⚔️ BRÆNRYN BROSCA ⚔️
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Race: Commoner Dwarf, Casteless
Class: Rogue (Dual Weapon)
Specialization: Duelist
Affiliations: the Carta, Grey Wardens, Orzammar Royal Family, Ferelden Royal Court
Titles: Brænryn the Duster, The Warden, Hero of Ferelden, Paragon Brænryn
Personality: Wary, Brusque, Quick-Witted, Protective, Non-judgemental
Memorable Quotes: “Can I get you a ladder, so you can get off my back?!”
(Details under the cut)
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Three styles, three different life stages.
First one: The Warrior Traveller’s ‘Fit
Key Words: practical, medium weight, no-fuss, dark tones
This is what I imagine Brosca looking like after the Joining ritual and for a good part of the game. The beginning of her journey is all slashing, crippling, and traveling on foot, so I needed to get her a look that is functional (allegedly) and with no frills. I needed to make a mishmash of in-game armor parts to get something I could picture her wearing for real.
It could have been worse, 3/5 stars.
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Second one: The Fereldian Court Jester
Key Words: cheap elegance, military influences, brighter colors, poofy
The special occasions look. You can see her wearing this on a diplomatic encounter with the Arl or during a war council with her allies on a cold winter day in Ferelden. I needed to elevate a basic tunic + pants + boots combo by adding more details and faking a more refined fabric for the blouse. I wanted to play on the contrast between modest and expensive, but it was my greatest goal to make her look a bit on the gaudy and tacky side. Being classy is not her forte.
2/5 stars, but bonus points for trying to look the part. A generous 3/5 stars score.
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Third one: The Seasoned Veteran
Key Words: subtle patterns, better fit, souvenirs, mismatched armor
She’s a grown-up now. She’s a Commander, she’s a Paragon, she’s an Icon, she’s a Legend, she’s the Moment (not really, but still). Instead of letting her go full-blown diva, I let her crawl back to her roots. The tunic + pants + boots combo is her uniform, and you won’t catch her wearing anything else, but this time you can find new and old elements added to it. I picture her collecting and looting trinkets, materials, fabrics, and pieces of armor around Thedas, and combining them with what she already owns. She doesn’t fight that much at this point compared to her Blight days, so she skips on the medium armor.
It’s nice, it’s cute, but it could have been better. 3/5 stars.
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I wrote a post narrating in detail why I chose to dress her like this, but it’s so long it’s basically an essay. I’m not bothering you with that, you have a life to care about lol All you need to know is that I needed to recreate the Grey Warden Armour/Uniform color scheme to be consistent with the lore and display her unhealthy obsession for the color blue
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Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).
It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.
Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.
And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!
So, Point 1: Many, Many Parts, basically Maglor's FA WIP
My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.
(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)
Archived.
My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.
Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.
(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)
(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)
(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)
So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.
(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)
Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included
This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.
But the Siege started. And the Noldor kept dying.
It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.
Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.
The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.
(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)
Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.
It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.
After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.
Lament for Maedhros was sung repeatedly. There was no one to hear it.
Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.
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Something I hadn't considered until now is how brutal the mission to kill Jarvia and most of the Carta in Orzammar is for Brosca. I'll never forget the emotional gut punch that was having to fight and kill Leske, who is probably only true friend Brosca has ever had in all their life (I remember desperately searching if there was a dialogue option or something to let him live but there is none), but I also just thought that Brosca must have known most, if not all of those Carta members that we fight through the mission.
And knowing how the casteless are pretty much cut off from the rest of Orzammar's society and most are forced into a life of crime, Brosca must have known and possibly have been friends or at least care for for a lot of the Carta members, and also possibly have worked with them often under orders from Beraht and Jarvia.
Then after becoming a Warden, returning to Orzammar and under orders from either Harrowmont or Bhlen, they have to go to their old home in Dust Town and kill Jarvia (who was alledgely planning to use her growing power in Orzammar to force the Assembly to recognize the rights of the casteless), Leske and pretty much everyone else they knew during their many years growing up and while being a part of the Carta.
Just another bit of tragedy for Brosca's story.
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I always think about how while all wardens exist regardless if you play them (and in those versions they just die I believe canonically) brosca is the only one we see the corpse of and I was wondering if you had thoughts about what leske there says about how he watched brosca die
Well it makes me feel. Insane. First of all. I do appreciate how completely emotionally and physically thrashed he sounds in those line deliveries (Brian Bloom when I get my fucking hands on you)
The line "all over a stupid bet" is really striking to me tbh. I've seen people (with offense) interpret it as him saying that Brosca stopped eating on a bet, like as a dare? But now that I've listened to it again I really don't think that's correct. I think the "bet" being referenced is the one that Beraht made at the Proving. He's saying that all of this, Brosca's death, which has clearly affected him very deeply, Leske himself half-starving and being forced to beg a stranger for help, is because of money, Beraht's money, and that feels stupid. It doesn't make sense for this to have happened because of that, all this suffering over something that he doesn't feel is meaningful. It's an interesting arc for him, given that what's left of Beraht's money & power, the fraction of it that Jarvia has offered him, is basically what he tries to kill Brosca over if they are the Warden. I think that the version of Leske that watches Brosca die in that cell would probably find the actions of the version of him that doesn't completely incomprehensible, and vice versa.
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Wild Flowers
First Image: Spreading Jacob’s ladder
Second Image: A field of Spreading Jacob’s ladder
Third Image: A mixture of Spreading Jacob’s ladder and Blue Phlox
Forth Image: Dwarf Larkspur
Fifth Image: A field of Spreading Jacob’s ladder
Sixth Image: Tradescantia 'Ocean Blue'
Seventh Image: Tradescantia 'Ocean Blue' along with Blue Phlox
Eighth Image: Blue Phlox
Ninth Image: Blue Phlox
Tenth Image: Blue Phlox
Eleventh Image: Mayapple and some Blue Phlox
Twelveth Image: Blue Phlox, Striped Cream Violet, Common Blue Violet, and Heartleaf Foamflower
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