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#during the first few eps of the show i was like these songs are ridiculous they say a whole lot of nothing
slowdesire · 1 month
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obsessed with this song from a fake band… the lyrics are generic in a way that works extremely well. maybe we CAN make a good thing bad
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djmarinizelablog · 1 year
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Hello, Dj! Did you watch the last episode? Did you like it?
Hi, yes! I watched it on my own last Friday, and I appreciate all the hard work of MAPPA for animating the last few parts of Attack on Titan. The animation was amazing as always, and I'm sure they had to face a lot of internal and external pressure on how they would go about it.
That said, while I wished they could have cut the 1-hr ep into two 30-minute eps, I respect their decision to combine 4 chapters together as well as their interpretation of the manga. Chapters 131 and 132 were emotionally-heavy in terms of scenes (especially with the consequences of the Rumbling and Hange's sacrifice), while 133 and 134 had a ton of dialogue (with Armin strategizing with the Alliance in the plane and their negotiation with Eren in the Paths). The tone of the first half was completely different from the second half, and we definitely needed to breathe in between. I did like how they ended with the Alliance's entrance of them jumping off the plane, though! (self-plug: reminds me of Free-Falling aherm aherm)
MAPPA also went with a less melancholic song choice of Hiroyuki Sawano's Bauklötze (I was ready to bawl my eyes out had they chosen an instrumental version of Akuma No Ko). There's a line in their chosen song that goes, "We will fight until the burning wind takes our wings" and I think that fits Hange perfectly.
Another thing: Romi Park's delivery of her lines was different from what I expected. That doesn't make it bad, or anything. It's just... completely different. It sounded as if Hange reverted back to their old fanatical self in their last moments. (Whatever happened to character growth?) But I guess if the goal was to show that Hange's penchant for discovery and love for learning Titans never faded during their time as commander, then that makes sense for them to be so overwhelmed with seeing the Colossal Titans one last time that they didn't even notice the expression in Levi's eyes:
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But we do have to remember that Attack on Titan is not a melodrama and definitely does not go for overtly romantic undertones, and MAPPA probably has budget and timing constraints in terms of production, so I'm interested on how they would animate the second part of the last episode of the final season in the end. (Do they realize how ridiculous this entire installment sounds?)
I do hope we get a director's commentary on why the producers went with their decisions (on pacing, on dialogues, and song choices), just so we can have some insight on what they wanted to portray versus what was actually portrayed.
Thanks for reading!
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bengiyo · 1 year
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My School President Ep 9 Stray Thoughts
Last time, Tinn got to spend a few nights with Gun and the rest of Chinzhilla at the school in preparation for Hot Wave. Gun now fully understands how whipped for him Tinn is, and we got to see Drunk!Gun try to throw hands with Kaljorn. Gun and Tinn have some of the better communication skills I've enjoyed, and their moment during Hot Wave after Tinn bailed on his mom (and the aftermath) was really good. Win and Sound are also on the rise.
I just love Tinn so much. The boy understands a moment. I also love Gun for keeping Tinn from getting lost in his head.
Of course Tinn has been counting the time they've been apart.
This has become so much more fun since Gun started actively flirting back.
I actually like Tinn's mom. She's not an antagonist or villain. She's just a bit overprotective. She does trust her son, though I find it hard to believe she doesn't know he likes a boy (Moms always know). Still, curious about how the lies will catch up with Tinn.
I love Gun and his mom's relationship. I am nervous that she doesn't actually have the meds Gun asked about.
Tiw and Por rising? I don't know why they have Mark committed to this floaty, but I'm okay with it.
Sound and Win are always going through it, I swear.
Time for the beach splash montage.
I like that Gun now instinctively moves towards Tinn when he's startled.
"We can't tell them, but we can level up our sweetness." Pulls out BL Juice. I love that we have just accepted that the product placement is here to stay, and have just decided to be ridiculous with it.
Por and Phat look so good this episode.
Mark is killing this role with just his face and body language in the background.
Oh, Tiwson. You are my favorite. I love that Tinn's best friend is also a Supporter.
Gun and Sound are so ridiculous. I can't wait to see what song these two come up with.
This is the first time I've been glad Tinn is around for the drama. He has useful perspective about secret crushes, and asks good questions of Gun. I think Gun has also been in need of a confidant.
Fourth and Gemini are really good together. I probably would have recommended channeling Sound's feelings into the song, and letting Win decide what to do after hearing it and making it through Hot Wave
Oh, I like the way Satang's voice broke as he thought about what Sound was really into.
Yak has been fun this episode.
Tiwson said, "Ah, the stupid is generational in this band."
Gun worrying about unreciprocated feelings hurting Sound and the band as he leans on Tinn is the exact kind of visuals I needed from this show.
Aw, and here I was thinking Sound and Win would make progress. Still, Sound tried a little bit.
Gun sharing with Sound was actually pretty brave, and also necessary if they're going to put genuine feeling into a song.
"I'll be the captain of your ship." I feel like these people are reading our comments.
Tinn is too much. My dude jumped straight from coming out to getting married. I can't get enough of this man.
Drinks seductively over the product placement apology.
That was a good Now Kiss Moment from Satang and Winny.
Tinn remains the best boy. Especially with The Warp Effect airing right now, Tinn stopping and leaving as soon as Gun said to resonates strongly.
I'm vibrating with anticipation for the moms finally meeting.
Looks like the secrets are out with Tinn's mom.
Please let Tiwson get in the water.
Por is serving absolute cunt in this outfit with the short shorts, the blue button-up tank, the glasses, and the raised briefs.
The cover dance B plot continues. I think I'm having the reaction to the dancing that others have to the singing.
I like Sound's song.
I'm glad Win isn't dense, and recognized that the song was about him.
Oh yes. Please flash back and give me a scene we missed. An umbrella sharing scene? Be still, my heart.
Oh my. Sorry to Intouch and Korn, but you've been defeated.
"I don't know if I feel the same way, but I'm willing to try," is something I'm glad is moving beyond Japan.
I like Gemini's voice when they don't over-tune it.
Alright, the notebook kiss was really special. Good job, boys.
Mmm, kinda nervous about next week and Gun's mom.
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lunapaper · 1 year
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Album Review: 'Past // Present // Future' - Meet Me @ The Altar
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Part of the current pop punk resurgence that includes WILLOW, pinkshift, Olivia Rodrigo and (ugh) Machine Gun Kelly, Meet Me @ The Altar have fought to defend the genre at all costs, sticking faithfully to the blueprint mapped out by their forebears Paramore and Fall Out Boy on their 2021 EP, Model Citizen. 
Not much has changed on their debut album, Past // Present // Future. The propulsive beats and snarling riffs remain, along with the cliché-riddled angst that has long made pop punk the subject of ridicule.  
It’s rock by committee courtesy of Jonas Brothers producer John Fields, hell bent on watering down each guitar riff and compressing every vocal, hiding it all behind an impenetrably glossy veneer. In other words, it’s more Radio Disney that RIOT! 
‘Say It (To My Face)’ incorporates some drum n’ bass into its emo-lite punk thrash as vocalist Edith Victoria taunts back at the haters ‘You're so irrelevant, almost didn't commit/Almost didn't write you a second verse/Really wish I could stay, gotta fly to LA/Play a show at The Wiltern.’ I guess I’m considered one of them now (Though Australian homes don’t normally have basements).  
‘Try’ is Sum 41-esque, offering high school-level wisdom in the form of ‘I go through all the same things too/It sucks, it’s true.’ ‘Hello in there Mr. I don’t care/I’ve had better conversations with my wall and my dog,’ she later muses on ‘Same Language,’ its chorus eerily reminiscent of Katy Perry’s ‘Waking Up in Vegas,’ while ‘T.M.I.’ is rather Avril-like as Victoria bares her soul over fuzzy guitars and explosive drums. 
And so the clichés go: ‘I think I'm the worst/Criticize everything 'til it hurts’ (from ‘T.M.I’) ‘Still stuck in your mothers basement/Talk trash, but you're like a million miles away’ (from ‘Say It (To My Face’)) ‘Don't be afraid to let go of the pain/Flowers only bloom if you get through the rain’ (from ‘Rocket Science’), each one more vapid than the last. 
Some of this can be attributed to a trio of early twentysomethings still navigating their way through life, love and other anxieties. Most of it, however, reeks of others trying to mould the band into something they’re totally not, namely writer/producer John Ryan, who co-wrote most of the album’s tracks. 
He’s written for such artists as Harry Styles, Maroon 5, Rita Ora, Pitbull, Jason Derulo, DJ Snake, Fifth Harmony and, funnily enough, Katy Perry and Nick Jonas. He also co-wrote some of One Direction’s biggest hits, including ‘Story of My Life,’ ‘Steal My Girl’ and ‘Best Song Ever.’ 
Why some cheesy pop maestro was assigned to work with a queer pop punk trio of colour (the first ever signed to Fueled By Ramen) is anyone’s guess. Rather than make the songs feel like their own in any way, Ryan and the band just churn out a bunch of bland pop punk tunes about makeups and breakups indistinct from their peers. 
Though there are glimmers of what could’ve been: the hazy ‘Kool’ echoes the headiness, thrill and nauseating anxiety you feel when crushing hard on someone. ‘It’s Over for Me’ has a jackhammer-style energy, while standout ‘A Few Tomorrows’ is dream-spun folk pop straight out of the early 2000s, with Victoria’s snarky, razor-sharp wail softened into a soothing coo. It sort of reminds me John Mayer’s ‘Back To You,’ the kind of song that would play during a montage after the inevitable breakup scene of a teen film or in a CW drama (‘Back To You’ was in Win a Date With Tad Hamilton!, btw). 
Meet Me @ The Altar’s debut comes just as the pop punk renaissance seemingly reaches its saturation point. Everything here is just so bland: The riffs are repetitive, the writing uninspired and the production squeaky clean and painfully edgeless. 
And it’s a shame, because the band have proven in the past that they can do raw and real on 2019’s Bigger Than Me EP, a true love letter to pop punk that showcases the trio’s deft musicality and knack for punchy hooks, from the math rock-style breakdown on ‘Beyond My Control’ to the post-hardcore urgency on ‘Tyranny.’ Hell, even Model Citizen dabbled in a little nu-metal.  
2018’s Changing States is also worth a listen: The vocals are imperfect and the songs sprawling and loose, lacking any real structure. It sounds like it was recorded in a wardrobe, but that’s what adds to its beauty and charm. I’d even go so far as to compare it to Fall Out Boy’s earlier albums.  
What could’ve been a powerful mission statement for the band, a chance to expand on their scrappy, bratty charm, becomes yet another generic power pop record. Past // Present // Future will probably be an album that Meet Me @ The Altar end up distancing themselves from it once they creatively find their feet again. Hopefully no one linked to the JoBros will be involved in the next one... 
- Bianca B. 
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intimateflesh · 2 years
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A tripling tribute to twigs - music review wind-up
FKA twigs is probably in my top 10 artists ever, so I'll be briefly reviewing her discography over the following post or so. I'll start with EP2 since it's what I'm listening to, so convenience I guess.
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EP2 2013
trip hop, dream pop, alternative R&B, indietronica
There is something so proudly feminine to her music, EP2 is especially hypnotic in this sense. How's That is unsettling, it feels dangerous to be listening to it, but the beats and her voice just tell you that it's okay to follow where she is leading you. Papi Pacify is a good follow up, and is a bit more stripped back, letting you hear every sound that is being introduced. Water Me is profoundly beautiful, relatable, and tragic almost, as Twigs sings about not being able to get the love she desires - even needs - from her partner. She implies that he only wants her for her sexuality, but when she introduces her emotional needs, the "fee" becomes too big for him to handle, so he abandons her, and once again she is alone and "stuck" with herself. It's beautiful and only has a few verses, showing that there is emotionality even in brevity. During the time of this EP's release, Twigs actually had a group of people who loathed her work, ridiculing her and claiming she is too weird, but despite all this Twig's consistently creates and releases the art she wanted to see take shape, regardless of how it was received, and for that I respect her as an artist.
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LP1 2014
avant-pop, alternative R&B, electronic
My GOD one of the best debuts EVER. Every song is individually showstopping here. So much character and passion in them and the way she sings is exquisite. It's so sexy and hypnotic and mysterious god this album is my bible. She reinvented pop music with this. AND 2014??? AHEAD OF HER TIME. The production is MINDBLOWING, otherworldly sounds paired with her alien sounding voice transports you to this other dimension where it feels like it's just her singing to you. The best song here is Two Weeks, absolutely mindblowing bridge between the experimental and the mainstream (the MV ended me). Literally one of the best songs I have heard in my life. I deadass don't know what else to say I can only revel in this album's magic and confidence. What I would give to experience it for the first time again...
Top Tracks: Two Weeks, Pendulum, Kicks, Lights On
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CAPRISONGS 2022
alternative R&B, electronic, pop rap
Nothing but love for Twigs, however, this project is quite unremarkable. It released and kinda just...vanished. There's a few reasons for this. First, the tracks are short and since there is a LOT of them, they kinda just, float by, and then you're onto the next. It is a mixtape though, so that random nature is probably intended. That aside, I love Twigs so this was enjoyable for the most part! Some songs really stand out in a good way, this entire project is a standout in her discography, and it's nice to see her happy in her music (compared to MAGDALENE). She sounds so charismatic and friendly it's kinda hard to dislike anything here. She wanted this to be comforting, fun, and bouncy, but also reflective with themes of self growth and realization, all of which are touched on and not discarded as cliché. Everything is so genuine it's kinda hard to not enjoy it for that. Not exactly as memorable or as sonically interesting as her older work, but it's nice to see her in a place where she seems happy with her life and relationships.
Top Tracks: ride the dragon, meta angel, tears in the club oh my love, lightbeamers, papi bones, careless, minds of men, thank you song
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badgirlcovenrep · 3 years
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I haven't seen anyone analyze the song Raelle sang in ep.6 so I just had to.
Disclaimer: the English major in me REALLY came out during this analysis so watch out for some ridiculously in depth thoughts
I hadn't heard that song before the episode so I initially thought it might have been made for the show, but after Googling I eventually found out it's "The book of love" by Peter Gabriel.
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The first two parts is what we actually hear her sing on the show.
The "book of love" is a pretty interesting expression to start with. It's a surprisingly difficult thing to interpret for just being the title of the song, and it could mean a whole multitude of things. In my interpretation I like to think it means the way we are taught to love by the people around us, how we see them love each other and feel them love us. In moments like that, those people are reading the book of love to us.
I specially like how it's described as being full of "charts and facts and figures", like maybe as we grow we collect all these things about love, about how to love, how to "read" those books to other people. Like the way our parents loved each other and loved us will affect how we form relationships and love other people. And then it's also full of "instructions for dancing", which could be referencing flirtation, or the very act of a relationship to someone else as well.
The fact it calls this book "long and boring", and allude to it being so heavy "no one can lift the damn thing" at the very first verses really reminds me of the impatience of youth, and being too young to understand the importance of any of this (of the book itself) at first. It's very reminiscent of Raelle, who I can see as not being someone who has quite grown enough to be placid with her feelings, to say the least. And she specially hadn't before she met Scylla.
But when she was with Scylla she let herself be "read" this book of love. When she finishes with "you can read me anything" I just can't help but think of how Raelle was so hurt and heartbroken after (supposedly) losing her mother, how she didn't think she'd ever have - or even want - something like Scylla ever again but she just couldn't help it when it came to her.
Raelle couldn't help but fall in love with her, and what she'd been too impatient and sad to understand at first, what she thought was "long and boring", transformed itself through Scylla.
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The rest of the song plays over the credits at the end of the episode (as we sit there trying to figure out wtf just happened). I think it just mostly reinforces what I already said, but it also deserves a mention for saying the book of love (love itself) created music, because that is adorable and very interesting for a show where music itself is their power and how witches can even do their work. It also alludes to how love (and raylla's love specially) can give you so much pain and be so incredible at the same time, when it says the songs that are written in this book can be transcendental or really dumb.
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Again, a reference to being too young to understand, and I love the connotation that we can only learn from the book from the people who are meant to teach us. The "flowers and heart-shaped boxes", alluding to the gifts and mementos of a relationship, which we know Raylla have a few of... the battle charm, the S in Raelle's hand, now the picture.
And to finish off with that last verse, I will just have to leave you with the mental image of southern romantic gentlewoman Raelle singing this song and thinking about marrying Scylla, even when she knows she shouldn't, because she just can't help but love her still.
Thanks for coming to my ted talk
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girlsbtrs · 3 years
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How Being a Woman in Hardcore Helped Me Learn to Love Myself
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Written by Jen Moglia. Graphic by Laura Cross. 
Since this is my first piece written for Girls Behind the Rock Show, I figured that I should introduce myself; hi, my name is Jennifer, but most people call me Jen. I live on Long Island in New York, and my favorite things include my cats, the color pink, giving gifts to my Animal Crossing villagers, and watching sports. Above all else, however, I love music.
I frequently refer to music as the love of my life. It somehow plays a role in everything that I do. I got my first iPod when I was five years old, stacked with everything from Miranda Cosgrove and Avril Lavigne to Tool and Deftones. Some of my favorite memories growing up are sitting in my pink and purple bedroom singing and dancing along to Paramore’s crushcrushcrush and Fall Out Boy’s Thnks Fr Th Mmrs on the local alternative radio station. I danced for 12 years, played cello for seven, and am currently a wannabe ukulele rockstar after buying one on impulse and starting to teach myself how to play four years ago. Even on the simplest, barely noticeable levels, music has been everywhere in my life for as long as I can remember; even now, I can’t complete a basic task without a song playing in my headphones.
Music became an even bigger part of my life when I started attending live shows. I went to my first concerts at age 10, seeing my two favorite artists - Nickelodeon boy band Big Time Rush and classic progressive rock band Rush - within one month of each other. By the time I was 15, I had been to my fair share of arena/seated shows with one or both of my parents, from Fifth Harmony to Fitz and the Tantrums to Alice in Chains. My first general admission show was seeing the Foo Fighters at Citi Field with both my mom and dad when I was 12, but my first pop-punk general admission show (yes, they’re different) came a few years later. I had the typical list of favorite bands that you would expect from a young teenager getting into alternative music: Neck Deep, Knuckle Puck, Real Friends, and State Champs. 
In late 2018, I was able to see all four of these bands for the first time, and I am a firm believer that it changed the course of my life. I met, cried-during, and eventually got the setlist for Neck Deep at Stereo Garden on Long Island in September. I sang all of “Untitled” at the barricade for Knuckle Puck at SI Hall at the Fairgrounds in Syracuse in October. I had my first minor concussion scare (yay!) before Real Friends’ set at Irving Plaza in New York City in November. Finally, I crowd surfed for the first time during State Champs’ anniversary show for The Finer Things at House of Independents in Asbury Park in December. After just a few shows, I had fallen in love with this new brand of live music that I had just been introduced too. There was something so magical to me about skin covered in sweat and Sharpie marks, feet hurting from dancing in the pit all night, and meeting strangers on line outside the venue who would become your best friends and know your deepest secrets by the end of the night.
After making some friends at all of the pop-punk shows I was going to, they started to tell me that I should get into hardcore music. I was hesitant at first - the heaviest thing I had listened to at that point was nowhere near the snippets of hardcore that my friends had played for me - but, eventually, I decided to give it a chance. I was bored and home alone with nothing to do one night over the summer of 2019 when I listened to my first hardcore album, Laugh Tracks by Knocked Loose. Immediately, I got that gut feeling that you have when you know you’ve heard one of your favorite bands for the first time. I knew that this was something special that I was meant to find at this point in my life. For the rest of the summer, I worked my way through the rest of my friends’ hardcore and hardcore-adjacent recommendations, with Cost of Living by Incendiary, Stage Four by Touche Amore, You’re Not You Anymore by Counterparts, Time & Space by Turnstile, Springtime and Blind by Fiddlehead, Smile! Aren’t You Happy by Absence of Mine, Bad to my World by Backtrack, and Reality Approaches by Harms Way being some of my favorites. By the time the next school year started, I was hooked, and I already had tickets to my first few hardcore shows in the fall.
My first hardcore show was in November 2019, seeing Knocked Loose at Webster Hall in New York City - fitting, right? They were on tour supporting their new record A Different Shade of Blue, which I had become obsessed with the minute I heard it for the first time. Although I was ridiculously scared of getting stepped on and breaking all my bones (yes, that was an actual fear of mine), I had the time of my life at that show. There was something about this newer kind of live music that prompted a cathartic release, one that I hadn’t found anywhere else before. As soon as the show was over, I was counting the days until my next one.
My love for live hardcore music (and live music and hardcore music in general) has only grown since then, and that story sort of ends there. However, I want to go back to that first hardcore band that I listened to, Knocked Loose, and the album they put out that first summer that stole my heart. I was taken by storm as soon as the first notes of A Different Shade of Blue rang through my headphones, but something was different about the third track, A Serpent’s Touch, particularly the ending; I heard a voice that sounded a little bit more like my own.
This song features Emma Boster, who does vocals for one of my favorite hardcore bands right now, Dying Wish. When I heard A Serpent’s Touch for the first time, though, I had no idea who she was. I was used to the aggressive vocal delivery of frontmen in hardcore, particularly that of Knocked Loose’s Bryan Garris, but hearing it come from her changed my perspective on a lot of things. It’s not like the song was super angry and changed its tune to be lighter once the token girl came along; in her verse, Boster sings, “I watched the venom / Overcome your spirit / Jealousy holds you now / Distorting your appearance / Bleed out.” These were lyrics that held the same intensity that the lines screamed by the men held, and they sounded just as cool coming out of her mouth. As cheesy as it sounds, it had never even occurred to me that women had a place in this new world that I had discovered. The audiences in the live videos I watched (and eventually at the shows I attended) were made up of mostly men who looked bigger and older than me. When I did start going to shows, most of the non-man population consisted of my friends and I. Emma Boster, along with so many others, began to open my eyes to the fact that a place for people like me existed in this community. It didn’t matter that I had bright red hair or liked butterflies or wore pink - I was just as much a part of this magic as the men multiple feet taller than me with tattoo-covered arms, and I belonged there just as much as they did.
As time went on and I got more involved in the genre’s music and community, I discovered more bands with women in them, and it only fueled this fire of empowerment inside of me. When I felt insecure, I’d watch live sets from Krimewatch, a hardcore band from New York City, just half an hour away from my hometown. They have multiple women as members, including their energetic badass of a vocalist, Rhylli Ogiura. Year of the Knife became one of my all-time favorites, and their bassist Madison Watkins became a serious inspiration to me; the way that she can balance killing it on stage and running the cutest, most pink apparel brand I’ve ever seen (aptly titled Candy Corpse) amazes me. Even some of the bands I’ve found more recently have had an impact on me. I started listening to Initiate last year when their EP Lavender came out, and their beautifully colorful cover art caught my eye before I had heard any of their songs. Their vocalist, Crystal Pak, is also a woman, and she’s insanely talented. Discovering this kind of representation in this new universe that I had come to feel so at home in introduced me to a world of confidence and determination that I had never known before.
When people ask me why I love hardcore so much, I often give the easy answer; “the music sounds good.” If the person allows me to ramble on for a little longer, the answer becomes much more emotional and cheesy. Hardcore taught me that speaking up for what I believe in is important, and if there’s something I’m passionate about, it’s worth shouting about. I became familiar with this when listening to one of my favorite bands ever, Incendiary (the second hardcore band I ever checked out), before quickly realizing that politics are a pretty common topic within the genre - it’s what this music was practically built on. The first time I heard their vocalist Brendan Garrone singing about police brutality and injustice on songs like Force of Neglect and Sell Your Cause, I realized that there is so much more to music than just sounding good.
However, at its core, the thing I love so much about hardcore is what it taught me about being a woman. Growing up, I was the loud girl with the personality bigger than the room who always had something to say and had a never ending supply of excitement about just about everything. As I got older, I was taught that this was not okay. People didn’t like how enthusiastic I was about everything, or that I constantly had new ideas and new discoveries I wanted to talk about. As cliche as it sounds, I felt like everyone around me was trying to dull my sparkle, especially some of the men that I was encountering on a day-to-day basis. Even when I started to come to terms with my big and bright personality, in turn also coming to terms with my own femininity, I was told that this wasn’t how girls acted. I had to pick one - I could watch Disney princess movies and wear Hello Kitty hair clips, or I could be outspoken about my beliefs; but never both. The women that I mentioned earlier, along with so, so many more, helped me unlearn these toxic mindsets. Seeing someone like Emma Boster take the stage and scream ferociously for a full set helped me see that I could be a girl and still be a powerhouse. Following Madi Watkins around on social media showed me that I could love bands like Year of the Knife and also love heart-shaped purses and wear pink from head to toe. My aggression and passion didn’t make me any less of a woman, and my femininity didn’t make me any less of a force to be reckoned with. 
So, at the end of this love letter to hardcore and the women who run it, I say this; thank you for teaching me that I don’t have to shrink myself anymore. It has made a world of a difference.
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peekbackstage · 3 years
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AU WWX & AU LWJ, what is your head cannon on their relationship dynamics. Who would have made the first move, who would have confessed and etc.
I’m guessing that this question is about my previous AU post about an alternate universe where Wei Wuxian and Lan Wangji are idols! This post is probably going to be a little ridiculously embellished, because why not. 
In this universe, which is an AU version of our modern day world, Wei Wuxian and Lan Wangji are the two biggest pop stars in China. While they fall in love while working on their series of critically acclaimed collaborations, they actually met many years before as trainees.
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Upon meeting at a joint training camp held by Gusu Lan Entertainment, Lan Wangji decides that Wei Wuxian is quite possibly the most infuriating fool he has ever had the misfortune of meeting. After all, for a trainee from Yunmeng Jiang Entertainment, Wei Wuxian seems to lack all manners and decorum, loses the security badge required for entry into the Gusu Lan Arena, and to add insult to injury, seems determined to break every single rule Gusu Lan Entertainment expects their artists to follow. 
(Lan Wangji does not understand how Wei Wuxian is considered the most talented trainee Yunmeng Jiang has to offer. Clearly, there are better trainees. He does not have high hopes for the boy.) 
Wei Wuxian, on the other hand, finds Lan Wangji -- no, Lan Zhan, since that’s actually his real name, not his stage name -- to be an endless source of entertainment. He’s not entirely sure why Lan Zhan is determined to never have any fun in life. (He’s not even sure if Lan Zhan knows what “fun” is.) He’s even more determined to find out, though.
(Lan Wangji is not impressed. He is, however, extremely confused.) 
In any case, at some point during the training camp, Wei Wuxian decides that he will be Lan Zhan’s friend, regardless of whether or not Lan Zhan wants him as a friend. 
(Lan Zhan has never actually had a friend. It’s all very strange to him.)
This is not supposed to be a fic, so I’m not going to include too much more backstory exposition here. Mostly, I wanted to offer some history before we get to the main course!
So, now we are a few years in the future, and Wei Wuxian and Lan Wangji have both debuted. They aren’t megastars yet, so Gusu Lan Entertainment and Yunmeng Jiang Entertainment decide it might be a good idea to have their two budding idols work on a collaboration together, kind of like the Kangta & Vanness collaboration from 2011. Or Jun Ho and Van Ness, from 2012. (In fact, Van Ness Wu’s collaborations seem like a pretty good business model to copy.) 
During this process, Wei Wuxian and Lan Wangji spend many late nights working closely together. Unlike other idols, they actually write their own music, and even play their own instruments. They’re exceptionally talented musicians, and they discover just how well they complement one another during this time. 
[Insert some cheesy line about how their souls speak to one another through music, because this is The Untamed AU.] 
(It’s around this same time that Wei Wuxian starts to notice how distractingly handsome Lan Zhan is. He really has no right being that handsome. It’s rude, really.) 
They end up writing and recording enough songs to release an EP together. It’s all very productive. 
(It’s during this time that Lan Wangji realizes that he can’t seem to stop looking at Wei Wuxian -- correction, Wei Ying. He curses his treacherous eyes, which keep finding their way back to the ridiculous curl of Wei Ying’s mouth.)
[Insert an absurd amount of unfulfilled sexual tension, largely caused by a certain Wei Wuxian growing increasingly, outrageously flirty, much to Lan Wangji’s complete dismay.]
At some point, Wei Wuxian kinda-sorta accidentally gets Lan Zhan drunk. He really didn’t mean to. It sort of just happened. He discovers that Lan Zhan is kind of hilarious when he’s drunk. So he makes it a habit of occasionally convincing (or tricking) Lan Zhan into have drink. 
On a particularly hot summer night, after an entire day spent rehearsing choreography for the music video they are supposed to shoot the next day, Wei Wuxian once again manages to get Lan Zhan drunk. He kind of accidentally may have gotten himself drunk in the process. And maybe sort of accidentally ends up in Lan Zhan’s lap. He really didn’t plan for that to happen. It sort of just does, along with all the relatively rated-M stuff that happens after that. 
Afterwards, he panics, not unlike his counterpart in MDZS, cuz apparently, this is apparently Untamed-AU-meets-MDZS-AU. 
Wei Wuxian tells Lan Zhan that this is just the sort of thing that guys sometimes do together, and not to take it too seriously, then immediately runs off, because of course he does.
It’s all very dramatic. 
[Insert even more dramatic internal monologue.] 
Fast forward to the next day. It is now the big day of their music video shoot. 
Wei Wuxian gets there early, and arrives alone. Lan Xichen, who has no real reason being on set but who I need to put on the set because plot, is quite surprised to see Wei Wuxian on the set without his brother, especially considering that in recent weeks, they pretty much had become inseparable.  
One thing leads to another - I really don’t know how - but Lan Xichen is the best wingman ever and ends up more or less telling Wei Wuxian what a dumbass he is for not really understanding Lan Wangji’s feelings, because come on. Literally every single person on both teams know that Lan Wangji and Wei Wuxian have been making eyes at each other like no one’s business. 
And of course, once Lan Wangji arrives on set, Wei Wuxian does what Wei Wuxian does best and declares, in front of everyone on set, that he really, truly deeply is in love with Lan Wangji. Remember, we are in Untamed-AU-meets-MDZS-AU land now, and apparently I’ve decided that this is now a retelling of the story through idol land. 
In any case, Lan Wangji is overcome with emotion and there is a dramatic embrace. 
The director of the music video sees all of this and decides to rewrite the script, right there on the spot. He tells the lead actress who they were supposed to both be pining over that she no longer will be playing a love interest. 
The music video for their first collaboration song drops. The song itself is renamed WangXian. It’s filled with “socialist brotherhood” (aka censored gay love) scenes of Wei Wuxian and Lan Wangji together. 
Pandemonium ensues. The single breaks records upon release. Youku’s site actually crashes because so many people are trying to watch the music video. WangXian instantly becomes the #1 trending hot search. CP speculation explodes overnight. It only gets worse when the BTS footage is released. 
Meanwhile, somewhere in Beijing, Wei Ying is sprawled on the couch, playing a video game on his phone, while Lan Zhan makes them dinner as Wei Wuxian’s cat rubs against Lan Zhan’s leg. It’s all very domestic. 
As for their relationship dynamics, I don’t think it would be all that different from the way they are in the show! They’re Wei Ying and Lan Zhan, after all. Where one goes, the other is sure to follow.
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tomorrowsdrama · 4 years
Text
Hyena Ep. 16
I’m baaack!  Kind of.  I think I hit that point in my quarantine life where I kind of lost my mind so I went on an unexpected hiatus that lasted longer than intended.  I know it’s been over a month after the finale of Hyena but here are my ramblings.  This post is super long so I’ll save my thoughts on the series as a whole for another post.
Objectively, it was a pretty good finale that was entertaining and wrapped up the important plot lines.  We even got some sweet otp moments (more on that later) and satisfying smackdown of the bad guy.  But subjectively?  Personally?  Purely based on my selfish expectations?  I wanted more romance!  More sexiness!  I wasn’t expecting a wedding or anything like that but, not even one kiss?  Or a long embrace?  Why????
I mean, how can you give me all this sexy chemistry in the promos:
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And then not make use of it in the finale?  That’s just not fair I say!  I feel bamboozled!
Ep. 16
Anyway, let’s talk about the parts I enjoyed of the finale.  This is mainly (99%) going to be about the moments between Geum Ja and Hee Jae.  So on the morning of episode 16, way back when, I woke up so excited for the finale.  Since this was the last episode, surely there will be a kiss!  And surely it would be epic given the chemistry between JJH and KHS.  I mean did you see that kiss in episode 8?  So when we started off the episode with the scene of Hee Jae telling Geum Ja he didn’t want to see her hurt anymore, I was amped.  Yes, we’re starting off strong with the romantic scenes I thought.
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How can you not fall for him?
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Geum Ja, you are not a gangster, you do not need to show your story through the scars on your body.  Joking aside, it’s sad that she’s been through so much in life that she has the scars to prove it. 
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I love that Hee Jae says this half-sarcastically but you can tell that he truly does not want Geum Ja to go through any more pain/suffering.  And it’s his sincerity that makes Geum Ja smile so softly.  And this is where they kiss right?
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Nope, he gets a hearty bro punch in the shoulder.
Cut for lots of caps and ramblings.  It’s a bit of a mini novel, you’ve been warned!
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Mmm I loved how many scenes of concerned Hee Jae we got in this episode.  
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Geum Ja screams from a nightmare and Hee Jae immediately runs into the office to check on her.  The only way he could have reacted so quickly is if he was sitting outside the office guarding Geum Ja which...AHHH I think I’ve just died and gone to hurt/comfort heaven.  Just look at JJH’s face.
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EEE!  I audibly squealed when Geum Ja said this.  Ok, now I’ve truly died.  Geum Ja?  Asking to be comforted?  By Hee Jae?  What?  This is major.  She’s finally letting down her walls a little bit around Hee Jae and allowing herself to be vulnerable.  Keep on leaning I say!  Lean all the way into bed.
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Omg and then she showed concern over Hee Jae’s own emotional state despite her own trauma.  His dad totally betrayed him just a few hours ago so Hee Jae’s having a pretty shitty day too.  But of course, Hee Jae is only concerned about Geum Ja.  Ahh, how many times is he going to make me swoon in this episode?  
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Feet piled on top of each other?!  Are they finally in bed together?
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Of course not.  Unfortunately, this isn’t that type of drama.  SIGH.  But this is still very sweet and squeal-inducing.
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Have I talked about how much I love JJH’s little sly smirks?
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I love that these two fools can’t stop worrying about the other.  Geum Ja knows better than anyone how deep emotional scars caused by a parent can be.  On top of that, Hee Jae’s father was someone he respected and loved, so the blow is even bigger.  I just really like it when my otp show how much they care about each other, ok?
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Look at that smile on Hee Jae’s face.  It’s like there’s no other place he would rather be than next to Geum Ja. 
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No, please don’t.  Y’all are not 12.  Please get at least a queen size bed with plenty of room for two adults to move around in and do...adult things lol.
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And then.  AND THEN!  Geum Ja takes the initiative and turns over towards Hee Jae.  She’s finally the one taking the first step towards him without any prodding.  And Hee Jae smiles to himself and follows her lead to turn over also.  And then the two fools smile lovingly at each other as they fall asleep.  Omg, excuse me, I need a moment.  I’ve temporarily passed on to the other side from sheer otp happiness.
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This moment was just too good.  I literally raised both my arms up into the air and cheered when I first watched this episode.  I thought, wow the writers are feeding us so well.  They’re showering us with so many romantic scenes.  The otp caring for each other?  Being tender with each other?  Sharing a “bed?”  I don’t want to ever get off this love train, keep it coming!  This is only the first third of the episode so surely it can only go up from here.
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And then it ended on a comedic note.  I guess I should have seen that coming.  This is SBS, not TVN (or JTBC from the looks of The World of the Married).  Hah, well I suppose they both had a pretty tiring day so it’s understandable that they would not have much energy to do anything else.
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It’s the little everyday things like asking if she’s ok that get me.
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(JJH I thirst for you.)
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Suuuuure you are.
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Lol, he wouldn’t be Hee Jae if he didn’t pull something childish/petty.  At least Geum Ja is amused by it and finds it cute now.  Get you a man who can be both your emotional support and amusing bratty boyfriend.
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Geum Ja does end up meeting Hee Jae for dinner and he can’t help but smile a little.  Gosh, it takes so little from Geum Ja to make him happy.
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(damn, look at that profile!)
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So some time during this episode, Geum Ja’s adoptive father died off-screen from the stab wound he sustained while stopping her assailant.  At first, I went “Huh, that’s it?”  But then the more I thought about it, the more I liked how matter-of-factly it was treated.  It’s certainly consistent with how Geum Ja deals with things.  Also, she faced her demons/him in a previous episode so you could say that she already resolved that chapter of her life.  
Still, you could tell that she’s not completely unaffected by it.  KHS’s acting in this scene is so good. You can tell there’s more to it than what she’s saying just by the little subtle changes in her expression.  I can only imagine the many complicated feelings she must be experiencing.  
On the one hand, he’s the worst part of her past life and surely deserved to die.  But on the other hand, unintentional or not, he died saving her.  Geum Ja does not state this with any affection or sentimentality in her voice.  It is merely something that happened.  Thank goodness the writers did not try to redeem him in the last minute.  One good deed does not make up for all the violence and abuse inflicted on her and her mother.  
Anyway, all that muddled history and emotions would make anybody conflicted.  They really handled it the best way they could - simply state what happened and move on.  No hate, no praise, no sadness.  He was a terrible man who paid the ultimate price and died.  I like that Hee Jae understands not to push the matter any further and changes the subject.
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Bro, you’re delusional if you think you still have a chance with her.  
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And then we get to the ubiquitous Big Shareholder Meeting that we see so often in dramas.  I love how Geum Ja is so ballsy in everything she does and she does it all in her comfy tracksuits. Of course the Big Shareholder Meeting does not go as planned and Song Pil Jung gets arrested.
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God I love the look on Geum Ja’s face.  It screams “is this guy still talking to me?”
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Can I just say, I love how utterly brutal Geum Ja is in her rejection of Kevin Jung.  Woof, ouch.  If I ever heard that from someone I liked, I would be so devastated and embarrassed, I’d find a dark hole to bury myself in and lick my wounds.  But of course, Kevin, like all the other men who fall for Geum Ja, seems to be into it.  It takes a certain type of man to go for Geum Ja and apparently that type is a total masochist who likes getting rejected and their heart ripped out.  I mean, to each their own.
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I like whenever they do their power couple strut.
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A bro fist bump?  Really?  Hm, I never really fist bumped the guys I dated but that’s cool I guess.  They’re going in to destroy Song Pil Jung so I guess a fist bump is appropriate.
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Hm, I don’t know.  It seems like you’re the one who got arrested.
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Bro.  Mister.  Are you for real?  Did you forget all the shitty things you did to her?
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Yeah, that’s kind of a big deal I think.
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SO. SATISFYING.  Whew honey, this exchange gave me life.  My skin has cleared, my bank account is full, and I’ve lost 5 pounds.
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Yessss I am all for this nerdy JJH in glasses and turtleneck sipping on expensive instant coffee aesthetic. 
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The couple that taunts together, stays together?
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Hahahahaha, Hee Jae talking about being professional at work? Hahahahha.
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I live for jealous Hee Jae because he’s extra ridiculous whenever he’s jealous.  In this scene he’s getting jealous over Ju-Ho calling Geuma Ja “noona” and it’s like come on, they’re foster siblings.  Let him call her noona.  Side note, Netflix translates “noona” into Eun-Young, Geum Ja’s real name, and it irks me.  Couldn’t they have just translated it into “sis” instead?
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Now we’re around the 55 minute mark and I’m thinking, okay this is probably where it’s going to end.  This is when it’s going to happen.  They don’t have that much time left in the episode.  All right, give me us all that we’ve been waiting for.
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(Good looking main stays looking good.)
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You can’t ever accuse Hee Jae of not being committed to Geum Ja.
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We finally get an explanation for why Geum Ja always stared at that huge building
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Haha, can you expect anything less from her character?  At this point, I’m looking at the remaining time and thinking, ok then, when’s that kiss gonna happen?
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SHRIEKS WHAT ARE THOSE HIDEOUS THINGS ON HIS FEET?!  On another note, I’m sure Kim Hye Soo must be so glad she doesn’t have to wear those gigantic heels anymore.
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Omg, ok, this is it.  We’re getting shots of beautiful sexy people strutting and being playful with each other.  They’re setting up for a romantic ending kiss.  Ok, time to prepare myself.
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Yes, put your arms around each other.  We’re getting closer now.
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Oh, ok.  I guess this will be a far away in the distance kind of kiss.  That’s ok, too I guess.
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Oh, wait.  Never mind.  Looks like we’re going to get a frontal view of the ending kiss after all.  Even better!
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What?  That’s it?  What?  Did I miss something?  This can’t be.
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Oh whew.  An epilogue.  Ok, this is when it’s going to happen.
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Hahaha, they’re totally using the vloggers to advertise for their law firm.  I love how Hee Jae has loosened up on what he thinks a proper lawyer should act like and it’s reflected in his more flamboyant wardrobe choices.
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These damn fist bumps again.  All the time spent fist bumping could have been spent hugging and kissing.  Priorities, people!
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Hah, like hell Hee Jae would ever leave Geum Ja.
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Haha knew it.  Boy is more whipped than whipped cream.
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This pretty much sums up their dynamic.  SIGH I’m not going to get my kiss am I.
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Oh no.  That caption can only mean one thing.
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Yeeep.  That’s it.  This is the end.  Finito.  
Well.  All right then.  You know, the first time I watched this episode, I felt very disappointed that there was no final kiss.  I mean the last time we saw them kissing was in episode 8 at the midpoint of the drama.  This drama was clearly a rom com/screwball comedy so it only seemed fitting that there would be one last kiss scene.  That’s how you end a romantic drama!  But alas.
Actually, upon re-watching and re-capping this episode, I realized that even though we did not get any kiss scene, the writers still gave us plenty of sweet moments between Hee Jae and Geum Ja.  We got to see their lovely progression into becoming partners who supported and trusted each other so that was nice.  Even though they’re clearly together now, it’s nice to see that they still have their playful bickering dynamic.  So objectively, it was a nice ending.  I just personally wanted more smooches.
If you made it through this entire post, thank you for expending so much time reading my ramblings and congratultaions on having so much patience!
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t100ficrecsblog · 4 years
Text
an interview with @easilydistractedbyfanfic (she/they)
what are you working on right now? I don’t typically take prompts, but after finding out about the Bellarke Writers For BLM Initiative and how their goal is to raise money for BLM via various fandom prompts that are requested by readers and written & illustrated by various writers and artists, I wanted to get involved. I’ve finished two prompts and am working on my third, which is a Murphy/Raven smutfic set during their years on the Ring. It’s definitely an idea I can work with - it’s over 10k at this point with a lot more to say, so hopefully the anon who requested it will end up pleased! Go check out the tumblr page and the ao3 collection - there’s various t100 pairings/ratings and you can choose the cause if you want to request a fic!
what is the fanwork you’re most proud of? I struggled with this question! My stories are all like my kids, and even if some of them could use a bit of improvement with pacing or dialogue or whatever faults I see when they age, ultimately I do love them all and I’m glad I wrote them. I do sometimes play favorites but that often depends on what I’m in the mood to read myself. That said, I really do always feel proud of my story called What You Need. It’s a darker version of Raven & Murphy, but one that I don’t find unrealistic under the circumstances of the fic. I surprised myself with where my head went on this one. In a good way, because it was really fascinating to dive into the minds of who these particular versions of the characters were. 
I’m also pleased that I have over 500k on ao3 at this point. I never expected anything like this when I started writing, and it kind of blows my mind that this is my hobby now. It’s so strange to me that there are stories in my head at any given moment now.
why did you first start writing fic? I started writing in June 2018. Never wrote any fanfic before that, ever - though I did read plenty! I wrote three stories super fast, posted them all on ao3 on the same day and haven’t looked back. I think I started writing out of a combination of just really needing more content for my faves, but also I wasn’t in fandom before s5 and was quite desperate after s4 to talk to other people about Raven & Murphy. So I needed to get the stories out but also I had this hope that it would invite conversation when I didn’t know anyone in fandom.
what frustrates you most about fic writing? Just because I want to write doesn’t mean I can. Having prompts on my plate right now, I feel a real responsibility to finish them, but even when I carve time out to write, sometimes the words just don’t feel right. The muse doesn’t always strike when I have the time available. Also, it’s super ridiculously important to me that scenes and dialogue FEEL right based on the characterization I have in my head in any particular story. I can look at a scene I’ve written, especially an emotional one, and sometimes it’s just not resonating with me the way I know it could or should. It’s tough not to just push through and post it as-is, but I know that would never satisfy me, even if it means a much longer turn-around time on a story or chapter update. Often I will find that I get an a-ha moment that cracks open a better understanding of why a scene isn’t working for me, but this can take time and I have to trust in this process.
Not to preach, but it’s also frustrating when something you spend a lot of time and effort on doesn’t get much in the way of comments. I see posting fic on ao3 as a sort of conversation, so when there’s mostly silence even as the hits (and hopefully kudos) tick upwards, it can feel really...disheartening to feel like you’re talking into a void. And I say this as someone who has been fortunate enough to have regular readers who DO give feedback! I think every writer understands that they need to write for themselves first and foremost, but I wish more readers understood that feedback and enthusiasm will absolutely result in MORE CONTENT! I try very hard to follow this guideline myself by supporting and commenting on everything I read as time permits.
what are your top five songs right now? I listen to a huge mix of songs & my childhood influenced me a lot. 
Some floating in my head include - 
Chris Cornell’s live cover of Nothing Compares 2U Indigo Girls - Romeo & Juliet The Decemberists - Once In My Life Tori Amos - Silent All These Years The Chicks - March March 
what are your inspirations (books, songs, other fic)? I find inspiration in a lot of things, which I think is lucky. One of my biggest is the characters themselves. I love getting deep into understanding who I think they are, what their motivations are and why they’d make certain decisions, whether in canon or in an AU. What parts of their personalities do they keep when they aren’t tortured and under trauma on the regular? What would happen if I change this one scenario in their lives? I could probably go on forever just based on these sorts of thoughts, but I do also find inspiration in simple things like tropes, or song lyrics and the lore of the show itself. Quite a lot of my ideas in my inspiration notebook have sci-fi themes too. A few of my stories have already touched on sci-fi topics, and I absolutely plan more of them because I love how creative that can be. I also love the idea of suspended belief - can I have sentient plant life from an alien planet that can mindread & communicate by projecting thoughts into characters' heads? Yes, yes I can! (I wrote this story, fyi - Flora Incognita, part of a series) 
what attracts you to Murven? what first attracted you? Hey, do you have all day? Ha! Seriously, I could talk about this until everyone wants to strangle me! I loved Raven immediately - not so much Murphy! But I really disliked Finn, so ep 1x10 when Raven finally broke up with him had me interested. In that ep, you can see that Murphy is present, awake & nearby in the Dropship and probably overhears everything Raven says. Then he gets up and looks at her to make sure she’s still sleeping before he carries out his revenge plans. I’m not kidding - that one look absolutely and completely hooked me! Murphy was still awful then but he was so much more interesting than Finn, and back then I remember thinking how I’d really like to see them interact as two stubborn, strong personalities, because no doubt sparks would fly. And then when they did interact more, their dynamic was exactly what I’d hoped for and then some! 
I love that they’ve seen each other at their worst and at their weakest and most vulnerable, yet they’ve built a strong foundation of trust, faith and understanding. They have so much in common but they’re also different sides of the coin in some ways too. Fandom talks about Bellarke being the head & the heart, but to me Raven and Murphy are the intellect & the instinct - they complement each other, provide some of the qualities that the other needs, their differences improve each other. For me, nobody gets Raven like Murphy & nobody understands Murphy like Raven. Maybe not a lot of people notice, but Raven & Murphy check in with each other a lot - Raven tends to say “I got this” but Murphy is the only person who replies to her “Do you?”. And Raven listens to Murphy’s ideas and suggestions and plans even when she’s known as the genius because she knows that he has valuable things to say. They have fun together, make each other smile and enjoy each other’s company, which is in such short supply in this show! 
I know there’s parts of fandom that don’t ship them because Murphy shot Raven in s1. I have a lot of thoughts on it and have had quite a few tumblr posts about it. This is a fictional show - it does not reflect reality. I’ve been on the fringes of fandom for a long time and I know shipping doesn’t always mean yes, I want to see this relationship in real life. For me, I think it’s absolutely fascinating that someone Raven should hate has become one of her closest and most trusted friends. That she forgave him, and we as the audience get to see this dynamic change and grow, and that Murphy has always felt guilty about it even though he was being presented as selfish and out for himself - it’s such a huge, huge part of each of their character’s journeys. This is getting rather meta, but I don’t think either of these characters would have survived this long or evolved to the extent that they each have without specifically being around each other. 
And I absolutely can not discuss my love for Raven & Murphy without mentioning the whole way these two LOOK at each other! OMG have you SEEN it?!?? How could I not ship them when they look at each other like that! LOL! Also, I want to keep talking about this but I’ll stop now because I truly could go on forever and anyone who follows me already knows I’m wordy.
BESIDES Murven, what’s your favorite ship in t100? Honestly, nothing else comes close to Murven for me, but I did like Kabby before the show just eviscerated their characters. I like the possibilities of Niytavia still. I can see why people ship Murphamy in the earlier seasons. Definitely think Echo/Roan could’ve been something intriguing. And I’ve got this weird thing going right now where I wouldn’t hate Murphy/Russheda, but admittedly that’s mostly about the aesthetic! I tried really hard to like other partners for Raven & Murphy since they’ve always been my faves, but I’ve been meh about all the possibilities except Luna as a partner for Raven or as a Luna/Raven/Murphy threesome. At some point I might write that. Otherwise I’d say I tend to like the friendships more than the ships.
what are some things you’d like to recommend? I always hesitate to recommend other stories & authors because I can’t stand the idea of people feeling left out if I forget to mention them! But I would like to say that I really and truly love my fellow Murven shippers who read & support my stories and who create content like fic and art and gifs and fanvids. I find so much inspiration in them even though sometimes I can’t get through 30 seconds of a fanvid before I have to pause it because the angst is too much for me!
Since you’re kind enough to ask me this question and maybe a few people will read this answer, please - I recommend that everyone educate themselves on social justice and climate change and Black Lives Matter and capitalism and unions and what intersectionality & solidarity truly mean! Vote like your lives depend on it because THEY DO!
ed’s note: compiled a few resources -Rebel Well: A Starter Survival Guide to Trumped America -Jacob and Al’s Intergalactic Intersectionality Adventure -Get involved in your local chapter of DSA -Join Your Local Mutual Aid Group -Keeping Yourself Safe Online In This Capitalistic Hellscape -Angela Davis’ book Are Prisons Obsolete? -Resource about defunding the police
You can find @easilydistractedbyfanfic here on Tumblr, on Twitter, and on AO3. You can also a request a fic written by her via @bellarkefic-for-blm!
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wits-writing · 4 years
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Ultraman Z Ep. 18: “Rechallenge from the Year 2020” (TV Review)
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(Original Airdate: October 24, 2020, Director: Takanori Tsujimoto, Writer: Jun Tsugita)
When the show that kicked off the Ultra Series, the 1966 black-and-white sci-fi anthology Ultra Q, has an episode literally called “Challenge from the Year 2020”, it’d be ridiculous not to pay it tribute in the 2020 produced season of the show.
A fight between STORAGE and the monster Pagos gets interrupted as the monster mysteriously vanishes, the team is lead down a path of human disappearances that follow a similar pattern. All these events are connected by the appearance of a woman named Kaori whom Haruki met while investigating the initial disappearances. We soon learn that she’s a victim of a plot by the alien Kemur from fifty-four years ago, her body possessed by a member of that species. Leading to a tense situation dealing with whether Haruki can stop Kemur without hurting Kaori.
[Full Review Under the Cut]
I’ve gone on a lot about Ultraman Z as an action-centric show in these reviews. Even when it’s slowed down to be thoughtful and character-focused, it’s done in service of or as consequence to that action, like Haruki’s crisis of conscience about killing monsters. A focused move away from that in service of the Ultra Q tribute at the core of this episode starts as soon as the monster Pagos disappears before the theme song plays. Like the show itself is saying “we aren’t focused on fighting giant monsters this week” to get the audience adjusted for how the rest will play out. Even when Kemur grows to giant size later in the episode and Zett fights him on that scale, it’s not about the action but the dilemma Haruki finds himself in to save Kaori. Anyone who’s been following these reviews knows I’m all in favor of a focus on action if that’s what a show is going for. However, a change of pace like this can be engaging and keep a singular tone from becoming monotonous.
A lot of the style this episode is more subdued than usual. Background music takes either a more lowkey form or is absent entirely for much of the runtime. I caught myself noticing a lot more ambient noise in the sound design of the episode, including rain falling on Kaori’s umbrella and the sound of stomping feet as Haruki and Yoko are investigating the disappearances. One piece of sound work that stood out especially was the diegetic music from the Ferris wheel during the fight at the end as an unnerving extra touch. The visuals follow suit as there’s less dynamic moving camera work or composited effects shots and more lowkey but highly effective shot choices. Not to say effects are totally lacking from this episode, like a shot during the fight at the end from the perspective of a STORAGE camera that gets blasted by Kemur’s liquid and gets teleported away, but even that’s a less bombastic example than the norm for this show.
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There’s not much I can say without having seen the Ultra Q episode this is follows up on about how they compare, note any specific callbacks, or if these tonal touches are good at invoking that anthology series. I saw a YouTube premiere set up for it on the official Ultraman channel the same day this episode went up, but any links to it I’ve found since are region-locked in the United States at time of writing. I would’ve loved to go more in-depth about that the way I did about the original Ultraman when Bullton showed up a few episodes ago, but I can’t right now. Though this episode does make me more excited for when I do eventually dive into that classic series.
What I can talk about is how well the main thrust of the story is handled with Haruki trying to save Kaori from possession by Kemur. This is probably one of the strongest episodes for him as a character in the show, focusing in on his empathy towards Kaori’s plight. From when he first meets her by the old Ferris wheel to discovering her presence at all the disappearances in the city to learning about Kemur, he wants to understand and help her. When he gets the opportunity to cut her off from Kemur so she can have her life back, it’s a welcome relief at the conflict presented. Though there is a bit of a problem in Kaori’s part of this. She lacks any internal sense of her identity beyond being a victim of Kemur. We know she was possessed fifty-four years ago by the alien as part of his species plot to prolong their lives and that after she got back some control of her body, she tried to kill herself only for Kemur to stop her. I’d say “well, there’s only so much you can do with a side character in a one-off plot”, but I’ve seen other Ultra series do great things with one-off characters. Making the hollowness of Kaori’s character harder to look past. Though I did love the note they gave her to end the episode on, claiming amnesia of everything but meeting Haruki this episode, only to look towards him and say “Thank you, Ultraman” as he walks away and can’t hear her.
Even with my limited frame of reference for Ultra Q and the weakness in the story I brought up, “Rechallenge from the Year 2020” makes a strong notable episode of Ultraman Z. The dedication to making this have a unique feel in the production is felt throughout and I enjoyed what it did with Haruki as a character.
Next time, we have another tribute to look forward to as a classic hero makes his return.
If you like what you’ve read here, please like/reblog or share elsewhere online, follow me on Twitter (@WC_WIT), and consider throwing some support my way at either Ko-Fi.com or Patreon.com at the extension “/witswriting”
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fyexo · 5 years
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191016 Breaking Down the SuperM Phenomenon: The K-Pop Debut Group With the No. 1 Album in America
When K-pop super label SM Entertainment was deciding where to launch its new all-star boy band, it settled on an emerging growth market for the genre: the U.S. Now at the top of the Billboard charts, the group may have revealed a path for other Korean acts to follow.
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K-pop fandom in America is an increasingly accessible way of life, but never has the industry catered to U.S. fans as directly as it did in Hollywood this month. In early October, new seven-member boy group SuperM made their official international debut at Capitol Records, notably choosing to focus on the American market from day one. Compiled from several established SM Entertainment acts—SHINee, EXO, NCT 127, and WayV—and created in partnership with Capitol, the all-star supergroup took over Los Angeles, shutting down Hollywood streets for their first showcase and popping up everywhere from billboards and posters to an appearance on The Ellen DeGeneres Show.
SuperM’s self-titled EP dropped on October 4, and the group promptly made history as the first debut Korean act to hit no. 1 on the Billboard 200 Albums Chart—they are the only K-pop group other than BTS to reach the top spot. To those unfamiliar with the industry, it may seem like SuperM came out of nowhere, but the group was constructed from some of SM’s most popular boy groups for a reason—they brought with them a dedicated legion of fans. SuperM’s immediate sales success could reveal a path to follow for other K-pop groups hoping to make it in America.
SuperM’s first week of U.S. promotion was designed with their established fans in mind, and there were plenty to be found in L.A. alone. The weekend began with a live Q&A broadcast from Capitol Records, during which the group answered Twitter questions, interacted with fans, and watched their new music video from casual seats in the audience. Then they closed down Hollywood for a live performance on the following Saturday, performing three of their new songs for a crowd of thousands on a giant stage built outside Capitol Tower. And on Sunday—once they’d been deposited practically on my doorstep—it was time to get to know the boys in real time.
When I walked into the interview room at Capitol Records, I was greeted by raucous hellos and bursts of recognition from the seven members of SuperM: SHINee’s Taemin, EXO’s Baekhyun and Kai, NCT 127’s Taeyong and Mark, and WayV’s Ten and Lucas. No, we’re not longtime BFFs, nor had I interviewed them before; the group had been inexplicably seated directly behind me in the press section for the first viewing of their “Jopping” music video a few days before. After offering to move several times, dodging photographers, and enduring a series of increasingly ridiculous interactions, I finally gave up and appreciated my literal front-row seat for SuperM’s video premiere. Despite my best efforts to make sure they could actually see their hard work play on the big screen, several members—Baekhyun especially—became extremely well acquainted with the back of my head.
On Sunday, it was clear that they were slightly less familiar with the front of it. As I got set up, the guys chatted among themselves in Korean, laughing quietly. It was only when I heard Mark (born in Canada, and the group’s most fluent English speaker) ask, “Wait, should I translate?” that I looked up and realized I was on the receiving end of a table full of amused gazes. “Are you talking about me?” I asked. Group leader, eldest member, and unofficial comic relief Baekhyun nodded mischievously and gestured to Mark—no matter that there were several professional translators in the room—who said, “They’re asking whether you were at the afterparty yesterday.” I replied that I hadn’t known there was one—“Sick invite, though!” I added. When Mark sheepishly relayed my answer, Baekhyun erupted out of his seat with a shout of indignation, which quickly turned into an embarrassed bow.
I tried to start the official interview, but Baekhyun refused to move on until he figured out how he knew me, if not from the afterparty. Mark helped me explain, and when Baekhyun realized I was the one awkwardly slouching in front of him so that he could see his own music video, he decided there was no recovering from our rough start. “Sorry, I’ll go!” he said in English, dramatically shoving away from the table and pretending to walk out with a flippant wave. The exchange was scored by giggles from the rest of the group—a constant soundtrack to just about everything Baekhyun does.
He returned with a grin, and Mark got things back on track—already a familiar scenario from the first month of promotion, as the youngest member of SuperM stepped up into his role as the unofficial English voice of the group. The 20-year-old’s original awe of his older, more experienced groupmates has been an ongoing narrative during the first few weeks of their debut, but it’s hard to imagine him as shy or intimidated now. Many fans may still think of Mark as the endearingly goofy NCT youngster of years past, but SuperM has brought out a new side of him—confident, eloquent, and thoughtful. As their primary English speaker, he was under a lot of pressure during the group’s first week in the U.S., but he said he left the anxiety in Korea.
“You always worry the most before the actual thing happens, so I guess I was worried before we came to America,” Mark said. “But once I was here, I realized that we’ve all worked so hard. To see everyone learn even the shortest English lines took my worries away.”
The members of SuperM said they’re invested in learning English because they want to communicate with American fans, but fans aren’t the only ones appreciative of their hard work. SM Entertainment founder Lee Soo Man attended Thursday’s Q&A, serving as SuperM’s biggest hype man. Every time a non-fluent member attempted a sentence in English—which was impressively often, for their first U.S. appearance—Lee erupted in whoops from the audience. That energy extended through the first live “Jopping” viewing, as Lee sat with and practically tackled the boys during standout moments in the video. It’s no surprise that Lee has made his support painfully obvious—they’re his golden boys, and he has a lot riding on this venture. Providing a little hype is perhaps the least he can do.
Despite the fact that many of SuperM’s members have never worked together in a group setting, most of them have known each other for years. Longtime best friends Taemin and Kai are the main dancers of their respective groups, and widely considered two of the best dancers active in the industry; it’s not the first time they’ve collaborated, but it’s their first time working together as fellow group members, which inevitably ups the stakes. In the room, I asked both of them, sitting side-by-side like two perfectly coiffed peas in a pod, whether they’ve learned anything new about each other now that they’re groupmates. They turned to each other simultaneously and seemed to be at an utter loss. “We know everything, right?” Kai asked. Taemin agreed; both were smiling, but clearly serious. “They’re so close,” Mark told me. Everyone nodded.
“We’ve known each other for such a long time, there’s nothing new to learn,” Kai said in Korean. “But if I had to add something … we’ve been friends for such a long time, but we’ve never worked together as artists. We’ve had separate groups and careers, so coming together on the same team like this has changed the way we communicate, because we’re teammates now. We’re not just friends, and we’re not just giving each other advice, but we share the same goal and create team synergy. So that’s something that’s changed with our dynamic.”
Before SuperM officially debuted, theories abounded that Taemin would be named the group leader—a designated role in nearly every K-pop group that amounts to an official team captain of sorts. At 27, Baekhyun is one year older than Taemin, but the latter has been active in the industry longer and has an impressive solo career to boot. In fact, early teasers seemed to paint Taemin as the architect of SuperM. But Taemin appeared to have no interest in the role, and when Baekhyun was officially announced as the leader, it became clear that Baekhyun’s primary focus would be on keeping everyone happy and relaxed at all times.
Thus far, I’d been addressing different members at random, trying to follow the natural flow of conversation, and I’d unintentionally ignored the leader’s corner of the table after our initial chaotic beginning. As I swiveled toward Baekhyun, he made an exaggerated “Finally!” expression, rolling his shoulders, leaning forward, and sucking in a deep breath as if he was about to hit one of those iconic high notes. But no, this time it was just a steadfast commitment to the bit. The other members craned their heads, already grinning, as he pretended to psych himself up for my incoming question. I asked Baekhyun whether he had any newfound empathy for Suho, the leader of his other group, EXO, now that he is a leader himself.
“I can’t really relate, because I feel like I don’t actually do much,” Baekhyun said in Korean. “My biggest role here within this team is to keep the spirits high, and that’s easy for me—because I’m usually in high spirits myself, and it’s really easy for me to do that with these guys.”
Fellow EXO member Kai laughed at Baekhyun’s over-the-top delivery, but piped up in disagreement. “I’ve been in EXO with Baekhyun for a long time, but before he was just a member. Now, with him as a leader, I definitely see the difference. I can see that he has more sense of responsibility for what he does, and he really goes out of his way to care for each of the members. When it’s hard for us to voice our opinions or complaints, Baekhyun makes sure that everyone’s opinions are relayed, and that everything is communicated. He doesn’t realize he’s good, but I’m 100 percent satisfied with his leadership.”
Language barriers aside, Kai was feeling talkative—our Korean translator was forced to scribble intricate outlines to keep up with several of his elaborate answers. At one point, Kai told a story about shooting the “Jopping” music video, complete with dramatic gestures and poses.
“It was my first time in a helicopter,” he said. “They told me it was going to fly really low, and I thought I could handle it. But all of a sudden, they put me up in the helicopter, and it flew around the area four times. The director and cameraman yelled, ‘Keep your eyes open! Have good facial expressions! Fight the wind!’” Kai imitated the shouting crew members, then leveled his signature intense gaze at me in a re-creation of the action-star pose he was going for.
It was a lot.
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“I tried my best, and kept my eyes open for as long as possible, and when I came back down, there was sand in my eyes and I couldn’t open them. I thought, ‘OK, I did a good job,’ but when I saw the final cut, none of the footage was used! Nothing at all!” He burst out laughing as Lucas clapped him on the back. Ever the optimist, Kai continued. “It was still a good experience. It’s motivated me to work harder until I can ride a helicopter again—maybe from Korea to America.”
The younger boys seemed impressed by his goal, but Taemin was skeptical. “Wouldn’t it take too long?” he asked. Baekhyun had other concerns: “From Korea to America? You’d get shot down with a missile.”
Ten and Lucas had their own iffy encounters with heavy machinery on the “Jopping” set. There were no helicopter rides for them, but they posed on a giant tank in Dubai in the summer. Lucas summed it up nicely. “So hot!”
Ten elaborated: “We couldn’t really touch the tanks, but we needed to pretend that we were cool on top of the tank.” He struck a pose as if he was leaning against the combat vehicle, then flipped back one stylish sleeve to gesture at his elbow. “I got burned a little,” he said. “But it was pretty cool. It’s not every day you get to sit on top of a tank and like, take a selfie.”
Ten, born in Thailand, collects languages like he collects earrings, and they were all on full display during our chat. In a light, lilting accent, Ten said that his (near-perfect) English hadn’t gotten much practice during the past few years in Korea and China, as he and Lucas promoted with NCT and WayV in quick succession, and he’s still self-conscious about using it around native speakers in the U.S.
That said, Ten loves getting the opportunity to learn about new cultures and languages. “If you know multiple cultures, it’s easier for you to express yourself in performance. You learn more about dancing, singing, and expressing. It makes you grow and mature, I think. You don’t need to care about people’s race. No matter what, you can empathize with them. That’s the most important thing.”
It’s not immediately obvious from his answer, but Ten was demonstrating his aptitude for learning in real time. According to fellow reporter Elizabeth de Luna, who was helping record the interview from the other side of the room, Ten had leaned over to Mark earlier as I asked Baekhyun about having newfound empathy for his EXO group leader. “What does ‘empathy’ mean?” Ten asked Mark. After a whispered discussion, Ten nodded and returned to attention. Then, just a few minutes later, he inserted the word perfectly into his own sentence. So goes the quadrilingual life–and, to a certain extent, the future of K-pop as an ever-evolving, increasingly global industry.
To wit, Ten and Mark aren’t the only SuperM members juggling several languages. WayV’s Lucas is Chinese, born in Hong Kong, and he’s actively working on his English and Korean. Still, he doesn’t have any trouble communicating with his groupmates, four of whom are native Koreans. “Anything can be overcome by music,” Lucas told me in Chinese. “Cultural differences do exist, but music gets rid of all that. I just use music to simplify everything, and I don’t think too much about the differences.”
It’s a sweet sentiment, but music can’t do it all—Lucas and the rest of the boys devote immense effort and concentration to even simple interviews like this one. When I first posed a question to Lucas via the Korean translator, there was a flurry of activity and laughter as the game plan was decided upon: First, Kai suggested in Korean that Lucas answer in Chinese, and Lucas turned with his ever-present smile to address a Chinese translator who was seated against the wall. Ten was then recruited to help from the other side of the room (“I will try, but my Chinese is not that great!” he chirped) and Lucas just leaned back in his rolling chair, swiveling his head around, and looking massively entertained by the commotion. In the end, Lucas gave his answer—with various interjections from Ten—to the Chinese translator, who relayed it to the Korean translator, who then gave it to me in English. It was like a game of multilingual hot potato. Lucas was rewarded for his efforts with scattered applause and high fives from Kai and Baekhyun. The group effort, energetic as it was, is painfully representative of the extra effort K-pop groups have to expend in order to break out in the U.S. market.
NCT 127 leader Taeyong is no stranger to the multilingual interview scene. As the face of the NCT megaunit, he’s worked with group members from China, Thailand, Canada, the U.S., and just about everywhere in between. He’s also unique in that he’s the only SuperM member with a producing credit on the EP. When I asked Taeyong to talk about his work on “No Manners,” which is basically a song about savagely dumping someone, I received a brief panicked look. “Speak from your heart,” Baekhyun suggested. Taeyong did his best. “At first, it was difficult to understand what the song was trying to say, so I tried to make my rap into a story to help listeners understand. I’m not saying that breaking up is always the answer, but a bad breakup is … ” he trailed off, and looked around for an assist. Baekhyun stepped in, saying that the song is about how sometimes it’s best to cut a relationship off before it hits rock bottom.
In our current context, it was hard to imagine Taeyong as an expert on breakups of any kind. He’d been engaged and friendly, but very quiet—mostly just watching the other members speak with wide-eyed attention. As he sat tiny in his seat, in an oversized T-shirt and fluffy purple hair, it was difficult to reconcile him with the fierce, steely-eyed Taeyong of the stage. Next to him, Taemin was quiet and serene as well, but no less attentive—just beaming cherubically as he sipped on his Starbucks. Such is the duality of some of K-pop’s most arresting performers.
After all, no matter how transcendent they can seem on stage—they’re called “idols” for a reason—at the end of the day, they’re just guys. It’s something they reminded us of during their showcase stage for “Super Car,” when it was revealed that the official choreography is centered around hitting the woah.
As soon as I brought up the viral dance move, I was faced with an entire room of boys hitting the woah, like it was impossible for them to talk about it without doing it. Lucas jumped out of his seat to put his whole body into it. “It’s just a feeling!” he exclaimed in English. The guys persuaded me to try hitting the woah a few times myself—unfortunately, it appeared to be a feeling I couldn’t quite grasp, but they very sweetly pretended I nailed it.
Always ready with the polished take, Mark weighed in. “We feel like ‘Super Car’ has a really trendy vibe to it. We wanted to include a movement that the American audience would find familiar. The woah has been popular for awhile now, but it’s all a cycle–it started in America and took a while to make its way over to us, so we brought it back. It just made sense for us to perform it in America.”
American music fans may think it would have made more sense for a group to incorporate the woah a few years ago when it first became popular here, but Mark is self-aware enough to know that it takes time for things like this to make the rounds in Korea. Besides, we all have a teenage cousin who refuses to stop dabbing—viral dances don’t come with expiration dates. Incorporating the woah into “Super Car” seems less like an attempt to cater to American audiences, and more a statement that this is what K-pop looks like in its current state—even if SuperM knows that the woah is passé in American culture, K-pop groups still love it. So, by god, they’re going to hit it as hard as they can.
“Super Car” was one of the three songs the group performed at their debut performance on a massive stage outside Capitol Records. It was a highly anticipated moment—for a group made nearly entirely of idols known for their dance skills, the first live show felt like a make-or-break moment for SuperM.
No one should have worried. SuperM’s first performance proved that they know how to play to each member’s specific strengths, numerous as they are. Need a standout high note? Baekhyun and Taemin are on it. Time for a rapid-fire dance solo? Ten is your man. What about a blue-steel gaze directly into the camera? Well, options vary, but Kai and Taeyong have turned it into an art form. Mark and Lucas have thrived both onstage and off, as the official crowd-pleasing charmers. It’s an all-star formula, and it’s no surprise that it has been a success. But the extent of that success in the U.S.—the blanket press coverage, the Billboard chart record—has exceeded expectations. SuperM’s immediate impact, both on the charts and in the history books, raises the question: If SM can beat the odds by debuting a new group in the U.S. market, who will follow? Other K-pop labels may now focus on America from the get-go, or create their own collaborative groups, following SuperM’s lead.
That, of course, is not SuperM’s concern. As we wrapped up the interview and said our goodbyes, Baekhyun dragged Mark over to apologize for him once more, and dramatically resolved our short-lived beef—as any good leader would. I told them I’d see them again on their upcoming U.S. tour, which kicks off in Fort Worth, Texas, in November.
To the person who will be sitting behind me at said concert, apologies in advance. You’ve got a tough act to follow.
source: Kate Halliwell @ The Ringer
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clippedwingsmusic · 4 years
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Ashton’s Top Releases of 2019
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Chris Farren - Born Hot
One of my favorite things in the world is the juxtaposition between Chris Farren's online presence/stage persona and his lyrical content/actual personality. 'Born Hot' is the perfect example of everything I love about Farren starting with the music and going all the way down to the oven mitts and hot sauce that were released as part of his merchandise line. All jokes and bits aside, this record reminds you that it's ok to feel everything on the entire spectrum of emotions and that it's relation to you and the ones you love does not define your life- just that tiny moment in time.
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The Band Camino - tryhard
Since I already touched on this EP earlier in the year, I'll just leave everyone with this: It is absolutely ridiculous how much I listened to this release this year (so much that The Band Camino topped my top artists on Spotify). These boys found exactly where they were meant to be this whole time while writing this EP and that alone has made these songs shine brighter than every star in the sky. It's been months and these perfect pop songs are still floating around my head on a constant basis.
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Briston Maroney - Indiana
Last year's 'Carnival' (and a couple live shows)  introduced me to Briston Maroney as 2018 came to a close, and as this decade is now wrapping up, I'm back again at his doorstep. Not often do I find a release that has me enthralled from top to bottom, but this release is the 2nd one in a row from Maroney that has done so. Many of the tracks on this project carry a slower tempo and a nostalgic tone, allowing you to fall deeply into the intricacies of guitar-driven melodies and heart-wrenching storytelling. I can't imagine my year, or my life, without these songs.
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The Greeting Committee - I’m Afraid, I’m Not Angry
An absolute kick in the chest is the only way that I can think to describe this EP. A full range of sound and sanity is held within the tracks of this project, and every little detail leaves traces of who you were at the time and who you feel like you're becoming in your memory. I feel as though it's crucial to listen to this EP front to back every single time I'm reminded of it because the flow and production between each track and transition is impeccably executed and cannot be missed. The Greeting Committee has become one of my favorite bands for many a reason, and this EP is a huge one.
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Renny Conti - The Horse
With 5 of his songs gracing my top listens of the year, it's safe to say that Renny Conti is one of my favorite songwriters that I've had the pleasure of finding in the past few years. 2018's 'People Floating' and this year's 'The Horse' offer a full spectrum of lovely, lonesome, and lively tunes, this time around being hosted by a full band arrangement. The varied tempos and complete lack of genre are the unlikely strings linking each track on this release; the variety simply adding to how genuine every tiny detail feels with each listen.
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Nightly - Twenty Something
I don't have much to say about this track because my appreciation of it is simply overwhelming. If you've kept up with this site at all since it's creation 4 years ago, you've seen Nightly's name quite a few times, and that is obviously not going to end anytime soon (sorry not sorry). With a hypnotizing instrumental and lyrics that read like the transcript of a late night phonecall, this ambient-inspired track is one of Nightly's best efforts thus far. My personal biases aside, this is one damn good pop song.
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Liily - I Can Fool Anyone In This Town
Liily is by far my favorite band that I have seen perform this year. End of story. This EP was their first collective release and was written during the band’s teen years, but now into their 20s, they’ve hunkered down and honed in on all of their successes and amplified them by 10 fold. It’s nearly impossible to throw this release on and not let it replay for days due to the consistent flow of energy between every track from start to finish. Although most of the songs from this release have already been phased out of the band’s live set, that doesn’t mean that they should be overlooked from this list.
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Dayglow - Fuzzybrain
At this point in time, I don't think that any record has ever brought me as much joy just from it's integral sound than 'Fuzzybrain' has. The whimsy of this record is right in the surface from the start but is just one of the thousands of little things to love. The perspective of each track's lyrics is one not found in a lot of music- one of acceptance, calling out your own bullshit, getting a little sad from time to time, but knowing that's ok. Each song walks you through a feeling you know you've had in the past but maybe didn't know how to handle, and now you can take it in stride (or in dance due to how groovy this record is) and look towards brighter days.
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Valley - MAYBE
One of the things I always look forward to when diving into a new record is the variety of tracks included, and 'MAYBE' gave me one of my favorite grab-bags of the year. Each and every track sounds like none other than Valley, but just as you can feel like a new person in a new outfit, they transform into a new band with each concept. With this record also including acoustic and orchestral versions of a few tracks, Valley really left no musical stone unturned with this record but still somehow stayed the course with their sound. This record (as well as 'Fuzzybrain') won my vote for "Most Fun Had While Listening".
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SWMRS - Berkeley’s On Fire
Overall, I'd say that 2019 was a pretty angry year for the majority of people my age, and all that was summed up better than any of us could've done it with this record. SWMRS are always on top of social and political issues, but that doesn't mean my jaw will avoid falling to the floor every time they release a rock record for the gods using those themes. On top of the importance of the content of most of the songs, each one is crafted perfectly as to never leave your head or your car stereo. This record was one of my sleeper favorites of the year because I would go a period without listening to it, be reminded of one of the songs, then suddenly be swept back into the midst of the record for the next 3 weeks as if it had never gone away. SWMRS is one of the most powerful bands of our generation- this record and this year proved that.
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toxoiddiamond · 4 years
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T H E B A S I C S Given Name: Joel Porter Nycroft Nicknames: No nicknames, but he goes by the name Joel Winters professionally. Age: 40 Birthday: May 25th Zodiac Sign: Gemini Birthplace: Liverpool, England Current Location: He is constantly touring, but he has two homes– one just outside of London, and one in LA. His London-ish (as he calls it) home is where he spends his time off, and his LA home (which is a condo) is where he lives while the band works on recording new albums, since that is where their current label is based. Speaks: English and French (not fluently, but decently well). Dominant Hand: Ambidextrous Education: High school dropout, never bothered to get his GED or anything since he never really needed to. No college education, obviously. He is very smart though, and reasonably well-educated. Occupation: Lead singer and guitarist of internationally famous band No Rest for the Londoners, often shortened to simply The Londoners. Vehicle: It’s been a very long time since he’s had to drive himself anywhere– and that’s probably for the best, given the fact that he is under the influence more often than not. He has drivers that take him anywhere he needs to go, or, if the place is within walking distance, he’ll just walk over. Worldly Possessions: Though he’s quite wealthy, he doesn’t live too ostentatiously. He does tend to buy expensive/high quality things that will last him a long time, especially if it’s an instrument or anything to do with music, but he doesn’t spend excessively. He has some artwork on his walls that he splurged on, a shelf for his various awards (which he keeps hidden in a closet in his home studio because he feels weird having them out on display for all to see), nice (but not ridiculously expensive) clothes and bedding and such, furniture he had custom made by a local carpenter, etc. Then he has all his instruments and music equipment, which make up the majority of his possessions. Pet(s): He can barely take care of himself, so he has never even considered owning a pet, but he does like animals a lot. In the future, once he has his shit together, he would be totally open to having pets.
A P P E A R A N C E Height: 6’0” Hair: Dark with a few flecks of grey. Long-ish and usually a bit of a mess unless he’s going somewhere fancy, in which case he will slick it back. Facial Hair: He usually keeps his beard quite full. He trims it now and then, but it’s rare for him to actually shave it all off. Eye Colour: Brown Skin Tone: He doesn’t spend a lot of time outdoors, so he’s pasty. Clothing: For the most part, he looks pulled together– jeans and t-shirts, the occasional cardigan, peacoats in colder weather, classic black suits when he attends special events. He doesn’t exactly dress like a “rock star” and has never cared to try and be edgy or fit a certain persona. Distinguishing Marks: Faded track marks on both his arms from his past heroin abuse– he makes no effort to hide or cover them, since he figures everyone knows about his drug problem anyway. Face Claim: Jim Sturgess
H E A L T H Physical Health: It could be better. What with the fact that he’s constantly high or drunk (or both), his health is not great. He is constantly exhausted, often feels sick, has a weak immune system, and is pretty much just a mess. There’s been more than one occasion throughout his career when he’s passed out from sheer exhaustion, or had to reschedule shows due to illness (though he considers that a last resort). Physical Abilities/Limitations: Joel is an extremely talented musician. On top of the fact that he has a lovely singing voice, he can play guitar, piano, drums, and bass. He can’t read music at all, but has a knack for playing by ear, which drives the rest of his band absolutely nuts because anytime they try to ask Joel what key he’s singing/playing in, he just shrugs. Addictions: It would be faster to list the things he’s not addicted to. But mainly, he’s addicted to alcohol and cocaine. He used to have a serious heroin addiction, but hasn’t touched heroin since his late twenties. He also abuses Xanax, though he doesn’t realize that’s what he’s doing– he figures that since his doctor prescribed it, it’s fine to use it on a regular basis, but it’s really doing more harm than good. Allergies: None Mental Health: Terrible. Like, catastrophically bad. Joel is pretty much always on the verge of a mental breakdown– he has had several over the past few years, but has not gotten the help he so desperately needs in order to get his mental health back in order. He has gone to rehab many times, but wasn’t really given much help in the mental health department; he was just told he needed to relax and that once he was off the drugs he would feel much better. Turned out that wasn’t true, so he has always gone back to the drugs after leaving rehab. He is constantly considering suicide, and has attempted it twice; once when he was fourteen, and once when he was thirty-two. The second attempt was passed off as an accidental drug overdose to the media, though it was not accidental at all.
H I S T O R Y Summary: Joel was born and raised in Liverpool. His father left when he was just a baby, so Joel never knew him. Unfortunately, his mother was neglectful and uncaring– she was addicted to drugs and ran with a bad crowd, and her only real concern was where her next fix would come from. Joel was often left with neighbors or other family members for long periods of time before his mother would remember to come and get him. More than once, authorities were alerted to the fact that Joel’s mother was not taking care of him, but nothing ever really came of it. From an early age, Joel was interested in music, and began teaching himself to play guitar when he was ten years old. He always had a knack for playing by ear, so he never bothered to learn to read music. He spent a lot of time in a local music shop playing around with various instruments, and the staff let him hang around since he didn’t bother anyone and they kind of felt sorry for him. It was there that Joel taught himself to play both piano and bass. At the age of 14, Joel was pressured by some of his mom’s friends into getting high with them. Although Joel didn’t want to, he was made to feel that saying no wasn’t an option, so he did heroin with them. He doesn’t remember much of what happened that night– just that he went with them somewhere, Joel was absolutely scared out of his mind, and then he woke up the next morning on a park bench. From then on, Joel began to get high regularly, and did favors for his mom’s “friends,” mostly running drugs and bringing back money. It was around this time that he attempted suicide by purposely overdosing, but he woke up the next morning– still in his bedroom, intensely sick and much worse for wear, but alive. Joel dropped out of high school at 16– he would have failed his classes anyway since he’d been skipping school so much and his grades had plummeted. At 17, his friend Michael invited him to London– Michael was moving there and saw an opportunity to get Joel away from all the bad influences in his life. They moved in with Michael’s aunt for a while, and Joel took a job in a record shop to save up money. Eventually they struck out on their own and decided to put a band together, something they had talked about for years. After finding the perfect band members (something they still insist was fate), they began writing songs and recorded an EP in Joel and Michael’s basement. After playing a few local shows, word of mouth begin to spread, and before they knew it, they were approached by a manager offering them a contract with a major label. They took the deal, and the rest is history. Job History: His first “job” was as an errand boy for a shady group of drug dealers. He then worked in a record store for almost three years, and during that time, helped form the band and started playing the occasional show. Obviously that worked out because he is a very famous, successful musician now. Fondest Memories: His first rock concert when he was ten years old. Running away from Liverpool– he’ll never forget the feeling of freedom as they drove past the city limits. Performing in small venues and getting such an unexpectedly good response. And, of course, the first time they ever performed in a sold-out arena; the first time he heard the audience singing his own lyrics back at him, Joel almost cried. Worst Experiences: The majority of his childhood. And… a lot of his adulthood, actually.
C O M M U N I C A T I O N Speech Pace/Style: Though Joel can be very charming, he’s not exactly smooth. He’s kind of a dork, and most of his charm comes from the fact that people find it endearing how weird and awkward he can be. Depending on whatever drugs are in his system, he can either talk a mile a minute, or he might speak slowly, possibly slurring his words (though the slurring isn’t always noticeable with his accent). Accent: Very, very English with a distinctive Scouse accent. When he speaks, there is absolutely no doubt about where he’s from. Favorite Phrases or Words: He uses a lot of typical Scouse slang, such as “made up” for “happy,” or “cob on” for “bad mood.” His bandmates tease him about his weird accent/dialect all the time, though it’s all in good fun, of course. Usual Curse Words: Fuck, and any of its derivatives.
P E R S O N A L I T Y, M I N D S E T, A N D B E L I E F S Personality Type: ENFP-T Sense of Humor: Joel is charismatic and funny– he loves to make people laugh and can be quite a goofball when the mood strikes him. He often uses humor as a way to deflect or distract from his issues, so a lot of people who don’t know him well are surprised to find out that he’s as depressed as he is. When it comes to entertaining people, he will do just about anything to get a laugh, as long as it’s not offensive in some way– self-deprecating humor is his go-to, though. Habits: He tends to fidget a lot– wringing his hands, scratching at his arms, bouncing his leg when he’s sitting, especially during interviews or before a performance. Fears/Phobias: His biggest fear is ending up alone. He doesn’t even like being alone in his house, so the idea of being abandoned or rejected by the people he cares about is what really scares him. Loneliness is his worst enemy, and honestly, anytime when Joel is left alone with his own thoughts is just not going to end well. Strengths: Joel is a creative, kind, and thoughtful person who genuinely likes being around others and getting to know them. He loves doing nice things for people, making people laugh, and is charismatic as hell. People seem to naturally flock to him and enjoy his company– he’s kind of the life of the party. Joel always does his best to be kind to his fans as well, especially kids, and would never deny anyone a picture or autograph, even if he secretly would rather be doing anything else. Flaws: As lovely as Joel can be, when he’s deep under the influence of drugs, it’s like he’s a completely different person. Selfish, combative, and a chronic liar. When he starts spiralling into depression, it’s impossible for him to pull himself out of that tailspin, and that is how he’s ended up in this vicious cycle of getting depressed, doing drugs, getting more depressed, drinking the pain away, getting even more depressed, etc, etc. Hopes/Desires: He really, really wants to get clean and sober, but doesn’t know if it’s really possible for him. He hates that he’s so reliant on drugs and alcohol to even get through the day, but he’s felt so awful and depressed (more than usual) every time he’s gotten clean that he doesn’t see how he can live like that. Self-Esteem: It could not possibly be any lower. Joel considers himself to be a burden on everyone he knows and pretty much thinks he’s a waste of space. It would only take the tiniest nudge for him to attempt suicide (again). Religion: He doesn’t believe in any kind of god or higher power. In fact, he really hopes there isn’t any such thing, because he’s pretty sure that if there is a god or any kind of afterlife, he won’t end up going anywhere pleasant when he dies.
R A N D O M Sleeping Position: Curled up in a ball on his side. Boxers or Briefs?: Boxers Day or Night?: He doesn’t have a preference– it really just depends on whether he has something to do or not. Top or Bottom?: He can go either way. Partying or Relaxing?: Usually partying, unless he has someone to relax with.
R E L A T I O N S H I P S Closest Friend: He is close to all of his bandmates: Michael (Joe Anderson), Dawn (Sofia Boutella), Holly (Devon Aoki), and their newest/youngest bandmate who replaced their former rhythm guitarist, Ryan (Justin Nozuka). Out of all of them, he is definitely closest with Michael since they grew up together. Relationship History: Not a lot of long-term relationships. He briefly dated Dawn back when they first met, before the band blew up, but they quickly decided they weren’t compatible. He has dated around a bit, some men and some women, mostly people who are also in the public eye (actors, models, musicians, etc), but none of those relationships lasted longer than a few months. Sexual Partners: A lot. He was definitely promiscuous when he was younger, lots of flings and one-night stands. As he got older, he lost interest in having a new partner every night and started getting into more actual relationships, though none of them lasted longer than a year. Thoughts About Sex: He enjoys it. He especially enjoys it when his partner doesn’t leave immediately afterward. Joel really likes to cuddle after sex, so it’s always disappointing to him when it turns out his partner isn’t interested in cuddling.
P A R E N T S Name(s): Donna Nycroft Age(s): She died at the age of 57 Social Standing: Not good. She was widely known to be an addict, and ran with a shady crowd to help fuel her addiction. Occupation(s): Drug dealer, occasionally traded sex for drugs or money, occasionally took part-time jobs if she was really desperate, though she could never hold down a legitimate job for very long. Religion: Nope. Quality of Relationship With His Children: Horrible. She never cared much for Joel, and only kept him because she got child support money from his father every month. She paid as little attention to him as possible and didn’t care at all what he did or where he went. When he first got famous, she tried to sell her “story” to a bunch of tabloids and started trashing him in the media, but the drama died down quickly because Joel refused to address anything she said and pretended he didn’t know who she was. Joel was honestly not sad at all when he got the news about her death. He pretty much said “oh… okay” and moved on immediately. Living/Deceased: Dead
D A I L Y L I F E Living Arrangements: Joel has two homes– one moderately large home on the outskirts of London, and a condo in LA. His London home is a bit secluded and private, and is where he likes to go during his off times, as he can escape the press for the most part. His band mates will often come and stay with him as well, partly because they don’t want him to be alone, and partly because they all have a great time together, especially when there’s not the pressure of recording or a tour. His LA home is where he lives while they work on recording, since their label is based in LA. The house in London is fairly large, but not a mansion by any means– it has four bedrooms, one of which Joel has converted into a music studio where he can practice, write songs, mess around with instruments, etc. Two bedrooms are currently guest rooms, and then there is the master bedroom, of course. The place is decorated with custom furniture Joel had designed and made by a local carpenter, and it is all very nice-looking and comfortable. His condo is decorated in a very minimalist, functional way, which suits Joel just fine. Lots of open space and windows, furniture with clean, modern lines, a few splashes of color here and there, and not much else.
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lemoncakepanda · 5 years
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Top 50 NaLu Anime Moments {Pt 1}
And thus we get back to me fangirling over my favorite NaLu moments once again, only this time we do it based on the anime-only moments, which covers: canon, filler, movies and ovas. 100 year quest is not included bc it hasn’t been animated (yet) and it’s still fairly early in the story to start listing my fave moments, so we’ll just cover these I mentioned. If you’re not up to date with the anime, I recommend you skip this list.
Originally, I was just going to do 30 moments, but the list kept getting bigger and so on, and here we are. So I’ll post from least favorite to, well, most favorite, and will divide the list in 5 posts. In this first one, I’ll list my fave moments from 50 till 41.
Warning: lots of gushing and fangirling over a beautiful ship. also, a few moments will be differently placed on this list contrary to where they ranked before (some may be higher and some may be lower) and that’s due to the fact that some of them were better in the manga, whereas some were better in the anime, and some of them are lower simply bc dragon cry exists. so, here we go,
50. “Hang out with me a little longer.” (Ep 125).
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We starting off with a filler moment, and you may wonder why it’s so low, since it’s such a cute moment. One, it’s filler. Two, it made into the list, which is already saying something. There’s many great NaLu moments, and they have a lot of scenes together, so choosing only 50 moments was hard enough, so no judging the rankings, kay? It’s the only scene ever where Natsu and Lucy are dancing, so I couldn’t leave it out. It’s such a great moment because, especially at first, Lucy hardly initiated the NaLu moments, and this was post Tenrou, which is known for its NaLu amazing-ness and where the ship truly start to develop, so to see Lucy grab Natsu’s hands even though he “ruined” what she thought would be a romantic moment, and just pull him in for dancing, was actually really sweet, especially at the sound of “Glitter” which is a great song. Also, it’s easy to miss, but Natsu is blushing when she pulls him to her so they can dance, which made the scene extra cute. Let’s ignore the fact that he probably puked on her next, lol.
49. Lucy stops Natsu in Edolas. (Ep 82).
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Does anyone else find amazing the fact that Lucy can calm down Natsu and talk him out of so many fights? Natsu Dragneel, the guy who storms into fighting without a second thought? Because I do. And this moment here is no different. Back when I was watching this, I had no idea where we were going with NaLu as a ship, esp bc I knew Lisanna was coming back this arc, so it was nice to see them having moments like this, where you can see Lucy’s affect on Natsu, the way she calms him down, even when she’s upset too, like you can see on the photo. Also, a back hug, which is a total NaLu thing, so it’s a must on this list.
48. “That was dangerous. Thanks, Lucy.” (Ep 59).
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BLUSHING LUCY IS SO CUTE! Srsly, though, I love seeing her blush over Natsu, especially so early in the series. I headcanon that she had a little crush on him around this time, but didn’t know how to deal with it, so she just buried it, but moments like these would happen, and it would slip out. Also, the matching outfits are a plus! I don’t have much to say about this moment, other than it’s hard to show this photo to someone and have them explain how could this be platonic in any way. I mean, they’re friends, ain’t nobody denying it, but it’s not just that.
47. Original Team Natsu is formed. (Ep 3).
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Time to travel a bit back in time, back to when I didn’t even ship NaLu, and they certainly did not have romantic feelings for one another, but it’s still a pretty special moment, and that’s when Original Team Natsu, which consisted of Natsu, Lucy and Happy, was formed. I love how in sync they were with each other since the beginning; they certainly had immediate chemistry with one another, even when they were still getting to know each other. Gotta add this one, bc, where would we be if the Everlue mission never came in about? If they never needed a blonde? I mean, Natsu would probably choose Lucy anyway, but this was very essential to the building of their friendship, as it also opened the door for them to start spending time together.
46. Natsu saves Lucy from Zash. (Fairy Tail: Dragon Cry).
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And from one jump in time, to something more recent, and where Natsu and Lucy are 100% the ship we love, which would usually not be so low on the list, but God, there are so many moments that weight more, especially on the emotional side, for me. This moment I feel it’s important to point out bc we all know nothing good was about to happen to Lucy, and Natsu once again comes through to save her, to make up for the fact that he almost hurt her, and he just burts in yelling “Give Lucy back!” and just wrecking in everything and punching that creep in the face. And he still picks Lucy up in his arms and is all flirty with her and starts sniffing her. Also, for someone who complains about Lucy’s weight, he sure doesn’t mind holding her like this, does he?
45. Lucy and Natsu falling from the waterfall. (Ep 59).
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For those of you who don’t know, I feel it’s fair to point out Orácion Seis is my least favorite FT arc (yes, I know Alvarez exists, but at least it’s entertaining), and the only thing I really liked about it was Jerza, Wendy’s introduction, and, well, the moments with Natsu and Lucy, individually and together. I wanted to bring this moment in because it’s always nice to see Lucy being the one to save Natsu, but also because it shows how their relationship is slowly but surely progressing; before, every time he got motion sickness, she’d tell him to snap out of it or just call him pathetic. And then, somewhere along the way, she stopped finding it ridiculous. As we can see on this moment, I think for the first time, she’s so worried about him and goes on to save him even when she’s all banged up too, and she risks her life to protect him, even when he’s about to be sick right at her chest. She doesn’t ridiculize him, she doesn’t roll her eyes at him, nor ignores him, she steps in to save him because she already cares about him so much. It was a nice development in their relationship, and I’m very grateful for this moment. It’s always nice to see NaLu being reckless together.
44. End of the Starry Sky arc. (Ep 150).
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And whereas in one we had Lucy jumping from a waterfall grabbing onto Natsu for dear life to protect him, here we have Natsu straight up jumping at the sky to save Lucy from falling to her death (again), with a beautiful scenery, with all the stars falling, nice background music, and, after the long roller-coaster arc we had, ending it this way, with Lucy giving Natsu one of her sweetest smiles after he catches her and then throws himself on the ground as they fall so she doesn’t get hurt, gave such a warm feeling to my heart. The nice reminder that although Lucy had lost all of her family (Layla, Jude and Michelle), she still had a family right there in him, in everyone else at Fairy Tail, and they would always be there to catch her. 
43. The “almost kiss”. (Ep 219).
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While I’m sure we all knew there was no way Lucy and Natsu would be kissing in the middle of the anime, and certainly not in an omake, it was very entertaning to see how they both would react to the suggestion of doing so, which resulted in: Natsu was all okay going for it, and Lucy became a flustered mess. I like how the anime added her heart speeding up when Natsu came closer, right before she pulled Happy to the middle. And can we talk about how Natsu just went for that kiss, though? He didn’t seem bothered by it in the slightest. Oh, if only Lucy wasn’t so shy! But it’s okay, I’m sure it’ll be even better when it actually happens in the actual story. Also, kudos to little Asuka, the mvp, speaking for us NaLus and trying to make dreams come true right there, lol.
42. “We can’t let it end here.” (Ep 122).
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A small addition the anime made for the scene where they’re all getting ready to defend themselves from Acnologia, during Tenrou Island, which was very much appreciated. To see once again how Natsu knows exactly how to comfort Lucy, how he gives her hope, how they become stronger together, and have so much trust between them. Also, holding hands, which is always welcomed. They could have shown Natsu comforting anyone else, literally, it could have been anyone else from the guild who felt hopeless, just like they could have had anyone else comfort Lucy and give her hope. But, for this situation, who better than these two? They do so much for each other. Moments like these, filler or not, showcase how important they are for one another and the affect they have on each other. It could be their very last moments of their lives, and they were spending it with one another. Simply amazing and very touching.
41. Last moments before the war. (Ep 291).
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Yup, I love this moment. I love how Natsu knows war’s gonna break out the next day (it happens on the same night but only bc Zeref is extra like that), and he goes to spend his last peaceful night at his favorite place, with his two favorite people, Lucy and Happy. I also like the talk they had and how Natsu explained himself to her, about how he loved fighting, but he didn’t like hurting/killing, and he only wanted to protect his guild. In moments like this, you can see Lucy look at him like that, like she’s thinking, yup, that’s why I love him so much. And when he says stuff like that, I think she can’t help admiring him even more. And this is the moment that opens the “let’s talk of the future” thing between NaLu, which has a nice conclusion by the end of this arc, which I’m sure you all know what is, and I’ll bring this moment back, but we’re still far from it. Anyways, a great moment because, even though it’s little, you can see how close they are with one another, and after spending one year apart, they’re more than happy to stay with each other for their last peaceful night too bad it gets interrupted huh.
Part 2 will be posted tomorrow!
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rqs902 · 4 years
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on one hand im happy that this means there’s gonna be a lot of official content since the eps are supposedly so long that they gotta cut them in half. 
youku has been pretty consistent with giving us a relatively good amount of official content. but on the other hand im always slightly concerned that by splitting up perfs, those whose perfs get aired first will have a competitive voting advantage since (as long as they do well) those kids will have a full extra day of persuading people to vote for them through their stage performance. It’s not as huge of a deal as when other shows split performances across weeks, because a whole week ahead is a much bigger advantage than one day ahead. but every day can help those who need the votes. at least akey and zhan yu got aired today.... feels bad for jin fan because he really needs the votes. 
also another down side is just this show’s eps are SO LONG they’re eating up a ton of my free time LOOOL but thats how these shows always go for me... because I always end up taking like double the amount of time to watch an ep, just to pause, digest, rewatch sections that i like (sometimes multiple times), make sure i understand, etc. i feel like these shows always consume my life during the few months they’re airing so i’ll just enjoy it while I can HAH
..
anyway ep 4 starting with singapore buddies huang junrong and sun yinghao speaking english with their singapore accents!!!!! lol can totally relate to yinghao tho, like when you cant read chinese you gotta find someone to translate for you
yang chaowen with dog!!!!! i wonder if the dog really likes him LOL they seem to appear together on camera often. akey with chen junhao!! and zuo linjie!! making friends!!!
lol i feel like the group leader choice method is some sort of extended advertisement for knock off apple products lol.........
HAHAHHAHAHAH LIN MO’S VIDEO STARTING OFF ALL FORMAL AND NERVOUS AND THEN XUE EN’S CUTS HIM WITH HIM BEING STUPID. I LOVE IT. there’s two types of people. how did they not vote for xue en HAHAHAH
interesting that they picked the songs for the self-composition group ahead of time, rather than make them make the song as part of the competition (looks at produce camp... fireman is my jam but the east binhe road team ran into complications with that, so I can see why it’d be more risky to let them do that again) but lucky for zheng renyu and li chenxu tho! I’m interested in hearing their music so i dont mind, just kinda wondering what the other kids who picked composition would’ve brought to the table
oh theyre still giving yan an screen time... every time i see him im happy but then feel oof
oo zhanyu’s first stage look is just so nice oof xikan talking to lin mo but lin mo looks ded and is all eye patched up :( 
LOL su er all jubilant over a sexy concept song - good luck with that
oooof this shot of jin fan’s perfect side angle 
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aw akey being bested by shaopeng at every match... but im so excited to see what they can do together, theyre both so good at making music!!!! the resident music makers for each of their respective groups, tyger and coreone, theyre both so talented! def shaopeng has and deserves the credit but hopefully people will see akey contributed too bc im sure the two of them really led together, being the most experienced rappers hahaha
WHOA csp opening up to qu boyu and saying he has older step brother and sister who have a different mom from him and encouraging him to just be real when writing because there will be people out there who connect with his lyrics awww hes really taking this child under is wing and teaching him from zero, hes really like a big bro taking care of him and enjoying watching him grow. im glad csp is opening up and is self reflective enough to realize that he hasnt done so enough in the past and that he should involve himself more with the others. 
im happy cui shaopeng got to feature in the bts clip for his group, he deserves it and hasnt gotten much screentime relative to his talent before. im happy akey got a little time and some recognition for his skills too. honestly just happy akey FINALLY got to do a rap stage..... wish we couldve gotten more huang enyu and huang junrong but im happy they got to show off their vocals!! for being young vocals in a rap performance, their stage presence were both really good too! csp’s entrance is epic wow. 
wow this is the most hyper performance ive ever seeeen wow im so happy for akey because we know how long hes been waiting for a rap stage and wow csp’s leadership must be top notch to get this group to somehow be cohesive with such a not cohesive song LOL i respect that csp really respected akey’s skill and let him shine too. akey was a second c if ive ever seen one lol. they both got to shine and so did everyone else in their group, which is telling of his leadership and why this stage turned out so well that even all the teachers like jackson were so hype LOL 
OOF shen bohuai and lin mo talking about how akey’s lyrics are so moving like lin mo wanted to cry and bohuai felt like he could tell akey’s been through a lot
lol xikan and bohuai being all tough and lin mo being like lol i feel the pressure. shaopeng smiling like a proud parent when boyu gets good comments c: oof rip akey and shaopeng’s votes tho :c 
lin ran’s look tho LOL but zhan yu’s is so questionable?? why is he in this group ?? LOL but i guess its his turn to do something cutesy. mannnn why does zhan yu look like hes surrounded by children but hes not even that much older//?? hahahha ooooo is this the center zhan yu of legend?? ?hahahah yayyy hopefully more people will notice him! you know when i heard zhan yu was gonna be center, this was not the type of song i was imagining, but hey if it takes a cutesy happy song and a bunch of little kids around to get zhan yu a chance to be center, ill take it! i wish they’d show us some practice footage?? im confused why there isnt any?? i think sun boran’s stage presence is good! zhan yu’s voice so powerful yess somehow he managed to show off different aspects of his vocal skills in this very plain song LOL  im surprised lin ran didnt stand out a lot but when they pointed out that he purposefully put himself in the back to protect his team members i think that makes sense bc he knows being cute isn’t going to be able to win them as many votes but if the less popular kids in his group dont get votes, its a lot more devastating for them than for himself. lin ran didnt want this song and he didnt want to be cute but he really didnt want kids to suffer from choosing his group. lin ran has a cute image but i appreciate that this time we got to see a more serious side of him. isnt it ridiculous that theyve literally trashed zuo qibo and lin mo about being old but then literally i didnt realize until now sun yinghao is the oldest??? (he looks really young wow and so tiny aw) but also like they never bring up akey being old either?? some sort of weird bias going on... but i mean good for yinghao and akey lol 
but aw im glad theyre giving yinghao some attention... 10 years and starting off with jackson? oof... 
ayy zhan yu getting the most votes!! 
kou cong being older bro to zlj but also ultimate mentor to cxh aw yay for him getting some recognition from the judges and jin fan supporting him too heheh but it says a lot that he recognizes cxh’s efforts and wanted to put in his own effort to help him
i wonder if them giving zlj less audience votes is an elaborate scheme to get him more pity votes from the general public lol.... well im excited to see the rest of the stages tomorrow! 
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