One thing I really want to see is Venti learning about technology. Imagine him trying to figure out how a toaster worked lol
Or even seeing himself on tv or on a phone.
Honestly though, this is one of the things I most struggle with when it comes to creating content for the Venti in our world thing, I have to like triple check that what I'm referencing doesn't already exist in their world because I honestly have no idea what the heck kind of time period that game is set in.
Just to list off a few, I have contemplated over whether or not they have running water (I still don't really know, but I assume yes to some extent),
General electricity (there's a bunch of street lamps and chandeliers, and also the ruin guards look like they run on something akin to electricity, but they're also considered ancient technology, so I'm not sure on that one but I've gone mostly with no),
Refrigeration (I think I decided no because our version of that can't exist without electricity, but there is probably some form of it made with ice or cryoc powers),
Materials like plastic (pretty sure I read that one of the characters was holding a plastic cup in a scene, but who knows if that was intentional, but factories do exist so maybe?),
Coffee (now I've seen this one be directly referenced in the game before once, but again could have just been a non thought through decision, but it's not like they have coffee bean trees so—),
Honey (there are no bees),
Other stringed instruments like guitars (Xinyan does have one she made herself, but honestly, that brings about a whole nother lot of questions like how can rock music exist without electric instruments?? If her guitar is an electric one what does that mean for electricity existing in the game as a whole???),
Hair dye (I dye my hair a lot, it's green right now, I just want to know if it would be seen as normal for me to just suddenly show up one day with purple or blue hair out of nowhere)
You get the idea, a lot of unanswered questions that I kind of have to come up with answers for on the fly, and I'm partly worried about making the mistake of messing something up because I didn't know it already existed in canon. Like, technically speaking, cameras do exist in a form over there, but how the hell does that work?
Now that I've successfully used this ask to rant about all the inconsistencies and plot holes that may or may not occur in my future writing— I think out of all the Archon's, Venti is probably the most receptive to change and new things, so I could see him being super excited and curious about everything, would probably accept things pretty easily at face value while still being rather fascinated about our technology and how things like that came about.
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There’s been a lot of (very excellent!) discussion recently about Brigid and Stephen and how much she’s loved, and I feel like that’s a very good segue into a topic which I’ve been musing over for a while: namely, Patrick O’Brian’s treatment of love in general. Because honestly I feel like one of the things that’s most captivated me about the Aubreyad in general is the sheer amount of love it contains, the vast majority of which is (canonically, at least) non-romantic, and I think that the further I get into the series, the more that strikes me.
Like honestly I cannot even begin to explain how incredibly good POB is at portraying loving relationships, whether they’re friendships, marriages, or parents and children (/surrogate parent and child, as the case may be). I’m actually genuinely not sure if I’ve ever read something like it. I think that a lot of media really struggles with platonic relationships, which is a question that probably deserves a 400-page thesis about it and that I’m not really qualified to answer, but the Aubreyad somehow manages to create relationships that are all so imbued with love that it genuinely does not matter whether or not the people in them are in love or not. While I’m certainly here for reading Stephen and Jack as a romantic relationship, there’s a certain point where I actually don’t care whether or not they’re friends or lovers, because the complexities of what they feel for each other and what they mean in each other’s lives is just as deep either way. And all the relationships in the book are like that: Bonden and the Surprises looking after Stephen, Jack with Mowett and Pullings, Stephen and Sophie, and on and on into infinity.
I think the thing that makes me the most insane about this is that these relationships all feel so unbelievably, viscerally real. The love that’s stored there is the same sort of love that I feel for the people in my own life, with all the inevitable disagreements and exasperation and imperfection that it comes with. I think it’s incredibly difficult to capture that exact feeling in writing, and yet somehow he’s managed to do it. There’s been so much talk about the way in which people in our day and age and media in general struggle to talk about friendship and platonic relationships as meaningful, and I’m not saying that just any writer could go out and weave a tapestry so complex as the Aubreyad does, but reading these books is like a balm for that. There’s something so reassuring in knowing that a romantic relationship is not the be-all-end-all for any of the characters in these books, no matter how you look at it. Each of them is surrounded by a web of people who are deeply implicated in their existence and who truly care what happens to them.
I think fiction, by its nature of needing to bring characters in to serve a role in a linear plot, doesn’t often leave room for love of this kind, and I don't want to be critical of that, because not all narratives can be like the one Patrick O'Brian's written (which is 100% okay—it should be that way, that's how narratives work!). But there’s something so healing about reading a story in which all of the characters are so deeply loved. It’s like a mirror; looking into it, you can see your own relationships, and by extension, just how loved you are, even if most of the time you don’t realize it. Humans are not lonely creatures, and no one captures that better than Patrick O’Brian.
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"It’s Not Too Bad When You Get Used to It" by IneffableDoll
T, 8 chapters
CHAPTER 1: 3.3k
Following Armageddon’s failure, Aziraphale and Crowley perform the bodyswap, prepared to be captured by Heaven and Hell. But after both factions fail to show up the next day, the angel and demon must pretend to be the other for much longer than anticipated…
Hilarity ensues, feelings are felt, and no one anticipated so much breakfast being involved. But that’s ineffability for you.
*
Prewritten; will update every three days until completion. Come back on December 29th to binge!
A silly romp of Aziraphale and Crowley poorly playacting as each other, with fluff and feels because I can't help myself. Queerplatonic, aroace, lots of banter and humor! Book vibes and characterization with season one canon.
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