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#elaine bennes
davey-jones-lock3r · 11 months
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happy pride month<3
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friendly-books · 5 months
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Dresden files Fool's Moon live blog
Fool’s Moon 
Ugh male gaze already
You’ve never mentioned Kim Delaney in your fic so I don’t have high hopes in her survival especially when she’s looking into summoning or binding circle
Sometime apprentice? Eh? How does one become a sometime apprentice
Harry drives a Beetle but he’s so tall and a beetle is so small ha
I’m absolutely blaming you for my love of Marcone and how unreasonably happy I got at the mere mention of his name in chapter two I might have a problem 
“He was one of Johnny Marcone bodyguards” pg. 18 Geez Marcone’s men can’t catch a break. First Tommy Tomm, then “Gimpy” Lawrence, and now “Spike” 
Ahh!! What was that agent Benn thinking? Pulling out her gun?!? I know Harry and Murph were going to live but still. I’m horrified by this lack of gun control 
Murph and Harry are fighting:(
I like Harry being a detective 
Who’s Justin? Why did Harry burn him to death? I’m reserving my decision if Justin is good or bad because while Harry is a good guy Bob doesn't have a moral compass.
Who’s Elaine? What happened to her?
Alphas really that’s the name they chose?
Susan you’re back!
Harry’s talking to himself again 
“What could possibly go wrong?” pg. 102 Harry sweetie you didn’t just say that. I can’t believe what I just read. Harry, you should know better than to say that. Every time someone says that things will always go wrong you’re supposed to be genre savvy. 
How is Harry still alive? He went to a hideout of possible murder happy werewolves with minimal tools and or weapons and no backup?
Marcone has arrived yay! It only took 10 chapters 
“Ah Mr. Dresden” pg. 114 Why did I think of Verinari when Marcone said Ah Mr. Dresden? Maybe because Verinari says Ah Vimes 
I love chapter 10 it’s all Marcone and Harry
Why does a demon know Harry’s mom?
“What was left of Kim Delaney lay naked and sublime on the bloodstained floor a few feet from the circle” pg. 143 I didn’t want to be right :(
“Middle-aged, starkly handsome man” pg. 145 Bi Harry counter 3
Why does a demon know Harry’s mother?
“Good-looking detective” pg. 231 Bi Harry 4 counter 
Wait did Harry call Rudolph the person who kills Murph good-looking??? What did I just read?? WHAT?!? 
It’s cool that Harry fights a werewolf 
I’ve now met ID Harry weird that whole bit was weird 
The FBI was in on it?!? 
Marcone to the rescue! 
“A man in his mature prime, his hair immaculately graying at the temples, his custom-made suit displaying a body kept fit in spite of the advancing years” pg. 293 Bi Harry 5
Really Marcone, you're really trying to get Harry to sign a contract now? 
“Marcone looked good in his gray suit and perfect hair and his manicured hands, but he wasn’t” pg. 295 Bi Harry 6
I find it amusing that Marcone and Parker are fighting over Harry for different reasons but fighting over him nonetheless :)
“He won’t accept my offer. He’d rather die.” pg. 297 Marcone knows Harry
“Marcone’s mouth dropped open, and it was an intense pleasure to see the surprise on his face” pg. 297 I love that Harry can get a reaction out of Marcone 
Loving chapter 23 with all its Marconeness 
How old are the characters? Harry calls the alphas kids, Billy calls Harry Mr. Dresden, and Harry talks about Marcone’s gray hair. I’m picturing Harry and Marcone as a mesh of @drawsdenfiles and @kaphkas fanart.
We got a title drop 
Awww Susan got Harry his duster
Why is Marcone’s house so big? Why does he need a big house? 
“If he truly offered you a challenge, he’s here,” Marcone said, his tone completely confident, “I’m certain of it.” pg. 365 Marcone really knows Harry huh 
I like that Marcone’s never underestimated Harry 
“Please remember that I want Dresden, alive if possible.” pg. 375 Wow Marcone really wants to hire Harry. 
Nooo the FBI kidnapped Murph :(
What did Denton see in Harry’s soulgaze? 
Marcone to the rescue again or not, honestly Marcone you should listen to Harry more often
“I guess it could be worse” pg. 394 Why would you say that Murph? Why???
“Mr. Dresden, Marcone said crossly. I’ve asked you not to call me that.” pg. 398 You should let Harry call you John, Marcone 
I love Harry and Marcone’s banter
Marcone’s throwing knives bit was cool
Harry using the belt was interesting. Glad Susan calmed him down. 
“Dresden! The pit!” pg. 417 Nice of Marcone to warn Harry
Harry using his necklace is cool! 
No Murph trust Harry, why did you shoot him?
Yay Murph was shooting Denton 
“Of course,” Marcone said, with a note of disappointment in his voice “I’d just hoped you hadn’t realized it. Nonetheless, Harry-“ 
“Don’t call me Harry,” I said, and hung up on him” pg. 428 I love this entire bit. How come Harry gets to call Marcone John but when Marcone calls Harry by his first name he gets upset? You should just call each other by your first names 
I hope we see more of the Alphas 
Oh Harry’s making connections with the ongoing mystery yay! 
Final thoughts 
Loved all the Marcone we got. I like that we’re getting more on the ongoing mystery. I hope we see more of the Alphas. I liked the fights and Harry’s detective work. More Bi Harry the counter is going up! We’re up to 6. As with the previous book, I'm not a big fan of the male gaze but I think that’s more to do with the length and descriptions used. Harry (or Jim) will go on for a solid paragraph describing women using words I don’t think anyone would use while with Bi Harry it’s not as long and I can see people using words like good looking or handsome. I mostly glazed over the male gaze bits. I don’t know if my predisposition to Bi Harry and a Harry/Marcone shipper is making those parts stand out or if it’s because I’m actively looking for them to add to the counter. Speaking of Marcone I don’t recall if it’s said why Marcone wants Harry to work for him. Yeah having a wizard on staff is cool he can do magic but surely Marcone knows that there’s more magic people and some are more likely to work for him than Harry. So why does he specifically want Harry to work for him? He tried to get him to work for him three times in this book and once in the previous book. There’s trying to hire someone and then there’s whatever this is. I enjoyed this book. Good book for Harry/Marcone moments. Looking forward to the next book!
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fuzzysparrow · 2 years
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In the TV sitcom 'Seinfeld', what is the name of Jerry's nemesis, played by Wayne Knight?
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Newman is a recurring character and arch-nemesis of Jerry Seinfeld on the television show 'Seinfeld'. Portrayed by Wayne Knight from 1992 until the show's finale in 1998, Newman was ranked 16th on 'The Rolling Stones' list of '40 Greatest TV Villains of All Time'.
'Seinfeld' is an American sitcom created by Jerry Seinfeld, who also plays the main character of the same name. The show is about four friends in New York City living their day-to-day lives. Jerry is a comedian who always gets himself into strange situations. His friend George Costanza (played by Jason Alexander) is a neurotic estate agent, who is convinced nobody likes him. The third friend in the group is Elaine Bennes (played by Julia Louis-Dreyfus), Jerry's ex-girlfriend, and the fourth is Cosmo Kramer (played by Michael Richards), Jerry's very tall neighbour.
Newman is a lazy mailman who works for the United States Postal Service. Whilst he is a friend of Kramer, he and Jerry never see eye-to-eye. Despite the show beginning in 1989, Newman did not physically appear until 1992, although his voice had been heard several times off-screen in previous episodes.
Throughout the series, Newman often schemes against Jerry, who he thinks is not deserving of his fame as a comedian. Jerry frequently refers to Newman as "pure evil", but when asked why the character hated Newman so much, the actor responded, "it just seemed funny to hate Newman."
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2010kickassenjoyer · 6 months
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Give me 1 night with Elaine bennes
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boxfivefemme · 7 months
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I'm stoned again and my Elaine Bennes Fixation is back
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tomorrowcomest0day · 2 years
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i think elaine bennes should be homophobic
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warhead · 3 years
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trnsocial · 5 years
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TRN Round Table: Our Favorite Episodes of Seinfeld
TRN Round Table: Our Favorite Episodes of Seinfeld - We celebrate the 30th anniversary of the iconic series looking at our favorite episodes! #seinfeld
30 years ago today, on July 5th, 1989, television history was made when the first episode of Seinfeld aired.  It went on to run for 180 episodes across 9 seasons and produced some of the best television we’ve ever seen.  So today, we’re paying tribute and looking back at our favorite episodes.  When you’re done checking out our choices, leave us a comment and tell us what YOU’RE favorite episode…
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equatorjournal · 7 years
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ben benn / elaine lustig cohen, 1965
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mceproductions · 2 years
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Best of 2021 Movies #14: Black Widow
At long last ScarJo gets a black Widow solo movie is what I would be seeing if this was the 2017 countdown. Of course this still would have crushed by Wonder Woman but it fit better.
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Still though we now begin phase 4 in earnest by seeing Natasha after the Civil War on the run while unexpectedly reuniting with her sister Yelena. both having grown up together in 1990s Ohio with their parents Melina Vostokoff and Alexi Shostakovich played by Rachel Weisz and David Harbour. Both being covert agents for Russian interests. When exposed the family flees to Family hands as the sisters get indoctrinated into the red room under the supervision of General Dreykov. Running a foul of unstoppable force of mimicry known as taskmaster, the sisters reunite the family in order to take down the red room once and for all.
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Not as good as it could’ve been but definitely enjoyable especially considering the unexpected questions that get asked.
What happened with Budapest.
 how did Natasha get her vest.
And how does Elaine Bennes have so much Pull to get Yelena to go after Clint Barton.
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Despite being delayed 14 months this was the definite start that phase four film wise needed. And a great film to head back to theaters for.
SUM 22:  Scarlet Johansson returns to fill in the gaps of Natashas long and seemingly endless covert journey. Florence Pugh and David Harbor are bonuses.
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My Bastard OCs: Andrew "Andy" Arsole
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Art drawn by the very kind and very talented @1863-project ❤️
Alright so, I'm finally going to start spilling the beans like I said I would a week ago. This is Andy, one of my mysterious OCs I really need to give more love. 😂 His origin was basically me thinking, "Hmm... what if Alan B'Stard had an Ade counterpart?" in about April 2020. That quickly evolved into deciding, since Alan is the most right wing Member of Parliament, what if this guy was the most left wing Member? Thus, mutual loathing guaranteed!
I've tried to make Andy the opposite of Alan when and where it's made sense to, so here are some facts about him below the cut:
His name is Andrew Adrian Arsole, Andy to his mates (so not to Alan). His name had to start with an A for the A. Arsole effect please ignore that it should technically be An Arsole. Arsole, as well as being a chemical compound, is also apparently a very rare surname. The more you know!
His birthdate is 26th September 1955 - 26th September is, according to Google, the most common birthday in the UK. I wanted the most common one for Andy since Alan's is 29th February 1956, which is obviously the rarest. Andy is also a tiny bit older than Alan since Ade is older than Rik and because it's established in TNS that Alan is the youngest MP in the Commons.
He becomes the Labour MP for the Constituency of Scunthorpe in 1987 - like Haltemprice, this was not an actual constituency at the time. I simply looked at the areas nearish to Haltemprice and found a spot that voted Labour in '87 for the Realism(TM). Why does Andy's constituency need to be near to Alan's? For the extra grrr.
Andy is from Scarborough in North Yorkshire and has the accent to match. Why? Because I want that southern/northern conflict technically, according to The B'Stard File, Alan is from Halesowen in the West Midlands which isn't too far from where Rik is from but shhhh Alan sounds posh as fuck there's no Brummie in him.
Andy is the third of six kids. He has two older sisters (Christine and Elaine) and two younger sisters and a brother (Janet, David and Valerie). He hasn't seen his father since he was a child, after he finally fucked off - a good thing, because he was an abusive piece of shit to his wife and kids. I'd say Andy was raised working class and is now comfortably middle class because of his job (something Alan likes to pick at). All of his siblings have had children apart from him by 1987, so he's the Fun Uncle. He's also quite close with his mum, but in a healthy, balanced, wholesome way... unlike some people...
Also, most importantly, Andy is gay. Closeted, unsurprisingly, as most gay MPs in the 1980s were. Alan hasn't figured out this little secret... yet. That kind of information would be so, so dangerous in his hands, which is why the only person in the world who knows that Andy is gay is his mum. Well. And his cat, Rosa, who is named after Rosa Luxemburg.
Appearance wise, as you can see, Andy is a blonde, blue eyed and he wears glasses. We all know what Ade looks like, he looks like a young Ade. 😂 Unlike Alan, Andy is a bit of a scruff: his shoes are always scuffed, he wears cheap suits that always seem to have holes in them, his shirt is often coffee stained, he forgoes a tie unless absolutely forced, his glasses are NHS prescription and seemingly always a little crooked, he often has inky hands, his hair is always unkempt floof. Completely the opposite of Alan B'Stard in that respect and is another reason they find each other sneer worthy.
His politics - very obviously he is on the far left of the Labour Party. A younger Jeremy Corbyn probably idolises him. He's part of the same group of MPs as Tony Benn and Dennis Skinner and he's not bothered about whether what he says fits a smarmy, stylised image. He's blunt and coarse, a bit rough around the edges, especially if he loses his temper - this is why his opponents call him an "arsehole" like Alan's call him a "bastard". The Labour leadership don't like him. Before becoming an MP, he was part of the complete balls up at Liverpool Council in 1985 and stormed out of the Labour Party Conference during Neil Kinnock's speech. His politics are basically just meant to be as far away from Alan's Thatcherite brand of libertarianism as possible, for the complete contrast. It's not that he is "good" to Alan's "bad" although, I mean, he's definitely preferable because isn't everyone because we can pick holes in all political ideologies. I didn't create Andy to be a pure hero. He's often called a communist by Tories and the press but maintains publicly that he is a democratic socialist.
Andy does put in the graft. I don't believe any politician should be idolised really and, like I said, I'm not trying to create a force of good to defeat Alan's force of evil in Andy... but he works harder than Alan and was motivated to get into political life by the desire to enact change and bring about equality... rather than a desire to fill his wallet. He actually holds regular surgeries, for one thing. He's very stubborn and uncompromising on his beliefs and this is a credit to him as much as it is a hindrance for progress. I'm not going to alter history here: he's no match for Margaret Thatcher and her administrations. That said, outside the world of politics? For all intents and purposes, he's a decent enough human being. Just as Alan so deliberately isn't.
He doesn't stand for his seat again in 1992 because for various reasons he has become disillusioned with Westminster and his party, although he remains in political life through campaigns and such. A more centre left candidate becomes the new Labour MP. This doesn't mean Andy's life is now B'Stard free, however...
And now, Andy and Alan! *cracks knuckles* The thing about Alan B'Stard is... when he's in the Commons he knows absolutely how to manipulate everything and everyone. All the outrage he causes is intentional. He is very rarely caught out. He just uses people, insults them, bests them, then casts them aside and forgets about them, right? One of the main ideas for Andy is that he - as unbelievable as this may sound - has the ability to get under Alan's skin and wind him up. Alan has the same effect on him, it's a two way thing, because they are both opposing extremes. They have each others' attention. I reckon Alan probably gets the best of Andy in debates a little more often than Andy gets the best of him, simply because Alan is amoral and has none of the dogma associated with the hard left binding him. We know how slippery he and his principles are. However, the point is, Andy is on Alan's level in a way the other MPs aren't - certainly in a way Piers isn't. He can see through Alan's facades and, though the bastard infuriates him like he does most Labour MPs, Andy knows how to niggle back at Alan. The comedic element to this is supposed to be that the both of them often get caught up in debates across the Commons and get angrier and angrier and start insulting one another in typical Rik and Ade fashion, until the Speaker stops them. All the other MPs hate this. In fact, on those occasions Alan bothers to attend the House and the two of them are there, whole groups of MPs will get up and leave in anticipation of rowing.
I have the loosest of loose ideas for a TNS fic involving Andy but I doubt it'll be coming anytime soon. One day! I have the title master procrastinator. I just want to see how Alan and Andy can fuck up each others' plans by grating on each others' nerves, besting one another but never fatally. Just. Y'know when there's this utter twat that you can't seem to rid yourself of? That's how they both feel.
I am aware that I have sorta possibly maybe created a wee bit of sexual tension between the two of them (everyone I have told about Andy prior to this post seems to think so 😂). Naturally, in one of the only ways sexual tension works with Alan B'Stard - through hate. I still stand by canon B'Stard being super duper cishet for narrative reasons... but I am as yet undecided specifically about the Alan I will have interacting with Andy. I mean, he is still a heartless son of a bitch, either way. A theme with Alan and Andy is that eventually, even though they despise each other, they can't help but look forward to seeing and fighting with one other because it's exciting and it gets them whipped up, as much as they both hate to admit it. We all know how easily Alan gets bored and much he hates being bored. Andrew Arsole doesn't bore him. 👀
O h d e a r . . .
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aconissa · 5 years
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The majority of books I see in shops/libraries are by white men and it’s really getting on my nerves. Do you have any recommendations for books by women of colour? Or better yet, queer women of colour?
You bet! Books written by women who love women are in bold
Fiction:
Her Body And Other Parties by Carmen Maria Machado
America Is Not In The Heart by Elaine Castillo
Beloved by Toni Morrison
Everything I Never Told You by Celeste Ng
Purple Hibiscus by Chimamanda Ngozi Adichie
Homegoing by Yaa Gyasi
Washington Black by Esi Edugyan
Last Words From Montmatre by Qiu Miaojin (big warning for suicide)
The Farm by Joanne Ramos
Scarborough by Catherine Hernadez
Foreign Soil by Maxine Beneba Clarke
Patsy by Nicole Dennis-Benn
Whatever Happened to Interracial Love? by Kathleen Collins
Unmarriageable: Pride and Prejudice in Pakistan by Soniah Kamal
Human Acts by Han Kang
The Confessions of Frannie Langton by Sara Collins
The Joy Luck Club by Amy Tan
Pachinko by Min Jin Lee
The Colour Purple by Alice Walker
Catching Teller Crow by Ambelin Kwaymullina & Ezekiel Kwaymullina
Interpreter of Maladies by Jhumpa Lahiri
White Teeth by Zadie Smith
Non-Fiction:
Zami: A New Spelling of My Name and Sister Outsider by Audre Lorde
It's Not About the Burqa: Muslim Women on Faith, Feminism, Sexuality and Race edited by Mariam Khan
Why I'm No Longer Talking to White People About Race by Reni Eddo-Lodge
Headscarves and Hymens: Why the Middle East Needs a Sexual Revolution by Mona Eltahawy
I Know Why The Caged Bird Sings by Maya Angelou
This Bridge Called My Back: Writings by Radical Women of Colour edited by Cherríe Moraga and Gloria E. Anzaldúa
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tabloidtoc · 5 years
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Entertainment Weekly, June 28
Cover: Cast Reunion of Angel -- Alexis Denisof, Charisma Carpenter, David Boreanaz, Amy Acker and J. August Richards 
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Page 1: Contents 
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Page 2: Sound Bites -- Robert Downey Jr., Gina Rodriguez and Yael Grobglas on Jane the Virgin, Krysten Ritter on Jessica Jones, Cardi B, Laura Dern on Big Little Lies, Seth Meyers, Karrueche Tran on Claws 
Page 4: Editor’s Note, Entertainment Weekly LGBTQ Party -- Janet Mock, Anderson Cooper and Melissa Etheridge and Wilson Cruz, Neil Patrick Harris 
Page 7: The Must List -- Yesterday, Q+A -- Lily James 
Page 8: Child’s Play 
Page 9: Pose, 3 Questions for Billy Porter 
Page 10: Toy Story 4 A to Z 
Page 12: The Raconteurs -- Help Us Stranger, Trinkets, Bunny by Mona Awad 
Page 14: Mark Ronson -- Late Night Feelings, FKA USA by Reed King, Broadway cast albums 
Page 17: Closet Confidential -- The Look of Big Little Lies 
Page 24: 20 years after taking a bite out of L.A., the cast and creators of Angel unite to reminisce about helping the helpless 
Page 32: Jenna Bush Hager’s book club 
Page 36: Who killed the Masked Marvel? David Bacon played a crime-fighting superhero on screen, but the villain who murdered the actor in broad daylight has remained a Hollywood mystery for more than 75 years 
Page 44: Movies -- Toy Story 4 
Page 45: The Keanussance Explained -- Keanu Reeves has never been hotter and we couldn’t be happier 
Page 46: American Woman, Annabelle vs. Chucky 
Page 47: The Dead Don’t Die, Q+A -- Richard Curtis’ Fab Four Fantasy 
Page 48: Rolling Thunder Revue 
Page 49: Wild Rose 
Page 50: TV -- The Loudest Voice 
Page 51: Breaking Big -- Wunmi Mosaku
Page 52: Role Call -- Kevin Costner 
Page 54: What to Watch, Scott Foley recommends -- Harlots 
Page 55: Jenny Slate recommends -- I Think You Should Leave With Tim Robinson 
Page 57: Music -- The Raconteurs 
Page 58: Prince 
Page 59: Chart Flashback -- 1988, Mark Ronson -- Late Night Feelings 
Page 60: Books -- Fleishman Is in Trouble by Taffy Brodesser-Akner 
Page 61: Chaos by Tom O’Neill, 3 Questions for Elaine Welteroth 
Page 62: Mostly Dead Things by Kristen Arnett, The Tenth Muse by Catherine Chung
Page 63: Patsy by Nicole Dennis-Benn 
Page 64: The Bullseye
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a-wlw-reads · 6 years
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Hi tumblr! Since my most popular post by far was this Read Across the United States map, I felt I should stop acting like the US comprises the entire world and make an equivalent map of wlw books for the countries of the world. This list includes novels, anthologies, and memoirs that take place, and often are written by natives of, countries across the world. And again, I need some help filling in the blanks. Some areas of the world I really struggled with, and others I could see were replete with options, but the only lists I found were in the native language (sorry to say I’m a stereotypical monolingual American). 
Afghanistan : Ask, Tell by E.J. Noyes
Argentina : Edge of Glory by Rachel Spangler, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Australia :  The Flywheel by Erin Gough, Amelia Westlake by Erin Gough, A Story of Now by Emily O’Beirne, Points of Departure by Emily O’Beirne, Here’s The Thing by Emily O’Beirne, The Monkey’s Mask by Dorothy Porter, About A Girl by Joanne Horniman, May Day Mine by Verity Croker, Not-So-Straight Sue by Cheyenne Blue, Clancy of the Undertow by Christopher Currie, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Austria : Küss Mich, Libussa by Sophie Strohmeier, Carmilla by J. Sheridan Le Fanu
Bangladesh : Bright Lines by Tanwi Nandini Islam
Belgium :  The Princess Deception by Nell Stark, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Botswana :  Queer Africa: New and Collected Fiction by Karen Martin and Makhosazana Xaba
Brazil : Tempo ao Tempo by Olívia Pilar, Dia de Domingo by Olívia Pilar, Entre Estantes by Olívia Pilar
Canada : Landing by Emma Donoghue, That Inevitable Victorian Thing by E.K. Johnston, The Dirt Chronicles  by Kristyn Dunnion, Tomboy Survival Guide by Ivan Coyote, Gravity by Leanne Lieberman, The Young in One Another’s Arms by Jane Rule, After the Fire by Jane Rule, 96 Hours by Georgia Beers, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
China :  When Fox Is A Thousand by Larissa Lai, Seventh Day of the Seventh Moon by Ken Liu, Red Azalea by Anchee Min, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Cuba :  The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Cyprus :  The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Democratic Republic of the Congo : Everfair by Nisi Shawl
Denmark :  The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Egypt : A Smokeless Flame by Aziza Amador, A Map of Home by Randa Jarrar, Felucca Dreams by Natalie Debrabandere, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
England : Another Life Altogether by Elaine Beale, Disobedience by Naomi Alderman, The Paying Guests by Sarah Waters, Tipping the Velvet by Sarah Waters, Affinity by Sarah Waters, The Night Watch by Sarah Waters, Fingersmith by Sarah Waters, Oranges Are Not the Only Fruit by Jeanette Winterson, Why Be Happy When You Could Be Normal by Jeanette Winterson, I Can’t Think Straight by Shamim Sarif, Radio Silence by Alice Oseman, The Dark Victorian series by Elizabeth Watasin, Days of Grace by Catherine Hall, The Daylight Gate by Jeanette Winterson, She Rises by Kate Worsley, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Finland : The City of Woven Streets by Emmi Itäranta, Fair Play by Tove Jansson
France : The Last Nude by Ellis Avery, Last Words From Montmartre by Qiu Miaojin, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Germany : The Music Box by Elaine Atwell, Aimée & Jaguar: A Love Story, Berlin 1943 by Erica Fischer, Snapshots of a Girl by Beldan Sezen, Paper Love by Jae, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Greece : My Best Friend, Maybe by Caela Carter
Hong Kong : Fool for Love by Harper Bliss
India :  Love Bi The Way by Bhaavna Arora, Babyji by Abha Dawesar, Kari by Amruta Patil, Falling Into Place by Sheryn Munir, Out! Stories from the New Queer India by Minal Hajratwala, Facing the Mirror: Lesbian Writing from India by Ashwini Sukthankar, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Iran : If You Could Be Mine by Sara Farizan, Moon at Nine by Deborah Ellis
Ireland : Hood by Emma Donoghue, Stir-Fry by Emma Donoghue, Fionn:  Defence of Ráth Bládhma by Brian O’Sullivan, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Israel : A Small Country About to Vanish by Victoria Avilan, The Rosebush Murders by Ruth Shidlo, Israel/Palestine and the Queer International by Sarah Schulman, Dearest Anne by Judith Katzir, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Italy : Summer Heat by Harper Bliss, Sword of the Gladiatrix by Faith L. Justice
Jamaica : The Other Side of Paradise by Staceyann Chin, Here Comes the Sun by Nicole Y. Dennis-Benn, Bliss by Fiona Zedde, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Japan : The Teahouse Fire by Ellis Avery, A Darkly Beating Heart by Lindsay Smith, My Lesbian Experience with Loneliness by Nagata Kabi
Jordan : I Can’t Think Straight by Shamim Sarif
Kenya : Not Yet Uhuru by Dolar Vasani
Kuwait : A Map of Home by Randa Jarrar
Lebanon :  Bareed Mista3jil, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Malawi :  Not Yet Uhuru by Dolar Vasani
Mexico : The Two Mujeres by Sara Levi Calderon, Desert Blood: The Juarez Murders by Alicia Gaspar De Alba, Sor Juana’s Second Dream by Alicia Gaspar De Alba, 24/7 by Yolanda Wallace, Our Own Private Universe by Robin Talley, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Monaco : The Princess and the Prix by Nell Stark
Nigeria : Under the Udala Trees by Chinelo Okparanta
New Zealand : Tahuri by Ngahuia Te Awekotuku, Dare Truth or Promise by Paula Boock, The Shattering by Karen Healey, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Norway : The Four Winds by Gerd Brantenberg, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Pakistan : Nightingale by Andrea Bramhall
Palestine : Israel/Palestine and the Queer International by Sarah Schulman
Peru : The Copper Egg by Catherine Friend
Philippines : Before the Rain: A Memoir of Love and Revolution by Luisita Lopez Torregrosa, Don’t Tell My Mother by Brigitte Bautista, Women Loving: Stories & A Play by Jhoanna Lynn B. Cruz
Portugal : Seasons of Love by Harper Bliss
Russia : Sophia Parnok: The Life and Work of Russia’s Sappho by Diana Lewis Burgin, Love in Revolution by B.R. Collins, The Revolution of Marina M. by Janet Fitch
Saudi Arabia : The Others by Seba al-Herz
Scotland : Valhalla by Ari Bach, Out of the Blue by Sophie Cameron, Once the Clouds Have Gone by K.E. Payne, Four Steps by Wendy Hudson, The Crazy Jig: Gay and Lesbian Writing from Scotland by Joanne Winning
Slovenia : The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
South Africa : The World Unseen by Shamim Sarif, Black Bull, Ancestors and Me: My Life As a Lesbian Sangoma by Nkunzi Kandile Nkabinde, The Invisible Ghetto: Lesbian and Gay Writing from South Africa by Matthew Krouse, Kaleidoscope Song by Fox Benwell, Porcupine by Jane Bennett, Reclaiming the L-Word: Sappho’s Daughters Out in Africa by Alleyn Diesel, Queer Africa: New and Collected Fiction by Karen Martin and Makhosazana Xaba, Not Yet Uhuru by Dolar Vasani, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Spain : The Spanish Pearl by Catherine Friend, The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Sri Lanka : The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Syria : Cinnamon by Samar Yazbek
Taiwan : Last Words from Montmartre by Qiu Miaojin
Tanzania : Queer Africa: New and Collected Fiction by Karen Martin and Makhosazana Xaba, Not Yet Uhuru by Dolar Vasani
Thailand : The Windup Girl by Paolo Bacigalupi
Trinidad : The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
Uganda :  Queer Africa: New and Collected Fiction by Karen Martin and Makhosazana Xaba, Not Yet Uhuru by Dolar Vasani
United States
Uruguay : The Vintage Book of International Lesbian Fiction by Naomi Holoch and Joan Nestle
US Virgin Islands : Hurricane Child by Kheryn Callender
Wales : Poppy Jenkins by Clare Ashton
Zambia : Not Yet Uhuru by Dolar Vasani,
Zimbabwe :  Queer Africa: New and Collected Fiction by Karen Martin and Makhosazana Xaba, Not Yet Uhuru by Dolar Vasani
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rondasarts4 · 6 years
Text
A few of my Resource book collections I have read lately.
The Oxford Companion to Aboriginal Art and Culture (Oxford Companions) 1st Edition
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This unique publication provides a wide-ranging reference to indigenous Australian art, covering documented archaeological traditions, art styles of the early contact period and the nineteenth century, and the development of the contemporary Aboriginal and Torres Strait Islander art practices.
https://www.amazon.com/dp/product/0195506499?tag=sacreddestin-20
Two Steps Forward, Three Steps Back : A Wiradjuri Land Rights Journey By Gaynor MacDonald
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letters to the Wiradjuri Regional Aboriginal Land Council on its 20th anniversary, 1983-2003
Tradition Today : Indigenous Art in Australia from the Collection of the Art Gallery of New South Wales2014 Revised Edition
written by Hetti Perkins, Cara Pinchbeck
Art Gallery of NSW | ISBN 9781741740875
Paperback
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With a foreword by Michael Brand and an introduction by Hetti Perkins, the expanded and revised edition of this popular book includes nine new artists - Tony Albert, Jakayu Biljabu, Mirdidingkingathi Juwarnda Sally Gabori, Julie Gough, Ivy Pareroultja, Esme Timbery, Wingu Tingima, Harry Tjutjuna and Barrupu Yunupingu - and new works by Richard Bell, Destiny Deacon, Makinti Napanangka and Uta Uta Tjangala.
Using the rich collection of the Art Gallery of New South Wales, this book provides an important introduction to Indigenous art in Australia through the work of 86 artists across the continent, from remote areas to urban centres.
Contributors: George Alexander, Natasha Brook, Deborah Edwards, Hannah Fink, Vivien Johnson, Jonathan Jones, John Kean, Eric Kjellgren, Steven Miller, Howard Morphy, Hetti Perkins, Cara Pinchbeck, Luke Taylor, Wayne Tunnicliffe, Ken Watson
Artists:
Ian Abdulla, Tony Albert, Paddy Bedford, Richard Bell, Billy Benn, Jakayu Biljabu, Binyinyuwuy, Dawidi Birritjama, Mervyn Bishop, John Bulunbulun, Kevin Bunduck, Nym Bunduck, Robert Campbell Jnr, Clifford Possum Tjapaltjarri, Robert Ambrose Cole, Brenda L. Croft, Destiny Deacon, Dr David Malangi, Dr Pantjiti Mary McLean, Emily Kam Ngwarray, Kevin Gilbert, Julie Gough, Willie Gudabi, Philip Gudthaykudthay, Mithinari Gurruwiwi, Johnny Warangkula Tjupurrula, Roy Kennedy, Yvonne Koolmatrie, Anchor Kulunba, Long Tom Tjapanangka, Samuel Manggudja, Banduk Marika, Mawalan Marika, Wandjuk Marika, John Mawurndjul, Galuma Maymuru, Narritjin Maymuru, Ricky Maynard, Queenie McKenzie, Mirdidingkingathi Juwarrnda Sally Gabori, Tracey Moffatt, Sally Morgan, Wonggu Mununggurr, Mäw Mununggurr, Albert Namatjira, Eubena Nampitjin, Inyuwa Nampitjinpa, Makinti Napanangka, Mitjili Napurrula, Ningura Napurrula, Dula Ngurruwutthun, Jimmy Njiminjuma, Nyirlpirr Spider Snell, Lin Onus, Ivy Pareroultja, Otto Pareroultja, Rusty Peters, Gloria Tamerre Petyarre, Prince of Wales, Kutuwulumi Purawarrumpatu, Michael Riley, Elaine Russell, Shorty Lungkata Tjungurrayi, Ken Thaiday, Thanakupi, Rover Thomas, Esme Timbery, Wingu Tingima, Ronnie Tjampitjinpa, Uta Uta Tjangala, Mick Namarari Tjapaltjarri, Tim Leura Tjapaltjarri, Tjumpo Tjapanangka, Timmy Payungka Tjapangati, Harry Tjutjuna, Turkey Tolson Tjupurrula, Judy Watson, HJ Wedge, Pedro Wonaeamirri, Jabarrgwa Wurrabadalumba, Owen Yalandja, Lena Yarinkura, Barrupu Yunupingu, Munggurrawuy Yunupingu, r e a
https://www.artgallery.nsw.gov.au/shop/item/9781741740875/
Weaving: A Handbook of the Fiber Arts
by Shirley E Held
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This book was an old but a goody, with some wonderful ideas on fibre art and weaving that assisted me in my projects.
The artistic and practical aspects of creating fabric are considered in discussions on weaving on the loom and by hand, spinning and coloring yarn, and designing material
"synopsis" may belong to another edition of this title.
https://www.abebooks.com/9780030226915/Weaving-Handbook-Fiber-Arts-Held-0030226910/plp
Australia’s emblems and Icons- flags
By Jack and Jenifer Barwick 
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This book gave me information on the Official Australian Aboriginal flag
Vitamin 3D New Perspective Sculpture and installations- Phaidon
http://www.artnet.com/magazineus/books/croak/vitamin-3D12-10-09.asp
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Sculpture Today-Judith Colllins
http://www.booktopia.com.au/sculpture-today-judith-collins/prod9780714857633.html?utm_source=bing&utm_medium=cpc&utm_campaign=Shopping%20Campaign(2)&utm_term=1101100031315&utm_content=All%20Products
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Materiality- Whitechapel: Documents of Contemporary Art – Petra Lange-
Berndt (short essay crop version publication)
http://www.booktopia.com.au/materiality-petra-lange-berndt/prod9780262528092.html
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How to write about Contemporary Art – Gilder Williams (chapter 3 fear of good writing)
http://www.booktopia.com.au/how-to-write-about-contemporary-art-gilda-williams/prod9780500291573.html
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Artificial Hells - Participatory Art and the Politics of Spectatorship- Claire Bishop
http://www.booktopia.com.au/artificial-hells-claire-bishop/prod9781844676903.html
Installation Art – Claire Bishop
https://books.google.com.au/books/about/Installation_Art.html?id=o7FPAAAAMAAJ&redir_esc=y
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The Art of Participation – Rudolf Frieling
http://www.goodreads.com/book/show/6262687-the-art-of-participation
Public Art (Now)- Clair Doherty
https://www.dymocks.com.au/book/public-art-now-by-claire-doherty-9781908970176/#.WQad9bGr3-Y
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Public Art Theory Practice and Populism – Cher Krause Knight
https://books.google.com.au/books/about/Public_Art.html?id=qkxClDeTCbQC&redir_esc=y
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Critical Issues in Public Art - Harriet F. Senie and Sally Webster, Editors
http://www.harrietfsenie.com/critical-issues-in-public-art/
Contemporary Sculpture. Projects in Münster, 1997 (Germany) - Klaus Bussan; Kasper Koing; Florian Matzner.
http://www.worldcat.org/title/contemporary-sculpture-projects-in-munster-1997/oclc/37392437
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This book historically looks at early battles between the Colonial Rule of Australia,the aboriginal tribes and white settlers/convicts. The first chapter Army of Occupation obviously looks at the question of the 1st fleet landing and settlement antagonising the local aborigines. Twin Battles of Sydney Battle of Vinegar Hill Battle of Bathurst Battle of Pinjarra Battle of Eureka stockade Battle of Battle Mountain
https://booksonwaraustralia.com/aboriginal-conflicts/1624-history-six-australian-early-battlefields-aboriginal-convict-conflict-9780207155956.html
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An alternative view of Australian history. Through accounts of four clashes, this book demonstrates the realities of life on the Australian frontier and through a retelling of the stories of Vinegar Hill and Eureka reminds the reader of the central place of resistance in Australia's past. 
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Blood on the Wattle draws together most of the information about the massacres of Aboriginal people which has been recorded in books and journals. Blood on the Wattle draws together, in a single volume, most of the information about the massacres of Aboriginal people which has been recorded in books and journals. It also creates a broad-based level of awareness of the scale of the massacres of Aboriginal people so that this dimension of Australian history can become part of the Australian consciousness. About the Author Bruce Elder is an award-winning journalist and writer who has been involved in the writing of more than 50 books, including the Macquarie Dictionary and The A - Z of Who is Who in Australia's History. He is a journalist with the Sydney Morning Herald specialising in travel and popular culture.
https://www.booktopia.com.au/blood-on-the-wattle-bruce-elder/prod9781741100082.html
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"Judy Watson is one of Australia's leading contemporary artists. Her art explores territory that includes the dispossessed Indigenous Australians with whom she shares a family history and heritage. Judy Watson's art is intense and sublime in its physicality." "Blood language is a beautifully illustrated pictorial exploration of some of Judy Watson's seminal canvases, works on paper, sculptural projects and artist's books. Judy Watson imparts the artist's ideas and writer Louise Martin-Chew gives another insight into the artist's practice."--Jacket. 
http://www.worldcat.org/title/judy-watson-blood-language/oclc/436950274
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Large, bold and colourful, Indigenous Australian art has impressed itself on the contemporary imagination. But it is controversial, dividing the stakeholders from those who smell a scam. Whether the artists are victims or victors, there is no denying their impact in the media and on the art world and collectors worldwide. How did it become the most successful Indigenous art in the world? How did its artists escape the ethnographic and souvenir markets to become players in an art world from which they had been barred? Superbly illustrated, and rich in detail and critical analysis, this book provides the first full historical account of Indigenous Australian art and shows that there is much more to the art than large colourful canvasses. About the Author Ian McLean is Senior Research Professor of Contemporary Art at the University of Wollongong and an Adjunct Professor at the University of Western Australia. His previous books include Double Desire: Transculturation and Indigenous Art (2014), How Aborigines Invented the Idea of Contemporary Art (2011) and White Aborigines: Identity Politics in Australian Art (2009).
https://www.booktopia.com.au/rattling-spears-ian-mclean/prod9781780235905.html
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Floating Life: Contemporary Aboriginal Fibre Art
Contributing authors include Diane Moon, Diana Wood Conroy, Anna Haebich, John Kean, Julie Ewington, Bruce McLean, Lynne Seear 160 pages paperback colour illustrations
'Floating Life' highlights the importance of fibre within Aboriginal culture, and the Gallery's unique collection of more than 300 fibre objects. Included are commissioned pieces by key artists as well as acquisitions from established and emerging talents. There are woven fibre pieces, three-dimensional works with connections to the objects, and paintings illustrating processes and stitches used.
Banumbirr (the Morning Star), water, and the notion of movement through time and place are major themes. Water defines pathways and points of connection in Aboriginal life and marks important creation sites associated with specific woven objects. Spirit figures, ceremonial poles, dance objects, body adornment and useful nets and traps — ranging from small and delicate to large-scale — reflect variations on tradition, whereas exciting contemporary explorations are embodied in the found materials used by Lorraine Connelly-Northey. An in-depth view of the work of artists such as Jonathan Jones, Gulumbu Yunupingu, Shirley MacNamara, Yvonne Koolmatrie, Lena Yarinkura and Alan Griffiths recognises their role in forging important new directions.
https://www.qagoma.qld.gov.au/whats-on/exhibitions/past-exhibitions/floating-life
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https://www.sellingyarns.com/2013/
Selling Yarns 3: Weaving the nation's story was a four-day event that presented a conference, a market day, workshops, an exhibition and associated activities program, and launched the inaugural Indigenous Art Film program. As the premier national forum for Indigenous textile and fibre in the country it was supported by the Centenary of Canberra, drawing people to the nation's capital from across the country.
Thirty Indigenous communities and art centres and 134 artists from every state and territory in Australia converged in Canberra to participate in Selling Yarns 3: Weaving the nation's story. Indigenous artists and elders, and art administrators, came together and participated as speakers, workshop facilitators and market stall holders to share their stories, exchange their knowledge and skills, and to trade. They opened their hearts to each other and to other conference delegates and visitors. As Tim Growcott so eloquently stated post conference:
"An authentic spirit of reconciliation coursed strongly throughout the four days, with so many stories and examples of practical collaborations and life- changing projects. The conference was a recognition of the important and sensitive work being accomplished by like-minded creators, forging links with the living past and forming models for healing into the future."
The project was a huge success, inspiring artists and creating strategic alliances between Indigenous communities across Australia. There has been significant cross cultural engagement and inspiration with international Indigenous artists and culture which paves the way for lasting relationships with opportunities to develop further collaborations and joint projects. Establishing dialogue and sharing cross-cultural exchanges with international artists, curators and researchers has placed Australian Indigenous textile practice within the broader international arena.
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ghostofatree · 4 years
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Also recorded in this sketchbook several other things were going on. My friend Joel, -an author, lecturer, trade unionist and academic was working on his book The Principle, which offered a devastating critique of the handling of FE under Tory austerity. We had seen how the college had nose-dived and both knew who was to blame. One of the monochrome illustration plates was my digitised lino cut of in my view the unspeakably awful Elaine Bowker, who in our experience had efficiently destroyed the once outstanding college we worked at. I was given the quote of “the five powerful questions” from Tony Benn for my page. This triggered an idea of the Wizard of Oz (who lived behind a curtain of lies, or at least a failed PowerPoint with no signal output), played by her with her pants on fire challenged by the union reps who had seemingly been sacked for standing up to her on a range of spurious charges. I imagined a medieval woodcut full of in jokes (such as the leopard-skin print she was actually wearing when she delivered a cringeworthy PowerPoint about how our status as a “Gazelle College”(ie top performing) was under threat with a photo of a gazelle brought down by a leopard, clearly identifying herself as the actual threat... just before presiding over the college’s OFSTED crash from “Outstanding- 1” to “Requires Demolition-4”. If she hadn’t ruined so many careers and lives she would have been laughable, unfortunately she was anything but. Finally Joel and I decided to replace that Bowker image with Theresa May for a more nationally recognisable motif. The next pages were planning drawings leading toward that, followed by some samples for #earthmoves of image transfers of Sebastian and Belisama. Finally, because we had crashed to a 4 so spectacularly, OFSTED then began very regular inspections, visits, audits and curriculum reviews as the college tried very hard to blame the staff who had previously achieved the Outstanding grade twice on the run for the dramatic failure under Bowker, so This was my permanent expression at the time. #sketchbook #archive #mismanagement #incompetence #fe #deliberate #destruction #failure #linocut #ofsted (at Learning exchange Roscoe street) https://www.instagram.com/p/CCTVkU9gz1P/?igshid=1hn0lmo4kn9wd
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