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#cause this still holds up!!!
dukeofash · 1 year
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I simply think that once you introduce clothing to your fursona they can bear the sin of nudity. 
 A clothes-less fursona is just a funny animal, but If your fursona only wears a shirt, it becomes more evident that they aren't wearing pants.
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puppetmaster13u · 10 days
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Prompt 322
Danny squints up at the slightly older realms being, even if technically he’s older in human-age. The Chaosling is practically vibrating in place, the massive realms feline peering out from over their shoulder. Huh. So this is his Clockwork-assigned babysitter-cousin? 
He didn’t know how to feel about the whole suit thing, but well, he won’t say no to a good prank. C’mon Cujo, they’re going to the daycare dimension-place!
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courfee · 2 months
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“Regulus would be proud of us,” James whispered quietly to no one in particular, still gripping onto the painting like a life raft. 
— Tender Curiosities, Baby!  @otrtbs
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socksandbuttons · 7 months
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Please More bean eclipse au but… it’s sun babying Eclipse! Because he gets over his trauma via babying Eclipse right?
Also the baby carrier is funny 😄
Absolutely love that Sun gets over his trauma by babying the younger brother. In a sense its what they both need. To you and the anon who wanted something nice for Sun and Bean Eclipse interacting. Eclipse is far more comfortable being carried or held by Sun vs Moon actually. (altho like... in terms of who he'd rather be held by. Its KC, then Earth then Sun (Lunar is a contender only Sometimes). Never Monty. Moon is never perferred on this list but always over Monty.) Also just kinda... BY HEIGHT PREFERENCE LOL
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Also Bonus!
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Bloodmoon's arrival means i finally get to explore Bloodmoon and Sun bonding (This man jsut has trauma between these two where we settle it by Family Time because its obvious its needed and Sun admits this.) Also Bloodmoon being a bully and trying to steal attention and mess with Eclipse.
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cinnamon-flame · 5 months
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I had fun with the original style challenge and I wanted to draw something else like that and I'm a sucker for the Luxray line
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Here's just the Luxray for funsies
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fromtheseventhhell · 8 months
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"Sansa = Ned 2.0 and Arya = Catelyn 2.0" is one of those takes where you can just tell people are more attached to the aesthetic than anything. "The Stark girls are most like the parent they look least like" sounds good on paper and people run with the idea, regardless of how it actually fits into the story. A majority of the justification relies on misinterpreting all of their characters + a healthy dose of fanon. What gets me is that this is the same fandom that insists that Lyanna, only compared to Arya in the text, is equal parts Arya and Sansa but Ned and Catelyn, two fully fleshed-out and complex characters, have to be more like one girl or the other? There's just nothing in the story to justify being so adamant about these comparisons. Arya and Sansa have parallels with both of their parents but at the end of the day, they are unique characters with their own stories. I'll never understand why people want to flatten these complex characters down to their most basic tropes and fit them into restrictive boxes just for a "poetical~" comparison.
#arya stark#sansa stark#catelyn stark#ned stark#house stark#asoiaf#BORING YAWNING SLOPPY#notice how these takes never come with actual evidence from the books to make direct comparisons from the text?#/ned is a gentle quiet poitican/ and he physically attacks someone + constantly shows his frustration and voicing his opinions#our first introduction to him is him executing a man and we know he's done so several times that year#he says that his toddler son needs to grow up and stop being afraid of a giant wolf cause /winter is coming/ and Northern life is hard 😭#/Cat is a feral wild woman/ and her chapters are full of her holding her tongue and trying to mediate situations#people literally switch their characterizations cause the second a woman shows emotion she's /feral/#and a man can be the most wild unhinged character ever and still be /kind/ and /gentle/#like yeah fanon sansa is fanon ned 2.0 and fanon arya is fanon cat 2.0 but their actual characters are more complex then that#the only valid /2.0/ comparison is between Lyanna and Arya but somehow she gets split between Arya and Sansa 🥴#my hourly frustration at this fandom not caring about the story and only being here for /the vibes~/#like Ned hates Tourneys and protests one as a waste of resources while Sansa is planning a Tourney and using resources while winter#is arriving and smallfolk are going hungry...but she's Ned 2.0? Where? How? Huh?#And yeah Ned deals with politics in KL but that's relatively a small aspect of his character#and even him constantly speaking his mind and challenging Robert directly is the exact opposite of Sansa's approach 😭#/courtesy is a Lady's armor/ vs. /I'm gonna tell Robert he's an idiot right to his face/ oh yeah totes the same#Arya is the character following his advice and guidance for a reason just saying#like if Sansa was doing the same I could see it but she..isn't? Her approach is much closer to Catelyn's than Ned's#I don't understand why people have all of the sudden decided that the Sansa/Cat parallels are shallow when they're#very similar characters and Sansa's current plot actually revolves around that fact#obviously they're not exactly alike but no two characters are or even meant to be...their comparisons are still very valid#tired of being expected to accept an idea just because enough people repeat it
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Danny Phantom x Moon Knight
Been obsessed with the idea of the crossover between these two shows! Mostly because it’s Danny Phantom cannon that Tucker is the reincarnation of an Egyptian pharaoh!! And the crossover would come in with Tucker’s past life having being one of Khonshu’s previous avatars. Hell it could even be that Tucker was Konshu’s first ever avatar!
Like I’m just picturing a scene where the Moon Knight System and Khonshu meet team Phantom and Khonshu takes one look at Tucker and just has a stroke cause that is one of his previous avatars who died thousands of years ago wtf is he doing here alive and looking like a teenager. And if we’re going with the whole Danny is the king of the ghost zone via conquest, his next thought would be and why the hell is he hanging out with the king of the dead?!!!!
Meanwhile the whole of team Phantom can see Khonshu, Danny because he’s half ghost, Tucker because he’s a reincarnated pharaoh who was a previous avatar, Sam cause she was once given ghost like powers for a short time by Undergrowth and is now not fully human anymore, and Jazz because she’s lived in Amity Park exposed to ambient ectoplasm in the air for so long that she’s now liminal as hell!!!
Team Phantom is just staring up at this giant bird skull person in absolute confusion. And then Tucker just kind of squints at him for a moment and goes “hey I know you!” And the Moon Knight system is just standing there in the background confused as all hell, looking back and forth between this group of kids and Konshu.
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dirtytransmasc · 10 months
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[mild tw for marital rape/forced 'consent' its only referenced a little, but it feels necessary to mention it]
imagine Alicent only standing up for herself when Aegon is in the picture. Imagine her talking her son to her chambers cause he's fussy and won't go down for bed and was asking for his mum, and she has him tucked close, blissfully asleep, and Viserys calls for her.
she knows she can't refuse, but she tells the servant he had sent to make him aware of Aegon's state. he still demands that she be brought to his chambers and that the babe go back to his nursemaid. she looks down at her baby, who's now woken due to the disturbance, who is staring up at her with soft tired eyes, a little yawn escaping him.
she doesn't want to go, she doesn't want to be forced to take her husband, to pleasure him at her own discomfort. she doesn't want to leave her son, to have him sent back to bed where he will remain restless and in the care of someone who is not his mother. she had never want to refuse more than she did in that moment.
she hesitates, her facade falters. Aegon is still looking up at her as tears well up in her eyes. he quirks his head at her, fingers reaching for her cheeks as if to comfort her. with a sudden conviction, she takes him in her arms, rising from the bed, requesting a robe and a blanket. when her servant looks at her in question, she clarifies that she will be taking Aegon with her and does not wish to rouse him in attempts to dress him. they look at her with shock, but don't voice the concern written on their faces.
they bring her Viserys's favorite robe. Alicent recognizes it from her time with Rhaenyra and Aemma. she's worn it before, Viserys has made sure the servants bring it to her every time he requests her. she hates the way it feels against her skin, knowing why he makes her wear it. she wraps aegon in his blanket, soft and royal blue, his hands beginning to play with its golden tassles as she tucks him inside her robe, pressed to her chest with care.
even as fear bites at her heels, anxiety churning her stomach, she walks to Viserys's chamber with her held high. she knows she is only asking for her husband's wrath; she knows she should just obey him, but she just can't. her son will not suffer a sleepless night and horrid following day all because her husband feels the need to use her body once more. he will not suffer at his father's hands tonight, even if she has to endure Viserys's anger for it.
she enters her husband's chambers, finding him in bed, in a white night gown, clearly ready to use her; he was never subtle when he asked for her, not even the first time.
she pauses in the doorway, pulling back the robe slightly, making him aware of Aegon's presence. she watches his face fall, barely muted anger. she holds onto Aegon tighter. part of her fears he may hurt her for this disturbance, but more of her fears he will hurt Aegon on her behalf.
"I told the damned servants to take him," his voice is warped and cruel, just an angry scowl of sorts.
"Aegon is not well, dear husband... I could not leave him," she admits before he can say anything else. she puts her foot forward as a mother, hoping to claim mercy from the man who made her one.
he mutters something in response, not quite loud enough for her to hear. she has a feeling she is grateful for that.
"what was it you needed, my dear?" she tries to sound sweet and kind, in attempts to abate his anger, "I'm sure I could still attend to it."
"you know what I wanted," he yelled. it had been the first time he'd truly raised his voice to her. she couldn't help but gasp, stepping back one step, than two, stopping when Aegon began to fuss, curling around him instead.
"Please Viserys, the baby." she ducks her head down to press her against his whispy white hair. her son his huffing, as if about to cry, and she's sure if she could see his face, his little cheeks would be red and his eyes would be crinkled and wet, his lip puckered. she begins to rock him slightly, still afraid to move.
"your'e dismissed," he grunts, but his tone gives it away. she knows he doesn't mean it, the if she leaves she will be in more trouble. she questions staying, calling a servant to take Aegon and giving him what he wants, but decides against it. he would not come before her son, not now, not ever.
"I'm sorry, my dear, another night, when I do not have Aegon to tend to," she forces some cheer into her tone, "he is still so young, so helpless. he needs his mother. I'm sure you understand?"
"he is not the only one in need of you." he had not lost his anger yet. not even for the sake of his son.
"yes, of course. forgive me. only he is not as understanding as you, my love." that wasn't the truth, Aegon was more kind and understanding at a year old, than viserys was in all of his years. "I will leave now. I am sorry for the disturbance."
she pauses for a moment, waiting for her husbands reaction. when he doesn't lash out at her, she breathes a quiet sigh of relief, feeling as though she has evaded a great beast. her heart calms in her chest, slowing from its fluttering and her stomachs stops its dizzing ache. she questions turning and running, fleeing from his presence before he can change his mind, but knows better.
she hurries to his side, eyeing him all the while, each step calculated, avoiding cracking any eggshells, until she is close enough to kiss his cheek. he allows it, and gives Aegon grace when he reaches out for him, letting him play with his finger a moment, before pulling it away, not even turning away fully before sneering. she takes that as her cue to leave, this one being much more genuine than the last.
"goodnight dear husband." he says nothing. she takes Aegon's little hand, waving it slightly, "say goodnight Aegon."
her son tries to imitate her, though unintelligible, as a toddler would. she continues to smile and coo at him even when his father ignores him, not letting him feel his father's scorn, quickly turning towards the door and back to her own chambers.
the second the door is close she feels herself sag, she would have fallen to the floor right then and there had there not been kingsgaurd watching. instead she holds her head high once more, walking calm and steady, like a queen should.
Aegon settles his forehead against her collar, giving a great yawn against her skin. she smiles at him fondly, kissing his brow, earning a tired little giggle from him. it hits her that he is unaware of the trouble he just saved her from. she feels equal parts relief as she does terror; she hopes he never knows, never understands, but is so so thankful for it none the less.
the second she steps into her chambers she pulls of the robe, setting it aside carefully despite the pain it brings her, respecting the memories it carried. she pulls back the covers before smothering her and her son amongst them. he's quick to curl against her, quite tuckered out after their harrowing adventure, even if he was unaware of its true weight. she herself still wanted to cry, but was similarly too tired to keep her eyes open for another moment. tomorrow, she tells herself, tomorrow will be difficult, but tonight you have your son, tonight you have a chance to rest.
so she does, she holds him close, tracing fingers over the gold threaded patterned of his blanket, feeling the shifting of his chest as he breathes and the tickle of his hair against her neck. all is well in that moment. she drifts to sleep at the thought.
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scrivenger-grimgar · 8 months
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"well, the Uzumaki and Uchiha have around 25-ish members again, which would allow them to be reinstated as clans allied to the village by charter right," Tobirama stated, entirely unfazed by the eyes of the many clan heads watching him speak. Itama shifted his tiny (painfully tiny, was he always that small??) body in his hold, gripping on tighter to his mother's fur collar. both he, Kawarama, and Nawaki were heartbreakingly silent through the whole ordeal, even when the resurrection started by way of the lost Hatake boy, Orochimaru.
"but the Hatake and Senju still only have less than 10 and 15 members respectively, meaning that there would be a power imbalance between the four newly resuscitated clans. given the feud that is, arguably, still active to some of us revenant, it doesn't seem wise to leave it be."
and that was the crux of the matter. several members of both the Uchiha and Senju that had been resurrected had died when the Senju-Uchiha blood feud had been ongoing. both his brothers (his brothers!!) had died far before the village had even been a thought in Hashirama's wood cork of a brain, along with Madara's own siblings, like his older brother Hidehiko, Izuna, their younger brother Matsuri and his twin sister Shouko, and their youngest sister Choushi. thats not even mentioning the adult shinobi under the same circumstances; 22 year old Senju Yasuiro and 28 year old Senju Fuushinshi had attacked and injured Uchiha Kouga, and also injured the man's 12 year old niece Uchiha Rukia, before Tobirama, Madara, Hashirama, and Mito managed to tie them all down.
(if Fuushinshi was sporting a break in his arm, in the same place as young Rukia, well. That was between Tobirama and his cousin.)
"Thats not even mentioning the non-clan shinobi who were resurrected, who, in all likelihood, are probably related to one of the four clans in question. if they become affiliated with said clans is entirely by their own choice." he said, his tone brokering no room for argument. Tobirama was honestly surprised that he hadn't been interrupted yet, but it might be the shock of having so many once-dead shinobi in Konoha's meeting hall.
pursing his lips ever so slightly, he looked to Hashirama, holding Kawarama who was making faces at Itama, then to Touka who was standing behind Mito and holding Nawaki. his brother tilted his head and Touka nodded, flickering her chakra in code pattern for 'plan, question.'
Tobirama sighed, mostly as a visual sign of reluctance for the other clan heads present. 'contract, agreement. kill, home-clan; fade, wild-clan.'
Hashirama's eyes sparkled, his smile not fading from his face in the slightest.
"our agreed upon solution to both the power imbalance and the lacking size of the Senju and Hatake clans is to incite the charter's directory number fourteen."
only two of the clan heads seemed to recognize what he was referencing, tjose being the Nara clan head, as expected, and Madara, who literally co-wrote the damn thing with him. Madara threw his head back with thundering laughter, which Tobirama related to on a personal level.
it was extremely ironic that the ones to end the Senju way of life would be the very people who had been hurt by it the most.
Itama jerked in his arms at the noise, so he adjusted his grip to hold him tighter. several eyes landed on the still laughing Madara, who Tobirama knew was not going to explain anything. the Nara head didn't look any worse, so he either knew what the Senju used to be like, or he simply didn't care.
Tobirama had expected most of the clans to not have invested in that particular article after it was written, but... he was extremely unpleased with Hiruzen's puzzled, near silent question of "the what?"
Madara's laughter died off with the (to most) unexpected line of, "wonderful play, Senju." vicious smile almost mocking to anyone unfamiliar with him. which was everyone except him, Mito, Hashirama, and Izuna.
Tobirama simply inclined his head in acknowledgement. he ran one hand through his hair, carefully avoiding the carefully disguised braids he'd tied into it this morning with Hashirama, Touka, and Orocchi.
"to answer your question, Hiruzen, 'the what' is the clause in the village's Constitution that states, 'when a clan is no longer large enough to support itself and its members, an allied clan who is willing and able are to induct the clan into their own, allowing the continued survival of the bloodline. this can be enacted when a clan's number drops beneath the range of the clan's expected member count.'"
clearing his throat, he continues on, projecting his voice to call over the now disorganized shinobi.
"in essence, this means that the senju will join either the Uchiha, Uzumaki, or Hatake clans, as those three have priority over other clans in the village due to both personal and blood relations being closest. thus, to avoid further power imbalance in the number of members to each resurrected clan, the Senju will be hosted by the Hatake clan."
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ilykirara · 4 months
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In light of Lunar New Year, I hc that Liu Kang does the most BEAUTIFUL dragon/lion dance (MK11 ver. definitely paired up with MK11 ver. Kung Lao whenever it was Lunar New Year)
MK1 ver definitely makes his fire dragons do the dance in the air at night <<3
If have time I definitely wanna draw Liu Kang with his dragons (but like... my schedule is so bad rn so if anyone does it TAG MEEE!!) / Raiden, Kung Lao, Cage, Takahashi, and Liu Kang doing the dragon dance PLEASE
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helpimstuckinafandom · 6 months
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"To think I believed godhood was worth losing all this" "I can see why I loved you" CAN YOU FUCK OFF MAYBE
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imthursdaysyme · 8 months
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Stobin and their fall haircuts
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henrybelly · 8 months
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honestly when i tried to figure out why some fans are so mad at ivypool these days i was looking through avos and. the scene where ivypool apologises to twigpaw for not supporting sending a patrol for skyclan is genuinely very sweet??
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i actually saw someone characterize this as "ivypool forcing twigpaw to forgive her". is it crack you smoke. is that what you smoke. you smoke crack?
#she apologises THREE SEPARATE TIMES#she acknowledges that dovewing and tigerheart's situation made her ignore twigpaw's feelings#she reassures twigpaw that this is the right thing for the clans. she tells her she's proud of her & tc is lucky to have her#you guys do understand that to apologise you have to Do Something Wrong?? or is that the part that's so unforgivable?#i am fASCINATED by the treatment of dove and ivy by the fans in recent years#i'm still pondering it but i think there are a few root causes#1) I think a lot of people read oots as kids and hated dove & identified with ivy because of the underdog storyline#maybe this fandom worship of dovewing is kinda part of that? wanting to feel like you've grown out of fandom misogyny?#but i also feel like 2) tigerdove has really increased dovewing's popularity#and i think because ivypool is so staunchly opposed to their relationship people then have to villainise ivypool#3) is maybe too spicy of a take but to be honest#i think people are subconsciously way more comfortable with a woman whose story ends in heterosexual marriage and childrearing#dovewing's mom role in TBC to shadowsight probably helped her popularity#so ivypool whose relationship w Fernsong & her kits is much less of a focus. and is mUCH less maternal#and who still exhibits Ugly Female Emotions like anger and hurt#and who God Forbid now holds a position of authority...#is too complicated to fit into :) she's such a good mom :) she's such a good mate#dovewing is easier to like because she tends to be a victim of circumstances (🤫 and often lacks agency in her storylines)#since ivypool regularly uses her agency to Fuck Up#fans revert to idealising dovewing because not only is she too good to do bad things. she also doesn't do Things in general#never mind that ivypool is the one who sacrifices and apologises#anyway <3 i think if i made a full analysis of ivy and dove post OOTS i would get too many spicy anons so i will cower in the tags
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sorrelpaws · 2 years
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BACK TO TOTALLY NORMAL RICK AND MORTY ADVENTURES!!!!!
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lord-squiggletits · 4 months
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Y'know the thing about writing feral/unhinged versions of Orion/Optimus, is that you can't go too far into the feral/unhinged direction to a point where OP's core character traits are lost or become too diminished. After all, in a multiple-continuity franchise like TF, part of what makes the stories make sense is that even if details change (sometimes major details), the characters are still recognizably themselves to one degree or another. (Although this isn't always the case due to executive meddling or some characters being such blank slates from their initial G1 appearances that there's basically nothing to model them off of, but I digress.)
It's pretty much another reason why I love IDW1 Optimus, bc he literally is a canonical feral/unhinged Optimus who's unhinged as a direct consequence of who he is as a person and what he's been through. Like, he still has those fundamental character traits of trying his best to be moral and make good choices, trying to be a role model, etc, except after 4 million years of war and untreated depression he's basically holding onto his sense of self by his fingertips. So when he "goes feral" e.g. losing his temper and beating up/killing people or saying hurtful things, he's feral in a way that's directly tied to his normal personality and not just as a random quirk he has.
IDW OP's feral moments arise from the gaps between "Optimus' attempts to be who he thinks he needs to be" and "the reality of the world that he can't fix/seems to only make worse" that cause him to lose hope, or become cynical, or lose his temper. But in this case, the unhinged-ness makes perfect sense because it arises out of Optimus trying and failing to be the best person or to make the most morally good choices he's trying to make. Basically, the "feral/unhinged" label is just another way of me trying to say that he's not just unhinged because he's weird or because he's a bad person, but because it's an emotional reaction (more like an emotional explosion due to pent-up emotions) to the context he exists in.
I'd also say that IDW OP's personality being generally reserved/stoic and (trying to be) noble works in tandem with those moments he has of going feral because it makes him more realistic. His psyche is treated in a way where the writers are like, "Hey what if the pressure of having to be everyone's idol and be the best person in the galaxy at all times actually broke Optimus down mentally and emotionally?" It makes IDW OP far more relatable. Instead of naturally being a perfect Christ-like figure who never wavers in his morals or convictions and is just naturally a nice person who always has the wisest and best answer, being a good person is something that IDW OP has to consciously strive to be. Even when he feels like it's useless, or the cycle of violence will never stop, or any attempts he makes to help only ends up with things becoming worse.
And I feel like this does a service not only to IDW Optimus as a character, but also as a sort of moral/philosophical perspective for the reader to ponder upon? I feel like culture at large (or at least my experience of it) tends to believe that "goodness" in a person is simply an innate feature that people are born/not born with, and that being "good" means that you must be good at all times, both in your actions as well as the way you feel emotionally about yourself and the world. Like, there's a tendency for our vision of "a good person" to be good in every aspect at all times without having to try to be a good person. So I think IDW Optimus' character stands as a good example of how someone can be good at heart but still struggle to maintain those feelings of optimism and hope and justice. It's a good idea to have such a paragon of a character (in-universe and out-of-universe) be so conflicted and to even be mistaken, misguided, or make things worse because it shows that goodness is as much about "trying to behave/act in a way that is good" and not just "existing as an innately good person."
It's way more realistic for a person to want to be good, try to be good, and sometimes/often fail than it is for them to just be a good person. I enjoy the fact that IDW Optimus is both a good person at heart, but also has to strive to be a good person and live up to other people's expectations of what they see in him. I like how he wants to be a good person and change society for the better, but he also spends a good amount of time either feeling hopeless and alone or being angry at/detached from other people because of how frustrated they make him. He's realistically portrayed as someone who wants to be good and hopeful and change things for the better, but is also mentally and emotionally broken by that burden because of how impossible it is for him to Fix Everything and be the Perfect Prime/Leader/Autobot that people see him as. It's this fascinating mixture of "yes, this is who he is as a person" but also "there are things he desires to be that he could never possibly become or live up to."
This got really far off based from feral/unhinged Optimus sdklfjaslkdlfkas. The TLDR is that if people want unhinged OP, I feel like they should give IDW OP a chance because he IS unhinged but he's unhinged in a way that's a realistic/thematic representation of how being an Absolute Good is impossible. And how being a good person isn't just about Existing And You Are A Good Person, but rather goodness is a constant state of flux in which you adjust, you make mistakes, you lose your temper and feel hopeless, but then you pick yourself up and try again.
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Also IDW OP really likes climbing in dangerous wilderness and jumping out of flying vehicles which I think is very feral and sexy of him to do.
#squiggposting#idw op love#idk if i adequately explained it in the body of the post. but i really do feel some kind of way about the idea of like#being a good person isn't about just being static. always being the same person. just naturally being good and nice all teh time#but rather being a good person will cause you to be CHALLENGED and being a good person calls you to ACT#and you WILL make mistakes. there's never a situation in which you're all wise and always have the right solution or are infinitely patient#but goodness is something you can CHOOSE something you can BECOME and you can still have negative emotions and CHOOSE to be good#like being a good person is a continuous process of self improvement. you aren't just born a good person#and i'm not trying to tear down the notion of 'goodness' or say it doesn't exist#rather i'm trying to say that it's far more comforting to hear that you don't have to be The Best Person at all times#it's comforting to know that good people aren't just Effortlessly Good because they were Just Born That Way Naturally#there certainly are some people like that but most of us aren't like that. and i just like idw op for that reason#he shows that like. you can be a fucked up mentally ill guy who despairs and loses his temper and is basically suicidal#but you also still genuinely try to be hopeful and try to help others. like you are good because you Try To Be Good#and you Try To Hold Onto Your Principles bc giving up or becoming evil isn't an option for you#but also trying to be A Good Person drives you fucking crazy bc we live in a universe where that perfect good simply isn't possible#so the result is an optimus who's at once Noble Paragon and Unhinged bc he's unhinged as a result of trying to be a paragon
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the-woman-upstairs · 2 months
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Honestly, even without Art’s attempts at manipulation and sabotage, I don’t think Patrick and Tashi’s relationship would’ve survived anyway. Before they started dating, Patrick was criticizing her career plans and Tashi was never interested in entertaining his massive ego at her expense. Passion and chemistry are important to relationships, but if that’s the only foundation, it’s gonna crumble quickly.
The only difference between Patrick/Tashi vs Art/Tashi is that the relationship would’ve ending with a bang instead of a whimper.
#challengers#challengers spoilers#patrick and tashi need art between them#his willingness to submit even when done so with manipulative intentions does let tashi and patrick to indulge in their desire for control#the movie makes a point of saying that patrick is constantly shooting himself in the foot because he’s unwilling to humble himself#art let patrick get away with a LOT but tashi does and would not#but even tho patrick does get to the point where he can humble himself it’s still necessary for patrick to go off script and stir shit up#the way the film ends makes it abundantly clear that all three of them need each other to function#and that each person brings something different to the trio that each person needs#so i don’t buy that patrick and tashi could’ve worked things out on their own#tashi so clearly likes art’s dependence and loyalty to her#while also getting a lot from patrick’s passion and pushback#would also like to say that i personally love when art’s a mean little bitch#not only cause it’s fun but because it really seems born out of a fear of being left alone/behind#spreading my ‘art’s a greedy pillow princess that actually needs TWO tops to handle him’ agenda#and wrt the injury…sorry no one’s actually at fault for that#not only could no one could ever engineer something like that#it could’ve happened at any time because that’s life#in the film it’s meant to underscore the danger of disharmony between all three of them#and snap the tenuous thread holding all three of them together#and placing blame kind of misses the overall point the film is going for wrt the relationship between all three#hey is it just me or has this film broken my brain
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