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henry239 · 4 days
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unproduciblesmackdown · 3 months
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truly something that, amidst facing / going through a dramatic Life Change ft. unavoidable emotional effects of that, there are instances where i can't conceal any & all degrees of being distressed / upset, & repeatedly getting "it's hard for me too" as a Direct Response to that: really something & a half how the asserted theoretical Sympathy of [i feel similarly!] is invoked so as to, oh you know, preclude sympathetic Treatment. such as that what would be More sympathetic in these instances would be to say Nothing, "if there's nothing but dismissal / making it first & foremost about someone else's feelings to say, don't say it at all" style
#reading also that original Lovelessness essay ''love is meant to make me human / love is also the mechanism by which my humanity#has been denied'' always preferring to have [sorry! couldn't fully bottle up this Emotiona externally manifesting at all!] Ignored rather#than ''nicely'' interacted with so as to Invalidate; Dismiss; someone's annoyed at you for having it; etc#for bonus context like we are not in the same boat with it.#not a case of ''the same situation; mine is worse though'' like no; fundamentally different situations here lmao. mine is worse#If You Feel So Bad. Or At All. then at least now do me the favor of Not Saying That; Repeatedly#their feelings put on me too in other ways. stewing resentment into lashing out; tossing out ''but i'm justified'' like ok! Your business!!#the ol like. If You're Going To Do Something Anyways then how you justify it to yourself is Your business / b/w you & your god as they say#& the last thing to do is be making it the problem of ppl Most Affected by what you're gonna do anyways & Also ask their Absolution.....#like if you need more moral support abt What You're Doing Anyways: turn to Anyone Else. even No One if you have to.#bit going tf through it when it's spilling over into Posting but such is life!! we all have that [the horrors. girl help] blogger on dash#again the tl;dr like oh you don't say. the [umm but have you considered? My Feelings! (they're so sympathetic at all. yor welcome)] is#the mechanism through which Really basic sympathy is being denied & replaced with [Saying Nothing would've been less hurtful]#misgendering me the other night too while Also all 'hey I'm trying to talk to the customer service. why are You going up & talking first'#(that was me experiencing the latter. i didn't say it but i was like cmon. my glasses are fogging up w/surgical mask (don't have access to#more effective masks so doing what Nonzero i can there) i'm a bit carsick i'm weathering a crisis. can i have anything here lol)#just Oh You Know. The Horrors....#balancing ofc trying to endure trying to self soothe etc etc. with ''it's the horrors. it's gonna be horrific & you're gonna be affected''#ah the [being kind to oneself] like also means knowing how reasonable it is to Not solo contain & endure & Cope Through everything....#crushing a paper cup in my hands genuinely i would like to generously thank my virtual allies out here today. mic feedback#irl In Real Life? life is Real asf here & nobody Realer than them
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vounnasi · 6 months
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Any tips for beginners? I love your style btw
the first thing that comes to mind is to practice, but that's not very useful huh.
practice your observation skills/break things down into shapes. in terms of anatomy, this would mean seeing the head as an circle with a rectangle making the jaw - that sort of thing. observing how wrinkles are formed in clothes, how hair drapes, how expressions form wrinkles, etc. i see things in terms of curves, hence why my art involves so many. just simplify in a way that makes sense to you!
in a similar vein, practice diversity!! fat bodies, disabled bodies, wrinkles, scars, etc. the results doesn't have to be perfect, but just remember that so many people exist out of what's usually depicted.
be mindful of what you're doing while tracing. once you finish, redraw your subject afterwards applying what you learned. ofc, don't go tracing artists and then pass their work off as your own.
this is less about the process, but i think it's equally important: don't expect to have a style immediately. i know i'm guilty of this - when i started i wanted to be just like the artists i followed (granted, they had over ten more years of experience than me and worked in the art industry). long story short, as a beginner you should focus on learning and developing your skills. your unique way of handling art will come about the more you work at it.
don't be afraid to make bad art!! if you hold yourself to high standards, you'll end up hurting yourself more. your next piece won't always be better than the last and that's okay.
have patience with the process. encountering periods where you hate your art or can't draw anything is completely normal. take breaks if you have to, experiment, change the way you do things, just have fun! you're creating something regardless of quality or skill level! i think that's neat. :)
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azessays · 2 years
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DM us for your fall online classes and we will bag you that A grade. Kindly email [email protected] DISCORD Banner#0770
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tipsforstudents · 2 years
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Blog- Types of Essays
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Homework? No problem.
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henry239 · 16 days
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researchpaper101 · 3 months
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hyperlexichypatia · 5 months
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As I keep shouting into the void, pathologizers love shifting discussion about material conditions into discussion about emotional states.
I rant approximately once a week about how the brain maturity myth transmuted “Young adults are too poor to move out of their parents’ homes or have children of their own” into “Young adults are too emotionally and neurologically immature to move out of their parents’ homes or have children of their own.”
I’ve also talked about the misuse of “enabling” and “trauma” and “dopamine” .
And this is a pattern – people coin terms and concepts to describe material problems, and pathologization culture shifts them to be about problems in the brain or psyche of the person experiencing them. Now we’re talking about neurochemicals, frontal lobes, and self-esteem instead of talking about wages, wealth distribution, and civil rights. Now we can say that poor, oppressed, and exploited people are suffering from a neurological/emotional defect that makes them not know what’s best for themselves, so they don’t need or deserve rights or money.
Here are some terms that have been so horribly misused by mental health culture that we’ve almost entirely forgotten that they were originally materialist critiques.
Codependency What it originally referred to: A non-addicted person being overly “helpful” to an addicted partner or relative, often out of financial desperation. For example: Making sure your alcoholic husband gets to work in the morning (even though he’s an adult who should be responsible for himself) because if he loses his job, you’ll lose your home. https://www.nytimes.com/2022/07/08/opinion/codependency-addiction-recovery.html What it’s been distorted into: Being “clingy,” being “too emotionally needy,” wanting things like affection and quality time from a partner. A way of pathologizing people, especially young women, for wanting things like love and commitment in a romantic relationship.
Compulsory Heterosexuality What it originally referred to: In the 1980 in essay "Compulsory Heterosexuality and Lesbian Existence," https://www.journals.uchicago.edu/doi/abs/10.1086/493756 Adrienne Rich described compulsory heterosexuality as a set of social conditions that coerce women into heterosexual relationships and prioritize those relationships over relationships between women (both romantic and platonic). She also defines “lesbian” much more broadly than current discourse does, encompassing a wide variety of romantic and platonic relationships between women. While she does suggest that women who identify as heterosexual might be doing so out of unquestioned social norms, this is not the primary point she’s making. What it’s been distorted into: The patronizing, biphobic idea that lesbians somehow falsely believe themselves to be attracted to men. Part of the overall “Women don’t really know what they want or what’s good for them” theme of contemporary discourse.
Emotional Labor What it originally referred to: The implicit or explicit requirement that workers (especially women workers, especially workers in female-dominated “pink collar” jobs, especially tipped workers) perform emotional intimacy with customers, coworkers, and bosses above and beyond the actual job being done. Having to smile, be “friendly,” flirt, give the impression of genuine caring, politely accept harassment, etc. https://weld.la.psu.edu/what-is-emotional-labor/ What it’s been distorted into: Everything under the sun. Everything from housework (which we already had a term for), to tolerating the existence of disabled people, to just caring about friends the way friends do. The original intent of the concept was “It’s unreasonable to expect your waitress to care about your problems, because she’s not really your friend,” not “It’s unreasonable to expect your actual friends to care about your problems unless you pay them, because that’s emotional labor,” and certainly not “Disabled people shouldn’t be allowed to be visibly disabled in public, because witnessing a disabled person is emotional labor.” Anything that causes a person emotional distress, even if that emotional distress is rooted in the distress-haver’s bigotry (Many nominally progressive people who would rightfully reject the bigoted logic of “Seeing gay or interracial couples upsets me, which is emotional labor, so they shouldn’t be allowed to exist in public” fully accept the bigoted logic of “Seeing disabled or poor people upsets me, which is emotional labor, so they shouldn’t be allowed to exist in public”).
Battered Wife Syndrome What it originally referred to: The all-encompassing trauma and fear of escalating violence experienced by people suffering ongoing domestic abuse, sometimes resulting in the abuse victim using necessary violence in self-defense. Because domestic abuse often escalates, often to murder, this fear is entirely rational and justified. This is the reasonable, justified belief that someone who beats you, stalks you, and threatens to kill you may actually kill you.
What it’s been distorted into: Like so many of these other items, the idea that women (in this case, women who are victims of domestic violence) don’t know what’s best for themselves. I debated including this one, because “syndrome” was a wrongful framing from the beginning – a justified and rational fear of escalating violence in a situation in which escalating violence is occurring is not a “syndrome.” But the original meaning at least partially acknowledged the material conditions of escalating violence.
I’m not saying the original meanings of these terms are ones I necessarily agree with – as a cognitive liberty absolutist, I’m unsurprisingly not that enamored of either second-wave feminism or 1970s addiction discourse. And as much as I dislike what “emotional labor” has become, I accept that “Women are unfairly expected to care about other people’s feelings more than men are” is a true statement.
What I am saying is that all of these terms originally, at least partly, took material conditions into account in their usage. Subsequent usage has entirely stripped the materialist critique and fully replaced it with emotional pathologization, specifically of women. Acknowledgement that women have their choices constrained by poverty, violence, and oppression has been replaced with the idea that women don’t know what’s best for themselves and need to be coercively “helped” for their own good. Acknowledgement that working-class women experience a gender-and-class-specific form of economic exploitation has been rebranded as yet another variation of “Disabled people are burdensome for wanting to exist.”
Over and over, materialist critiques are reframed as emotional or cognitive defects of marginalized people. The next time you hear a superficially sympathetic (but actually pathologizing) argument for “Marginalized people make bad choices because…” consider stopping and asking: “Wait, who are we to assume that this person’s choices are ‘bad’? And if they are, is there something about their material conditions that constrains their options or makes the ‘bad’ choice the best available option?”
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essayflame · 1 year
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henry239 · 3 months
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https://www.theassignmenthelpline.com/essay-writing-help.html
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tutorsglobe · 1 year
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cherry-leclerc · 2 months
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the set up ☆ ln4
genre: fluff, humor, parent trip vibes from oscahhh, strangers to lovers (bc of course it is), uni!reader
word count: 2.12k
Caught up in work, you find time to join your friends at the McLaren welcome dinner; meeting a certain British driver along the way. Whom you don't make the best first impression with.
req!...oscar+lily playing matchmakers? cute cute cuteeee. quick one for my lando lovers mwahhh
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It takes a lot to convince you; like—a lot. Partial credit is due to your pride, but honestly, it drove your friends mad. 
Let's go out and celebrate! Just a good ‘ol round of drinks. I have to study. Maybe next time.
Oh! I heard of this new place down the street where you custom make your own jewelry. Fun, no? I have enough already, thank you.
Five minutes—let’s just go grab coffee! Too tired. Go on without me.
“It’s my welcome dinner, mate. You can’t do this to me now.” Oscar’s brown eyes flicker between you and his girlfriend, to which she apologetically shrugs. Deep down, it's like she can forehear your excuse. An essay is due, your internship, helping out at your local library. There's been too many times where you’ve flaked, and they were starting to worry. The pile of clothes makes her wince as you greedily type away. 
“I-I’m sorry, but I have to—”
“Reckon you don’t have anything on your agenda that is as important as you make it out to seem,” he hums. Narrowed eyes burn down, flipping your screen towards him.
 Compile a series of current events…BLAH BLAH BLAH. He stops caring, already bored.
“I wish I could—seriously, Oscar—but I’m needed elsewhere.” A beat. “Lily will keep me updated! Go Mango!”
The Australian rolls his eyes, sharp eyebrows expanding with desperation. “Papaya, mate, papaya.” You giggle, mimically apologizing. The clicks continue; round eyes laser focused. He tries getting your attention once more, but you don’t look up at him at all. The driver’s girlfriend purses her pink lips, crossing her legs gingerly against the couch.
“I can help you write your paper. All of it. Just please, come with us.” Blue eyes wink back as you come to a halt, temptation swirling. “We’re your friends and we want you there. Pretty please?”
The McLaren rookie thinks it has to do with his girlfriend's cute pout, but that is so far from it. It was well known that Lily Zneimer had a wicked talent for conducting a killer research essay. From her resources, to her dialogue. It’s astonishing how smoothly it gets done too. With her, it’s a guaranteed pass. Now that was what you needed. 
Berry lips twist back and forth for a second before stretching out. “Touch up on globalization effects in different cultures and we have ourselves a deal.”
-
The paper was coming along so perfectly that you almost wanted to cry. Your eyes buzz with excitement as you jot down a row of bullet points, conversing with Lily before settling on what to write. 
“This is not what I had in mind when you both made this stupid pact,” Oscar groans for the millionth time as he passes by, spotting you and his girlfriend crouched down on a table; computer, notebook, pencils, index cards, books—everything—in hand.  
“Mate, this is worth half of my grade,” you shriek; jotting a few more possible ideas. Finally, your dazy orbs connect back onto him. “As in fifty percent.” You gag. “Do you realize how terrifying that is?”
Lily shoos him. “We’re almost done anyway, darling. Go enjoy the party.” The Australian’s jaw drops and she huffs, raising her neat brows. “Go, go, goooo.”
Despite his girlfriend and his best friend ignoring him, he has a splendid time. He curses beneath his breath when a large hand sprawls against his back. Lando laughs. “Don’t worry, my date ditched me too,” he teases, blue eyes sparkling against the fuzzy lights. The rookie sighs plainly.
“I wasn’t ditched—'' He angles his head to face back to where you and the dirty blond hunch over, whispering, attention drawn onto the bright screen. A few people even go as far as to try and take a peek, probably thinking you were working on anything McLaren. “Yeah, uh, I guess you could say I was ditched.”
His teammate rubs his watch a couple or times, nothing but music lingering between them. No one really speaks up until Lily delicately makes her way. Oscar tilts his head politely. “Done?”
“No quite yet, but she has it all under control.” She faces the British driver with a sheepish line formed between her pink lips. “Hello, you must be Oscar’s new teammate.” A beat. “I’m Lily.”
“Lando,” he can feel himself proclaiming. “I thought she was Lily…” A lousy fingers points over to you. They both let out a weak chuckle. That’s my friend from back home, Oscar confirms. Her and Lily are super close, too. She beams, light blush feathering her full cheeks.
All of a sudden—the Australian sparks up. “Come; let me introduce you two.”
The twenty-four doesn't really have anything better to do; business convos that have him apologizing profusely, cameras being shoved straight into his face, girls who never get the hint. “Sure.” 
First thing he notices is the faded scar that hugs the bridge of your nose. It's almost completely gone—and he really shouldn’t even be able to spot it—but it's there, almost a glassy color that shines back at him. He notices how quick you are at typing; navy blue, fingers flying at a constant speed. He’s impressed. Or the way you barely spare him a glance. 
“Don’t be rude, he’s talking to you,” Oscar hissed as he and Lily tower over you like a strict parent duo. You can distinguish the panic that laces through her when you didn’t first respond, too worried at making a bad impression, even if it wasn't her leaving it behind. 
“Of course, I…um, I’m sorry—shit!” The laptop blinks back at you as a warning before settling in its death. A groan slips by, hands pressing harshly against the keys, then the screen. Nervously, you look up at Lily, biting your bottom lip. “What do I do? What should I do? What should I do?”
“Charge it when we get back,” Oscar advises, still waiting for you to greet the older McLaren driver. Lando stands back amused. “As I was saying—”
“It’s due at midnight, dimwit!” It’s eleven-fifteen exactly. “I need to find a charger.”
“O-okay, lets just all calm down.” Lily turns to her boyfriend. “You always carry one with you, let her borrow it.” He winces. Only during races, sweetheart, not an important event. She rubs her temples, curly hair running against the wind. “Let’s just calm down!” she screeches.
“Not helping,” you wail. “That’s it—I’m leaving.”
Oscar is quick on his feet, already tugging you to stay firm. “We haven't even gotten to the speech!” A familiar fire rushes through your orbs, burning him along the way. I don’t give a shit about that right now! I need to turn this in. 
“I’m sure Charlotte has one,” a friendly voice slides in, leaving you three to turn and face it. Lando awkwardly shrugs. “She’s really well organized, you know her. I’ll be right back.”
“Can I go with you?”
Blue eyes shift over, surprised to hear you speak. Anxiously, you bounce up and down against your heels. He gulps. “Of course.” He turns back to the Australian, who is busy comforting his girlfriend as if it was her grade on the line. “I’ll be right back.”
There’s a sort of tension that hangs steadily—or maybe he’s the only one who thinks so—but he tries his best to push past it. Of course, he was right, and Charlotte did have an extra charger, so that’s quite nice. As if this were the one and only resource of water in a hot desert night, you immediately take it from him, plugging it fiercely.
“You don’t know how grateful I am. You’re an absolute angel.” You’re quick to pick up where you left off. If you try hard enough, you can remember exactly what you need in order to have it done in a few minutes. 
“Glad I could help.”
He should probably leave, he thinks. He’s done all he could, but he doesn’t. Instead, he takes a seat across from you, contently closing his eyes as the sound of your keys brings him to a deep sleep. The sound of a computer shutting gently is what nudges him awake. You grimace. “I’m sorry, I should’ve been more quiet.”
Lando scrunches his eyes, rubs them for a couple of minutes. “It’s alright. You done?”
“Yes. Just in time—you really saved my ass, thank you again.”
A large hand waves you off, reclining against his comfortable spot. “You’re pretty dedicated to your work,” he mutters.
“I sort of have to be if I want to graduate on time and on top of my game. All those sleepless nights couldn’t have been for nothing.”
“Well, I don’t really know you that well…but I hope you pass,” he says. “Lando, by the way—you were probably too busy to catch it the first time.” He cocks his head to the side, a cheesy grin playing out. “And the second, as well.”
You giggle, shaking his humid hand. You don’t even seem to mind. “Third times a charm, no?”
“It appears it is.”
-
The objective was quite clear; get you to leave your rotting bed. It was astounding how long you could go without getting up. You always blame it on the fact that—I’m finally done with my most important courses and I can sleep all I want—and—I never wake you up, now do I?
So, naturally, when they march into your room, flashing a phone—you curl a full brow. “What am I looking at?”
Oscar smiles. “Save his number. Right now.”
Lando Norris—winks back at you, digits causing a migraine to stir. You huff, reaching out for the blankets once again. “And why would I do that?”
Lily hums. “I tried to stop him, I really did.”
Beady eyes peek demandingly. “What are you talking about?”
“It’s really just one date—”
“What?”
“And if it doesn’t work out—”
You sit up straight and agitated. “What?”
“...then you won’t ever have to see him again?” The Australian flinches at your cold stare. “He thinks this was your idea…because I told him it was, but…” He winces harder. “Don’t make me look bad and please go!”
Lily squeals when you fling up, hunting him down your flat. “I am going to kill you!”
-
The Brit beams sweetly at you, pinching his hand a couple of times to pump his circulation that was suddenly lacking. “I’m a bit surprised you wanted to see—”
“This was all Oscar’s idea.” He blinks and you purse your lips. “I’m sorry for dragging you into this. I think he does it because the third-wheel act is starting to get to him. Asshole,” you hiss at the thought of the rookie.
Lando coughs, playing with his bracelets. “You’re not dragging me into anything. I want to be here.” Now it’s your turn to stare back at him, caught off guard. He chuckles. “I take it you haven’t gone on a proper date in a while?”
“Is it that obvious?”
“Nah,” he yawns. “Oscar told me.”
Pounding your fist against the table, you yelp. “That little—he wants to ruin my life, I see.” You force a tight smile. “I’ve been busy with work…and…I’m—” A flash goes off; you flinch. “A total catch. Like—total.”
Blue eyes flicker to the careful watchers surrounding the restaurant. “I don’t doubt that.”
“Good,” you respond, finally allowing yourself to rest easy. You raise a sharp brow. “Don’t you get tired of this?”
A few murmurs dance across the room, blinding lights continue. He sighs apologetically. “Right now I am. Let’s get out of here?”
You blush. “The bill…”
“My friend owns the restaurant. I’ll pay him later.” He grabs your hand. “Let's go.”
The moment you slip into his car, panic rises fast. “I don’t hook up on first dates,” you spit out. “It’s not in my nature, I-I-I would rather get to know the person—”
“Then let’s get to know one another. I wasn’t looking for anything like…that,” he whispers, timidly. His blue eyes burn against yours. “I only wanted the chance to get to know you now that you don’t have your nose pressed up against a screen.”
A kind smile. “Okay.”
The more you two converse inside his crowded vehicle, the more you find yourself giggling against the rich seat. “You’re quite the charmer, Mr. Norris.”
“Thank God,” he jokes. “It’s working.”
Another giggle erupts when you nod. You’re sure that you're flustered, burning bright red from all his pick up lines, but you don’t have the strength to look away. “I’m glad we got the chance to talk. For real this time,” you add, sheepishly. 
“So am I.” 
And something inside of him tells him this isn’t the last.
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assignmenthelpplus · 2 years
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Summary
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