Mary and Anne are the bar for unhinged lesbians. if you describe a couple as unhinged from here on out it better be their level of crazy or more
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OFMD Spiral Parallels 33: Manipulative Pirate Buddies 4
Intro: What I love most about how season 2 builds on season 1 of OFMD is the spiral narrative structure. Ground is repeatedly and explicitly re-trod from season 1 to season 2, but in season 2 everything goes deeper than season 1. Symbols appear and reappear, transformed. Meanings are shuffled, emotions are stronger and truer, and transformation is showcased above everything. The first season plucks certain notes, then the second season plucks the same ones--but louder, and then it weaves them together to create a symphony.
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The conflict provoked by Jack is fairly easy to resolve, because Jack is simply an obstacle to be overcome. When Ed finally realizes that he’s been manipulated by his past, he doesn’t even have to think about why he’s angry. He just has to assert the importance of the present over the past, and take off.
The first conflict led to a rejection of the past in favor of the present which, while validating, was also shallow; the second conflict leads to an embrace of the past that created this moment, and a deep connection that includes all the complexities of past and present. When Stede says “I love everything about you,” he’s describing a feeling that includes Ed whether he’s wearing the big old beard (symbol of the past) or not, a love that Stede can finally be open about feeling, but express in a way that leaves room for Ed’s hurt. Underneath the idealization and anger, underneath the fact that they’ve gotten here by very different paths, there’s the fact that they are both here, and they still care about each other.
And these different resolutions lead to different conclusions for the villains. Jack clings to his ideas of what the past means for the present, even as Ed demonstrates how wrong he is.
Like Jack, Anne and Mary own their manipulations when confronted. But while Jack just fell back on what he knew when challenged by Ed, Ed’s and Stede’s challenges lead to Anne and Mary transforming.
It turns out that Mary believes the very thing that Stede feared and Ed believed at the start of this episode: that the good in her relationship is all in the past, and that an “adult” future holds only endings. To Mary, the past is what it was in Season 1, a force that limits the possibilities of the future.
But Mary and Jack were both wrong. The past doesn’t determine the present. There isn't only one outcome to piracy, and there isn't only one outcome to a committed relationship.
Jack finds this out when he gets killed. There’s nothing redemptive in Jack’s past that can save him: he’s created this situation, where he’s stuck in Blind Man’s Cove, abandoned by someone who once cared about him, and in the line of fire of the English navy.
But Mary really does love Anne. Mary and Anne weren’t trying to break Ed and Stede up, they just wanted drama. They were as entertained by “breathing the same air” as by Ed breaking a chair. So Anne and Mary get a happy resolution. Anne surprises Mary, sets fire to the big house that symbolizes a relationship dead-end, and the two of them find that actually, there is still more to them than fun and games. From the chaos, transformation.
Other posts in this series
Part 1
Part 2
Part 3
Part 5
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