During The Montreal World Film Festival 1963. At restaurant Le Colbert : Jean-Luc Godard, Johanne Harrelle, Claude Jutra, Arthur Lamothe, Gian Vittorio Baldi, Roman Polanski, Adolfas Mekas, Robert Hershorn, Victor Desy.

Claude Jutra, Jean-Luc Godard, Roman Polanski, Jonas Mekas, Robert Hershone & Victor Désy at The Montreal World Film Festival 1963. In August 1963 Roman Polanski was invited to the Montreal World Film festival with Knife in the Water.

Claude Jutra, Jean-Luc Godard, Roman Polanski, Johanne Harrelle, Victor Désy, Jonas Mekas, Robert Hershone at Le Corbet restaurant during The Montreal World Film Festival 1963. Roman Polanski was invited to the Montreal World Film festival with "Knife in the Water".

During The Montreal World Film Festival 1963. At restaurant Le Colbert : Jean-Luc Godard, Johanne Harrelle, Arthur Lamothe, Claude Jutra, Gian Vittorio Baldi, Roman Polanski, Adolfas Mekas, Robert Hershorn. Roman Polanski was invited to the Montreal World Film festival with Knife in the Water.

Jacques Gagnon in Mon Oncle Antoine (Claude Jutra, 1971)

Cast: Jacques Gagnon, Lyne Champagne, Jean Duceppe, Olivette Thibaud, Claude Jutra, Lionel Villleneuve, Hélène Loiselle, Georges Alexander, Benoit Marcoux. Screenplay: Clément Perron, Claude Jutra. Cinematography: Michel Brault. Film editing: Claire Boyer, Claude Jutra. Music: Jean Cousineau.

The title of Claude Jutra's richly textured film seems to promise a coming-of-age story, which is what, eventually, it delivers. But first the film acquaints us with a Quebec asbestos mining town in the 1940s. The first event we witness is a fight between a miner, Jos Poulin (Lionel Villeneuve), and his boss (Georges Alexander), which is hardly a fight at all because the boss speaks English and Jos doesn't, which easily allows him to ignore what the boss is saying and do what he wants to do: quit the mine and go look for work elsewhere. Our first look at Antoine (Jean Duceppe) is when he's doing his work as the town's undertaker: a comically macabre scene in which the corpse is denuded of the "suit" he was wearing for the viewing, which turns out to be a false front quickly plucked off the naked body and saved for another corpse, and the rosary is untwined from his stiffening fingers. Antoine is the owner, with his wife, Cecile (Olivette Thibault), of the town's general store, which employs his teenage nephew, Benoit (Jacques Gagnon); a teen girl, Carmen (Lyne Champagne), who lives at the store because her skinflint father (Benoit Marcoux), who pockets her earnings, doesn't want to pay for her upkeep; and Fernand (Jutra), who clerks at the store. It's Christmas time, though there's not much sentiment in the film's treatment of the holiday. One of the best scenes in the movie comes when the mine boss rides through the town in a little two-wheeled cart, tossing cheap gifts to the children as the grownups frown at his stinginess and comment that he hasn't given out any raises or bonuses. Benoit and a friend throw snowballs at the horse, causing the boss to beat a hasty retreat. One of the most celebrated of Canadian films, Mon Oncle Antoine benefits from Jutra's adaptation with Clément Perron of Perron's story, and from Michel Brault's cinematography, but most of all from the great credibility of its cast.

mon oncle antoine, claude jutra 1971

Mon oncle Antoine

Claude Jutra, 1970

Claude Jutras, circa 1957

April 2024 (1/2)

Blackbird - Norman McLaren (1958), Canon - Grant Munro & Norman McLaren (1964), Mosaic - Evelyn Lambart & Norman McLaren (1965), Blinkity Blank - Norman McLaren (1955), Neighbours - Norman McLaren (1952), La poulette grise - Norman McLaren (1947), A Chairy Tale - Claude Jutra, Norman McLaren (1957), Begone Dull Care - Evelyn Lambart & Norman McLaren (1949), Dots - Norman McLaren (1940), Rythmetic - Evelyn Lambart & Norman McLaren (1956), Opening Speech - Norman McLaren (1961), Hen Hop - Norman McLaren (1942), The Centaurs - Winsor McCay (1921), Dreams of the Rarebit Fiend: Bug Vaudeville - Winsor McCay (1921), Flip’s Circus - Winsor McCay (1921), Gertie on Tour - Winsor McCay (1921), Dreams of the Rarebit Fiend: The Flying House - Winsor McCay (1921), Dreams of the Rarebit Fiend: The Pet - Winsor McCay (1921), How a Mosquito Operates - Winsor McCay (1912), Gertie the Dinosaur - Winsor McCay (1914), Little Nemo - Winsor McCay & J. Stuart Blackton (1911), The Sinking of the Lusitania - Winsor McCay (1918), The Little Mole as a Painter - Zdeněk Miler (1972), Remembering Winsor McCay - John Canemaker (1976), So Long - Joanna Lurie (2012), The Table - Eugène Boitsov (2016), Grey Noise - Stéphane Aubier & Vincent Patar (2016), Two Snails Set Off - Jean-Pierre Jeunet & Romain Segaud (2016), Bāhubali: The Beginning - S. S. Rajamouli (2015), Bāhubali 2: The Conclusion - S. S. Rajamouli (2017)

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Kamouraska, 1973, Claude Jutra

Patty Duke-Saul Rubinek "By design" 1981, de Claude Jutra.

Flocons by Marie-Josée Saint-Pierre featuring test animations created by Norman McLaren for A Chairy Tale

wow (can, jutra 70)

yes hello I don’t know if anyone on here is familiar with the 1957 academy award-nominated pixilated short A Chairy Tale by noted gays Norman McLaren and Claude Jutra but this interpretation of it is KILLING ME

Mon oncle Antoine (1971, Claude Jutra, Canada)

A Chairy Tale (1957)