuras mayas, este tipo de bóveda no fue utilizado, exceptuando algunos pocos ejemplos en Nakum, Calakmul y La Muñeca, todos en el Petén.
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Rodemos la Estructura Y por su parte trasera y pasamos por los patios 5, 7, 9 y 10, en el noveno nos encontramos con los restos de varios edificios parcialmente restaurados, entre ellos un baño de vapor. Por el camino nos encontramos con los Williams y con Thomas, quienes nos dijeron que había un camino por detrás de la acrópolis y que llevaba a otro edificio muy grande.
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Bajamos entonces por el lado sur (trasero) y caminamos por un gran sendero muy bien marcado. Evitamos algunos caminos por las laderas porque no queríamos lastimarnos en alguna caída o resbalón. Al día siguiente comenzaríamos con la gran caminata a El Mirador.
Nos encontramos con un enorme edificio que me pareció sumamente similar al Templo III de Tikal, incluso con una estela al frente, un basamento muy vertical completamente cubierto y restos de templo superior. Esta es la Estructura U, al lado oriente del grupo sur de Nakum. Más al norte llegamos a la Estructura V, también cubierta en su parte baja, aunque queda gran parte del templo superior con su interior recubierto de estuco prístino.
Terminamos regresando a la plaza principal, la primera que encontramos, por el lado contrario al inicio. Ahí subí finalmente a la Estructura A, con un basamento alargado y un templo superior que tiene una gran crestería con algunos ornamentos visibles, una habitación en pie sumamente delgada y un par de bóvedas de cañón muy anchas que fueron rellenadas por los arqueólogos para que no colapsen. Un conjunto muy inusual.
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Para terminar, me dirigí rápidamente al Grupo Norte, aunque ahí solamente me encontré con una gran plaza rodeada de montículos, algunos fragmentos de estela y un templo superior parcialmente descubierto.
El regreso hacia Yaxhá fue más rápido que la ida, ya William tenía mucha más confianza para pasar los vados. Hicimos un recorrido completo a Yaxhá, el cual es mi sitio favorito y era la tercera vez que recorría. Terminamos en la cima de la Estructura 216, mirando el atardecer, y salimos de ahí ya a oscuras. Habíamos encontrado en un momento a todo el resto del grupo, excepto Erik (quien visitó El Chal) y Carlos (quien llegó por la noche a nuestro hotel). Al final solo Jorge, Nath y Rosa se quedaron con nosotros, Adriana y yo regresamos con ellos, mientras que los Williams, Thomas y Juan regresaron en la camioneta.
Llegamos a nuestro hotel y cenamos muy cerca, sin cruzar a la isla de Flores. En la noche hubo muchos problemas, primero por conseguir una lancha que nos llevara a la isla y caminar lo menos posible hasta el punto de reunión para el día siguiente; y después porque Jorge no tenía donde dejar su auto. Después de mucho discutir decidió dejarlo junto a nuestro hotel, donde había cámaras de vigilancia, pero ya para entonces me había llevado un gran enojo.
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shawntellemoncy · 2 years
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5 Reasons to visit Campeche, MX
5 Reasons to visit Campeche, MX
When you think about visiting Mexico, the top destinations that come to mind are Cancun, Tulum or Puerta Vallerta. But Mexico is a huge country with so much beauty, culture and history to offer! I recently visited the state of Campeche, with no idea what to expect, it did not disappoint. Here are 5 reasons why you should check out Campeche, MX. Experience authentic Mexico You can visit the…
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darknesmoth · 3 months
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Bucket list.
Go to the Bahamas.🇧🇸
Go To Atlantis, Bahamas.🇧🇸
Go to Argentina.🇦🇷
Go to Wales.🏴󠁧󠁢󠁷󠁬󠁳󠁿
Go to Thailand.🇹🇭
Go to Ukraine. 🇺🇦
Go to Italy.🇮🇹
Go to Venice, Italy.🇮🇹
Go to Greece.🇬🇷
Go to Indonesia.🇮🇩
Go to Australia.🇦🇺
Go to India.🇮🇳
Go to Mali.🇲🇱
Go to Ireland.🇮🇪
Go to Scotland.🏴󠁧󠁢󠁳󠁣󠁴󠁿
Go to England.🏴󠁧󠁢󠁥󠁮󠁧󠁿
Go to France.🇫🇷
Go to Brazil.🇧🇷
Go to Egypt?🇪🇬
Go to Canada.🇨🇦
Go to Taiwan.🇹🇼
Go to Iceland.🇮🇸
Go on a Cruise.🛳️
Get out and explore the world.🌎
Go to Mississippi?🌶️
Go to Louisiana.🥂
Go to New Orleans.🎵
Go back to Martha Vineyard.🍇
Go back to The Outer Banks.🐟
Go to a convention.🏪
Go do Mischief Night in October.😏
Go to a night out on the town.🌃
Go back to California.🌤️
Go Surfing.🏄🏻
Go on a Tropical Island.🏝️
Go to Hawaii.🌺
Go to Alaska.🐻‍❄️
Go to The Pine Barrens in New Jersey.🦀
See a Tornado.🌪️
See a Meteor Shower.☄️
Go to Chernobyl, Ukraine.🇺🇦
Go to Pripyat, Ukraine.🇺🇦
See a Water Spout.🌪️
Go to Jamaica.🇯🇲
Gain Superpowers.🦹🏻
See the Dancing Lights.🌌
Go to Norway.🇳🇴
Go to Sweden.🇸🇪
Go to Papua New Guinea.🇵🇬
Go to Finland.🇫🇮
Go to Peru.🇵🇪
Go to Wyoming.🏔️
Go to The Grand Tetons/ClawTooth Mountain.🏔️
Go to South Carolina? 🌊
Go to Lamai Beach Road, Koh Samui, Thailand.🇹🇭
Go To Point Pleasant, West Virginia.🦋
Go back to Miami, Florida.🌸
Go To Sodor.🏴󠁧󠁢󠁥󠁮󠁧󠁿
Get Abducted By Aliens.👽
Go Out of The Country.🌍
Go To Mexico.🇲🇽
See A Dust Tornado.🌪️
Go To Space.🛸
Go On Cruise. 🚢
Go To Belize. 🇧🇿
Go To Honduras. 🇭🇳
Visit Mayan Ruins. 🏚️
Visit Inca Ruins. 🏚️
Visit Aztec Ruins. 🏚️
Go Snorkeling. 🤿
Take A Tour Of A Place. ⛲️
Teleport Into A Cartoon. 🖥️
#me
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accomtour · 3 months
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Unlock the Magic: Traveling to Cancun in February - A Blissful Escape to Sun-Kissed Delight
Traveling to Cancun in February – February is an enchanting time to escape the winter chill and bask in the sun’s warmth, making Cancun an idyllic destination for a rejuvenating getaway. In this review, we’ll explore the captivating allure of traveling to Cancun in February, uncovering the perfect blend of weather, activities, and cultural experiences that make it an unparalleled…
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wanderingnork · 5 months
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Top Ten Horror Movies: 2023
Back at Halloween, I listed my top ten horror movies of all time. Now, I'm going to list the top ten just from this year. It's 10 out of 48. Not the quantitatively best movies, necessarily, but the ones that compelled me the most, that I enjoyed the most, that I remember the best. In ascending order:
Slotherhouse: A sorority girl adopts an illegally-acquired sloth in order to try to increase her popularity while she runs for sorority president. Things go spectacularly wrong when the sloth turns out to be...murderous.
I liked this movie for its sheer audacity. Slasher villain sloth? They committed to the bit! They made it a slasher! And the sloth was done with a puppet. A VERY GOOD PUPPET. Sloths already look like plush toys, so this wasn't a huge stretch. The puppet required five puppeteers to operate, had ten axes of movement in her adorable face, and a real voice actor handling her lines. Yes, LINES. The sloth noises are part of the script! Is it a great movie? No. But is it a joy to see an audacious, absurd, well-crafted labor of love on the silver screen? YES.
The Ruins: A group of foolish college students go to visit a forgotten Mayan pyramid. Very quickly, they find out why it was forgotten when the vines covering the pyramid turn out to be...murderous.
This movie is clever, bloody, and relentless. Whenever things went wrong, my stomach dropped even further. I was on the edge of my seat by the end. My ONE quibble: I think the alternate ending should have been the real ending, and I don't understand the rationale for why it wasn't. It's real. To me.
Southbound: A series of connected short horror stories that take place along the same stretch of road in the desert of Southern California. Each story flows into the next, with the final story circling back to the beginning of the movie.
A delightful anthology that felt more like it was a single movie, I really just enjoyed Southbound a lot. Each story has good horror in different ways. Some are psychological, some are body horror, some have monsters, but they all come together to tell a single tale. And what a chilling tale it is. Plus, I love getting to see the variety of ages and body types throughout the movie. This movie is populated by Real People and that's wonderful, especially for one that's so...dare I say, liminal in nature.
Five Nights at Freddy's: A young man in dire need of money to care for his younger sister takes a job as a security guard at an abandoned pizzeria. He thinks it's an easy job, until the animatronics that used to entertain children turn out to be...you guessed it, murderous!
This one I loved largely for the animatronics. The work put in to make those iconic haunted robots weighty and real is staggering. They exist! Actors in suits, puppets, full moving animatronics...it's beautiful. Just beautiful. The movie itself is a great adaptation, but we're all really there for Freddy and his friends. I'm so excited I finally got to meet them on the big screen.
Incantation: A woman asks viewers to repeat an incantation to help her ailing daughter as the film opens. We follow the story of mother and daughter from the mother's ill-starred exploration of a taboo ritual in rural Taiwan to the climax of the movie, which has to be seen to be believed.
Contains the scariest monster I saw this year, full stop. Also had to peel myself off the ceiling when it was over from the tension. And then listen to really loud music to get that fucking incantation out of my head.
Skinamarink: Two children awaken to find that their father is missing, and so are all the doors and windows of their house.
This is a divisive one. People either love it or they hate it, and even people who love it can see why others don't. It really does contain a lot of still shots of doors and ceilings at weird angles. But...something about this got to me. To the child who used to have night terrors. To the part of me that still doesn't like doorframes full of darkness. This movie will live with me for a long time.
Splinter: A troubled couple gets carjacked by an escaped convict and his girlfriend. When they stop at a gas station, the four of them have to work together to survive as a monster hunts them down.
This was a MARVELOUS monster movie. I loved the splinter beast. I loved the disembodied crawling hand. But more importantly, I really loved that escaped convict character up there. He turned out to be the true hero of the story and I cried for him. It was unexpected, but I have to say out of all the characters I saw this year...he's #1.
Phase IV: A strange event results in ants becoming sentient. Two scientists go out to study them, and quickly get a lot more than they bargained for as the ants assert their dominion.
I would have dismissed this as a silly B-movie except for the ant actors. Yes, ACTORS. The sequences of the ants are shot using macrophotography, carefully cut so that ants seem to have personalities and goals. Their deaths are tragic. Their heroes are bold. I cared more about them than I did about the human protagonists! And it's all beautifully shot, too, with so much detail and care put into everything. It's a real tragedy that so many ants actually died during filming, though.
The Red Shoes: A ballerina takes on a challenging role in a ballet based on the Hans Christian Andersen fairy tale The Red Shoes. As she embraces her role, the lines between stage and reality become increasingly blurred.
A pretty standard but well-crafted and beautifully-costuemd tragedy, this stands out for the GLORIOUS ballet sequence. We get to see it performed in full, 15 minutes of dance, music, and art, including beautiful practical effects and painted sets that transport us directly into the fairy tale itself. You can watch it for free on YouTube here (and the full movie is available for free there, too, if you so choose). It's beautiful and haunting enough to be a horror short film on its own.
Martyrs: When a young woman seeks revenge on the people who kidnapped and tortured her as a child, nothing goes according to plan--and it's her best friend who will pay the ultimate price.
Unflinching, brutal, Martyrs brings us face to face with violence that isn't cinematic or interesting. This isn't Saw, where the appeal is in the clever traps and tension of escape. It's a story about inescapable violence enacted on an innocent person. I also think it's a story about...the Final Girl. The character, the young woman, the innocent victim, who takes on the monster so that the audience can experience catharsis and find themselves free of their pain for a while. Thanks to Anna's sacrifice in Martyrs, I experienced that kind of catharsis myself. And that's what makes it the best horror movie I saw this year: no other horror movie made me feel like this one did. No other horror movie changed me on a fundamental level like this one did.
(Interested in other horror recs? Check out the lists here.)
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black-arcana · 1 year
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Epica's Simone Simons: "I've been called the metal Barbie, but I don't give a damn"
Simone Simons talks Disney covers, pastafarianism and how Epica worked out their collaborative EP The Alchemy Project.
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(Image credit: Tim Tronckoe)
For 20 years, Epica have been flying the flag for bombastic, extravagant symphonic metal, with the visuals and ambition to match. Their new collaborative EP, The Alchemy Project – featuring the likes of Myrkur, Fleshgod Apocalypse and members of Soilwork and Kamelot – is possibly their most ambitious work to date. 
We put your questions to singer Simone Simons on what it was like working with Uriah Heep, playing shows in Mayan ruins and that time she (almost) joined a black metal band. 
Wikipedia says you joined a black metal band for a cup of coffee before you became a member of Epica. If true, what was that band like? How was your corpsepaint game? Matt Mills, Twitter 
“Wikipedia is wrong! I never joined a black metal band. I was just there during a rehearsal, but never actually sang in the band. I went there to have a look, so it’s a half-truth, I guess. They were in my hometown and my friend’s boyfriend was playing in that band, so that’s why we went, but I was way too shy to sing along. Epica was my true first band.” 
How did the band initially meet? Scott Thrower, Facebook 
“I knew Mark [Jansen, guitars/vocals] because I was in a relationship with him back in the day. He started a new band [after leaving After Forever] pretty quickly, but because I was his girlfriend, at first I didn’t want to join. I helped them search for a singer. I thought I should do it by the book – finish high school and then go explore the world with a metal band. But when they asked me if I wanted to [sing for them], I thought, ‘OK, let’s just give it a go.’ And here we are, 20 years later!” 
Was there ever an aesthetic pressure to fit into the more gothic side of symphonic metal? Jazmin L’Amy, email “Not really, I’ve always done my own thing. I’ve enjoyed the visual aspect of being in the band, getting ready for the show, designing the clothes and everything like that. I’ve been called the metal Barbie, but I don’t give a damn. It’s more like a compliment than people realise! The aesthetics are a big part of our shows, photoshoots and videoshoots that people don’t really think of, and it’s a lot of fun to do it.” 
Consign To Oblivion is one of my alltime favourite records. Have you ever visited a Mayan ruin, and would you do a 20th-anniversary gig from one? Jo Cristobal, email 
“I think Mark did, I didn’t. Playing a show from one is probably going to be a little bit tricky with electricity and everything, so… ha ha! Maybe just an acoustic song or something like that! But Mark’s visited some ancient Mayan sites in Mexico – he was also the one who was interested in ancient Mayan culture and wrote lyrics about it.”
What topics would you like to explore in the future when writing new music Arley Rosales, Facebook 
“I don’t think too much about it. I just go with the spur of the moment: what’s happening in my life, what’s happening around the world… [2021’s] Omega was a very spiritual album, which was also a reflection of what was happening at that time. So I guess [our new music] is just going to be a continuation of that.” 
Epica albums often have a central concept or overarching narrative, like [2007’s] The Divine Conspiracy. What’s the most innocuous conspiracy theory you think might actually be true? Dan Hillier, Facebook 
“I’ve no idea! I’ve been off the religion train for a long time and unfortunately only had unpleasant experiences. I’m in no way anti-religion, though. The Divine Conspiracy was more about extremities within religion – the dangerous parts where they really indoctrinate people and put really weird ideas in their head. 
Religion can be a beautiful thing, but a lot of bloodshed has been in its name. With that album, we picked different extremities within different religions to highlight what’s been going on and what’s still going on. But yeah, it can be very dangerous, as we’ve seen lately.”
Hammer: is there one outside of religion you like? 
“The church of the spaghetti monster… what’s that called?” 
Hammer: The Church Of The Flying Spaghetti Monster. 
“Yeah, I love spaghetti. So I guess I’m not allowed to enter that church. Maybe I’m the spaghetti monster! Ha ha ha!"
The Skeleton Key encapsulated all that defines Epica as EPIC! What was the idea behind the song? Inn Ayyur, Twitter 
“Skeleton Key was written by Rob [van der Loo, bass], and the working title of it was ‘Inception’. Rob is a huge movie soundtrack fan; I am too. He showed me the song during our writing sessions for Omega and the lyrics written by myself are basically that everybody holds the key or the answers to the questions that you have within yourself and that you can unlock different rooms and hallways within yourself. On the one hand, that can be a good thing, but it can also be bad because you also have the power to let your demons free.” 
What songs from recent movie soundtracks would you play live? Mark Sayce, email 
“We’ve done that in the past with [2009 live album] The Classical Conspiracy and, funnily enough, today I was singing some Disney songs. I’ve done a cover of a Disney song from The Little Mermaid [Part Of Your World, released in 2021]. Maybe something else is gonna come up, you never know!” 
Where did the idea to do The Alchemy Project come from? Jac Holloway, Facebook 
“The idea was from Isaac [Delahaye, guitar/backing vocals]. At the beginning of the pandemic, he had the idea of writing songs with our friends in the metal scene. We reached out to all our friends who’d be interested, and that’s literally how the ball started rolling. It’s cool when you have this idea and you don’t know if it’s gonna work, because this is a little bit outside of our comfort zone. I think a lot of people will be very surprised with some of the songs that are on this EP.” 
How did you get Uriah Heep on the EP? Elliot Grimmie, email 
“Epica always like to add a couple of elements of surprise. That was also part of the idea behind this EP – that we could experiment! Rob has connections to a lot of musicians that are not necessarily in the symphonic metal scene, and Wake The World was one of the songs we started working on when we first had the idea, but didn’t really push the project through. 
So that song was one of the first we started with. I rewrote it to fit the vocal lines, but had the idea of what Phil [Lanzon, Uriah Heep keyboardist/co-vocalist] wanted to say in the back of my mind. It’s a really cool addition having him there.” 
What was your favourite bit about working on The Alchemy Project? Paul Baptist, email 
“I wrote a song with Charlotte [Wessels, ex-Delain vocalist] and I had a lot more input in the composition compared to what I normally do when writing for Epica. This time, I got to direct the song and it was really nice to work with Charlotte. She’s been putting out some great work recently since she started her Patreon and I really love her solo songs. 
We started going through ideas that she’d accumulated and I picked the melodies that she had lying around for Sirens - Of Blood And Water. We worked on that for almost a year, but working together was great. I was in her studio, she was in my studio, so it was a really intense writing session for this song and I really love how it turned out.” 
Who is on your bucket list to collaborate with? Lisa Aliss, Facebook 
“There are a lot of artists! I really like Aurora. She’s a Norwegian singer/ songwriter who writes beautiful songs and has a really beautiful voice – I think we could be a good match. I would also like to work with Rammstein one day – that’s on the bucket list.” 
Could you ever see Epica doing an arena headline tour? Emmy Willets, email 
“Maybe. I went to see Iron Maiden with Within Temptation and it was amazing. I prefer doing smaller shows because the interaction with the audience is just different and it just feels more cosy and intimate than an arena. Who knows, though. Maybe someday!”
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brooklynmuseum · 2 years
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Guadalupe Maravilla cites Mayan art as a primary influence dating back to his childhood in El Salvador. Exploring temples and ruins were his main exposure to art in a country affected by civil war. “I learned a lot about their rituals and their art, and I made up my own cosmology from that; my own world, inspired by my ancestors.”⁠ ⁠ “Maize God Emerging from a Flower”, from our collection, represents the rebirth of a fertility deity following a journey through the underworld, known as Xibalba. Waterlilies, which grow from dark, murky water, were seen as a conduit to Xibalba. Similarly, the Muan bird depicted in the center of this “Tripod Plate” was understood as a messenger between our world and that of the dead. Themes of rebirth and transcendence continue to resonate in Maravilla’s work. ⁠ ⁠ The artist highlights, “a lot of the heroes and creation myths of Maya mythology involve journeys of traveling through the underworld, coming from a dark place [like the mouth of a monster] to acquire a type of enlightenment or healing.” #GuadalupeMaravillaBkM
🔗https://bit.ly/guadalupemaravillabkm
📷 Mayan artist. Tripod Plate, ca. 593-731. Ceramic, pigment. Brooklyn Museum, Dick S. Ramsay Fund, 39.57. → Installation view, Guadalupe Maravilla: Tierra Blanca Joven, April 8, 2022 - September 18, 2022. Brooklyn Museum. (Photo: Danny Perez) → Mayan artist. Maize God Emerging from a Flower, 600-900. Ceramic, pigment. Brooklyn Museum, Dick S. Ramsay Fund, 70.31.
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sea-of-madness · 1 year
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Happy Easter Sunday!
No big plans as I'm recovering from Covid. I'm instead exploring the Mayan ruins in Shadow of the Tomb Raider.
Great day for a new Ghost single:
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Insight the Article: Groovin' to ancient Peru: A Critical Analysis of Disney's The Emperor's New Groove by Helaine Silverman
By Sofi Ojeda
(7 min reading / 1 page and a half essay)
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Delving into various analyses of animation often circles back to Disney, dominating the information available about animation in general. Seeking content closer to my roots as a South American woman, I stumbled upon a significant critical article. This article profoundly examines how major media platforms depict cultural heritage, influencing their audiences. Notably, it was written by a recognized archaeologist, an expert on the topic covered in one of my favorite movies: "The Emperor's New Groove (2000)," which, unsurprisingly, it had to be a Disney film.
Although I grew up just two hours away from various native cultures and near other Incan ruins in Ecuador, I don't feel capable of narrating a story from a perspective that I didn't grow up in. It's like how I relate to the challenges of women's representation in media due to the prevalent male gaze. Finding an accurate portrayal of females is difficult because this perspective often depicts women through the lens of individuals who lack firsthand experience of living as a woman. I believe this applies to cultural heritage as well, and it's a topic open for discussion. However, the article illustrates numerous examples of how this issue can affect the portrayal of cultures, particularly by highlighting inconsistencies.
Quote from the article:
"...Even committing to an official movie poster for Kingdom in the Sun (the old name of the movie*). Nevertheless, Disney apparently could not work out its relationship to the real archaeological past of Peru, since the poster shows a distinctly Mayan temple." - H. Silverman
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Something that surprised me about the article is how easy it was to read. Additionally, it's rich in Disney facts, encompassing the entire story of how the movie was initially planned as 'The Kingdom of the Sun,' aiming to be more historically accurate. The article contains interviews and research highlighting the lack of archaeological knowledge or desire to create a more historically meaningful film.
‘Roy Disney revealed while talking to Empire Online that Kingdom “began life as a pretentious non-spoofy kind of movie about the Inca, the Andes and all of the folklore about Sun Gods. It was really, really boring” ’- Silverman H.
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In her article, Dr. Helaine Silverman says the movie purposefully omits naming the ancient civilization, making it unidentifiable to the average American viewer. This approach mirrors a larger pattern seen in Disney films, aiming for "recognizable moments that are universal," often at the expense of fully capturing the depth and authenticity of depicted cultures.
This article's critical analysis unveils Disney's approach to cultural representation, highlighting its tendency to simplify, exoticize, objectify historical contexts and appropriate cultures without acknowledgment. The insights encourage deeper introspection into how movies like "The Emperor's New Groove" perpetuate stereotypes, urging readers to look beyond surface-level portrayals and seek a genuine understanding of cultures in entertainment. These actions raise deeper concerns related to contemporary discussions on representation, such as simulacra, postmodern spectatorship, the dissolution of cultural identity, and the implications of placelessness and travel in media narratives.
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It is important to mention that Helaine Silverman is a renowned archaeologist and cultural researcher, she currently holds the title of Full Professor in the Department of Anthropology and directs CHAMP/Collaborative for Cultural Heritage Management. Possessing a Ph.D. in archaeology, her scholarly contributions have earned her acclaim in academic spheres. She explores the interplay between media, public interest in history, and Peru's incorporation of ancient civilizations in shaping its national identity. Her extensive academic career spanning close to three decades has primarily revolved around the archaeology of Peru's southern coastal region.
''They are not innocent errors. They are the result of a very particular attitude in the Disney studio that essentializes, exoticizes and objectifies the past and those who created it.''- Silverman H.
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I would highly recommend this article, not just to gain insight into Inca culture, which extends beyond Peru, but also to highlight the significance of being mindful in how we depict minorities and challenge the romanticized, fictionalized versions often perpetuated by mainstream media. The excerpts underscore the importance of respecting and comprehending cultures without appropriating or mystifying them for commercial purposes, emphasizing the critical need for genuine and respectful representation in media.
Bibliography
Full article: https://citeseerx.ist.psu.edu/document?repid=rep1&type=pdf&doi=9350dc757bb6628baff9a0cec169056810b4639b
Silverman, H. (2002). Groovin’to ancient Peru: A critical analysis of Disney’s The Emperor’s New Groove. Journal of Social Archaeology, 2(3), 298-322.
Video: https://www.youtube.com/watch?v=OvGsh5H5RoE
https://publish.illinois.edu/helainesilverman/
https://journals.sagepub.com/doi/abs/10.1177/146960530200200302
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shezanenigma · 10 months
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Top 10 Vacation Destinations for an Unforgettable Girls' Getaway
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Planning a vacation with your closest group of girlfriends is an excellent way to create lifelong memories and strengthen your bond. Whether you're looking for relaxation, adventure, or vibrant nightlife, the world is full of incredible destinations perfect for a girls' getaway. We've curated a list of the top ten vacation destinations that promise an unforgettable experience, ensuring that your trip will be nothing short of amazing.
1. Bali, Indonesia:
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Bali offers a perfect blend of stunning beaches, lush landscapes, and vibrant culture. Relax on picturesque shores, explore ancient temples, indulge in spa retreats, and enjoy vibrant nightlife in Seminyak. Bali offers an ideal combination of relaxation and adventure for a rejuvenating girls' getaway.
2. Barcelona, Spain:
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Known for its vibrant atmosphere, Barcelona is a city that never sleeps. Experience the mesmerizing architecture of Gaudí, stroll along Las Ramblas, savor delicious tapas, and dance the night away in its legendary nightlife scene. Barcelona will ignite your senses and leave you craving for more.
3. Tulum, Mexico:
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Tulum's idyllic beaches, crystal-clear turquoise waters, and bohemian vibe make it an irresistible destination for a girls' trip. Explore the ancient Mayan ruins, swim in cenotes, practice yoga on the beach, and indulge in delicious Mexican cuisine. Tulum's natural beauty and relaxed atmosphere provide the perfect setting for an unforgettable getaway.
4. Reykjavik, Iceland:
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For adventurous souls, Reykjavik is a dream come true. Marvel at stunning waterfalls, soak in geothermal hot springs, go glacier hiking, and chase the mesmerizing Northern Lights. Iceland's unique landscapes and natural wonders will create unforgettable memories with your girlfriends.
5. Santorini, Greece:
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Santorini's breathtaking sunsets and iconic blue-domed churches make it one of the most picturesque destinations in the world. Explore charming villages, relax on stunning beaches, indulge in delicious Greek cuisine, and experience the lively nightlife. Santorini's romantic ambiance and beauty will captivate you.
6. Tokyo, Japan:
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For an exciting and vibrant city experience, Tokyo is a must-visit destination. Explore the bustling streets of Shibuya, indulge in world-class shopping, discover ancient temples, and enjoy incredible sushi. Tokyo seamlessly blends tradition and modernity, offering a unique cultural experience for your girls' getaway.
7. Cape Town, South Africa:
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Cape Town combines natural beauty, rich history, and vibrant culture. Take a cable car to the top of Table Mountain, explore the breathtaking Cape Winelands, visit Robben Island, and relax on the pristine beaches. Cape Town's diverse attractions and warm hospitality will make your trip truly unforgettable.
8. New York City, USA:
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If you and your girlfriends crave a cosmopolitan adventure, look no further than New York City. Explore iconic landmarks, shop on Fifth Avenue, catch a Broadway show, and immerse yourself in the city's diverse culinary scene. New York's energy and excitement will make your girls' getaway an unforgettable experience.
9. Queenstown, New Zealand:
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For the adventurous souls seeking adrenaline-fueled activities, Queenstown is the ultimate destination. Experience bungee jumping, skydiving, jet boating, and explore the stunning landscapes of the South Island. Queenstown's adventure opportunities and breathtaking scenery will leave you in awe.
10. Marrakech, Morocco:
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Immerse yourself in the exotic charm of Marrakech. Get lost in the bustling souks, visit stunning palaces and mosques, enjoy traditional Moroccan cuisine, and relax in beautiful riads. Marrakech's vibrant culture and warm hospitality create an enchanting atmosphere for your girls' getaway.
Embarking on a girls' getaway is an opportunity to create unforgettable memories and strengthen lifelong bonds. From exotic beaches to vibrant cities and adventurous landscapes, these top ten vacation destinations offer something for every group of friends. Whether you seek relaxation, adventure, or cultural immersion, these incredible destinations will ensure an unforgettable experience. So gather your girlfriends, pack your bags, and get ready for the adventure of a lifetime!
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Book Recommendations: More Geology Picks
In anticipation of our upcoming 150th anniversary rock dedication, check out these books about geology! The unveiling of our engraved rock will be held next Monday, November 14th, at 10am at the corner of 2nd Avenue and 17th Street. This was the location of the Rock Island Public Library in 1872, which was also the first public library to open in Illinois! Everyone is welcome to join us for this special event.
Geopedia by Marcia Bjornerud
This volume is a trove of geologic wonders and the evocative terms that humans have devised to describe them. Featuring dozens of entries, this illustrated compendium is brimming with lapidary and lexical insights that will delight rockhounds and word lovers alike. With whimsical illustrations by Haley Hagerman, it is a mix of engaging and entertaining facts about how the earth works, how it has coevolved with life over billions of years, and how our understanding of the planet has deepened over time.
Underland by Robert Macfarlane 
This volume delivers an epic exploration of the Earth’s underworlds as they exist in myth, literature, memory, and the land itself. Traveling through the dizzying expanse of geologic time - from prehistoric art in Norwegian sea caves, to the blue depths of the Greenland ice cap, to a deep-sunk "hiding place" where nuclear waste will be stored for 100,000 years to come - Macfarlane takes us on an extraordinary journey into our relationship with darkness, burial, and what lies beneath the surface of both place and mind.
World of Geology by Tony Waltham
So many of the world's great natural attractions are features of their geology, with landforms that range from awe-inspiring to simply beautiful.  Within these pages, photographs and their accompanying texts offer just a taste of the visual delights within the world of geology.
Rock, Bone, and Ruin by Adrian Currie
The "historical sciences" - geology, paleontology, and archaeology - have made extraordinary progress in advancing our understanding of the deep past. How has this been possible, given that the evidence they have to work with offers mere traces of the past? In this volume, Currie draws on varied examples from across the historical sciences, from Mayan ritual sacrifice to giant Mesozoic fleas to Mars's mysterious watery past, to develop an account of the nature of, and resources available to, historical science.
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