For the LOVE of GOD will someone tell me if they read this series so I know that I am not the literal only one???

Derek X Chloe—Darkest Powers aesthetic

My favourite notes I've written on The Reckoning by Kelley Armstrong.

SPOILERS BELOW THE CUT

Part 2?

A Chorus Line

Director Nikolai Foster

Choreographer Ellen Kane

Curve Theatre, 2021

(Photos by Marc Brenner)

I needed to draw her because most art makes her seem a lot older than she is and I have to remind myself they were only 15

9 on the Valentine’s ask ❤️

9. What ship represents the kind of relationship you’d love to have?

So, I had to dig far back in my brain for this one. My first ever favourite ship. Which is not teen wolf, instead from Darkest Powers by Kelley Armstrong (but still includes a werewolf named Derek).

Derek and Chloe. They are so sweet. From the way Chloe stays with Derek through his first failed change, and he hums her song on the bus. And how he listens when she talks about her insecurities and then tries to help her quell them.

If I had to have a relationship like a ship, it would be them because they support each other, and grew well together.

I like to think that Derek did eventually meet the Pack, and that he hit it off with Clay once the mutual distrust of strangers wore off. That Clay would take him to museums, and encourage his academic pursuits.

Meanwhile, Chloe would meet Jaime and Eve, and she'd figure out the ropes of being a necromancer more, and they'd bond over the oddities of being a necromancer dating a werewolf together.

Tori would meet Savannah, who would help her learn to control and hone her powers, and with Paige and Lucas, get more involved in the larger spell-caster world, alongside Simon.

And as they integrate with the Interracial council, and they learn of the Edison Group - the Cortez Cabal, led by Lucas, pursues the St Cloud Cabal for their genetic manipulation, and they manage to shut it down, maybe even passing an inter-Cabal MOU (because Cabal bureaucracy ofc) about no genetic experiments on supernaturals - something Benicio probably would not bother with, but it's important to Lucas and Savannah (and thus Sean and Bryce), so ends up happening.

Actor of the Week: Chloe Saunders

Actor of the Week: Chloe Saunders from #BonnieandClyde The Musical 🖤

Chloe is currently performing as a Swing in Bonnie & Clyde the Musical Chloe trained at The Urdang Academy graduating with a BA Hons in Musical Theatre. Her credits while training include: Molly in Ghost and Adele in A Man Of No Importance. Her theatre credits include: Ensemble/1st Cover Jovie in Elf The Musical at the Dominion Theatre, Ensemble/1st Cover Julie Jordan in Carousel at Kilworth…

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Chapter 3: she’s the queen of beasts (who’s the apex predator?)

Sheriff Donovan is bearist. Not all monster attacks should be blamed on bears.

Bianca is ready for a challenge. Meet Wednesday "The Challenge" Addams. Chloe Saunders betted on the goth girl while Derek Souza knows better to bet on newbies.

FROM (2022-) — 2.09 Ball of Magic Fire

FROM (2022) GIF PACK BUNDLE

In the source link below, you will find 117 gifs in 268x151 of VARIOUS CAST MEMBERS in season one episode one of the series From (2022). All gifs were made from scratch by me and are for roleplay purposes only. Please consider giving this a reblog if using or if you found this to be useful. Do not repost or claim as your own. If you have any questions, feel free to ask!

Say Something by Emma-Jean Thackray from the album Yellow - Director: Avesta Keshtmand

Your new favourite cult show - From

Bedevilled by an SEO disaster of a title - and the inevitable comparisons with the retroactively disappointing Lost - recent EPIX release From defies lowered expectations.

With slasher-smile ghouls, a mysteriously inescapable town, hints of Viking myth (those runes!) and a mesmerising central performance from Harold Perrineau, this is the latest little cult show that could. 

It’s surprising* how much coverage has zeroed in on Lost, when a more recent comparison would be Prime’s Yellowjackets. While the latter show has a more substantive cast, including a number of headline-friendly former child actors now playing middle-aged characters (saving some ‘where are they now’ features a click) and prestige glamour, From and Yellowjackets are essentially both survival horror tales with hints of occult dread to a greater or lesser extent.  

I think I’m throwing my lot in with From as it’s the scrappier contender, and bingeable in bitesize chunks. But oh - the biting in this show! Again I am reminded that fantasy horror - spectral revenants that tear unfortunate people caught outside at night to pieces - is more palatable to me, because it’s absurd, whereas a story about teenagers resorting to cannibalism to survive borders on realistic. And therefore more difficult for me to watch. 

At any rate - From is concerned with the inhabitants of a small unnamed town that is in fact an existential trap. Travellers who happen upon it are unable to leave, with the road out looping back to return them. The terror and confusion of being caught so mysteriously, we learn some recent arrivals become violent as a response, is then compounded by an onslaught of viciously cruel ghouls who attack each night. The only protection is a runic charm residents attach to the entrances to their home, a charm discovered in the surrounding forest by the guilt-wracked Sheriff Boyd (Perrineau), who has reluctantly assumed the role of town authority figure. 

The first episode opens with a family tragedy that introduces From’s audience to the brutal stakes of life in the town. Despite the strange conveniences on offer - food, electricity, and shelter are freely available to the townsfolk - monsters hunt at night and can compel people to open their doors and windows, inviting these bloodthirsty creatures inside. 

What follows is the arrival of two cars to the town, something which apparently has not happened in some time. These new arrivals kick off an escalation of violence over the course of the first season, with plenty of mysterious hints as to the nature of this trap, the monsters that attack each night, and whether there is a purpose to the seeming collecting and sacrificing of people from across the United States to this magically contained location. 

Think Brigadoon, but with monsters (or to tip the hat to the King, Jack Kirby - Brigadoom!). 

At any rate, I quickly binged season one just in time for the announcement that season 2 will be filmed soon. Despite my reservations about mystery box storytelling - I’m in for the journey. Perrineau is great, the supporting cast is wonderful (shout out to Chloe Van Landschoot, Elizabeth Saunders and David Alpay in particular), and the supernatural hijinks are chewy enough that I am intrigued to see where creator John Griffin and his writers plan to take this. 

- Emmet O’Cuana

 *Well....not that unsurprising - they share producers/directors and a star

FROM - Recensione 2x07 “Belly of the Beast”

In previsione di un intensissima fase finale, la seconda stagione di From non perde tempo ad arricchire il mistero con nuovi ed inquietanti elementi, fra terrore e un pizzico di speranza... 

RECENSIONE 2x07

Chloe Saunders used to have a relatively normal life. But now she finds herself in the middle of some really strange situations because: ~She suddenly starts seeing dead people. ~She gets locked up in a group home for unstable teens. ~The group home isn't what it seems. My name is Chloe Saunders and my life will never be the same again. All I wanted was to make friends, meet boys, and keep on being ordinary. I don't even know what that means anymore. It all started on the day that I saw my first ghost—and the ghost saw me. Now there are ghosts everywhere and they won't leave me alone. To top it all off, I somehow got myself locked up in Lyle House, a "special home" for troubled teens. Yet the home isn't what it seems. Don't tell anyone, but I think there might be more to my housemates than meets the eye. The question is, whose side are they on? It's up to me to figure out the dangerous secrets behind Lyle House... before its skeletons come back to haunt me.