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airadam · 1 year

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Episode 164 : The Jordan Year

"...baking soda, get it crackin' when you mix me with Kane."

- Checkmark

If you're like me, every time you write 23 this year you're thinking it! The first episode of 2023 is here, and we go mostly on the downtempo tip and mix up the genres in a big way, so there's almost sure to be something new for everyone in the mix!

RIP to Laylaw and Gangsta Boo.

As mentioned on the voiceover, you can now keep up with the schedule for all my streams (and I'll start putting my IRL shows here too) at events.airadam.com!

Twitter : @airadam13

Twitch : @airadam13

Playlist/Notes

Termanology ft. Raekwon : Passport Kingz

I was reminded of this track after listening to a podcast about citizenship and a shady character known as the "Passport King"! It has an ominous-sounding intro (as an aside, that pastor should be in prison), and then doesn't let up for the rest of its running time, with Raekwon and then Term going hard over Staik Selektah's production. One verse each is the perfect dosage. Find this on Termanology's 2018 "Bad Decisions" album.

[Dru Kevorkian] Smif-N-Wessun : Reloaded (Instrumental)

Just screaming mid-2000s New York, this is the instrumental for the title track of Smif-N-Wessun's third LP. I could hear this beat on the soundtrack (and too loud) for a street DVD of the era...

El Michels Affair & Black Thought : Grateful

Looks like there's a big treat coming later in the year, with the collaborative "Glorious Game" due in April. One of the best writers in Hip-Hop history in combination with one of the coldest bands in years? Yeah, that's a must. This lead single was released this month to give us all a taste and it's a great appetiser. The flute kind of hypnotises and draws you into the thick mists of the rest of the music, where Black Thought is waiting with high IQ, high-density street lyricism. Be grateful, indeed.

Shabba Ranks : Have This Woman

Coming off the back of the "Ting-A-Ling" sample woven into the "hook" of the preceding track, I thought I'd take the opportunity to move straight across into a Shabba track, and one that I just recently digitised during the task of taking on my whole reggae and dancehall 7" section! Over the "Girl A Love" riddim, Shabba's lyrics remind me that despite the gyalist/player image put forth in most of his catalogue, he's been happily married since 1992 - so he and his wife will just have celebrated their pearl wedding anniversary!

Camp Lo : Award Winning

They may never have got the level of acclaim that the title speaks of, but those who know know. Bars upon slang-filled bars on this deep album cut from "Ragtime Hightimes", with Ski on production. Play this one loud in your headphones when you need to go somewhere and let them know who you are :)

Above The Law : Another Execution

Including this one as a tribute to the recently-departed Laylaw, who was an integral part of the Above The Law story - not only did he manage them, but he has production credits on their debut "Livin' Like Hustlers", including for this track. It's a slow and low number on a classic sample, and if you want the instrumental then you can find it on the B-side of the "Murder Rap" 12". Unusually for ATL, it's Cold 187um solo on the mic, in storytelling mode with two tales of having to let that thing ring out.

People Under The Stairs : Chris Says 'Nice One' (Bonus Beat)

This short semi-interlude track from the 12" of "The Cat" is actually only 44 seconds long, so I looped part of it up to make it a suitable length to include here - just because it's a nice piece of digging/production that PUTS clearly included just for that extra flavour! RIP Double K.

Gangsta Boo ft. DJ Paul & Juicy J : Where Dem Dollas At?

I've not historically been a big follower of 3-6 Mafia, so I bought this track specifically to play it on this episode. DJ Paul and Juicy J of 3-6 are on production, but even though DJ Paul also takes the third verse, he has to play second position behind Lady Boo, which is only right. This was apparently the big hit on 1998's "Enquiring Minds", Boo's solo debut which paved the way for two more LPs over the next five years - and one which I remember being advertised in The Source back in the day. RIP Gangsta Boo.

Machinedrum : Center Your Love

Machinedrum is, amongst other things, half of the duo Dream Continuum alongside Bristol's Om Unit (formerly the turntablist 2Tall), but this is a beautiful solo exhibition of electronic composition. The drums are hectic in timing but not loud, and elements come in and out creating a soundscape around the vocal; I can't tell if that's a repeated sample or a singer brought in for this track specifically, and if I'm honest, I can't make out the words either 😆 Ten years old this year, it's taken from the "Vapor City" album which is available on Bandcamp - definitely worth checking!

Children of Zeus : Cali Dreams

California is a long way from the cold and rain of Manchester in many ways, but as they say, you can dream! I've got at least three copies of the 2021 "Balance" LP (vinyl, digital, and cassette) that this is taken from - so hopefully that gives you a prompt to go and get at least one! As much as Konny says it's "just another weed song", they elevate way past the average with their writing and execution. Their production is great too, and they bring in additional skilled musicians to crystallise their ideas - listen to this track outside of this episode to enjoy the long outro segment. Zeus!

Massive Attack ft. Liz Frazer : Teardrop (Mad Professor Mazaruni Vocal Mix)

Most of you will know the original version of this classic from the "Mezzanine" LP, and I even played the instrumental version of this remix a few years back - but today, you get the brilliant production of Mad Professor with the beautiful vocals of Liz Fraser in perfect combination. While Fraser can sound good on anything, her floating vocals are set really well here into the echoing, dubbed-out production. Apparently Madonna was the original choice of the songwriter to deliver this lead vocal - with all of the respect due to her, I don't know if it would have been as timeless as the final version turned out to be.

[Mr. Rogers?] Trae : Swang (Remix Instrumental)

While uncredited on the 12" single, I think this quality beat might be the work of Houston's Mr. Rogers, who, appropriately for this cut, is something of a car expert! You'll probably recognise the song it's borrowing from for its melodic underpinning, but it sounds to be all replayed/interpolated and so probably dodged the sample clearance issues that the original mix had...

Torii Wolf : 1st

An entirely new track to me even though it was a 2016 release, I only became aware of it when a DJ played it recently on a DJ Premier raid train on Twitch. Yes, this is a DJ Premier production, giving a sturdy backing to this New York singer/songwriter. Not only that, he apparently did another eight tracks on her 2017 LP "Flow Riiot", so it's one to check out for those wanting to hear some real deep Preemo cuts from the modern era!

The Doppelgangaz : In The Black

With their most recent album coming out just before Xmas last year being titled "Black Cloak Lifestyle" you have to give them credit for committing to that lift for real. Starting with ominous pianos, it's not long before the live-sounding boom-bap drums and bassline come in to augment them, and those rhymes of course from the self-styled "Ghastly Duo". A self-contained unit who handle their own production as well as all the MCing, they're dedicated to their craft.

Soul Supreme ft. Big Daddy Kane, Checkmark, and DJ Revolution : Come Get It

This one had been, unfairly, languising forgotten on my shelves until I digitised it recently. Big Daddy Kane is a legend, and is clearly the headliner here - it takes a brave MC to go after him, but Checkmark (of Skitzofreniks) does just that on top of production from one of Sweden's finest, Soul Supreme. Seasoning the pot beautifully, DJ Revolution contributes the cuts for this straight-up Hip-Hop gem. It's available on the 12" I'm playing it from, but also on 2003's "The Saturday Nite Agenda". Can't believe it's twenty years old already!

Sonnyjim ft. English and KoSYNE : Barcodes

This made me smile when I pulled the "Soul Trader EP" off the shelf recently, as at one time or another I've either DJed for (in cipher sessions) or produced everyone on the track! This is a fittingly-titled track, with all the MCs spitting out bars with confidence over KoSYNE's rugged beat - and the punchlines are plentiful. While you hear the main part of the track here, there's an extended ending with some ill freestyling... which you can get if you pick up the EP!

Dr. Dre : Murder Ink (Instrumental)

I've got to admit, I'll always prefer the original "The Chronic" to "2001". That said, you can't deny that Dre continued to refine his skills as a producer and engineer over time, and the sound quality of the production on his second solo LP was crisp and flawless - to my ears, at least. This track works a classic horror film sample into the mix with deadly effect.

The Lady of Rage : Necessary Roughness

To end the episode, just a high-quality track from an MC who never got her due. According to a recent interview, she was effectively punished for not jumping into the middle of someone else's beef, which is a great shame. This is the title track from her lone LP, and every bit of the mic control she displayed on "Afro Puffs" is on display here on top of a beat that reminded me of Craig Mack's "Get Down" - turns out they both were produced by the same man, Easy Mo Bee!

Please remember to support the artists you like! The purpose of putting the podcast out and providing the full tracklist is to try and give some light, so do use the songs on each episode as a starting point to search out more material. If you have Spotify in your country it's a great way to explore, but otherwise there's always Youtube and the like. Seeing your favourite artists live is the best way to put money in their pockets, and buy the vinyl/CDs/downloads of the stuff you like the most!

Check out this episode!

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polarsnet · 2 years

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Wiz khalifa promises sample

Two of the best exponents of boom bap show that they can do far more than dusty beats and tracks “for the heads”. But hip-hop is the thread that runs through it, with Earl Sweatshirt, Ab-Soul, Action Bronson and Danny Brown all featuring. Dancehall stars such as Vybz Kartel and Popcaan feature, as do punk rockers Wavves and TV on the Radio frontman turned actor Tunde Adebimpe. The mini-documentary about the making of the album is inadvertently hilarious – for anyone who has seen the “making of Cleaver” extra on Sopranos DVDs, it’s in that ballpark – and also reveals the bigger scale of the project. The link between the two has been well noted and already produced original tracks by Hudson Mohawke and Flying Lotus, who’ve contributed to soundtracks, but now the Alchemist and Oh No have created a whole original album for the PC release of GTA 5. Grand Theft Auto and rap go together like teenagers and ridiculously violent video games. The Alchemist and Oh No – Welcome to Los Santos Any questions on using these files contact the user who uploaded them. Read the loops section of the help area and our terms and conditions for more information on how you can use the loops. If you use any of these wiz loops please leave your comments. Wiz Khalifa Numbers Mp3 Download Audio Ever Trending Star drops this amazing song titled Wiz Khalifa - Numbers Mp3, its available for your listening pleasure and freeload to your mobile devices or computer. Arguably, he’s upstaged by Flair, who is sampled throughout and mouths off about other wrestlers not liking the fact he wears custom-made boots and how he singlehandedly helped spread the gospel of wrestling. The free wiz loops, samples and sounds listed here have been kindly uploaded by other users. It works, too, giving him room to show that he can do chill as well as hectic. Out goes the cacophonous din of RTJ’s production, and in comes the more laidback sample-driven backing. Starting with some vintage WWF promo footage from the nature boy himself, Ric Flair, it’s odd to hear Killer Mike on a more straightforward hip-hop track.

Killer Mike will be taking a break from his touring duties with Run the Jewels soon when he follows in the footsteps of Lil B and delivers a lecture at MIT, but he’s dropped a belated video for his 2011 track, Ric Flair. It’s also delivered a huge international hit off the back of a huge international film (more on that in a moment). The last month or so has seen a run of pretty odd and off-kilter releases from some of hip-hop’s most iconoclastic artists.

#Wiz khalifa promises sample

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dragonstudio · 2 years

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Réalisation de la couverture et montage vidéo pour le DVD « L’essentiel du vovinam Viet-Vo-Dao » Cette vidéo est destinée d’abord aux pratiquants de Vovinam Viet-Vo-Dao et à tous ceux qui veulent découvrir cette discipline. Elle englobe les premières stratégies de combats, les contres attaques, la lutte, les clés, les ciseaux, une méthode d’entrainement pour le combat de compétition avec des équipements, et bien d’autres techniques. --------------------------------------------------------- #vovinam #sport #aerobic #champion #youtube #art #dvd #vietvodao #martialart #entertainment #karaté #demosports #bustamoveyuki #チャンピオン #youtuber #photography #budo #dancehall #fashion #搬入完了 #reverseweave #instagood #worldchampion #rockersisland #music #travel #fédération #ドライバーさんお願いします #古着 #love --- https://dragonstudio.fr/2019/06/27/montage-video-l-essentiel-du-vovinam-viet-vo-dao/ (at Boulogne-Billancourt, France) https://www.instagram.com/p/CeLXyYdokcs/?igshid=NGJjMDIxMWI=

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uncomicmas · 5 years

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¡@cinexve celebra su cumpleaños con todas sus estradas 2x1 desde el 25 de octubre hasta 28 de noviembre! POR UN MES, aparte de premios en sus salas 4DX.¿Qué esperas? #nosvemosencinex . . Extracto de la nota de prensa de @cinexve @evenpro: "Luces, cámara y acción! Cinex cumple 55 años, sumando calidad y valor a la industria del entretenimiento en Venezuela y, para celebrarlo, tiene preparado un mes de muchos premios para compartir con su público. A partir del próximo 25 de octubre y hasta el 28 noviembre, disfruta de un 2x1 en todas las entradas, en cualquier formato, de martes a domingo. Cinex, junto a Pepsi y otros aliados, tiene preparado un mes de increíbles sorpresas, para disfrutar de una extraordinaria cartelera de estrenos con “Los Locos Adams”, “Zombieland 2”, “La Invasión”, “Estafadoras de Wall Street”, “Doctor Sueño”, y muchos más. Con la compra de la entrada para cualquier película, en el horario de su preferencia, en 2D, 3D o 4DX, recibirán un cupón para participar por smartphones, de última generación y wi-fi portátiles, en el gran sorteo final del mes aniversario. La clave para obtener los premios estará en las redes sociales @CinexVe ¡Activa las notificaciones para ser el primero en llevarte grandes obsequios! Cinex sigue creciendo en Venezuela, ofreciendo el mejor entretenimiento y diversión a la familia venezolana, con la tecnología cinematográfica más avanzada del país y Latinoamérica. En casi una década, ha consolidado su presencia, innovando en servicios exclusivos, como CinexCheff, con atención directa a la butaca y más de 150 salas, ubicadas en las principales ciudades del territorio nacional. Siempre a la vanguardia tecnológica. Pioneros en Suramérica con la experiencia 4DX, con sus asientos multisimuladores con más 9 efectos especiales, hacen que el público se sienta parte de la acción con sensaciones como lluvia, ráfagas de viento, olores y vibraciones sincronizados con la película." . . Fuente @cinexve . . . #tickets #movie #soca #cinema #film #movies #dancehall #actor #reggae #films #october #actress #dvd #hollywood #moviestar #instamovies #director #star #goodmovie #cinephile #horror #영화 https://www.instagram.com/p/B4ACQhLHyrR/?igshid=v2mwyk6che7b

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patzelenkaguitar · 5 years

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Squirmy!!!

#capricorn records #atlantic records #columbia records #capitol records #records #discs #desert island discs #compact discs #dvds blu ray discs #dance #dancemusic #dancehall #dancers #happy dance #squirm

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shootfoley-blog · 5 years

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#venmo #videography #videogram #dancer #dancehall #migos #quavo #awge #awge shit #awge dvd #playboi carti #asap mob

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freddiebamberfdaliveperformance · 4 years

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Formation of Live Performance Concept

Having had years of experience as a live musician in a variety of contexts has given me a wide range of perspectives regarding the complexities of live performance. The very idea of being able to quantify what exactly a live performance is meant to achieve is an endless, and potentially untenable task.

Some might say the ideals and themes of live music are easy to define, in terms of what the layman would call truly “live” music - the mind normally jumps to the traditional guitar, bass, drums, singer set-up that Western culture is most accustomed to (Jones and Bennett, 2015). But even the greats of traditional live music vary widely in their execution of live performance.

Bruce Springsteen’s fame is often attributed in part “to his great reputation as a concert performer” (Angelle, 1987), his live performances feature slight reinterpretations of his songs, along with a level of energy unmatched by most of his peers, but Springsteen himself has written before that he believes his concerts are so successful in large part to the narrative framing he gives to his songs live, by often stopping between songs to explain the stories behind what inspired him to write them (Springsteen, 2005).

David Byrne is another musician who has in some ways transcended the potential limitations of the “traditional” live music set-up - his original band, Talking Heads, created the concert film, Stop Making Sense (Demme, 1984), which is now considered to be one of the greatest concert films of all time (Rolling Stone, 2012). His method of performance in Stop Making Sense, and indeed throughout his entire career, was formed largely by incorporating elements of avant-garde and Eastern theatre into the performance, especially including the movement of the musicians, and the staging of the performances (Byrne, 2012). An example of the often subversive nature of Byrne’s live performances can be seen below, from his 2018 performance on the show Late Night with Stephen Colbert.

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The ideas and performances of these musicians have impacted my own personal ideas about performance deeply - I’ve always thought it needs to be more than just a musician playing their songs, in most cases there should be elements of theatrics to a live performance, otherwise the audience might as well just be listening to a recording.

During live performances I’ve done in the past I’ve tried to include theatrics in at least some sense throughout all of them. During my time as a drummer in the punk band Ratbags I would often get completely naked on stage while continuing to play the drums, or climb into the audience to sing during the vocal sections of songs where I wasn’t playing drums.

During electronic music performances, especially as DJing is my primary method of electronic performance, it is often harder to include elements of theatrics; due largely to the spaces they take place in - with the performer often being obscured by equipment and lighting, and many audience members focusing more on the act of dancing and socialising rather than staring at the musician/s performing the music - it’s been suggested that the main performance element in DJing is within the choice of songs and the order in which they are played (Hellman, 2009).

During live performances as a DJ I’ve attempted to incorporate elements of theatricalism, but the elements I’ve incorporated have been relatively limited so far. I’ve dabbled a lot with anonymity - wearing a balaclava, and having a friend also wearing one, who will routinely switch places with me in order to create a sense of confusion in the audience about who is the actual DJ. I’ve also leaned heavily on genre-switching - often pulling the tempo down from standard 130bpm house music down to around 75bpm, and suddenly slamming into a dancehall song during an event specified to be a house event - primarily to create a sense of unpredictability for the audience. These efforts are mainly to leave some kind of impression upon the audience - as too often DJ’s can be very good technically, but leave nearly no impression on the audience they perform to.

A huge inspiration to me for crafting my own electronic performance has been the label PC Music. Their label has been at the forefront of “Hyper Pop” since it’s inception in 2013 - Hyper Pop has been described as “experimental music that pushes pop themes and tropes to parody, with some dance/electronic undertones” (Ogunbayo, 2020). This experimentation can also be seen in the live performances of artists on the PC music label, but for this project, and for live performances post-Covid, I’ve been most inspired by their live streams.

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You can see from the video above that “live-stream” may be a bit of a misnomer, as the stream switches between multiple performers, actual theatre pieces, and animated 3D graphics. This stream quite obviously creates that same sense of confusion and unpredictability in the audience that I’ve attempted to create before with live DJ performances.

A.G Cook - the founder, and possibly most famous member of PC Music, recently released the album 7G (Cook, 2020) which masterfully blends elements of electronic music with acoustic elements (Fantano, 2020). This record was instrumental (if you’ll pardon the pun) in the creation of my concept for my live-stream performance. I wanted to incorporate live instruments with electronic music, in the way A.G Cook has done, but also do the electronic music live.

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The video above of A.G Cook obviously incorporates live acoustic elements into electronic music, but after research it’s still unclear whether the electronic section is live or not.

I’d like to incorporate the live electronic elements of something along the lines of Jeff Mills’ live performances (Mills, 2016), with the acoustic/electronic mixing of A.G Cook’s live stream seen above.

I wanted my live performance to, at least attempt to be, something new and different, and from my personal research online I couldn’t find anyone attempting to mix live house music with the banjo - so for my live performance I’ll be live programming drum machines and bass synthesisers, and then playing banjo, run through a variety of guitar pedals, live over the programmed beats.

The closest thing I could find to this idea online is the video linked below.

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Although this performance shares similarities to my idea, it focuses more on using the banjo to create loops, rather than using it as a truly expressive instrument over the beats originally created.

I hope to use my knowledge of live acoustic and electronic performances to create a truly unique live performance, that incorporates elements of theatrics, to entertain and engage the viewer beyond just the medium of music.

References

Angelle, D., 1987. Springsteen Live. Boys' Life, [online] (77), p.12. Available at: <https://books.google.co.uk/books?id=imYEAAAAMBAJ&pg=PA12&dq#v=onepage&q&f=false> [Accessed 21 November 2020].

Byrne, D., 2012. How Music Works. San Francisco: McSweeney's.

Cook, A., 2020. 7G. [CD] London: PC Music. Available at: <https://www.youtube.com/watch?v=bdr-1H_ezeY&list=PL6fQziqsQI2Nqqp7NncLoC1n5OokpOhgC> [Accessed 21 November 2020].

Fantano, A., 2020. A. G. Cook - 7G ALBUM REVIEW. [video] Available at: <https://www.youtube.com/watch?v=0pq71XoRcgw> [Accessed 21 November 2020].

Hellman, Z., 2009. The DJ Aesthetic: A Look Into The Philosophy And Technology That Enable The Disc Jockey. Boca Raton: Universal Publishers.

Jones, A. and Bennett, R., 2015. The Digital Evolution Of Live Music. Hull: Chandos Publishing.

Mills, J., 2016. Jeff Mills @ Awakenings Festival 2016 - THE 909 WIZARD!. [video] Available at: <https://www.youtube.com/watch?v=1xPrVSd7Eys> [Accessed 21 November 2020].

Ogunbayo, M., 2020. An Intro To Hyperpop. [online] VALLEY Magazine. Available at: <http://www.valleymagazinepsu.com/an-intro-to-hyperpop/> [Accessed 21 November 2020].

Springsteen, B., 2005. Born To Run. New York, NY: Columbia.

Stone, R., 2012. Readers' Poll: The Best Concert Movies Of All Time. [online] Rolling Stone. Available at: <https://www.rollingstone.com/music/music-lists/readers-poll-the-best-concert-movies-of-all-time-13805/> [Accessed 21 November 2020].

Stop Making Sense. 1984. [DVD] Directed by J. Demme. Hollywood: Arnold Stiefel Company.

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iamtaboutmf · 5 years

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#FlashbackFriday doing some spring cleaning and came across this dvd/video via @bestofdancehall #goodtimes spinning music. #DJTabouTMF 🎧 #TabouTMF aka #MrUndefinable 🎙 . . #Music + Mixes + Mashups + More ™ iamtaboutmf.com . . . #Subscribe to Tabou TMF on #YouTube http://youtube.com/TabouTMF . . . . . . . #dj #djtabou #openformat #dancehall #hiphop #top40 #nightlife #nycnightlife #birthday #birthdays #events #parties #party #event #events #goodvibes #history #bestofdancehall #dvd #video #videos #sub4sub (at New York, New York) https://www.instagram.com/p/BxTPcjxlgIg/?igshid=rvit8sp43zy2

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styafiya-blog · 2 years

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The Best Advice You Could Ever Get About Wisdom Class Mind DVD

This is not a traditional autobiography but a collection of stories that are designed to help people develop their own wisdom and experience. When you take time out and watch my DVD, I want you to keep in mind that I am only specking from what I studied from the history of mankind. Most of what I speck about the in-home police hack my computer and have one of their people redo it.

Can I learn something new? How can I acquire wisdom? These are questions that we all ask ourselves. But are they really the same? The answers differ depending on the information we want to gain. Let me give you a little info about my life. I have been under attack for about twenty-four years. I tried many ways to get attention from one side of the government. What I learned from reaching out to the system to stop one side of the law is that they used me to gain more knowledge of the cold, cold world.

When you gain new knowledge, you begin to see things differently. Your perspective broadens and your ability to see new things is enhanced. That's why knowledge is so important. People that are awake see the world differently from other people. You will look like a man to see what is hidden.

This guide is designed to help those who are studying or learning something new or different. The author provides a wealth of information to help readers through the most difficult aspects of the work. All you people look at me strange or call me sick. All I want you to do is go and do your research on all the human race to understand what I am speaking about.

There is no better way to learn than through experience. That is why we are providing you with a variety of experience and wisdom to help you acquire the knowledge you need to have a better understanding of the earth.

#wisdom class mind dvd #wisdom class mind dvds #wisdom class mind dvd amazon #wisdom class mind dvd release date #wisdom class mind dvd set

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thruoutin · 2 years

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Back when I lived in America, I would often burn CD’s of beats I was working on that week and hand them out at shows. The music was mostly breakcore and IDM inspired tracks with samples from emo, dancehall, or whatever experimental music I could get my hands on. I would usually write Soundboy Demo on them. On a visit back home to New Orleans in 2019, I found a bunch of demos, blank CD-R’s, and DVD cases at my parent’s house. I decided to burn a couple copies and DIY assemble them like I used to. I brought a few to China. There are some physical copies available at nugget小块儿, but if you want to give the digital a spin you can check it out here:

https://thruoutin.bandcamp.com/album/soundboy-demo

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ceoblog867 · 3 years

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Forklift Part Numbers for my Forklift. Mac file compressor. Built under Toyota Series Code G105, similar to models 3FGC10, 3FGC13 and 3FGC15. Specifically 02-3FGC10, 02-FGC13, 02-3FGC15, 3FGC10, 40-3FGC13, 40-3FGC15, 42-3FGC10, 42-3FGC13, 42-3FGC15. Files located on my-> Google Drive-.

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Toyota Electronic Parts Manual, DVD <-1.2GB Zipped File Updated Install Notes

We recommend playing the game we call “Skat-101” for a while before learning the full 3-handed Skat game. Playing the simpler 2-handed game (“one-o(n)-one”) will teach you the basics, such as declaring a game type, making tricks, counting card points, memorizing played cards, and scoring games, without the need of learning how to bid. Skat card game online, free. Skat is regarded to be one of the best three-player card games in the world and unlike many games, Skat is actually designed for three and works best that way. Skat came to America with German immigrants, where it peaked in popularity in the 1940s. Skat is a trick-taking card game designed for 3 players. However, the game is also often played by 4 players with 3 players active in each hand. When played by four, the fourth player usually takes the part of the dealer and does not take part in the actual play of the hand. Ten cards are dealt to each player. First, three cards are dealt to each player. Next, two cards are dealt face down into the middle to form the Skat. Then, four more cards are dealt to each player, and finally, three more cards are dealt to each player.

Factory Forklift Repair Manual - I have been fortunate to have been provided a Toyota Repair Manual for models 4FG10, 14 &15 -- FG18, 23 & 28 -- 3FG20,25 -- 2FG30 -- 3FD10,14,15,20,25 &30 -- FD18, 23 & 28. Attached please find scan: 1) PDF File . (Complete Manual is very lengthy, 422 pages) or 2)Clutch R&R Section. 3)Pulling Main Shaft running thru Clutch 4) Remove Engine, Auto Trans , 5) Service Torque Converter File 1 & 2 6) 2 to 3 ton Brakes 7) 2 to 3 ton Brake Valve

5R-3R Engine Manual - Someone donated a Toyota engine manual, print date 1969. Basic specs and procedures very similar to mid 80's 5R & 3R. Attached please find major engine service section in PDF, Anonymous contributor assisted with Scan costs.

Operator's Manual for 2FG20, 2FG25 & 2FG30. 4MB And zipped Parts Numbers. Donated by tech Dennis, Many Thanks!

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42 3fgc20 Manual Diagram

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kingparchment · 3 years

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From Brixton, With Love

By Nemar Parchment

Published by The Tenth Zine

Many viewed Brixton as a spec of dirt to be ignored on the map of London—muddied with unscrupulous characters. When letting people know you were from Brixton, their faces would often scrunch up like a used piece of paper, their aversion to the area caused a physical reaction they could not control. It was defined by outsiders as a dangerous area riddled with crime and poverty. If you ever had the misfortune of visiting, grasping onto all personal belongings and avoiding eye contact were necessary to ensure your safety.

Growing up in the south London district allowed me to see past its bad reputation and truly bear witness to the beauty that resided within. Brixton was a beautiful place illuminated by rich Caribbean culture. A true sense of community lived within the residents, while the sweet scent of hard dough bread wafted out of First Choice Bakers and filled street corners. It was a flamboyant area with one of a kind characters where self-expression and individuality were celebrated. The place where my love for fashion was conceived.

As a young boy I would spend hours getting lost in fashion books inside the rust coloured cocoon of Brixton Library. Books and papers laid scattered across the table where I resided in the back of the building sitting on a miserably uncomfortable black seat. Still, I would sit and read book after book after book, until my body paid the price. I began sketching my own designs and using them as a vessel to tell my own stories. Drawings of extravagant ruffles and oversized lapels represented my flamboyant nature.Bright yellows and greens became an expression of my Jamaican heritage. I felt free getting lost in the limitless realm of fashion; it felt natural, innate. I made a subtle pact with myself to forge my way into the industry, not knowing it would be a journey that the young boy consumed in the fashion books never had the courage to foresee.

You see, the imagination is a wonderful thing that allows you to create realms that have yet to take form in reality. Despite this as a child, I found it hard to dream of a reality outside the sand coloured blocks that made up my Brixton Hill estate. I never saw full thighs, broad shoulders, round stomachs or rich mahogany skin while trawling through those fashion books. As a person who possesses all of these underrepresented characteristics and is a signed model, five years into my career, it feels like a fairytale no-one was brave enough to write. Gracing the pages of fashion magazines, appearing in TV commercials and having my face plastered on large billboards has done more than just filled me with joy. It has given a voice and visibility to a demographic of people that are often forgotten in fashion. In many ways, looking back, my presence as a person with a large body who viewed himself as beautiful was needed at that particular moment in fashion to respond to the call for change in the industry. This call would harken a new generation of shoppers and scrollers to buy into the belief that the fashion industry had become a more accepting and tolerant space.

Even though a shift in representation created an exterior that appeared more welcoming, internally navigating the industry as a big bodied black man has not been the easiest feat. My 4B crown has often been met with hairstylists poking and prodding at it like a suspicious package, nervous to touch it, and brushing waves backwards against the grain. For makeup artists, my rich hazel skin would cause panic.Face beaters rifled through bags trying to find a colour to match my tone, often to no avail, sometimes bringing out face paint sets or telling me that my skin was “great” and did not need anything as their brushes caressed the faces of white models. For the wardrobe stylist, my body triggered a loss of interest which caused them to direct their attention to the smaller models. My sparse clothing options would hang lonely and isolated against the rail of bountiful “straight size” garments. Often, I’d be asked to cram my body into clothing that was not my size, and those experiences are echoed by my model peers.

In spite of this, being able to tell my story, and the story of an overlooked group of people through my work reminds me of the Brixton characters that inspired my love for fashion. Brixton was full of unique personalities with senses of style to match. People from Brixton played by their own rules and used clothes and style as a roadmap to tell the stories of their culture, thoughts, and beliefs. My mother was one of the greatest storytellers.

As parents flooded through the ocean blue gates of my Church of England school, “Your mum is so cool” would often resound through whispers quietly cascading through the air. Oak trees stretched towards the sky and casted shadows over the playground as I walked like a little king drowning in my indigo blue school jumper toward my mother. It was typical for me to walk myself home, so to see her was a shift in scene and a glorious one at that; golden light fit for a queen filled the playground.Her long locs cascaded past her shoulders—a show of her strength. Her wrists were adorned in layers of glistening gold bangles etched with swirls of paisley, and her fingers were engulfed in precious stone rings—an expression of her honest spirit.

There she stood—a rebellious African Queen residing in the body of a young Black woman born to Jamaican parents in post-Windrush London. There I was —taking it all in. The emotional quality of the stories that her clothing told came together so seamlessly. She was the storyteller, with a deep emerald cape swept across her body and stacks of gold bracelets resting on the bend of the wrist. I was the student, with a crumpled school book bag, and soot-coloured trousers with loose tattered hems which were an inexpensive fix for my recent growth spurt. How I wished I had the same pen to tell my own stories and express myself the way I wanted.

My mother was not the only storyteller I knew. On my Brixton Hill estate we had “Pops,” the resident elder, fountain of wisdom, and occasional disciplinarian. He had high cheekbones, rich onyx skin, and a wool trilby often sat upon his head concealing his short, tight curls. He would tip his hat ever so slightly when greeting you, inadvertently letting you know he was a man of tradition. He donned an authoritative blazer in a bleak, closely woven fabric that made it clear he was a figure to be respected. His hard bottom shoes were always in pristine condition and freshly polished.

The Brixton Dancehall Queen Pinky from the early aughts also had a pungent sense of style. She would weave together elaborate tales detailing the culture behind Dancehall music using only the colour pink. Her pink wigs, over-embellished jewellery, and pink mini skirts were all nods to the dancehall culture and the empowering sense of self-representation it promotes. After school my best friend and I would walk through the colourful Brixton streets with our ties loosened and blazers off feeling free from the shackles of our dull school uniform. We thundered down to Brixton Market to buy the latest Dutty Fridaze or Passa Passa DVDs, hoping to get a glimpse of what pink concoction Pinky had chosen to adorn her body in. It was an event that never failed to disappoint. Whether it was her rose coloured finger waves, her bright pink bantu knots, her orchid colour cowboy boots, or her hot pink shorts, she exemplified what it meant to be fearless and unapologetically yourself.

No place on earth has illuminated my soul, fed my mind, and left an everlasting impression on me in the way that Brixton has. My fellow Brixtonians taught me lessons about being proud of who you are by constantly celebrating our distinctions. Its vibrant streets and colourful characters created a unique space unlike any other. The people that have resided there over the years bestowed upon me life lessons and exposed me to experiences that have made me the person I am today. To the South London gem, thank you!

#brixton #london #creativewriting #essay #thetenth #black writers #black creatives #model #model of color

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uncomicmas · 5 years

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¡@cinexve celebra su cumpleaños con todas sus estradas 2x1 desde el 25 de octubre hasta 28 de octubre! POR UN MES, aparte de premios en sus salas 4DX.¿Qué esperas? #nosvemosencinex . . Extracto de la nota de prensa de @cinexve @evenpro: "Luces, cámara y acción! Cinex cumple 55 años, sumando calidad y valor a la industria del entretenimiento en Venezuela y, para celebrarlo, tiene preparado un mes de muchos premios para compartir con su público. A partir del próximo 25 de octubre y hasta el 28 noviembre, disfruta de un 2x1 en todas las entradas, en cualquier formato, de martes a domingo. Cinex, junto a Pepsi y otros aliados, tiene preparado un mes de increíbles sorpresas, para disfrutar de una extraordinaria cartelera de estrenos con “Los Locos Adams”, “Zombieland 2”, “La Invasión”, “Estafadoras de Wall Street”, “Doctor Sueño”, y muchos más. Con la compra de la entrada para cualquier película, en el horario de su preferencia, en 2D, 3D o 4DX, recibirán un cupón para participar por smartphones, de última generación y wi-fi portátiles, en el gran sorteo final del mes aniversario. La clave para obtener los premios estará en las redes sociales @CinexVe ¡Activa las notificaciones para ser el primero en llevarte grandes obsequios! Cinex sigue creciendo en Venezuela, ofreciendo el mejor entretenimiento y diversión a la familia venezolana, con la tecnología cinematográfica más avanzada del país y Latinoamérica. En casi una década, ha consolidado su presencia, innovando en servicios exclusivos, como CinexCheff, con atención directa a la butaca y más de 150 salas, ubicadas en las principales ciudades del territorio nacional. Siempre a la vanguardia tecnológica. Pioneros en Suramérica con la experiencia 4DX, con sus asientos multisimuladores con más 9 efectos especiales, hacen que el público se sienta parte de la acción con sensaciones como lluvia, ráfagas de viento, olores y vibraciones sincronizados con la película." . . Fuente @cinexve . . . #tickets #movie #soca #cinema #film #movies #dancehall #actor #reggae #films #october #actress #dvd #hollywood #moviestar #instamovies #director #star #goodmovie #cinephile #horror #영화 https://www.instagram.com/p/B4ACQhLHyrR/?igshid=1ralg3b9e3lsl

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peckhampeculiar · 6 years

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For the record

Local resident Garth Cartwright has written a book chronicling the story of the UK record shop. As Record Store Day on April 21 approaches, he shares some snippets about the music shops of SE15

I’ve written a book that tells the tale of the UK record shop. The story stretches from 1890 – when wax cylinder recordings of music were first made commercially available – to the present.

Peckham has hosted all kinds of record shops over the past century. Having spent the last 25 years in south London (and much of it in SE15) I went looking for local stories to include. And I found some great ones.

Today the area is once again a music hub, with Rye Wax in the Bussey Building basement and Lorenzo’s Record Shack in Sky Shopping City both providing cutting-edge new and used vinyl selections.

Another local music shop, Maestro Records, opened in the mid-1990s on Parkstone Road, just off Rye Lane, in the building that once housed Reed Music Centre (later Reed For Records).

Owner Michael Fountaine, who has run Maestro since its inception, remembers shopping in Reed’s. His shop offers both CDs and vinyl, focusing on music for Peckham’s Afro-Caribbean community: reggae, soul, rap, gospel, soca and R&B.

CD Base in Holdron’s Arcade sells CDs and DVDs and specialises in rap and dancehall; while Craig Jamieson of Peckham Soul offers up a small but tasty selection of vinyl LPs and singles – as well as branded clothing – from his base at Peckham Pelican.

That said, since I last wrote about SE15 record shops for the Peculiar back in 2016, there have been a few closures. Yam Records in Holdron’s Arcade recently pulled down the shutters for the last time to relocate to Bermondsey.

This is a great shame as Yam was a real hub of youth activity, with a tiny radio station, a record label and all kinds of contemporary electronic music on 12-inch 45s, alongside some good ’n’ funky used records.

On Friary Road Sacred Records still stands, its window bedecked with bright LP sleeves, but it has not opened in more than a year. Run as a hobby by two close friends, it’s a treasure trove of LPs and obscure musical delights such as historic Maori and Croatian recordings.

Other music shops have come and gone over the years. In the past, Peckham was home to a handful of small but significant record stores, including the aforementioned Reed For Records.

For decades Reed’s was Peckham’s most significant and best-loved record shop and while no one has been able to verify exactly when it opened, I’m guessing it was some time during the early 1950s.

One commentator at the British Record Shop Archive website recalls Jean Reed running into the shop saying she’d just seen Bermondsey boy Tommy Steele audition and that he would be a big star. This would have been 1956 and Jean was proved correct.

She and her husband Ray ran the Parkstone Road shop and another branch in Forest Hill on Dartmouth Road.

Their early record bags – often the only trace left of these shops is their branded paper bags – also mention a connection with West End Reproducers on Tottenham Court Road but, so far, no further information has come to light about this shop.

Jean and Ray were much loved by the local community, with Jean possessing an encyclopaedic mind when it came to knowing what records had been released and what were about to be released.

Back then, almost all record shops kept the covers of the LPs out front and the actual vinyl behind the counter. Customers would then take the cover to the counter if they wished to have a listen.

Most shops had small listening booths until the late-1970s where, if you were considered a serious customer and not just a time waster, you would be allowed to listen to the record of your choice – or purchase.

Older Peckham residents recall how Rye Lane was once known as the “golden mile” for shopping, and remember the vast Jones & Higgins department store that once dominated the top end of the Lane, stretching from Peckham High Street to Hanover Park.

Jones & Higgins housed a gramophone department – as many of the big stores did pre-World War Two – and this would have sold sheet and recorded music.

Many market traders would also have sold records: from the introduction of the 78 (it overtook cylinders in sales by 1910) until the late 1970s, large amounts of 78s, 45s and LPs were sold on market stalls across the UK.

Again, older residents recall buying records at market stalls in the 1960s – and Jamaican, Trinidadian and African records were often sold alongside food, beauty products and such by traders who catered specifically to the new immigrant communities.

Bicycle shops were also popular outlets for 78s but if Wilson’s on Peckham High Street – Peckham’s oldest trading shop and still a bike shop today – ever sold shellac there is no record of it.

The cardboard 78 sleeves often boasted the name of the outlet, with bike and electrical shops being prominent retailers. A1 Records, which existed from the 1920s to the 1990s on the corner of Walworth Road and East Street Market, was based in the back of a light fittings outlet.

While Wilson’s remains a mystery I do know that, directly along from it in the shop that is now home to the fabulous Persepolis, there once stood the majestic Peckham Gramophone Stores.

A photo taken in what I believe to be 1933 demonstrates a group of men and boys – and one woman (and possibly a girl in the far left corner) – watching as a man puts needle to 78 on a portable gramophone.

What are they listening to? Most likely the new Jack Hylton 78, as a large, framed image of Hylton rests against the shop window and a cardboard stand of Jack is right beside the early DJ.

Jack was a towering figure in British dance music during the 1920s and 30s and lived the life of a star – squiring beautiful women, driving fast cars and residing in a mansion. In 1933 a new Hylton 78 could well have had Peckhamites out on the street and listening to the music play.

The photo shows that Peckham Gramophone Stores sold not just records, but gramophones, wirelesses (radios) and newspapers, specifically the Daily Herald – a paper that existed from 1912-1964 when it relaunched as The Sun.

What happened to Peckham Gramophone Stores? So far, no one has come forward with any information on it but, as World War Two led to a shortage of shellac – the resin used to make 78s – it’s likely this is what helped bring about its closure.

Sally Butcher, the polymath who owns Persepolis, says the building appears to have been a sweet shop for some time, so it’s unlikely Peckham Gramophone Stores was in competition with Reed Music Centre. As Persepolis sells Persian CDs today, the tradition continues.

In the 1970s Peckham changed from being a predominantly white community to an Afro-Caribbean one and reggae “shacks” opened selling Jamaican 45s as fresh and hot as a saltfish patty.

The most famous of these shacks was Intone at 48 Rye Lane, which was run by the legendary sound system DJ and record producer Lloydie Coxsone and attracted legions of loyal customers including Radio 1 DJ John Peel.

Peel was so enthused by the new dub and roots reggae records he would buy in Intone, that he championed it both on his radio show and in his column in Sounds, which was a music weekly.

Peel seemed to take a certain glee in taking the train from Victoria Station to Peckham Rye and then venturing into Intone, where the music was so loud you couldn’t hear yourself think and the air was filled with ganja smoke.

Intone closed sometime in the mid-1970s and, not long after, Dub Vendor opened its very first shop in the arcade by Peckham Rye Station.

Dub Vendor’s founders were John MacGillivray and Chris Lane, two white London youths who were obsessive Jamaican music fans. They would develop DV into several shops and the Fashion record label – home to Smiley Culture’s hits.

Yet their Peckham venture proved a disaster: having only been open a month, they arrived one morning to find the shop turned over – stereo, speakers and stock all stolen.

Dub Vendor subsequently quit Peckham, operating as a market stall in Clapham Junction before opening celebrated reggae shops in Ladbroke Grove and Clapham.

Crime was a threat to other record shops too. Ray Reed was attacked and robbed in Reed’s in the 1970s, as was Mr Tipple, the owner of Tipple’s newsagent and record shop on Peckham Park Road.

Mr Tipple was infamous for his rudeness – he often refused to let customers see the records, which were kept in the back of the shop – and for his deep stock: if you were lucky enough to get access you could find mint records dating back to the 1950s.

Tipple’s closed at some point around 1990 when Mr Tipple died. Ray Reed passed away in the late 1970s but Jean kept the Peckham shop going until she retired in the 1990s. These shops may be gone but the memories, stories and records they sold live on.

..............................

In-depth stories on Peckham’s record shops – and many more across London and the UK – feature in Going For A Song: A Chronicle Of The UK Record Shop (Flood Gallery Press). It’s available now in all good book and record shops (including Lorenzo’s and Persepolis). If you have any memories of record shops to share, please visit garthcartwright.com to get in touch.

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