Spring Musings 2023 iPhoneXR Hipstamatic Photography Original Photographers Photographers On Tumblr Lowy Lens, Cinematheque Film, No Flash

Buster Keaton visiting the Cinémathèque Française in Paris, France 1962

Don't miss the closing weekend of NOIR CITY Hollywood, Eddie Muller and Alan K. Rode in person. NIGHTMARE ALLEY will screen in nitrate. Tix and full festival schedule: https://bit.ly/3Ij9Mc2

日本映画の足跡

1965

I found this beautiful photo and is new for me!

Here is the article in french language:

 https://www.cinematheque.fr/article/1976.html

🌟Thank you very much for these great findings Andrea, you are great!!🌟😍💜

A new Home Movie by Frédéric Pardo has been found and it will be shown the 9th March 2023 at 19:30h at Cinema Reflet Medicis

                        Home Movie : New York

Frédéric Pardo

France 1968  / 20 min  

With Tina Aumont, Nico, Jackie Raynal.

Jackie Raynal and Tina Aumont in Central Park. Views from an apartment, from a car, Nico at the window above Tina Aumont. Jackie Raynal, pregnant, gets dressed in an apartment, Tina is lying down in bed. Walks in the streets of NYC at dusk.

2K digitization at the CNC laboratory by the Cinémathèque française, from the 8 and 16 mm copies kept in the collections.

Three Home Movies, from a collection deposited at the Cinémathèque. Three previously unseen films, which show, in their simplicity of family films, an artist in love: Tina Aumont is permanently at the center of Paris Home Movie With Tina, a candid poem shot mostly in the alleys of Luxembourg and Pardo New York, where the couple joins Viva and Michel Auder in Central Park, and where we also see Nico at the window of a room in the Chelsea Hotel. Here again, Tina magnetizes the painter’s gaze. What he does with her and the light has no other aim than to translate into images an intimacy that obsesses and delights him. Different, because devoted to the group – in this case the Zanzibar band, Philippe Garrel, Serge Bard, Patrick Deval, Jackie Raynal, Michel Auder, Daniel Pommereulle and Sylvina Boissonnas – Home Movie Marrakech begins in Venice. Tina contemplates the Grand Canal from her room before continuing in a boat, then it’s Morocco, crossed in a large American car. We recognize Sylvina Boissonnas, producer and patron of the group, Caroline de Bendern, Auder, and others (it could be, it is to be confirmed, Jean Mascolo, Babethe Lamy and Pierre-Richard Bré). It is a prolegomena to the Home Movie that Pardo will do in the wake of the filming of Garrel’s Le Lit de la Vierge. It is notable that these films were not listed in the catalog of Zanzibar productions. Pardo obviously had no intention of showing them. Discovering them today, however, leads us to place them (all things considered) alongside certain films by Pierre Clémenti, Warhol, Mekas or Garrel: a whole crest line of a cinema that fuels the intimate, the couple, to the band, and to the meeting. In the psychedelic paintings that Pardo was doing at the same time (from his initiation, by Klarwein, to the ancestral tempera method), the princes, the sponsors were replaced by friends, loves. It was an idea he held dear. When we know the influence (aesthetic in all) that Pardo had on the Zanzibar group, we understand better in what perspective Garrel, at the time of Le Berceau de Cristal (where he films Pardo at work) needed in turn to gather his “ family” in his films. To repopulate an imaginary in exile, caught in a perpetual flight.

Philippe Azoury

During The Montreal World Film Festival 1963. At restaurant Le Colbert : Jean-Luc Godard, Johanne Harrelle, Claude Jutra, Arthur Lamothe, Gian Vittorio Baldi, Roman Polanski, Adolfas Mekas, Robert Hershorn, Victor Desy.

Claude Jutra, Jean-Luc Godard, Roman Polanski, Jonas Mekas, Robert Hershone & Victor Désy at The Montreal World Film Festival 1963. In August 1963 Roman Polanski was invited to the Montreal World Film festival with Knife in the Water.

Claude Jutra, Jean-Luc Godard, Roman Polanski, Johanne Harrelle, Victor Désy, Jonas Mekas, Robert Hershone at Le Corbet restaurant during The Montreal World Film Festival 1963. Roman Polanski was invited to the Montreal World Film festival with "Knife in the Water".

During The Montreal World Film Festival 1963. At restaurant Le Colbert : Jean-Luc Godard, Johanne Harrelle, Arthur Lamothe, Claude Jutra, Gian Vittorio Baldi, Roman Polanski, Adolfas Mekas, Robert Hershorn. Roman Polanski was invited to the Montreal World Film festival with Knife in the Water.

Black and white photography interests me because there is an implication that there is some emotional reserve between you, the reader, across an empty room, your audience, there is a sadness impossible to miss.  

CLINT EASTWOOD RETROSPECTIVE (1984) - RETROSPECTIVE FILM POSTERS (Part 4/10)

We just celebrated Clint Eastwood’s 92nd birthday last week. He remains the greatest US living Actor and Director with a filmography filled with so many classics that perfectly sum up the essence of America yet manage to convey it to all around the world where he is feted accordingly.

In late 1984, the French Cinematheque in Paris organized a retrospective of his movies and commissioned famous painter Raymond Moretti to design a poster for it. Magnificent image indeed

Director: Clint Eastwood Actors: Clint Eastwood

All our ALFRED HITCHCOCK posters are here

ALL OUR RETROSPECTIVE movie posters are here

If you like this entry, check the other 9 parts of this week’s Blog as well as our Blog Archives

All our NEW POSTERS are here

All our ON SALE posters are here

The poster above courtesy of ILLUSTRACTION GALLERY

Napoléon vu par Netflix: What next for Abel Gance’s 1927 epic?

“Sixty years later I am still bringing people to see Napoléon, that’s quite true. And also bringing people back to the cinema because this is the age where they watch Lawrence of Arabia on their mobile phones, for God’s sake. The cinema was designed for sharing, and that is sharing the reactions to the film. It’s not just being in the same room as a lot of other people. It’s much more emotional…

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Films d’horreur : découvrez la sélection de PlayVOD Maroc

Si vous êtes friand des films d’horreur, sachez que PlayVOD Maroc a ce qu’il vous faut. En effet, la plateforme met à votre disposition des titres comme « Bloody Hell », « Halloween Kills » ou encore « American Nightmare 5 », entre autres. Bien entendu, une inscription sur le site est recommandée pour accéder à sa cinémathèque en illimité.

Presentation of a 4K restoration.

To mark the UNESCO World Day for Audiovisual Heritage, an annual event which aims to raise awareness of the need for film preservation and the conservation of our audiovisual heritage, TIFF Cinematheque in partnership with TIFF's Film Reference Library is proud to present a 4K restoration of Cecil B. DeMille’s, Joan the Woman with a pre-recorded introduction from George Eastman Museum’s Preservation Manager Anthony L'Abbate.

Toronto International Film Festival (affiliated to FIAF)  Presentation a 4K restoration. 28 October 2023 350 King street west Toronto, Canada.

Sunday Fklowers Summer Musings 2023 iPhoneXR Hipstamatic Photography Original Photographers Photographers On Tumblr Lowy Lens, Cinematheque Film, No Flash

Buster Keaton talking about his passion for the cinema of Jacques Tati and in particular for the film Les vacances de monsieur Hulot. Probable date: February 1962, when Buster Keaton was visiting Paris to admire the collections of Henri Langlois, founder of the Cinémathèque française.

Source

Tickets now on sale for NOIR CITY Hollywood!

Highlights include opening night reception prior to the screening of our latest restoration "Never Open That Door", a nitrate screening of "Nightmare Alley" and the West Coast premiere of the new 4K digital restoration of "Le Samouraï". Introductions by Alan K. Rode and Eddie Muller. "Never Open That Door" restoration performed by UCLA Film & Television Archive.

Schedule and tickets: https://bit.ly/3Ij9Mc2

From 2013. "Back In Crime ". France 🇫🇷 In French with English Subtitles. This is the movie trailer. One of the few modern French that has caught my interest because of its time travel plot to solve crimes before they occur. My interest in French films is primarily from the silent era up to the 1970's. Jean Rollin Vampire films from the late 1960's and 1970's I also happen to like. And. His " Two Orphan Vampires " (1997) is a notable exception of something French from the 1990's that I like.

Detective Richard Kemp is injured and transported into the past. He has a second chance to stop a serial killer, and as he tries to rewrite history, the killer's path begins to take unexpected turns. Released Date: June 13,2013. Also available on DVD/Blu Ray.

Hi Eleni! Look what I’ve found!

This is the link:

https://www.cinematheque.fr/film/154288.html

WOW ANDREAAAAAA 😍 😍 😍 🌟 Thank you very much for sending me this, it is totally new to me!!🌟

I’m going to translate the text into English and paste it here, it’s really interesting!! 😍💜 💜

A new Home Movie by Frédéric Pardo has been found and it will be shown the 9th March 2023 at 19:30h at Cinema Reflet Medicis

                         Home Movie : Tina Aumont

Frédéric Pardo

France 1968  / 9 min 

With Tina Aumont & Roland Pardo (Frédéric Pardo’s dad).

Editing of found footage of fiction in Italian and shots of Tina Aumont and Frédéric Pardo in the Luxembourg Gardens, and in the countryside in a cemetery. Then shot of a lunch in the garden of a country house, we see Tina and Pardo’s father.

2K digitization at the CNC laboratory by the Cinémathèque française, from the 8 and 16 mm copies kept in the collections.

Three Home Movies, from a collection deposited at the Cinémathèque. Three previously unseen films, which show, in their simplicity of family films, an artist in love: Tina Aumont is permanently at the center of Paris Home Movie With Tina, a candid poem shot mostly in the alleys of Luxembourg and Pardo New York, where the couple joins Viva and Michel Auder in Central Park, and where we also see Nico at the window of a room in the Chelsea Hotel. Here again, Tina magnetizes the painter’s gaze. What he does with her and the light has no other aim than to translate into images an intimacy that obsesses and delights him. Different, because devoted to the group – in this case the Zanzibar band, Philippe Garrel, Serge Bard, Patrick Deval, Jackie Raynal, Michel Auder, Daniel Pommereulle and Sylvina Boissonnas – Home Movie Marrakech begins in Venice. Tina contemplates the Grand Canal from her room before continuing in a boat, then it’s Morocco, crossed in a large American car. We recognize Sylvina Boissonnas, producer and patron of the group, Caroline de Bendern, Auder, and others (it could be, it is to be confirmed, Jean Mascolo, Babethe Lamy and Pierre-Richard Bré). It is a prolegomena to the Home Movie that Pardo will do in the wake of the filming of Garrel’s Le Lit de la Vierge. It is notable that these films were not listed in the catalog of Zanzibar productions. Pardo obviously had no intention of showing them. Discovering them today, however, leads us to place them (all things considered) alongside certain films by Pierre Clémenti, Warhol, Mekas or Garrel: a whole crest line of a cinema that fuels the intimate, the couple, to the band, and to the meeting. In the psychedelic paintings that Pardo was doing at the same time (from his initiation, by Klarwein, to the ancestral tempera method), the princes, the sponsors were replaced by friends, loves. It was an idea he held dear. When we know the influence (aesthetic in all) that Pardo had on the Zanzibar group, we understand better in what perspective Garrel, at the time of Le Berceau de Cristal (where he films Pardo at work) needed in turn to gather his “ family” in his films. To repopulate an imaginary in exile, caught in a perpetual flight.

Philippe Azoury