As much as I like the idea of Steve and Eddie immediately being comfortable around each other, I also really want it to be a progression.
Give me Steve who isn’t used to a lot of physical contact, even though he desperately wants it. He isn't used to just getting what he wants from people anymore. Especially things he wants bone deep. He kind of associates people giving him what he wants with being an asshole which he's trying hard not to be so it loops back around to him being afraid to get what he wants.
Not to mention the very real possibility of internalized homophobia. While Robin and Will being queer is absolutely fine with him, being queer himself is a different beast altogether. He can suspend biases for his friends because they're wonderful and he loves them to the moon and back. But whenever he thinks about how much he wants to play with Eddie's hair or how happy he feels when Eddie calls him by one of his nicknames for him, a voice that sounds suspiciously like Richard Harrington tears him apart over it.
In Eddie's case, he doesn't fully believe that Steve would want any of his usual affection. There's way better people than him that Steve could get that from.
He was mainly invading his space to try to get a reaction out of him before he realized he's actually a good dude. He lays off out of respect, but he hates it. He's always been physical with his friends, and he's come to like Steve a lot. But he sees a divide between them, a social one, despite being out of school. He doesn't want to be the one to drag such a pretty boy down into the muck of his life by being overly familiar with him.
This little dance could go on for months before one of them breaks.
I'd like to think its Steve who asks to be held. Like maybe he's just having a shit day and he's too tired to care about all the reasons he usually doesn't do this. His body aches in that way he knows is from not having had someone touch him in more than passing in a while, and Eddie is right there.
So he breaks down and asks if Eddie would be okay with hugging him.
He sounds miserable and Eddie has never had anyone ask if he's okay with giving them something as simple as a hug. He's not really used to people asking if he's alright with much of anything.
Of course he agrees and pulls Steve in for a lingering hug.
Its clear he isn't used to it, he's so tense and he's not really sure where to put his hands, so Eddie directs him what to do. It takes a few moments but Steve starts to relax more.
So Eddie rubs his back, pets his hair, lets him lean into him more. Its like trying to tame down a hurt dog, and he's sure Steve will bolt if he makes one wrong move. He wants to suggest they lay down, but thinks cuddling might be a little too advanced for now.
So he just holds Steve like that, and when they break away, he hesitates but chooses to be brave and tells him he can ask him for that any time he needs.
It takes a while, Steve has learned to subsist on minimal contact the way camels subsist on minimal water, but he does ask again.
And again.
And again.
Its gradual, but they both begin to gravitate toward one another. Steve no longer gently elbows Eddie away if he gets too close. And Eddie figures out where Steve is alright with being touched and in what settings. He's damn proud of himself for the nuance in that last part.
A few months into this new dynamic sees Steve initiating touches too. He gets incredibly nervous the first time, but Eddie seems happy with it so he doesn't stop himself from doing it again.
Soon they’ve hit the point of nearly always touching somehow. If they're in the same room they're sitting side by side. Steve plays with Eddie's rings almost as much as Eddie does. Eddie's legs belong in Steve's lap and vice versa. Steve is sure if he goes a full day without hugging Eddie he will in fact wither and die.
It doesn't take long after that for them to realize they’ve caught feelings. It does however take an age to talk about. Neither wants to ruin what they have, its so good and it took so much time and work to build. They work as friends and that should be plenty.
It isn't.
This time its Eddie who breaks.
Its during one of the nights Steve has stayed at his place long after sundown. The man is laying on Eddie's chest, legs interwoven, half asleep and watching TV. He's the portrait of comfort and when Eddie cards his hand through his hair, Steve makes this little content noise and it just slips out.
Three little words that make time stand still.
He knows Steve heard him, he felt him tense up. He wants to take it back just for that, but he's long since learned his lesson about being a coward. So he lays still and let's Steve process.
Steve who's mind is on fire right now.
He's sure Eddie couldn't have really meant that the way he wants him to. Its just wishful thinking projected onto platonic affection. Robin tells him she loves him all the time. But Eddie is still rubbing his back and he's gonna lose it trying to figure this out by himself.
So he asks, and they talk and they learn they're both kind of idiots.
They agree to give dating a try.
Its quickly apparent that's what they were meant to be doing all along. At this point it comes easily, naturally even.
Up until their first kiss.
Its not that they don't want to kiss, they definitely do, its that Eddie's never done it before and Steve has never kissed a guy.
Just like everything else, it takes some work to get right. The first time Steve had flinched a little when Eddie's stubble had grazed him, and the second time Eddie got a little overzealous with his tongue.
It takes practice, but they’re willing to put in the work.
Soon they share the kind of kisses that are easy to get lost in. They once spent the better part of a Saturday afternoon just kissing, with Steve sat comfortably in Eddie's lap.
Eventually they build up to more and that's when their patience and the lessons they've learned about each other up until this point really get put to the test.
Once again, Eddie doesn’t have any experience in this arena. He’d had daydreams a plenty, but he’s never actually touched another person intimately before. Steve has, but only girls and only so far. He thinks some things ought to carry over, but when they get to the part that involves stripping off clothes, he panics a little.
The first time they don’t make it very far. They want to, more than almost anything, but their joint fumbling wrecks the mood pretty quickly. They get as far as their boxers before they both concede and let themselves head back to their comfort zone, which is long makeouts. It makes the tension that much thicker.
For a while they focus on getting comfortable with one another in that sense. There’s a lot more times when one of them loses a shirt during a makeout session, more often than not the victim of roaming hands and needy fingers. They map each other out the same way they’ve been doing for months now, until the other doesn’t feel like foreign territory anymore. It helps put them both at ease, but it also makes them both so much needier.
When they finally do end up going all the way, they cling to each other for hours after. Now that they’ve been as close as they can be, it’s difficult to handle being apart. Eddie traces the various moles Steve has, while Steve does the same with Eddie’s tattoos. It’s sappy, and neither of them would give up those details under pain of death, but they tell each other how much it means to be able to be so close to someone else without being afraid. Eddie confides in Steve about how hard it is to be so far ostracized and how sometimes he wishes he were different just so he didn’t have to feel that way. Steve tells Eddie about growing up in a big empty house and how he sometimes feels like he’s just the ghost of an idea his parents had about what he should be.
They agree that so long as the other is breathing, they’ll always have someone who will hold them and remind them that they both have value.
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Finally finished my weird hanging painting thing (originally a secondhand partially-done 'paint by numbers' kit that I found at a thrift store and kept to repurpose lol)! Imagery somewhat based in my own worldbuilding projects, and text written in my constructed language for one of my fantasy species, but also vaguely inspired by old tapestries and illuminated manuscripts and etc. I've never been great at neat clean patterning or text, but it looks cool from afar, and I always enjoy making "props" or things that are somewhat like real objects that might could exist in my world. :0
(additional pictures/info under the readmore)
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Here's what it was originally! I probably didn't have to actually have a river running down the middle because it further makes the composition of the whole thing weird (various connected yet separate locations and things happening, instead of one unified event being portrayed), but I wasn't sure if I'd be able to fully cover up the already existing paint that was there.. and I can also kind of justify it by going with a more "all the imagery is just symbolic so it doesn't have to make exact sense" approach lol.. How is one half of the grass green and the other is suddenly snowy? shhhh.. it's not literal.. shhh...
Made a vague sketch, then painted over it, and then added more distinct lines in black pen. Center image first and border second.
The very last thing was the text, which actually took forever to translate because my conlang is still only like.. partially done, and some of the grammar is not worked out exactly how I would like it to be, so a few sentences I had to think about for a long time before just going "eh, this is probably not how I would do it if I considered it more, but I'll go with it for now" lol . I also am not entirely satisfied with all of the characters for the writing system, but again, it's good enough for a quick project, it doesn't have to be 100% accurate and perfect because it's a fake language that nobody knows anyway lol.
I thought about breaking down the text and translation here like I have for some of the tidbits of Avirrekava (the language) in things I've posted in the past, but I think it would take too long and is not interesting to anyone but me ghghj, so for the sake of getting the post out quickly, I shall not spend an hour typing All That lol.
The general jist of the writing though is that it's just about the Avirre'thel being cast out from the other elves, after abandoning their magic for immortality as a means to truly attain perfection (an important concept in elven culture), the usual, blah blah blah, but how it's Actually A Good Thing, because the gods are wrong and immortality is Cool actually and they like the shitty frozen lands they were sent to, so it's fine that everyone else is being a Hater about it lol
Lastly, here's a few photos outside in the sun to TRY and show the gold detailing actually shimmering or showing up! It really doesn't come through in photos, but there's plenty of little golden spots to highlight light or Importance.
Mostly the fire, the pink sparkle that represents magic, the red drop that represents blood, the light behind Inaashi's hands and head (common symbol for the elven religion/one of their main gods, shout out to anyone who read the ancient elven religion post and recognized that lol), the sun, and the symbol for the Avirre'thel/country of Navyete at the very top. I did a few other gold bits, but they're not highlighted because they're Significant, more just that it looked more symmetrical to have some gold on the border too lol.
Other things of note: The animals are not actually significant to Avirre'thel culture really, I just wanted to put a cat and a bird because I like them lol. (I also wanted to have a few funny looking creatures, as I was slightly trying to go with the 'in some old medieval painting the anatomy and perspective is very weird' vibe, though I think some of the other parts of it look too Normal to pull it off entirely). Same with the four leaf clover, which means nothing in their culture - but these are the only areas where stuff was just added self-indulgently .
Bligabata (giant cabbage that grows along rivers in Navyete) making an appearance! The architecture of the building IS based on actual concepts for ancient elven/older Avirre'thel architecture and metalwork. The Avirre'thel who's turning away from Inaashi/elves/magic and collecting blood, is doing so in a Special Bowl, as is part of their culture (collecting it in the hands, or just in a normal vessel would be disrespectful, they have Specific Bowls which is the only thing blood can be kept in, etc.).
The figure that represents Jhevona (and thus, a closer connection to magic, celestial imagery, etc.) is in weird ugly teal, which is not necessarily a color or design associated with them, as I don't have much common culture (like clothing) worked out for Northern Jhevona (who the avirre'thel would have come into contact with) yet, BUT everyone else is in more Typical colors (a northern elf in green, Inaashi in lavender + white + blue, an Avirre'thel in darker purples and reds).
Some things, like the four figures in the corners, and the two people + fish in the stream, do not currently have a meaning, but in-world they would.. Like, I could make up lore for how they're culturally significant and it would be true because I am god of the world, but I don't have anything currently. But just know.. they DO mean something, I just haven't decided it yet, maybe kind of fill in as I go, come up with a meaning later lol. Probably along the lines of an old myth from the ancient elven religion, a story, etc.
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I don't know, probably other stuff, but that's my Trying To Keep It Short rambling for now lol. I'm just glad I finally finished this! For how vaguely sloppy it is up close (everything being completely freehanded, only used rulers once when doing the initial sketch and lining where the border should be + my hands are shaky + the canvas is bumpy + my handwriting is scratchy and terrible + etc. etc.) it still took a REALLY long time, even when not trying to make it all perfect. Especially if including the text translation + writing, which took like 3+ hours itself.
Maybe all the asymmetry/lack of things being centered is NOT because I was too lazy to measure anything, but is actually because in-universe, it's a practice illustration made by some young apprentice who has to work on little canvases for years before he can be trusted will a full sized mural or tapestry. It's his first week on the job! of course he's uncoordinated! don't laugh at him!!! lol
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not about harry potter, but do you watch good omens?
and if so, thoughts???
i have perhaps an. unhealthy level of emotional investment in good omens
(psst there are ~4 days left of the official graphic novel kickstarter if anyone hasn't pledged who wants to https://www.kickstarter.com/projects/dunmanifestin/good-omens/description, it just hit its last stretch goal, THERE IS AZ FELL AND CO BOOKSTORE MERCH AS ADD ONS)
what are my thoughts? let's see. the ending of season 2 makes perfect sense as the second part of a trilogy but it still hurt me deeply and if aziraphale doesn't do the apology dance in season 3 i'll lose my mind. also if he does do the apology dance in season 3 i'll lose my mind. basically if there is season 3 and aziraphale is in it--
loved the conversation between nina and maggie and crowley at the end of s2, i watched it for the first time with a massive jane austen fan who was THRILLED the second he heard even a *reference* to her in the show (so naturally the ball was the absolute High Point of the season)
at the end of s1 it's basically explicitly stated that The Big One is heaven and hell vs. humanity so i'm intrigued to see what's going to happen in s3 to that end
i don't think the metatron actually wanted crowley to be reinstated to heaven, he just wanted to drive crowley and aziraphale apart and figured that offer would do it (and that it would sell aziraphale on the idea of changing heaven from the inside as Something He Could Actually Do) - i also am intrigued by how god's going to factor into all of it bc as we see with job god's totally down to fuck around with everyone (likewhatmaggieandninaweresaying) but in s1 god was basically just functioning as narrator and had that one conversation with aziraphale - so if god's going to become more active that would be fascinating, but i am also very interested in how exactly the metatron fits into all of this and the degree of control/influence there
i like the idea that muriel was memory wiped like they were going to do to gabriel (~institutional problems~) but i'm not sure how supported it is by the narrative - i don't know anything about muriel the angel like. biblically, or even if that's a biblical angel, so maybe if i knew more i'd have a more confident opinion afjslgkhjskdf
jon hamm in season 1 made me want to punch him in the face every time he showed up on screen and in season 2 i was delighted by basically everything he did. what a guy
i also desperately want to know if anathema heard about any of the events of s2 and if so what she thought of All Of That, so if anyone has like. fic recs for something of that nature let me know afjlskhgljskdf
and finally: crowley
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