Walk without rhythm
It won't attract the worm
Walk without rhythm
And it won't attract the worm
Walk without rhythm
And it won't attract the worm
If you walk without rhythm
Ah, you never learn, yeah
In honor of Dune Part II releasing today, I give you the best moment of hilarity in hindsight in the history of the world.
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feyd-rautha, after paul used the voice on the reverend mother: i could take him
the emperor: yeah, in a fight, right?
feyd-rautha:
the emperor, quietly: in a fight, right?
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Florence Pugh, Austin Butler, Christopher Walken And Josh Brolin On The Set Of "Dune: Part 2"
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You can tell Dune Part 2 was a great movie because even in the last scene when Paul was fighting Feyd-Rautha to decide the Emperor's fate and we all knew he was going to win, the tension was so thick you could cut it with a knife.
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How can I NOT say Mother, Queen, Glorified First Daughter, Daddy's Number One Girl !!!
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I feel we don't talk enough about the Emperor's palace in Kaitain.
The palace scenes are set at the Brion tomb, also known as the Brion sanctuary, in San Vito d'Altivole near Treviso, Italy.
It was designed by Venetian architect Carlo Scarpa between 1968–1978 for Onorina Brion, widow of Giuseppe Brion, as a sign of love and affection for her husband. That's why the symbolism recalls the concepts related to conjugal love and indissolubility of a loving bond.
Analyzing this aspect of the tomb, I find it particularly interesting that when Irulan talks about Muad'dib with the Reverend Mother, she is passing by a window shaped as a vesica piscis (a recurring feature of Scarpa's work). This symbol consists of two rings, one with its edges covered with blue mosaics and the other with red mosaics, representing the couple's union in marriage. (A foreshadowing?)
At the same time, I feel we have to remember that this place is, in fact, a sanctuary. A sacred place where life and death connect (it also has a private chapel).
The architect himself explained that: “I have tried to put some poetic imagination into it, though not in order to create poetic architecture but to make a certain kind of architecture that could emanate a sense of formal poetry….The place for the dead is a garden...I wanted to show some ways in which you could approach death in a social and civic way; and further what meaning there was in death, in the ephemerality of life”.
Which i find really meaningful knowing that the palace is also the place where house Atreides's doom was carefully planned.
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