Hi, first of all I love your art and am a huge fan of EAA.
Secondly, I don't know if you play DnD at all but I saw "Field Guide to Floral Dragons" on kickstarter and it reminded me of your art so just wanted to let you know because I thought it was cool.
Again, love your art and am looking forward to future chapters of EAA!
Thank you so much!!! :DD
YES I've seen the Field Guide Kickstarter, at this point it gets shown to me on Instagram EVERY DAY, the algorithm sure knows my interests 😂 It looks like an awesome book and I both LOVE that it's being so well received and at the same time hate that I have such bittersweet feelings about it, because it is exactly what I've been dreaming to publish myself for years and it's just.
Frustrating that I'm still exactly where I left off 2 years ago.
I'm happy the Kickstarter is such a huge success, it gives me hope people could get just as excited once my Gardendragons get republished again, hopefully in a big way!
But a little insecure gremlin-voice inside my head makes me also afraid people will think of me as a copycat, even though my book has been written and illustrated LONG before in 2016 already 😂
Technically I know nothing is truly original, the concept of flower-based dragons is not unique. And I know my Guidebook will be VERY DIFFERENT, especially since my book would not be tied to DnD, it's more about connecting science with fantasy, a gardening book that teaches about insects and flowers THROUGH dragons. All my flower dragons are the size of flowers or smaller and are supposed to live in the real world, with the intention of teaching kids and adults about our native flora and importance of wild bees, as they live in a symbiosis with the dragons. And at the final chapter you get to learn what to plant in your garden to create a habitat for both dragons and bees!
I shouldn't be disencouraged, I shouldn't be envious or sad, just because I haven't found a new publisher or book agent yet, but I just want my Gardendragon books to be translated and republished SO BADLY but haven't made any new contacts yet that could help me reach my goal 😂
I should REALLY work on more illustrations or even animations to at least make my little dragons a bit more known on the internet. I'd love to see them flourish again ;w;
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One of the many things I really admire about you is how you DO things. You want to make a comic, you do it. You want to make an edit, you go and do it. You wanna do gifs, you figure out how to do it. You're constantly setting a goal and seeing it through and learning and growing as you go. And I admire that so so much because that's honestly not easy (at least it isn't for me). And I just wanted to let you know that
WOW I’ve never received an ask that made me pace around the room so much!! Thank you for telling me!! Forgive me for rambling in this response but I want to talk about the creation process a little bit— at least how I personally experience it.
Every project, no matter how large or small, is largely a fight between vision and pain. If my vision beats out my pain, I finish the project; if the pain becomes too unbearable, I hit the bricks (willingly or not).
Pain can mean a lot of things. It can mean frustration and dissatisfaction with your work in progress— a lack of technical skill that you can visibly see. It can mean the fear of ruining your vision by putting it down on paper. It can be the feeling that what you’re doing doesn’t matter. And in the context of this ask especially, it can be running headlong into wall after wall while learning how to use a new software.
I suck at learning new software. The learning curve for me is often so steep it feels untenable at times. Why can’t I do the simplest things? Why can’t anyone teach it to me in a way I can understand? I don’t even know if this YouTube video will teach me what I want to learn. And you’re saying I’ve got to watch 20 minutes of it to even see if it’s what I’m looking for?
I need you to know that for everything even remotely complete, even if it’s a work in progress, is built on a mountain of failures, of incomplete works, of past trials and tribulations. What I have of the music video for the SCP antimemetics division, built painstakingly in one of the most inaccessible and unfriendly video editing softwares, AVIUtl, dragged itself out of earthen trenches so that my music video for Pathologic could crawl pathetically. And that paved the way for the bits and pieces of the Kekkaishi music video, which walked so that the things I do for BIRDMEN could run.
I don’t think it’s really as simple as saying, “You want to make a comic, you do it.”
I think if I had never done any comics before in my life, I’d be so fucking frustrated with the process. But because I’ve been drawing comics since middle school, because I drew things and gave up and drew more things and gave up more, I was able to learn the language of comics by the time I entered high school, and by the time I entered college I had fought tooth and nail to learn how to use digital art softwares (I sulked a lot about this. I hated that everything I learned about making manga traditionally became essentially obsolete. I sulked soooo much about it it was unreal. don’t be like me).
That’s why I could finally, at that point, after almost 6 or 7 years of drawing, finally finish a 16-page oneshot for the first time in my life. Because I had hundreds and hundreds of pages of shitty pencil sketches of catgirls and schoolboys and what have yous. And knowing I could do that let me push myself further. I said to myself, I bet I could draw a story longer than 16 pages. I bet I could draw a story that’s 100. And I did. I had to sacrifice vision so I wouldn’t encounter so much pain, but I did it. And that’s why I think I can draw 600 pages now. Because it doesn’t hurt so much anymore, these days.
That’s not to say that drawing comics for me is an entirely painless process. It just means that the only thing I’m fighting is my self-esteem and perfectionism for the most part. I think my technical skills won’t fail me, not for panelling, not for compositions, not for art. It’s all about convincing myself that what I’m doing is worth it. Not the easiest, but certainly much less painful than having to fight that PLUS technical woes.
I think I understand what you’re going through, just a little bit. Maybe you don’t experience things exactly as I do, but I think you’re going through a lot of pain right now. That you have a vision, but you have trouble carrying out, whether it’s because of technical issues, unfamiliarity with the medium, a fear of beginning something you won’t end up finishing, or something else entirely. I don’t have too much sage advice for what to do here, but I want to assure you that what I do isn’t nearly as effortless as you might perceive it to be.
I want to take this chance and say to you that just from looking through your archives I can see that you’ve improved so so so much over the years. You draw often, you do lots of character design work, you’ve got a lovely and distinctive style. I know you mentioned one time that you wanted to draw a webcomic— and I say do it! Just dive into it.
The reason it took me so long to get to my level of competence in comics is because I had to reverse engineer a lot of shit. I used to draw things panel by panel, until I wanted a 2-page spread and realized, “Shit! I have to plan and pace out my story so that everything before the 2-page spread comes to a neat end on the left-hand page!” I used to freehand dialogue until I grew so frustrated with the fact that conversations seemed to constantly go off the rails that I realized, “Yikes, I gotta script this out beforehand...”
And so on and so forth. And maybe you’ll feel like you’ve wasted time and love on something that isn’t good, but just DOING things will teach you so, so much. It’s okay if what you make is bad. You can always start over, do it better this time.
This offer goes out to you, but really it goes out to any of my mutuals— if you ever want to talk about making stuff, whether it’s illustrations or writing or storyboarding, I’m always down. Whether you want technical advice or simple encouragement, feel free to reach out to me. I love seeing what other people are doing, and I know it’s really frustrating and scary to feel out a path by yourself when you feel like you don’t really know what you’re doing.
Art is so scary. It’s so painful. But even so, we can’t help but want to carry through with it, right?
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i think fandoms can be soooo ridiculous a lot of the time (see: all the nonsensical fan wars, discourse, etc) but i cannot understate how much i actually love fandoms.
like yeah it may be super nerdy and even cringe and outsiders look at it like "why tf do you care about these fictional characters so much?"
but 1) my field is literally..... literary studies..... in which all i do is study fiction and analyse it like an insane person, and 2) even if that WASN'T my field, thinking about the stories we consume is important even for any person to do, because thinking about stories exercises our brain to think critically!! why do you think our ancestors used stories as a medium to share knowledge, to propagate moral values and lessons? stories—telling them, thinking about what they're saying, and caring about the characters within them—are all inherent to the human experience!!!
so that brings me to fandom. because we are literally just making these little communities with each other based on our shared love for a particular story, and for a particular character or theme within them that resonated with us, or whatever. we're all here because we loved a thing so much that we built connections from it!!!
like yeah my irl friends laugh at me when i tell them i write fanfic, cuz ha ha what a nerd what a loser etc, but dude. i made genuine real friendships from fandom alone. from just obsessing over two characters we thought were cute together, we've gone to sending each other gifts and postcards and having voice calls and confiding in each other and sharing parts of us and our personal lives and our cultures (cuz we're all from different countries) with each other! like now i don't even share a fandom with most of my old fandom friends anymore but we still stick by each other and that's amazing???
also like, i cannot emphasise enough how amazing and encouraging it is to share your craft (art/writing/etc) with others in fandom. because for example if i make my own personal art or write my own original work, i'd have no one to share it to, no one interested to see it, and thus no one will be there to provide feedback or encouragement.
but if i post a piece of fan art or fanfic, people actually do see the work i post and care about the craft and the content it's depicting and even share their thoughts on it and that ??? is so motivating and lovely ??? because even though i make art for myself, art is still meant to be shared and seen at the end of the day—even if only with one person. so to be given the means of sharing our art in such a way, to have such a community that fosters so much creativity, it's amazing. i don't really get that anywhere else.
and especially to have this in like, a casual setting, you know, where you can just be yourself and do things according to your own time and energy without the pretenses of professionalism and a perfectly curated resume or portfolio, and all the confines of a rigid work schedule, which would all make the process of creation less fun and less genuine, and instead just more taxing and chore-like.
because fandom is essentially meant to be about doing what's fun for you! it's about sharing your creations and enjoying what others share with you. you make friends and you go ham with it.
and also it's why it's more frustrating when people take things too seriously and legitimately get upset over assumptions of other people's beliefs and hold the most minor grievances that could only be felt if you're like, chronically online.
but on that note, there are definitely still honest-to-god bad people in fandom spaces too (see: racists, TERFS, homophobes, groomers, harassers, etc). but that's the case with all communities, because bad people are always going to exist, and thus statistically speaking, the bigger a group or community is, higher chances are there's gonna be some awful people in there. but honestly that is its own can of worms and also that's not what this post is about, but i felt it necessary to address because i don't want to paint fandom as like, the best thing ever in the world, because fandom spaces are incredibly flawed, as everything is.
but i've always been one to appreciate things despite its flaws. and though this may be very personal to me, when i love things so much, i am still willing to stick around and try to change the culture around it in the ways that i can (like promoting internet safety measures, creating safe spaces for thoughtful and polite discussion, raising awareness on harmful stereotypes and fandom depictions or opinions, etc).
so regardless of the bullshit that online fandom spaces tend to perpetuate, i do very much still love the way that fandom allows me to connect with folks over something as silly as our little blorbos, and from there end up making life-long friends, or at the very least new acquaintances. insert reinforcement of my thesis statement about stories fostering human connection here. the end. send post.
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