what if we kissed in the clouds , or whatever ahaha.
HAPPY BIPAN HUNTLOW CONFIRMATION DAY
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very quickly finding out there is something So Fruity about dogwarts with c!martyn and c!ren and they can’t keep getting away with this.
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I love the headcanon of the DCA having access to the internet and also being able to connect to your phone like a Bluetooth device. Imagine being in your shift and getting a notification on your phone saying " 'v2DCA_FAZCo2023' would like to share a file," you open it and it's just some shit like this
It happens daily and they stare at you to see your reaction to the funny thing they sent.
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"new friend?"
Another day in neighborhood, another troublemaker in Howdy's bugdega
Explaining that he has a whole stack, stash and a box of things to do, "uncle Howdy" tells Lilly to go find someone else to play with, giving a couple of beloved by her tangerines, to sweeten the situation at least a bit.
Throwing out the peels Lilly finds something bizarre- more like someone??
They went to visit frogs later :]
That frog ribbited something too personal 😔😔
Tiger cubs tend to bite others while playing, so does Lilly! (Nobody can escape the lil ankle biter!! Muhaha!!)
Her clown nose honks if you press on it! :]
so silly!!!! Gahhhh!!!! He better watch out for the claws though-
Being silly whole day is a hard job to do so they're taking a nap😔😔
Goofy doodle of "the mandatory older sibling report in the end of the day" lmao (Sunny would think Robbie is just one of the countless itty bitty bugs Lilly befriends)
Robbie belongs to @clownsuu ! >:^]
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hang on everyone im having a power thought
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I need to get over myself when it comes to posting shippy art or just random sketches and fast very unrefined wonky stuff cause I psyched myself into being my own buzzkill with my perfectionism so have uhhh sketch that escalated into speedpaint that escalated into me crying cuz I love them
I know myself well enough to know scientifically that the appearance of bed shippy sketches = ''oh Ariana we're really in it now" rip
Sril've: yes I will cry every morning while detangling my hair cause I look like I fought a bush and lost. No I will not tie it to sleep because it makes me look cute. Thanks for coming to my TED talk
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something about childhood in succession.. the way it casts its shadow over the entire narrative, the rotten root of the roy siblings’s pain, all wrapped up in Logan’s power and abuse and love. The opening credits are filled with images of them as kids, beginning every. single. episode. by emphasizing the importance of their childhood: the siblings posing for a photo, playing sports, standing on a manicured lawn, riding an elephant, etc. and then the shots of logan, in which he is always shown from behind, or far away. It is a childhood the viewer never gets to see in any other context, since there are no flashbacks in the show, and therefore as integral as it seems, we know almost nothing about it. What exactly happened? What are the details? We feel its presence, we can tell how it informs their relationships, we can put together the pieces of incomplete and contradictory memories expressed through dialogue, and if we trace their struggles and dysfunction back far enough we know it leads there, to when they were kids. But there is so much empty space we can’t fill in. It’s almost like their childhood is presented in that horror technique where you never get to see the monster clearly straight on. It’s always in darkness, and chopped up into close-ups so that the viewer’s imagination is forced to invent something, however vague, and that is far scarier than it would be if we could actually see it — a monster that is terrifying BECAUSE it’s unknown. The roy siblings’s childhood is a major force behind so much that happens on screen, but what specifically occurred is out of the reach of our understanding. We are shown the monster’s shadow but not the monster, we are shown the frightened faces of the characters as they look at something behind the camera we never get to see, we are shown the running or the fighting or the blood but never the true, bigger-picture, clear details of the horror itself
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